SlideShare a Scribd company logo
1 of 39
Aegean Arts Cycladic Civilization Minoan Civilization Mycenaean Civilization
Cycladic Civilization(3000 B.C.) The Cyclades is a group of thirty small Greek islands and numerous islets in the middle of the Aegean Sea. The Cycladic culture was once active here between 3200 and 2000 B.C.; what little we know about this society comes in large part from the art they left behind.
CYCLADIC IDOLS (2100 BC) Although several types of sculptures have been discovered including seated and standing musicians (most notably harpists), cup bearers, and double, and even triple, figure groupings – the most remarkable are standing (or reclining) figures, the majority of whom are frontal, naked women with arms crossed over the waist. The heads, resting on long necks, have flat faces and prominent noses, but no other features. 
CYLADIC IDOLS(2100 BC) Their distinctive shape suggests a unique function, but without contemporary written documents this cannot now be deciphered. Nearly all examples come from cemeteries, suggesting a funerary role. But who or what do they represent? It is unlikely they portray the deceased because these female figures have been found in both women’s and men’s graves. It is more likely that they represent a divine or demonic being perhaps meant to protect the graves of wealthy individuals, since most Cycladic graves do not have such figures or even any grave offerings.
MINOAN CIVILIZATION(2100 BC) The Minoan CiviliZation of Crete was the first advanced civilization in Europe. By 2500 BC most people had left the Neolithic way of life behind them, which they had endured in the Early period, and moved into the Minoan. The Minoan Civilisation was named after the mythical King Minos. During the Middle Period, it is likely that the civilization reached its peak, where metalwork and pottery was produced to a very high level of both skill and imagination.
OCTOPUS VASE(1500 BC) Ornamental patterns and plant motifs were painted on vessels in dark colors on a light background. By the end of the century, designs included marine flora and fauna, which scholars now call the "Marine Style." The Marine Style is found not only on Crete but also throughout the Aegean islands and on the Greek mainland. The examples all share the same decorative elements — triton shells, octopuses, seaweed, and other marine motifs — and all have similar compositions, implying perhaps a single workshop or, at least, shared influences.
OCTOPUS VASE(1500 BC) The Marine Style first appeared on wall paintings, clay reliefs, stone vessels, and faience objects before it was used for painted vessels. One of the most successful painters of this style is called the "Marine Style Master." This artist's definitive pieces are an elongated flask from Palaikastro, and a stirrup jar (so named because of its stirrup-shaped handles) from the "pantry of the shrine" at Kato Zakro. Both vases are only about 10.5 inches tall, but each is elaborately decorated with a frontal octopus, swimming diagonally across the body of the vessel. 
SNAKE GODDESS1600 BC Evans identified the three faience figurines as a "snake goddess" and two votaries. Of his "snake goddess," Evans actually found only the torso, right arm, head and tall hat; the rest of the figure has been reconstructed. One of the figurines Evans originally named a votary is now also usually called a "snake goddess" and is the better known of the two, although it too was missing parts: the head, the lower part of the snake held in the right hand, the entire left arm above the elbow, and portions of the skirt.
SNAKE GODDESS1600 BC Evansí identifications were based on the assumption that women dominated Minoan society and that these figurines represented "goddesses" worshipped by the Minoans as images of the Mother Goddess, like the earlier "Venus" of Willendorf in prehistoric Europe. Although snakes have been linked to fertility deities, there is little evidence of the worship of a snake goddess on Crete, and the exact nature of these figurines is not at all assured.
MINOAN PALACE(1900 BC) Around 1900 BC, the Minoans began building several huge palaces, the greatest of which was at Knossos (also spelled Cnossus). Originally, the palace was separate structures around a great central court. In about 1720 BC, however, an earthquake leveled most of Knossos. The multistoried palace was soon rebuilt, with spacious colonnades and flights of stairs connecting the various buildings.
MINOAN FRESCOES(1400-1375 BC) Numerous fragments of wall paintings in 1901 in the ruins at the palace of Knossos on Crete. Among these, fragments recovered from the eastern wing in the so-called Court of the Stone Spout, are believed to have fallen from a room above and been crushed during the destruction of the palace around 1375 BC. Enough
MINOAN FRESCOES(1400-1375 BC) The figures inhabit a solid blue environment without a ground-line on which to stand, and all have their feet pointed sharply, as if they are hovering in mid-air. The neutral space surrounding the figures both separates the scene from reality and expresses the excitement and lightness of the acrobatic movements.
MINOAN FRESCOES(1400-1375 BC) Acrobatic ritual sports with bulls are represented in earlier miniature paintings and large stucco reliefs, but these panels show larger figures (a little over a foot tall) and a more narrative subject. This restored panel and its presumed companions are our best examples of Minoan bull leaping and have been christened "Toreador Scenes." But why and where such contests were held is unknown.
Mycenaean civilization was dominated by a warrior aristocracy. Around 1400 BC the Mycenaeans extended their control to Crete, center of the Minoan Civilizationand adopted a form the Minoan script called Linear A to write their early form of Greek. The Mycenaean era script is called Linear B. The Mycenaeans buried their nobles in beehive tombs (tholoi), large circular burial chambers with a high vaulted roof and straight entry passage lined with stone. They often buried daggers or some other form of military equipment with the deceased. The nobility were frequently buried with gold masks, tiaras, armour, and jeweled weapons. Mycenaeans were buried in a sitting position, and some of the nobility underwent mummification. MYCENAEAN CIVILIZATION(1500 BC)
LINEAR B(1200 BC) Despite such a non-descriptive name, Linear B has proved to be the oldest surviving record of the Greek dialect known as Mycenaean, named after the great site of Mycenae where the legendary Agamemnon ruled. The script's usage spanned the time period between approximately 1500 BCE and 1200 BCE , and geographically covered the island of Crete, as well as the southern part of the Greek Mainland.The script was discovered by archeaologist Sir Arthur Evans in the early part of this century during excavations in Crete and the Greek mainland.
MASK OF AGAMEMNON(1500 BC) According to legend, Schliemann sent off a telegram to the king of Greece, declaring that he "had gazed upon the face of Agamemnon." Although this event never occurred, the mask associated with this skull was called "the mask of Agamemnon." It is distinctive because of its thin nose, large mouth and lips, and prominent beard and mustache, but its name is a complete fabrication.
MYCENAEANCITADEL(1350-1200 BC) Although Mycenaean influence extended across mainland Greece to Crete, the major Mycenaean palace-citadels were located in the Peloponnese, the peninsula that constitutes southern Greece. Each palace-citadel was the seat of a monarch, called a wanax, who controlled the territory. Workers brought their agricultural products and other goods to the palace, where they were redistributed according to a hierarchical system rather than through free markets.
LION GATE(1250 BC) Four huge monoliths of conglomerate, hammered-dressed and cut by a saw, form the two jambs (uprights), the threshold, and the lintel of a large, almost square opening (10 feet high; 9.5 feet wide) in the wall surrounding Mycenae. Originally closed by a double wooden door (pivot holes are still visible in the threshold and lintel), this gate was the major entry into this fortified Bronze-Age city.
TREASURY OF ATREUS(13TH C.BC) the chamber tomb and the tholos tomb, both of which, unlike shaft graves, are found throughout the Mycenaean world. The chamber tomb, the simpler of the two, was cut directly into the rock of a hillside, but the tholos type, although also cut in a hillside, was built of cut blocks. Both served the purposes of burial and protection of the body of the deceased; however, the tholos, because of its size and construction, appears likely to have been exclusively for burials of the royal family.
TREASURY OF ATREUS(13TH C.BC) The most spectacular tholos, and one of the best preserved at Mycenae, is called the Treasury of Atreus. Pausanias, an intrepid traveler of the second century AD , gave the term "treasury" to this structure. He mistakenly believed that this tholos was a repository for the wealth of the Bronze Age king of Mycenae, Atreus, father of the great Agamemnon of Trojan War fame.
Prepared by: JC de Egurrola jeelchristine@i.ph THE END

