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Romantic
  era
   (1810-1900)
By: Jessica Nguyen




       1
2
Style of music




      2
Style of music

Freedom




          2
Style of music

Freedom       Creativity




          2
Style of music

Freedom       Creativity
   Experimentation




          2
Style of music

Freedom       Creativity
   Experimentation




          2
Style of music

Freedom                Creativity
   Experimentation
   longer lengths, new harmonies and tonal
   relationships.




                2
Style of music

Freedom                Creativity
   Experimentation
   longer lengths, new harmonies and tonal
   relationships.

   Expressive and Dominant




                2
Style of music

Freedom                Creativity
   Experimentation
   longer lengths, new harmonies and tonal
   relationships.

   Expressive and Dominant

   Nationalism


                 2
Style of music

Freedom                Creativity
   Experimentation
   longer lengths, new harmonies and tonal
   relationships.

   Expressive and Dominant

   Nationalism

   Virtuoso
                 2
Style of music

Freedom                       Creativity
          Experimentation
          longer lengths, new harmonies and tonal
          relationships.
      A




          Expressive and Dominant
   ER
 OP




          Nationalism

          Virtuoso
                        2
Art/Literature
           evocation or criticism of the past

           more emotion and expression of ideas




         Eugène Delacroix,            Francisco Goya,
   Liberty Leading the People 1830   The Third of May
                                         1808, 1814


  Edgar Allan Poe


                                                           Konstantin Batyushkov
Nathaniel Hawthorne
                                                        (1787-1855) one of the notable
                                          3             poets of Russian Romanticism
Fashion
Beret sleeves
                                     Neck ruffs




Hats
         Romantic skirt Silhouette   V-pointed skirts
                         4
Fashion
Beret sleeves
                                     Neck ruffs




Hats
         Romantic skirt Silhouette   V-pointed skirts
                         4
5
Giuse!e Ver"
       1813 - 1901

       MAN OF THE
        THEATRE




   5
Giuse!e Ver"
       1813 - 1901

       MAN OF THE
        THEATRE
       Influential composer

         19th
       century
   5
Giuseppe Verdi
                   1893: "I was, am and always will be a
                          peasant from Roncole."



                              Jan 27, 1901
                          Italian opera composer
    Le Roncole is what is
      known as today:
        Roncole Verdi
   In memory of the great
 Italian composer Verdi, it                        Verdi’s statue in the
was turned into a memorial
                                                          Piazza
museum in honour of Verdi.
                                                    G. Verdi, Busseto
                                   6
Giuseppe Verdi
                   1893: "I was, am and always will be a
                          peasant from Roncole."

                              Oct 10, 1813


                              Jan 27, 1901
                          Italian opera composer
    Le Roncole is what is
      known as today:
        Roncole Verdi
   In memory of the great
 Italian composer Verdi, it                        Verdi’s statue in the
was turned into a memorial
                                                          Piazza
museum in honour of Verdi.
                                                    G. Verdi, Busseto
                                   6
Childhood
Piacenz - Busseto


             1830s




   Antonio Barrezi

   Margherita Barrezi
      7
#e To$ Music
Adulthood                        Ma%er




 Had 2 children

 Established new operas

 Gave on music (1840)             20


                          8
Continued.....
  Nationalist


   Attempt at comic opera

   Libretto (1840)

   Became ill

   Performed: MacBeth


        1847
           9
Continued...
               Change of style
                     GREATEST SUCESS YET




Giuseppina Strepponi
 Most popular composer in Europe

 1859 Re-married

 Dedicate his life to gardening
                              10
Continued...




           11
Continued...




           11
Continued...
      1861


           11
Continued...
      1861
      1867

           11
Continued...
      1861
      1867
      1871      Falstaff


           11
Continued...
      1861
      1867
      1871      Falstaff


           11
Continued...
      1861
      1867
      1871
     1897       Falstaff


           11
Continued...
      1861
      1867
      1871
     1897       Falstaff

     1901  11
12
Influences




    12
Influences
       Quote:
“I am destined to work
 until my last gasp,”




          12
Influences
                    Quote:
             “I am destined to work
              until my last gasp,”
Gaetano Donizetti




                       12
Influences
                    Quote:
             “I am destined to work
              until my last gasp,”
Gaetano Donizetti
               Gioachino Rossini




