The document provides information on several art objects from different museums:
- A painted limestone relief from ancient Egypt depicting King's son Wepemnofret that demonstrates his elite status through his clothing, accessories, and the offerings listed on the stela.
- A marble head fragment from ancient Rome showing a man with his right eye closed that was crafted in an "impressionist" style popular in its time period.
- A glazed ceramic figurine from China of a drummer on horseback that reflects cultural influences from Central Asia following the Han dynasty's fall.
19. Slab stela of the king's son, Wepemnofret; painted
limestone
Giza, cemetery 1200, tomb 1201; Old Kingdom, Dynasty
4, reign of Khufu, ca. 2625-2500 B.C.
Collected by George Reisner, 1905.6-19825
"This carved stone relief depicts the King's son
Wepemnofret seated at an offering table. His elite status
is demonstrated by his extensive titulary dress (valanced
wig, 'noble' beard, and leopard-skin wrap), and use of a
stool made of costly wood. The text on the stela
contains his numerous titles, a list of the provisions
thought essential for his Afterlife existence (including
incense, eye paint, oils, wine, and foodstuffs), and a list
of the linen that may have been included in his burial.
Slab stelae derive exclusively from Giza, where they
were installed in the eastern facades of mastaba tombs
located in the elite cemeteries immediately west of the
Great Pyramid. Their markedly uniform style and
decorative scheme suggest they were the products of
(at most) two generations of artists. The high quality of
their execution indicates that they were royal gifts to a
select group of royal relatives and officers. Of the only
fifteen examples (four in the Hearst Museum) known to
have survived, that of Wepemnofret stands out as one
of the largest, the best preserved, most complex, and
one of the earliest examples." Cathleen Keller (Curator
of Egyptian Art and Epigraphy).
20.
21. “Curator’s Choice”
Head of a one-eyed man, sarcophagus fragment,
marble
Italy, Rome; ca. 250 A.D.
8–4274
“Highly polished and deftly exploiting the shifting effects
of light to achieve a sense of quivering immediacy, this
head is a masterpiece of the “impressionist” portrait
style of the mid third century A.D. The convulsive
closure of the man’s right eye dominates the entire play
of his facial musculature. Living in an age when thirty
emperors ruled Rome in fifty years and the empire was
torn by war and insurrection, he confronts the future
with a resolute, even defiant expression, entirely
without illusions.” Andrew Stewart (Co-Curator of Greek
and Roman Archaeology).
24. Object ID: B64P18
Designation: Drummer on horseback
Date: 618-906
Medium: Glazed low-fired ceramic
Place of Origin: China | Shaanxi
province or Henan province
Style or Ware: sancai
Credit Line: The Avery Brundage
Collection
Label: The position of the hands in
this example indicates that the figure
is a drummer. Depictions of musicians
on horseback were among the many
innovations reflecting the influence
of Central Asia following the fall of
the Han dynasty.
Subject: horse | drummer | musician
| man
On display: yes
Collection: SCULPTURE
Dimensions: H. 14 5/8 in x W. 13 in x
D. 4 3/4 in, H. 37.2 cm x W. 33 cm x D.
12.1 cm
Department: CHIN
25.
26. Object ID: B60S10+
Designation: Seated buddha Amitabha
(Amida)
Date: 794-1185
Medium: Lacquered and gilded on wood
Place of Origin: Japan
Credit Line: The Avery Brundage Collection
Label: Amida, lord of the Western
Paradise, is seated in deep concentration
with half-closed eyes and hands held in the
gesture of meditation. During the eleventh
and twelfth centuries, images like this
were created in large numbers as a direct
result of the popularity of Pure Land
Buddhism in Japan. This teaching
instructed believers about the horrors of
Buddhist hell and celebrated the glories of
the Western Paradise, which can be
attained through meditation and recitation
of Amida's name.