More Related Content

What's hot

02 art - art of the ancient world (revised images)
02   art - art of the ancient world (revised images)02   art - art of the ancient world (revised images)
02 art - art of the ancient world (revised images)BettinaW
 
The etruscans and the roman empire
The etruscans and the roman empireThe etruscans and the roman empire
The etruscans and the roman empireJustina Martino
 
Greek Art and Architecture
Greek Art and ArchitectureGreek Art and Architecture
Greek Art and ArchitectureGreg Sill
 
The aegean civilizations (4)
The aegean civilizations (4)The aegean civilizations (4)
The aegean civilizations (4)Tayyaba Manzoor
 
ART1204 Ancient Aegean Art
ART1204 Ancient Aegean ArtART1204 Ancient Aegean Art
ART1204 Ancient Aegean ArtProfWillAdams
 
Art1204 the art & culture of ancient etruria
Art1204 the art & culture of ancient etruriaArt1204 the art & culture of ancient etruria
Art1204 the art & culture of ancient etruriaProfWillAdams
 
Chapter 4 – Prehistoric Aegean
Chapter 4 – Prehistoric AegeanChapter 4 – Prehistoric Aegean
Chapter 4 – Prehistoric AegeanLaura Moakley
 
The Art Of The Ancient Near East
The Art Of The Ancient Near EastThe Art Of The Ancient Near East
The Art Of The Ancient Near EastProfWillAdams
 
Aegean Art: Chapter 4
Aegean Art: Chapter 4Aegean Art: Chapter 4
Aegean Art: Chapter 4smolinskiel
 
ARTID111 Prehistoric Aegean Art
ARTID111 Prehistoric Aegean ArtARTID111 Prehistoric Aegean Art
ARTID111 Prehistoric Aegean ArtEdeliza Macalandag
 
Summer Ap Art History
Summer Ap Art HistorySummer Ap Art History
Summer Ap Art Historybassmanb
 
ARTID111 Ancient Greek Art - Part 1
ARTID111 Ancient Greek Art - Part 1ARTID111 Ancient Greek Art - Part 1
ARTID111 Ancient Greek Art - Part 1Edeliza Macalandag
 
The Art of Ancient Greece
The Art of Ancient GreeceThe Art of Ancient Greece
The Art of Ancient GreeceChristine Ege
 

What's hot (20)