                       12
Influences
                    Quote:
             “I am destined to work
              until my last gasp,”
Gaetano Donizetti
               Gioachino Rossini
 Giacomo Meyerbeer




                       12
Influences
                    Quote:
             “I am destined to work
              until my last gasp,”
Gaetano Donizetti
               Gioachino Rossini
 Giacomo Meyerbeer
              Saverio Mercadante




                       12
Influences
                       Quote:
             “I am destined to work
               until my last gasp,”
Gaetano Donizetti
               Gioachino Rossini
 Giacomo Meyerbeer
              Saverio Mercadante

    Vincenzo Bellini


                         12
Influences
                       Quote:
             “I am destined to work
               until my last gasp,”
Gaetano Donizetti
               Gioachino Rossini
 Giacomo Meyerbeer
              Saverio Mercadante

    Vincenzo Bellini

             Alessandro Manzoni
                         12
Contributions
VOCAL

                   28
             Italian operas

   Manzoni’s Requiem
       Chamber
        13
Musical style




OPERA         OPERA
         14
Major works
  Sei romanze (Six Romances), 1838
■ Oberto, 1839              ■ La traviata, 1853
■ Un giorno di regno, 1840 ■ Les Vêpres siciliennes, 1855
■ Nabucco, 1842             ■ Aroldo, 1857
■ I Lombardi, 1843          ■ Simon Boccanegra, 1857
■ Ernani, 1844              ■ Un ballo in maschera, 1859
■ I due foscari, 1844       ■ La forza del destino, 1862
■ Macbeth, 1847             ■ Don Carlo, 1867
■ I masnadieri, 1847        ■ Aida, 1871
■ Luisa Miller, 1849        ■ Requiem Mass, 1874
■ Rigoletto, 1851           ■ Otello, 1887
■ Il trovatore, 1853        ■ Falstaff, 1893
                           15
Aida
 Giuseppe Verdi




                  16
Aida
 Giuseppe Verdi




                  16
Aida
2nd last opera

Khedivial Opera House -
Cairo 1871

4 acts

One of the most emotional, lyrical,
expressive, and skillful
operas ever written


                             17
Melody - trumpets, very repetitive.

Rhythm/Metre - 3/4 time

Harmony - repetitive




                              18
Texture - rich in melody and harmony

Dynamics - broadly, forte, mezzo forte, mezzo piano

Mood - powerful, intense

Style - Classical, Romantic, Italian, Opera




                               19
Instrumentation




       20
THE END :)




    21

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Giuseppe Verdi & The Romantic Era