Subject: buddha | Buddhism
On display: yes
Collection: SCULPTURE
Dimensions: H. 35 in x W. 29 in x D. 31 in,
H. 88.9 cm x W. 73.6 cm x D. 78.7 cm
(figure); H. 26 1/2 in x W. 43 in x D. 44 in,
H. 67.3 cm x W. 109.2 cm x D. 111.8 cm
(base)
Department: JAPN
28. Masters of Venice: Renaissance Painters of Passion and
Power from the Kunsthistorisches Museum, Vienna
October 29, 2011 - February 12, 2012
Masters of Venice: Renaissance Painters of Passion and
Power is a worldwide exclusive presentation of 50
paintings by Venetian painters Titian, Giorgione,
Veronese, Tintoretto, Mantegna, and more, primarily from
the sixteenth century, all on loan from
the Gemäldegalerie of the Kunsthistorisches Museum in
Vienna. Featured are outstanding examples of the work of
these artists that were collected by the archdukes and
emperors of the Habsburg family, which are among the
most celebrated holdings in the collections of the
Gemäldegalerie.
Key works include Titian’s sumptuous Danáe (1560s),
Mantegna’s tortured Saint Sebastian (1457–1459) and
four rare paintings by Giorgione, including The Three
Philosophers (ca. 1508–1509) and Portrait of a Young
Woman (Laura) (1506). The exhibition also includes works
by Palma, Bordone, Bassano, and more. Together, these
examples represent the range of Venetian
accomplishment in Renaissance-era painting.
29.
30. Relief from the Tomb of Mentuemhet, ca. 660 BC
Egypt, Thebes
Limestone with polychrome
14 x 18 (35.6 x 45.7 cm)
Museum purchase, M.H. de Young Memorial
Museum
51.4.2
33. Niobid Group, Spreckels Painter, Greek
Red-Figure Pelike, ca. 450 BC
Greece, Athens, Greek
Terracotta
14 5/8 x 11 (37.1 x 27.9 cm)
Gift of the Queen of Greece through Alma de
Bretteville Spreckels
1925.346.42
Creator: ordered by Caliph Abd al-Malik; exterior restoration ordered by Sultan Süleyman I\r\nTitle: Haram al-Sharif; Dome of the Rock\r\nTitle: exterior\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Umayyad, with Ottoman redecoration\r\nDate: 691\r\nLocation: Jerusalem, Israel\r\nDescription: Date of photograph: 1994\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-1922\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Giselbertus.\r\nTitle: Autun, Cathedral (ca. 1130-40). West facade, tympanum: Last Judgment (stone relief).\r\nWork Type: Art: Sculpture\r\nPeriod: Medieval Europe-Romaneque\r\nStyle Period: Romanesque art and architecture (11th-12th c)\r\nCollection: MegaRom Art History Survey\r\nID Number: 701\r\nID Number: 24144\r\nSource: Data From: American Library Color Slide Co., Inc. and/or California College of the Arts\r\nRights: (c) 2003 American Library Color Slide Co., Inc.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law.\r\nRights: This image has been selected and made available by an institutional user of the ARTstor Digital Library using ARTstor's software tools. ARTstor has not pre-screened or selected this image, and therefore disclaims any liability for any use of this image. Should you have any legal objection to the use of this image, please notify ARTstor's Contact for Legal Notices.
Title: Cordoba: Great Mosque Dome of the mihrab\r\nDate: begun 785\r\nLocation: Córdoba (Spain)\r\nSubject: Córdoba (Spain)--Great Mosque Dome of the mihrab\r\nSubject: Architecture--Islamic\r\nSubject: Architecture:Site--Spain--8th C. A.D\r\nSubject: Domes\r\nSubject: Mihrabs\r\nSubject: Mosques\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Africa, Nigeria, Nok culture\r\nCulture: African; West African; Nigerian; Nok\r\nTitle: Head\r\nWork Type: Sculpture\r\nDate: c. 600 BC-250\r\nMaterial: terracotta\r\nMeasurements: Overall: 38.2cm x 20cm\r\nStyle Period: Nok Culture\r\nDescription: The Nok culture of central Nigeria initiated sub-Saharan Africa's earliest known sculptural tradition by around 600 BC. Artists modeled coarse-grained clay by hand to produce human and animal effigies of unknown function. This exceptionally well-preserved head probably belonged to a life-size seated figure, posed with knees drawn up and chin resting on a forearm. The artist combined boldly exaggerated proportions with carefully rendered details. These include indentations on the eyelids and brows, scarification on the cheeks, and teeth inside the parted lips.