AHTR Aegean Art
AHTR Aegean ArtAHTR Aegean Art
AHTR Aegean Art
 
02 art - art of the ancient world (revised images)
02   art - art of the ancient world (revised images)02   art - art of the ancient world (revised images)
02 art - art of the ancient world (revised images)
 
015 ancient
015 ancient015 ancient
015 ancient
 
The etruscans and the roman empire
The etruscans and the roman empireThe etruscans and the roman empire
The etruscans and the roman empire
 
Greek Art and Architecture
Greek Art and ArchitectureGreek Art and Architecture
Greek Art and Architecture
 
Aegean
AegeanAegean
Aegean
 
The aegean civilizations (4)
The aegean civilizations (4)The aegean civilizations (4)
The aegean civilizations (4)
 
ART1204 Ancient Aegean Art
ART1204 Ancient Aegean ArtART1204 Ancient Aegean Art
ART1204 Ancient Aegean Art
 
Art1204 the art & culture of ancient etruria
Art1204 the art & culture of ancient etruriaArt1204 the art & culture of ancient etruria
Art1204 the art & culture of ancient etruria
 
Chapter 4 – Prehistoric Aegean
Chapter 4 – Prehistoric AegeanChapter 4 – Prehistoric Aegean
Chapter 4 – Prehistoric Aegean
 
The Ancient Greek Art
The Ancient Greek ArtThe Ancient Greek Art
The Ancient Greek Art
 
Art history lecture 7 greek art
Art history lecture 7 greek artArt history lecture 7 greek art
Art history lecture 7 greek art
 
Ancient Aegean Art
Ancient Aegean ArtAncient Aegean Art
Ancient Aegean Art
 
The Art Of The Ancient Near East
The Art Of The Ancient Near EastThe Art Of The Ancient Near East
The Art Of The Ancient Near East
 
Aegean Art: Chapter 4
Aegean Art: Chapter 4Aegean Art: Chapter 4
Aegean Art: Chapter 4
 
ARTID111 Prehistoric Aegean Art
ARTID111 Prehistoric Aegean ArtARTID111 Prehistoric Aegean Art
ARTID111 Prehistoric Aegean Art
 
Summer Ap Art History
Summer Ap Art HistorySummer Ap Art History
Summer Ap Art History
 
ARTID111 Ancient Greek Art - Part 1
ARTID111 Ancient Greek Art - Part 1ARTID111 Ancient Greek Art - Part 1
ARTID111 Ancient Greek Art - Part 1
 
The Art of Ancient Greece
The Art of Ancient GreeceThe Art of Ancient Greece
The Art of Ancient Greece
 
Roman
RomanRoman
Roman
 

Similar to Aegean Arts

History of Sculpture | Sculptor and its Works
History of Sculpture | Sculptor and its WorksHistory of Sculpture | Sculptor and its Works
History of Sculpture | Sculptor and its WorksMaxwell Mostoles
 
Art History: PreHistory through Greek pottery
Art History: PreHistory through Greek potteryArt History: PreHistory through Greek pottery
Art History: PreHistory through Greek potterysandinagay
 
Art and Culture - 03 - Homer and End of Bronze Age
Art and Culture - 03 - Homer and End of Bronze AgeArt and Culture - 03 - Homer and End of Bronze Age
Art and Culture - 03 - Homer and End of Bronze AgeRandy Connolly
 
Ancient civilizations
Ancient civilizationsAncient civilizations
Ancient civilizationsMamta Rana
 
Ancient civilizations
Ancient civilizationsAncient civilizations
Ancient civilizationsMamta Rana
 
Ancient civilizations
Ancient civilizationsAncient civilizations
Ancient civilizationsMamta Rana
 
Arh2050 mycenaean & archaic greek art mainland greece's first flowering
Arh2050 mycenaean & archaic greek art   mainland greece's first floweringArh2050 mycenaean & archaic greek art   mainland greece's first flowering
Arh2050 mycenaean & archaic greek art mainland greece's first floweringProfWillAdams
 
Arh2050 mycenaean & archaic greek art mainland greece's first flowering
Arh2050 mycenaean & archaic greek art   mainland greece's first floweringArh2050 mycenaean & archaic greek art   mainland greece's first flowering
Arh2050 mycenaean & archaic greek art mainland greece's first floweringProfWillAdams
 
Arh2050mycenaeanarchaicgreekart mainlandgreecesfirstflowering-120605112641-ph...
Arh2050mycenaeanarchaicgreekart mainlandgreecesfirstflowering-120605112641-ph...Arh2050mycenaeanarchaicgreekart mainlandgreecesfirstflowering-120605112641-ph...
Arh2050mycenaeanarchaicgreekart mainlandgreecesfirstflowering-120605112641-ph...ProfWillAdams
 
Chapter 1 cave paintings to egyptians(final)
Chapter 1 cave paintings to egyptians(final)Chapter 1 cave paintings to egyptians(final)
Chapter 1 cave paintings to egyptians(final)Karen Owens
 
ARTS sculpture and Paintings.pptx
ARTS sculpture and Paintings.pptxARTS sculpture and Paintings.pptx
ARTS sculpture and Paintings.pptxChadMichael6
 