  • 1. Romantic era (1810-1900) By: Jessica Nguyen 1
  • 2. 2
  • 5. Style of music Freedom Creativity 2
  • 6. Style of music Freedom Creativity Experimentation 2
  • 7. Style of music Freedom Creativity Experimentation 2
  • 8. Style of music Freedom Creativity Experimentation longer lengths, new harmonies and tonal relationships. 2
  • 9. Style of music Freedom Creativity Experimentation longer lengths, new harmonies and tonal relationships. Expressive and Dominant 2
  • 10. Style of music Freedom Creativity Experimentation longer lengths, new harmonies and tonal relationships. Expressive and Dominant Nationalism 2
  • 11. Style of music Freedom Creativity Experimentation longer lengths, new harmonies and tonal relationships. Expressive and Dominant Nationalism Virtuoso 2
  • 12. Style of music Freedom Creativity Experimentation longer lengths, new harmonies and tonal relationships. A Expressive and Dominant ER OP Nationalism Virtuoso 2
  • 13. Art/Literature evocation or criticism of the past more emotion and expression of ideas Eugène Delacroix, Francisco Goya, Liberty Leading the People 1830 The Third of May 1808, 1814 Edgar Allan Poe Konstantin Batyushkov Nathaniel Hawthorne (1787-1855) one of the notable 3 poets of Russian Romanticism
  • 14. Fashion Beret sleeves Neck ruffs Hats Romantic skirt Silhouette V-pointed skirts 4
  • 15. Fashion Beret sleeves Neck ruffs Hats Romantic skirt Silhouette V-pointed skirts 4
  • 16. 5
  • 17. Giuse!e Ver" 1813 - 1901 MAN OF THE THEATRE 5
  • 18. Giuse!e Ver" 1813 - 1901 MAN OF THE THEATRE Influential composer 19th century 5
  • 19. Giuseppe Verdi 1893: "I was, am and always will be a peasant from Roncole." Jan 27, 1901 Italian opera composer Le Roncole is what is known as today: Roncole Verdi In memory of the great Italian composer Verdi, it Verdi’s statue in the was turned into a memorial Piazza museum in honour of Verdi. G. Verdi, Busseto 6
  • 20. Giuseppe Verdi 1893: "I was, am and always will be a peasant from Roncole." Oct 10, 1813 Jan 27, 1901 Italian opera composer Le Roncole is what is known as today: Roncole Verdi In memory of the great Italian composer Verdi, it Verdi’s statue in the was turned into a memorial Piazza museum in honour of Verdi. G. Verdi, Busseto 6
  • 21. Childhood Piacenz - Busseto 1830s Antonio Barrezi Margherita Barrezi 7
  • 22. #e To$ Music Adulthood Ma%er Had 2 children Established new operas Gave on music (1840) 20 8
  • 23. Continued..... Nationalist Attempt at comic opera Libretto (1840) Became ill Performed: MacBeth 1847 9
  • 24. Continued... Change of style GREATEST SUCESS YET Giuseppina Strepponi Most popular composer in Europe 1859 Re-married Dedicate his life to gardening 10
  • 27. Continued... 1861 11
  • 28. Continued... 1861 1867 11
  • 29. Continued... 1861 1867 1871 Falstaff 11
  • 30. Continued... 1861 1867 1871 Falstaff 11
  • 31. Continued... 1861 1867 1871 1897 Falstaff 11
  • 32. Continued... 1861 1867 1871 1897 Falstaff 1901 11
  • 33. 12
  • 35. Influences Quote: “I am destined to work until my last gasp,” 12
  • 36. Influences Quote: “I am destined to work until my last gasp,” Gaetano Donizetti 12
  • 37. Influences Quote: “I am destined to work until my last gasp,” Gaetano Donizetti Gioachino Rossini 12
  • 38. Influences Quote: “I am destined to work until my last gasp,” Gaetano Donizetti Gioachino Rossini Giacomo Meyerbeer 12
  • 39. Influences Quote: “I am destined to work until my last gasp,” Gaetano Donizetti Gioachino Rossini Giacomo Meyerbeer Saverio Mercadante 12
  • 40. Influences Quote: “I am destined to work until my last gasp,” Gaetano Donizetti Gioachino Rossini Giacomo Meyerbeer Saverio Mercadante Vincenzo Bellini 12
  • 41. Influences Quote: “I am destined to work until my last gasp,” Gaetano Donizetti Gioachino Rossini Giacomo Meyerbeer Saverio Mercadante Vincenzo Bellini Alessandro Manzoni 12
  • 42. Contributions VOCAL 28 Italian operas Manzoni’s Requiem Chamber 13
  • 44. Major works Sei romanze (Six Romances), 1838 ■ Oberto, 1839 ■ La traviata, 1853 ■ Un giorno di regno, 1840 ■ Les Vêpres siciliennes, 1855 ■ Nabucco, 1842 ■ Aroldo, 1857 ■ I Lombardi, 1843 ■ Simon Boccanegra, 1857 ■ Ernani, 1844 ■ Un ballo in maschera, 1859 ■ I due foscari, 1844 ■ La forza del destino, 1862 ■ Macbeth, 1847 ■ Don Carlo, 1867 ■ I masnadieri, 1847 ■ Aida, 1871 ■ Luisa Miller, 1849 ■ Requiem Mass, 1874 ■ Rigoletto, 1851 ■ Otello, 1887 ■ Il trovatore, 1853 ■ Falstaff, 1893 15
  • 47. Aida 2nd last opera Khedivial Opera House - Cairo 1871 4 acts One of the most emotional, lyrical, expressive, and skillful operas ever written 17
  • 48. Melody - trumpets, very repetitive. Rhythm/Metre - 3/4 time Harmony - repetitive 18
  • 49. Texture - rich in melody and harmony Dynamics - broadly, forte, mezzo forte, mezzo piano Mood - powerful, intense Style - Classical, Romantic, Italian, Opera 19

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