\r\nDescription: Detail\r\nRepository: The Cleveland Museum of Art\r\nRepository: Cleveland, Ohio, USA\r\nRepository: Andrew R. and Martha Holden Jennings Fund\r\nRepository: 1995.21\r\nRepository: http://www.clemusart.com/\r\nCollection: The Cleveland Museum of Art Collection\r\nCollection: Formerly in The AMICO Library\r\nID Number: CMA_.1995.21\r\nSource: Data from: The Cleveland Museum of Art\r\nRights: This image was provided by The Cleveland Museum of Art. Contact information: Kathleen Kornell, Rights and Reproductions Coordinator, The Cleveland Museum of Art, 11150 East Blvd., Cleveland OH 44106, (216) 707-2498 (ph), (216) 421-8815 (fax), Kkornell@clevelandart.org.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: India\r\nCreator: Asian; Indian Sub-Continent; Indian\r\nTitle: Shiva Nataraja\r\nWork Type: Sculpture\r\nDate: Chola dynasty, 11th Century\r\nMaterial: Bronze\r\nMeasurements: 35 x 28 x 10 in. (88.9 x 71.12 x 25.4 cm)\r\nDescription: Full View\r\nRepository: Dallas Museum of Art\r\nRepository: Dallas, Texas, USA\r\nRepository: Dallas Museum of Art, gift of Mrs. Eugene McDermott, the Hamon Charitable Foundation, and an anonymous donor in honor of David T. Owsley, with additional funding from The Cecil and Ida Green Foundation and the Cecil and Ida Green Acquisition Fund\r\nRepository: 2000.377\r\nRepository: http://www.dallasmuseumofart.org/\r\nCollection: Dallas Museum of Art Collection\r\nCollection: Formerly in The AMICO Library\r\nID Number: DMA_.2000.377\r\nSource: Data From: Dallas Museum of Art\r\nRights: This image was provided by Dallas Museum of Art. Contact information: Jacqueline Allen, Director of Libraries and Imaging Services, Dallas Museum of Art, 1717 N. Harwood, Dallas, TX 75201, (214) 922-1276 (ph), (214) 954-0174 (fax), jallen@dallasmuseumofart.org.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Anonymous Japanese Artist\r\nTitle: Scenes from the Tale of Genji\r\nTitle: detail of the screen with chapter 33: panel 6, cormorant fishing\r\nWork Type: screen\r\nDate: c. 1650-1700\r\nMaterial: pair of 6-panel screens; ink, color, and gold on paper\r\nMeasurements: each screen: 167.6 x 370.8 cm\r\nStyle Period: Edo Period\r\nDescription: The Tale of Genji is the story of the life and loves of Prince Genji; traditionally attributed to Murasaki Shikibu in the 11th century. The screens depict scenes from chapters 33 and 35. The scene from chapter 33 refers to a visit to Genji's palace made by the emperor Reizei and the retired emperor Suzaku. Scene 5 of chapter 35 shows a group of ladies playing music before Genji.\r\nRepository: Seattle Art Museum, Seattle, WA (Gift of Friends of the Seattle Art Museum in honor of the 75th birthday of Dr. Richard E. Fuller, 72.1.1-.2)\r\nCollection: Asian Art Photographic Distribution (University of Michigan)\r\nID Number: AAPD Number: 8107.6d\r\nSource: Image and original data from Asian Art Photographic Distribution Project (AAPD), University of Michigan.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Kente cloth from Ghana\r\nDate: 20th C A.D\r\nMaterial: silk\r\nMeasurements: 2.09x1.30m\r\nSubject: Kente cloth\r\nSubject: Special Societal Groups--Tribal Africa: Ashanti\r\nSubject: Textiles--Ashanti\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Culture: Anglo-Saxon\r\nTitle: Shoulder-Clasps with Interlaced Boars and Geometric Patterns\r\nWork Type: personal ornament\r\nDate: early 7th century\r\nMaterial: gold with garnet and millefiori glass\r\nMeasurements: 12.7 x 5.4 cm each\r\nDescription: from the ship burial at Sutton Hoo, Suffolk, England, United Kingdom\r\nRepository: British Museum, London, United Kingdom\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 03-05-04/59\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Zaire, Chiloango River Valley, Yombe people\r\nCreator: African; Central African; Congolese; Yombe\r\nCreator: African; Central African; Congolese\r\nTitle: Standing male figure with nails (Nkisi Nkonde)\r\nWork Type: Sculpture\r\nDate: 19th Century\r\nMaterial: Wood, iron, raffia, pigment, kaolin, red camwood (tukula)\r\nMeasurements: 44 x 15 5/8 x 1 3/8 in. (111.8 x 39.7 x 3.5 cm.)