Aegean and Ancient Greece Architecture
Aegean and Ancient Greece  Architecture Aegean and Ancient Greece  Architecture
Aegean and Ancient Greece Architecture ANANYAAGARWAL74
 
grade9-arts-sculptures-firstquarter-190812154558.pptx
grade9-arts-sculptures-firstquarter-190812154558.pptxgrade9-arts-sculptures-firstquarter-190812154558.pptx
grade9-arts-sculptures-firstquarter-190812154558.pptxCapilaRon
 

Similar to Aegean Arts (20)

History of Sculpture | Sculptor and its Works
History of Sculpture | Sculptor and its WorksHistory of Sculpture | Sculptor and its Works
History of Sculpture | Sculptor and its Works
 
Art History: PreHistory through Greek pottery
Art History: PreHistory through Greek potteryArt History: PreHistory through Greek pottery
Art History: PreHistory through Greek pottery
 
Chapter 4
Chapter 4Chapter 4
Chapter 4
 
Ancient art
Ancient artAncient art
Ancient art
 
Art and Culture - 03 - Homer and End of Bronze Age
Art and Culture - 03 - Homer and End of Bronze AgeArt and Culture - 03 - Homer and End of Bronze Age
Art and Culture - 03 - Homer and End of Bronze Age
 
Ancient civilizations
Ancient civilizationsAncient civilizations
Ancient civilizations
 
Ancient civilizations
Ancient civilizationsAncient civilizations
Ancient civilizations
 
Ancient civilizations
Ancient civilizationsAncient civilizations
Ancient civilizations
 
Arh2050 mycenaean & archaic greek art mainland greece's first flowering
Arh2050 mycenaean & archaic greek art   mainland greece's first floweringArh2050 mycenaean & archaic greek art   mainland greece's first flowering
Arh2050 mycenaean & archaic greek art mainland greece's first flowering
 
Arh2050 mycenaean & archaic greek art mainland greece's first flowering
Arh2050 mycenaean & archaic greek art   mainland greece's first floweringArh2050 mycenaean & archaic greek art   mainland greece's first flowering
Arh2050 mycenaean & archaic greek art mainland greece's first flowering
 
Arh2050mycenaeanarchaicgreekart mainlandgreecesfirstflowering-120605112641-ph...
Arh2050mycenaeanarchaicgreekart mainlandgreecesfirstflowering-120605112641-ph...Arh2050mycenaeanarchaicgreekart mainlandgreecesfirstflowering-120605112641-ph...
Arh2050mycenaeanarchaicgreekart mainlandgreecesfirstflowering-120605112641-ph...
 
Greek Pre-History
Greek Pre-HistoryGreek Pre-History
Greek Pre-History
 
Western sculpture
Western sculptureWestern sculpture
Western sculpture
 
CyclMinoanMyce.ppt
CyclMinoanMyce.pptCyclMinoanMyce.ppt
CyclMinoanMyce.ppt
 
arts9Lesson 2.sculpture.pptx
arts9Lesson 2.sculpture.pptxarts9Lesson 2.sculpture.pptx
arts9Lesson 2.sculpture.pptx
 
Chapter 1 cave paintings to egyptians(final)
Chapter 1 cave paintings to egyptians(final)Chapter 1 cave paintings to egyptians(final)
Chapter 1 cave paintings to egyptians(final)
 
Art history lecture 5 aegean art
Art history lecture 5 aegean artArt history lecture 5 aegean art
Art history lecture 5 aegean art
 
ARTS sculpture and Paintings.pptx
ARTS sculpture and Paintings.pptxARTS sculpture and Paintings.pptx
ARTS sculpture and Paintings.pptx
 
Aegean and Ancient Greece Architecture
Aegean and Ancient Greece  Architecture Aegean and Ancient Greece  Architecture
Aegean and Ancient Greece Architecture
 
grade9-arts-sculptures-firstquarter-190812154558.pptx
grade9-arts-sculptures-firstquarter-190812154558.pptxgrade9-arts-sculptures-firstquarter-190812154558.pptx
grade9-arts-sculptures-firstquarter-190812154558.pptx
 

More from Jeel Christine de Egurrola

More from Jeel Christine de Egurrola (20)

Written Test Report
Written Test ReportWritten Test Report
Written Test Report
 
Theory of Work Adjustment
Theory of Work Adjustment Theory of Work Adjustment
Theory of Work Adjustment
 
Structuralism and Functionalism
Structuralism  and FunctionalismStructuralism  and Functionalism
Structuralism and Functionalism
 
Guidance & Counseling for High School in the Philippines
Guidance & Counseling for High School in the PhilippinesGuidance & Counseling for High School in the Philippines
Guidance & Counseling for High School in the Philippines
 
Guidance & Counseling for Elementary in the Philippines
Guidance & Counseling for Elementary in the PhilippinesGuidance & Counseling for Elementary in the Philippines
Guidance & Counseling for Elementary in the Philippines
 
Guidance Services
Guidance ServicesGuidance Services
Guidance Services
 
History of organizational psychology
History of organizational psychologyHistory of organizational psychology
History of organizational psychology
 
Philippine Ethnic Musical Instruments
Philippine Ethnic Musical InstrumentsPhilippine Ethnic Musical Instruments
Philippine Ethnic Musical Instruments
 