\r\nDescription: <p>This large, very rare, and monumental Kongo figure is from a Yombe group residing in the Chiloango River valley. It is a generic type called <i>nkisi,</i> containers for medicines prepared and inserted by a ritual specialist, a <i>nganga.</i> A <i>nkisi</i> is a cloth bundle or carved figure, or even the consecrated body of a chief. This figure wears a chief's hat and anklets, and a type of raffia skirt worn by mediators.</p><p>Medicines of graveyard earth and animal and vegetal matter help the ritual specialist activate the figure with spirit force that protects, heals, or destroys. Specifically, this figure is a <i>nkisi nkondi,</i> which is embedded with nails that represent sealed oaths taken in a law court, or <i>mambu,</i> historically linked to chieftancies. It is a type of <i>nkisi nkondi</i> with specific attributes: a large cowrie shell fixed at the center of a rounded resin pack on the abdomen; a resin pack around the chin; the <i>pakalala</i> stance (hands on hips, arms akimbo); head thrust forward; mouth open; and inlaid porcelain eyes. On the head is a chief's hat of authority incised with specific geometric motifs, and the face is painted with white kaolin and red camwood pigment in specific patterns. This style of <i>nkisi nkondi,</i> represented by an important corpus of eight known works, is considered the product of one artist or workshop and one ritual specialist.</p><p><i>Dallas Museum of Art: A Guide to the Collection,</i> page 154</p>\r\nDescription: Full View\r\nRepository: Dallas Museum of Art\r\nRepository: Dallas, Texas, USA\r\nRepository: Dallas Museum of Art, Foundation for the Arts Collection, gift of the McDermott Foundation\r\nRepository: 1996.184.FA\r\nRepository: http://www.dallasmuseumofart.org/\r\nCollection: Dallas Museum of Art Collection\r\nCollection: Formerly in The AMICO Library\r\nID Number: DMA_.1996.184.FA\r\nSource: Data From: Dallas Museum of Art\r\nRights: This image was provided by Dallas Museum of Art. Contact information: Jacqueline Allen, Director of Libraries and Imaging Services, Dallas Museum of Art, 1717 N. Harwood, Dallas, TX 75201, (214) 922-1276 (ph), (214) 954-0174 (fax), jallen@dallasmuseumofart.org.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Fan Kuan\r\nTitle: painting titled Travelers Amid Mountains and Streams\r\nTitle: Travelers Amid Mountains and Streams\r\nDate: ca. 990-1030\r\nLocation: China (PRC)\r\nMaterial: silk\r\nMaterial: ink\r\nMeasurements: 81.22 in. high\r\nMeasurements: 40.67 in. wide\r\nStyle Period: Song\r\nRepository: National Palace Museum, Taipei, ROC\r\nCollection: The John C. and Susan L. Huntington Archive of Buddhist and Related Art\r\nSource: Data From: The John C. and Susan L. Huntington Archive of Buddhist and Related Art, The Ohio State University
Creator: ordered by Caliph Abd al-Malik; exterior restoration ordered by Sultan Süleyman I\r\nTitle: Haram al-Sharif; Dome of the Rock\r\nTitle: exterior\r\nTitle: detail of tiles\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Umayyad, with Ottoman redecoration\r\nDate: 691\r\nLocation: Jerusalem, Israel\r\nMaterial: tile\r\nDescription: Date of photograph: 1994\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-1924\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Fan Kuan\r\nTitle: painting titled Travelers Amid Mountains and Streams\r\nTitle: Travelers Amid Mountains and Streams\r\nDate: ca. 990-1030\r\nLocation: China (PRC)\r\nMaterial: silk\r\nMaterial: ink\r\nMeasurements: 81.22 in. high\r\nMeasurements: 40.67 in. wide\r\nStyle Period: Song\r\nRepository: National Palace Museum, Taipei, ROC\r\nCollection: The John C. and Susan L. Huntington Archive of Buddhist and Related Art\r\nSource: Data From: The John C. and Susan L. Huntington Archive of Buddhist and Related Art, The Ohio State University
Culture: Japan: Ise\r\nTitle: Naiku (Kotai Jingu, Inner or Imperial Shrine) Sacred Precinct, Ise Jingu: Shoden,\r\nDate: originally constructed 4th - 5th century [60th rebuilding, 1975]\r\nRelated Item: H&F 4: 6.111\r\nRelated Item: Hartt 4: 18-2\r\nRelated Item: Gardner 10: 16-3\r\nRelated Item: Stokstad R: 11-1\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Title: Conques: Ste. Foy Int.: tribune\r\nDate: 12th C\r\nLocation: Conques (Aveyron, France)\r\nSubject: Conques (Aveyron, France)--Ste. Foy\r\nSubject: Architecture:Site--France--11th C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Culture: Egyptian\r\nTitle: Stele of Nefertiabet\r\nWork Type: stele\r\nDate: c. 2590-2565 BC E\r\nMaterial: painted limestone\r\nStyle Period: Old Kingdom\r\nRepository: Louvre (Paris, France)\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Santiago de Compostela, Cathedral of St. James\r\nDate: 1078-122\r\nLocation: Compostela, Spain
Culture: Roman, Republican period\r\nTitle: Patrician with busts of his ancestors\r\nDate: ca. late 1st century B.C.E.\r\nLocation: Museo Capitolino, Rome\r\nMaterial: marble\r\nRelated Item: Adams AAT: 8.47\r\nRelated Item: Hartt 4: 9-1\r\nRelated Item: H&F 4: 5.57\r\nRelated Item: Janson 5R: 263\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Title: Santiago de Compostela, Cathedral of St. James\r\nDate: 1078-122\r\nLocation: Compostela, Spain
Title: Shanxi Sheng: Yün-kang shih k'u (Temple): cave #20: colossal Buddha: det.: torso\r\nTitle: Yungang shiku: #20 ku: zhufu: det.: shenti bufu\r\nTitle: Yün-kang shih k' (Temple)\r\nLocation: Shanxi Sheng (China)\r\nLocation: China\r\nSubject: Shanxi Sheng (China)--Yün-kang shih k'u (Temple)\r\nSubject: Architecture:Site--China: Northern and Southern--386-589 A.D\r\nSubject: Buddhas\r\nSubject: Buddhism--China\r\nSubject: Cave temples, Buddhist--China\r\nSubject: Caves--China\r\nSubject: Colossi\r\nSubject: Sculpture--Caves\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Santiago de Compostela, Cathedral of St. James\r\nDate: 1078-122\r\nLocation: Compostela, Spain
Creator: Jocho, (Heian period)\r\nTitle: Amida Nyorai, 1053\r\nDate: 1053\r\nLocation: Byodo-in, Phoenix Hall, Kyoto\r\nMaterial: wood, covered with gold leaf\r\nMeasurements: h. 2.95m.\r\nCollection: Art History Survey Collection\r\nSource: Data From: Art Images for College Teaching\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Santiago de Compostela, Cathedral of St. James\r\nDate: 1078-122\r\nLocation: Compostela, Spain
Title: Santiago de Compostela, Cathedral of St. James\r\nDate: 1078-122\r\nLocation: Compostela, Spain
Title: Santiago de Compostela, Cathedral of St. James\r\nDate: 1078-122\r\nLocation: Compostela, Spain
Creator: Exekias\r\nCulture: Greek\r\nTitle: Black-figure amphora with Achilles and Ajax playing dice\r\nWork Type: ceramic\r\nDate: c. 550-525 BCE\r\nRepository: Museo gregoriano etrusco\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Santiago de Compostela, Cathedral of St. James\r\nDate: 1078-122\r\nLocation: Compostela, Spain
Creator: Harunobu, Suzuki\r\nCulture: Japan : Edo\r\nTitle: Geisha as Daruma crossing the sea\r\nWork Type: Printmaking\r\nDate: mid 18th century\r\nLocation: Philadelphia Museum of Art\r\nMaterial: polychrome woodblock print on paper\r\nMeasurements: 10 7/8 inches x 8 1/4 inches\r\nDescription: prints, relief printing, carvings, drawing, washi, patterns, women, colors, pink\r\nID Number: TR11_00035\r\nSource: Stokstad, Marilyn, Michael W. Cothren. Art : A Brief History, 4th edition. London : Prentice Hall, 2010, pl. 9-26\r\nRights: see publication
Title: Santiago de Compostela, Cathedral of St. James\r\nDate: 1078-122\r\nLocation: Compostela, Spain
Title: Santiago de Compostela, Cathedral of St. James\r\nDate: 1078-122\r\nLocation: Compostela, Spain