Philippine Ethnic Musical Instruments
Philippine Ethnic Musical InstrumentsPhilippine Ethnic Musical Instruments
Philippine Ethnic Musical Instruments
 
B.F. Skinner
B.F. SkinnerB.F. Skinner
B.F. Skinner
 
Beery VMI
Beery VMIBeery VMI
Beery VMI
 
Julian Rotter
Julian RotterJulian Rotter
Julian Rotter
 
Victor Frankl
Victor FranklVictor Frankl
Victor Frankl
 
Egyptian Arts
Egyptian ArtsEgyptian Arts
Egyptian Arts
 
Gothic Architecture
Gothic ArchitectureGothic Architecture
Gothic Architecture
 
Aaron Beck
Aaron BeckAaron Beck
Aaron Beck
 
Personality Theories
Personality TheoriesPersonality Theories
Personality Theories
 
Albert Ellis
Albert EllisAlbert Ellis
Albert Ellis
 
Prehistoric Arts
Prehistoric ArtsPrehistoric Arts
Prehistoric Arts
 
Mesopotamian Arts
Mesopotamian ArtsMesopotamian Arts
Mesopotamian Arts
 

Recently uploaded

How to Manage Buy 3 Get 1 Free in Odoo 17
How to Manage Buy 3 Get 1 Free in Odoo 17How to Manage Buy 3 Get 1 Free in Odoo 17
How to Manage Buy 3 Get 1 Free in Odoo 17Celine George
 
ICS2208 Lecture6 Notes for SL spaces.pdf
ICS2208 Lecture6 Notes for SL spaces.pdfICS2208 Lecture6 Notes for SL spaces.pdf
ICS2208 Lecture6 Notes for SL spaces.pdfVanessa Camilleri
 
CHEST Proprioceptive neuromuscular facilitation.pptx
CHEST Proprioceptive neuromuscular facilitation.pptxCHEST Proprioceptive neuromuscular facilitation.pptx
CHEST Proprioceptive neuromuscular facilitation.pptxAneriPatwari
 
Congestive Cardiac Failure..presentation
Congestive Cardiac Failure..presentationCongestive Cardiac Failure..presentation
Congestive Cardiac Failure..presentationdeepaannamalai16
 
Narcotic and Non Narcotic Analgesic..pdf
Narcotic and Non Narcotic Analgesic..pdfNarcotic and Non Narcotic Analgesic..pdf
Narcotic and Non Narcotic Analgesic..pdfPrerana Jadhav
 
Blowin' in the Wind of Caste_ Bob Dylan's Song as a Catalyst for Social Justi...
Blowin' in the Wind of Caste_ Bob Dylan's Song as a Catalyst for Social Justi...Blowin' in the Wind of Caste_ Bob Dylan's Song as a Catalyst for Social Justi...
Blowin' in the Wind of Caste_ Bob Dylan's Song as a Catalyst for Social Justi...DhatriParmar
 
4.11.24 Mass Incarceration and the New Jim Crow.pptx
4.11.24 Mass Incarceration and the New Jim Crow.pptx4.11.24 Mass Incarceration and the New Jim Crow.pptx
4.11.24 Mass Incarceration and the New Jim Crow.pptxmary850239
 
How to Make a Duplicate of Your Odoo 17 Database
How to Make a Duplicate of Your Odoo 17 DatabaseHow to Make a Duplicate of Your Odoo 17 Database
How to Make a Duplicate of Your Odoo 17 DatabaseCeline George
 
Mythology Quiz-4th April 2024, Quiz Club NITW
Mythology Quiz-4th April 2024, Quiz Club NITWMythology Quiz-4th April 2024, Quiz Club NITW
Mythology Quiz-4th April 2024, Quiz Club NITWQuiz Club NITW
 
BIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptx
BIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptxBIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptx
BIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptxSayali Powar
 
Sulphonamides, mechanisms and their uses
Sulphonamides, mechanisms and their usesSulphonamides, mechanisms and their uses
Sulphonamides, mechanisms and their usesVijayaLaxmi84
 
Concurrency Control in Database Management system
Concurrency Control in Database Management systemConcurrency Control in Database Management system
Concurrency Control in Database Management systemChristalin Nelson
 
Decoding the Tweet _ Practical Criticism in the Age of Hashtag.pptx
Decoding the Tweet _ Practical Criticism in the Age of Hashtag.pptxDecoding the Tweet _ Practical Criticism in the Age of Hashtag.pptx
Decoding the Tweet _ Practical Criticism in the Age of Hashtag.pptxDhatriParmar
 
Daily Lesson Plan in Mathematics Quarter 4
Daily Lesson Plan in Mathematics Quarter 4Daily Lesson Plan in Mathematics Quarter 4
Daily Lesson Plan in Mathematics Quarter 4JOYLYNSAMANIEGO
 
Oppenheimer Film Discussion for Philosophy and Film
Oppenheimer Film Discussion for Philosophy and FilmOppenheimer Film Discussion for Philosophy and Film
Oppenheimer Film Discussion for Philosophy and FilmStan Meyer
 
Beauty Amidst the Bytes_ Unearthing Unexpected Advantages of the Digital Wast...
Beauty Amidst the Bytes_ Unearthing Unexpected Advantages of the Digital Wast...Beauty Amidst the Bytes_ Unearthing Unexpected Advantages of the Digital Wast...
Beauty Amidst the Bytes_ Unearthing Unexpected Advantages of the Digital Wast...DhatriParmar
 
Q4-PPT-Music9_Lesson-1-Romantic-Opera.pptx
Q4-PPT-Music9_Lesson-1-Romantic-Opera.pptxQ4-PPT-Music9_Lesson-1-Romantic-Opera.pptx
Q4-PPT-Music9_Lesson-1-Romantic-Opera.pptxlancelewisportillo
 
Expanded definition: technical and operational
Expanded definition: technical and operationalExpanded definition: technical and operational
Expanded definition: technical and operationalssuser3e220a
 
31 ĐỀ THI THỬ VÀO LỚP 10 - TIẾNG ANH - FORM MỚI 2025 - 40 CÂU HỎI - BÙI VĂN V...
31 ĐỀ THI THỬ VÀO LỚP 10 - TIẾNG ANH - FORM MỚI 2025 - 40 CÂU HỎI - BÙI VĂN V...31 ĐỀ THI THỬ VÀO LỚP 10 - TIẾNG ANH - FORM MỚI 2025 - 40 CÂU HỎI - BÙI VĂN V...
31 ĐỀ THI THỬ VÀO LỚP 10 - TIẾNG ANH - FORM MỚI 2025 - 40 CÂU HỎI - BÙI VĂN V...Nguyen Thanh Tu Collection
 
ICS 2208 Lecture Slide Notes for Topic 6
ICS 2208 Lecture Slide Notes for Topic 6ICS 2208 Lecture Slide Notes for Topic 6
ICS 2208 Lecture Slide Notes for Topic 6Vanessa Camilleri
 

Recently uploaded (20)

How to Manage Buy 3 Get 1 Free in Odoo 17
How to Manage Buy 3 Get 1 Free in Odoo 17How to Manage Buy 3 Get 1 Free in Odoo 17
How to Manage Buy 3 Get 1 Free in Odoo 17
 
ICS2208 Lecture6 Notes for SL spaces.pdf
ICS2208 Lecture6 Notes for SL spaces.pdfICS2208 Lecture6 Notes for SL spaces.pdf
ICS2208 Lecture6 Notes for SL spaces.pdf
 
CHEST Proprioceptive neuromuscular facilitation.pptx
CHEST Proprioceptive neuromuscular facilitation.pptxCHEST Proprioceptive neuromuscular facilitation.pptx
CHEST Proprioceptive neuromuscular facilitation.pptx
 
Congestive Cardiac Failure..presentation
Congestive Cardiac Failure..presentationCongestive Cardiac Failure..presentation
Congestive Cardiac Failure..presentation
 
Narcotic and Non Narcotic Analgesic..pdf
Narcotic and Non Narcotic Analgesic..pdfNarcotic and Non Narcotic Analgesic..pdf
Narcotic and Non Narcotic Analgesic..pdf
 
Blowin' in the Wind of Caste_ Bob Dylan's Song as a Catalyst for Social Justi...
Blowin' in the Wind of Caste_ Bob Dylan's Song as a Catalyst for Social Justi...Blowin' in the Wind of Caste_ Bob Dylan's Song as a Catalyst for Social Justi...
Blowin' in the Wind of Caste_ Bob Dylan's Song as a Catalyst for Social Justi...
 
4.11.24 Mass Incarceration and the New Jim Crow.pptx
4.11.24 Mass Incarceration and the New Jim Crow.pptx4.11.24 Mass Incarceration and the New Jim Crow.pptx
4.11.24 Mass Incarceration and the New Jim Crow.pptx
 
How to Make a Duplicate of Your Odoo 17 Database
How to Make a Duplicate of Your Odoo 17 DatabaseHow to Make a Duplicate of Your Odoo 17 Database
How to Make a Duplicate of Your Odoo 17 Database
 
Mythology Quiz-4th April 2024, Quiz Club NITW
Mythology Quiz-4th April 2024, Quiz Club NITWMythology Quiz-4th April 2024, Quiz Club NITW
Mythology Quiz-4th April 2024, Quiz Club NITW
 
BIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptx
BIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptxBIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptx
BIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptx
 
Sulphonamides, mechanisms and their uses
Sulphonamides, mechanisms and their usesSulphonamides, mechanisms and their uses
Sulphonamides, mechanisms and their uses
 
Concurrency Control in Database Management system
Concurrency Control in Database Management systemConcurrency Control in Database Management system
Concurrency Control in Database Management system
 
Decoding the Tweet _ Practical Criticism in the Age of Hashtag.pptx
Decoding the Tweet _ Practical Criticism in the Age of Hashtag.pptxDecoding the Tweet _ Practical Criticism in the Age of Hashtag.pptx
Decoding the Tweet _ Practical Criticism in the Age of Hashtag.pptx
 
Daily Lesson Plan in Mathematics Quarter 4
Daily Lesson Plan in Mathematics Quarter 4Daily Lesson Plan in Mathematics Quarter 4
Daily Lesson Plan in Mathematics Quarter 4
 
Oppenheimer Film Discussion for Philosophy and Film
Oppenheimer Film Discussion for Philosophy and FilmOppenheimer Film Discussion for Philosophy and Film
Oppenheimer Film Discussion for Philosophy and Film
 
Beauty Amidst the Bytes_ Unearthing Unexpected Advantages of the Digital Wast...
Beauty Amidst the Bytes_ Unearthing Unexpected Advantages of the Digital Wast...Beauty Amidst the Bytes_ Unearthing Unexpected Advantages of the Digital Wast...
Beauty Amidst the Bytes_ Unearthing Unexpected Advantages of the Digital Wast...
 
Q4-PPT-Music9_Lesson-1-Romantic-Opera.pptx
Q4-PPT-Music9_Lesson-1-Romantic-Opera.pptxQ4-PPT-Music9_Lesson-1-Romantic-Opera.pptx
Q4-PPT-Music9_Lesson-1-Romantic-Opera.pptx
 
Expanded definition: technical and operational
Expanded definition: technical and operationalExpanded definition: technical and operational
Expanded definition: technical and operational
 
31 ĐỀ THI THỬ VÀO LỚP 10 - TIẾNG ANH - FORM MỚI 2025 - 40 CÂU HỎI - BÙI VĂN V...
31 ĐỀ THI THỬ VÀO LỚP 10 - TIẾNG ANH - FORM MỚI 2025 - 40 CÂU HỎI - BÙI VĂN V...31 ĐỀ THI THỬ VÀO LỚP 10 - TIẾNG ANH - FORM MỚI 2025 - 40 CÂU HỎI - BÙI VĂN V...
31 ĐỀ THI THỬ VÀO LỚP 10 - TIẾNG ANH - FORM MỚI 2025 - 40 CÂU HỎI - BÙI VĂN V...
 
ICS 2208 Lecture Slide Notes for Topic 6
ICS 2208 Lecture Slide Notes for Topic 6ICS 2208 Lecture Slide Notes for Topic 6
ICS 2208 Lecture Slide Notes for Topic 6
 

Aegean Arts

  • 1. Aegean Arts Cycladic Civilization Minoan Civilization Mycenaean Civilization
  • 2.
  • 3.
  • 4. Cycladic Civilization(3000 B.C.) The Cyclades is a group of thirty small Greek islands and numerous islets in the middle of the Aegean Sea. The Cycladic culture was once active here between 3200 and 2000 B.C.; what little we know about this society comes in large part from the art they left behind.
  • 5. CYCLADIC IDOLS (2100 BC) Although several types of sculptures have been discovered including seated and standing musicians (most notably harpists), cup bearers, and double, and even triple, figure groupings – the most remarkable are standing (or reclining) figures, the majority of whom are frontal, naked women with arms crossed over the waist. The heads, resting on long necks, have flat faces and prominent noses, but no other features. 
  • 6. CYLADIC IDOLS(2100 BC) Their distinctive shape suggests a unique function, but without contemporary written documents this cannot now be deciphered. Nearly all examples come from cemeteries, suggesting a funerary role. But who or what do they represent? It is unlikely they portray the deceased because these female figures have been found in both women’s and men’s graves. It is more likely that they represent a divine or demonic being perhaps meant to protect the graves of wealthy individuals, since most Cycladic graves do not have such figures or even any grave offerings.
  • 7.
  • 8. MINOAN CIVILIZATION(2100 BC) The Minoan CiviliZation of Crete was the first advanced civilization in Europe. By 2500 BC most people had left the Neolithic way of life behind them, which they had endured in the Early period, and moved into the Minoan. The Minoan Civilisation was named after the mythical King Minos. During the Middle Period, it is likely that the civilization reached its peak, where metalwork and pottery was produced to a very high level of both skill and imagination.
  • 9. OCTOPUS VASE(1500 BC) Ornamental patterns and plant motifs were painted on vessels in dark colors on a light background. By the end of the century, designs included marine flora and fauna, which scholars now call the "Marine Style." The Marine Style is found not only on Crete but also throughout the Aegean islands and on the Greek mainland. The examples all share the same decorative elements — triton shells, octopuses, seaweed, and other marine motifs — and all have similar compositions, implying perhaps a single workshop or, at least, shared influences.
  • 10. OCTOPUS VASE(1500 BC) The Marine Style first appeared on wall paintings, clay reliefs, stone vessels, and faience objects before it was used for painted vessels. One of the most successful painters of this style is called the "Marine Style Master." This artist's definitive pieces are an elongated flask from Palaikastro, and a stirrup jar (so named because of its stirrup-shaped handles) from the "pantry of the shrine" at Kato Zakro. Both vases are only about 10.5 inches tall, but each is elaborately decorated with a frontal octopus, swimming diagonally across the body of the vessel. 
  • 11.
  • 12.
  • 13. SNAKE GODDESS1600 BC Evans identified the three faience figurines as a "snake goddess" and two votaries. Of his "snake goddess," Evans actually found only the torso, right arm, head and tall hat; the rest of the figure has been reconstructed. One of the figurines Evans originally named a votary is now also usually called a "snake goddess" and is the better known of the two, although it too was missing parts: the head, the lower part of the snake held in the right hand, the entire left arm above the elbow, and portions of the skirt.
  • 14. SNAKE GODDESS1600 BC Evansí identifications were based on the assumption that women dominated Minoan society and that these figurines represented "goddesses" worshipped by the Minoans as images of the Mother Goddess, like the earlier "Venus" of Willendorf in prehistoric Europe. Although snakes have been linked to fertility deities, there is little evidence of the worship of a snake goddess on Crete, and the exact nature of these figurines is not at all assured.
  • 15. MINOAN PALACE(1900 BC) Around 1900 BC, the Minoans began building several huge palaces, the greatest of which was at Knossos (also spelled Cnossus). Originally, the palace was separate structures around a great central court. In about 1720 BC, however, an earthquake leveled most of Knossos. The multistoried palace was soon rebuilt, with spacious colonnades and flights of stairs connecting the various buildings.
  • 16.
  • 17.
  • 18.
  • 19. MINOAN FRESCOES(1400-1375 BC) Numerous fragments of wall paintings in 1901 in the ruins at the palace of Knossos on Crete. Among these, fragments recovered from the eastern wing in the so-called Court of the Stone Spout, are believed to have fallen from a room above and been crushed during the destruction of the palace around 1375 BC. Enough
  • 20. MINOAN FRESCOES(1400-1375 BC) The figures inhabit a solid blue environment without a ground-line on which to stand, and all have their feet pointed sharply, as if they are hovering in mid-air. The neutral space surrounding the figures both separates the scene from reality and expresses the excitement and lightness of the acrobatic movements.
  • 21. MINOAN FRESCOES(1400-1375 BC) Acrobatic ritual sports with bulls are represented in earlier miniature paintings and large stucco reliefs, but these panels show larger figures (a little over a foot tall) and a more narrative subject. This restored panel and its presumed companions are our best examples of Minoan bull leaping and have been christened "Toreador Scenes." But why and where such contests were held is unknown.
  • 22.
  • 23.
  • 24. Mycenaean civilization was dominated by a warrior aristocracy. Around 1400 BC the Mycenaeans extended their control to Crete, center of the Minoan Civilizationand adopted a form the Minoan script called Linear A to write their early form of Greek. The Mycenaean era script is called Linear B. The Mycenaeans buried their nobles in beehive tombs (tholoi), large circular burial chambers with a high vaulted roof and straight entry passage lined with stone. They often buried daggers or some other form of military equipment with the deceased. The nobility were frequently buried with gold masks, tiaras, armour, and jeweled weapons. Mycenaeans were buried in a sitting position, and some of the nobility underwent mummification. MYCENAEAN CIVILIZATION(1500 BC)
  • 25. LINEAR B(1200 BC) Despite such a non-descriptive name, Linear B has proved to be the oldest surviving record of the Greek dialect known as Mycenaean, named after the great site of Mycenae where the legendary Agamemnon ruled. The script's usage spanned the time period between approximately 1500 BCE and 1200 BCE , and geographically covered the island of Crete, as well as the southern part of the Greek Mainland.The script was discovered by archeaologist Sir Arthur Evans in the early part of this century during excavations in Crete and the Greek mainland.
  • 26.
  • 27.
  • 28. MASK OF AGAMEMNON(1500 BC) According to legend, Schliemann sent off a telegram to the king of Greece, declaring that he "had gazed upon the face of Agamemnon." Although this event never occurred, the mask associated with this skull was called "the mask of Agamemnon." It is distinctive because of its thin nose, large mouth and lips, and prominent beard and mustache, but its name is a complete fabrication.
  • 29. MYCENAEANCITADEL(1350-1200 BC) Although Mycenaean influence extended across mainland Greece to Crete, the major Mycenaean palace-citadels were located in the Peloponnese, the peninsula that constitutes southern Greece. Each palace-citadel was the seat of a monarch, called a wanax, who controlled the territory. Workers brought their agricultural products and other goods to the palace, where they were redistributed according to a hierarchical system rather than through free markets.
  • 30.
  • 31.
  • 32.
  • 33. LION GATE(1250 BC) Four huge monoliths of conglomerate, hammered-dressed and cut by a saw, form the two jambs (uprights), the threshold, and the lintel of a large, almost square opening (10 feet high; 9.5 feet wide) in the wall surrounding Mycenae. Originally closed by a double wooden door (pivot holes are still visible in the threshold and lintel), this gate was the major entry into this fortified Bronze-Age city.
  • 34.
  • 35.
  • 36. TREASURY OF ATREUS(13TH C.BC) the chamber tomb and the tholos tomb, both of which, unlike shaft graves, are found throughout the Mycenaean world. The chamber tomb, the simpler of the two, was cut directly into the rock of a hillside, but the tholos type, although also cut in a hillside, was built of cut blocks. Both served the purposes of burial and protection of the body of the deceased; however, the tholos, because of its size and construction, appears likely to have been exclusively for burials of the royal family.
  • 37. TREASURY OF ATREUS(13TH C.BC) The most spectacular tholos, and one of the best preserved at Mycenae, is called the Treasury of Atreus. Pausanias, an intrepid traveler of the second century AD , gave the term "treasury" to this structure. He mistakenly believed that this tholos was a repository for the wealth of the Bronze Age king of Mycenae, Atreus, father of the great Agamemnon of Trojan War fame.
  • 38.
  • 39. Prepared by: JC de Egurrola jeelchristine@i.ph THE END