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Finding Key Ingredients  for a Great Class ,[object Object],[object Object]
Who am I? I  resemble  the  thinker , therefore I am.  (Rodin 1902, meets Descarte, 1637)
About me… I  reflect  therefore I teach.  (Descarte 1637 meets Farrell 2008)
- Reflective teaching practice. -MI & critical thinking approaches. -Learner training/student centered. -Promoting acquisition over learning -Input based approaches like ER & EL
Warm up ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
More Warm Up Discuss with your partner Hi, my name is ______.  Nice to meet you.  (I’m _______ NTMY2) I was wondering would you tell me about _______________________? ~tell me a memorable school moment? ~tell me about your favorite teacher? ~tell me what ‘keys’ ingredients are?
My Cooperative Learning Rules ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
What are key ingredients?
 
Presentation Outline ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Key Ingredients ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
A Happy Teacher ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Prepping a Lesson
Student Centered ,[object Object],[object Object],[object Object],[object Object],[object Object]
“ As we start the new school year Mr. Smith I want you to know that I am an Abstract-Sequential Learner and trust that you will conduct yourself accordingly.”
Student Centered
Affective Filters ,[object Object],[object Object],[object Object],[object Object],[object Object]
Affective Filters
Fun & Laughter
Nation’s 25% Rule ,[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object]
[object Object]
Are you  ?
Adaptation & Supplementation
Sharing about our ‘keys’
Sharing about our ‘keys’ (1) A Happy & Inspired Teacher (2) A Student Centered Class (3) Affective Filters Lowered (4) Fun & Laughter in the Class (5) Using Nation’s 25% Rule (6) The class (or HW) is wired (7) Adaptation & Supplementals
My favorite adaptation ‘keys’ Change the color of your textbook!
 
i.  Using “Entry Points”.  ii.  5 minute “Brain Based” activities iii.  “Multiple Intelligence” lesson plans. iv.  Cooperative Learning activities. v.  “Thinking  Routines” from HGSE. vi.  Speaking frames using PPT
There are 5 kinds of Entry Points : -The Aesthetic.  -The Narrative.    -The Logical/Quantitative.  -The Foundational.  -The Experiential. Gardner, H. (1991),  The Unschooled Mind , New York:  Basic Books .
The entry point through  which learners respond  to  formal and sensory  qualities of a subject  or a work of art. http://brooklynartproject.ning.com/
Examples: *Use photos from artistic images to stimulate interest. *Show a famous painting or picture which is connected by theme to your topic . Theme: My family
[object Object]
Use all kinds of pictures What do you see,  think, wonder?
The entry point through  which learners respond  to the  narrative  (story)  elements  of a subject  or work of art.  Theme: My house
 
Remember your audience!   (Especially if you have 5 th -10th graders?) ,[object Object]
The entry point through  which learners respond  to  aspects  of a subject, or  work of art that invite  deductive  reasoning or  numerical consideration .
10,000 100,000 1 million 2 million 5 million 8 million 10 million Theme: Korea 2002 World Cup
1. They are using sign language . 2. The girl is probably deaf. 3. The woman is  a teacher/helper.  Theme: Deaf children
The entry point through which learners respond  to the broader concepts,  or  philosophical issues,   raised by a subject  or artwork.
Why is it so? Why do we need English? Why do you love your family? Why do you study so hard? Why do you play soccer? Why is Korea so busy? Why do people drive like that?
The entry point through which learners respond  to a subject  or work  art by  actually doing   something with their  hands or bodies.
*Play different  trust games *Pretend to be blind (for unit on physically challenged kids) Theme: Friendship  ---  Caring/service
Adapted from WIDEWORLD professional development  resources.  http://www.wideworld.pz.harvard.edu/ These examples were excerpted and adapted from: Davis, J. (1996).  The MUSE Book . Cambridge, MA: President and Fellows of Harvard College/Harvard Project Zero
Narrative & experiential
What is brain based learning? http://eduscapes.com/tap/topic70.htm
What’s the most delicious word? What’s the most dangerous word? What’s the ugliest word? What’s the tallest word? What’s the funniest word? What’s your favorite word?
M.I. theory by Dr. Howard Gardner (1983), Professor of Education  at Harvard University.
 
 
 
1. Using  MI inventories , to evaluate students learning styles.  2. Creating a mix of different activities based on an  MI lesson plan schema .
http://www.spannj.org/BasicRights/appendix_b.htm#test
Aaron’s profile from website linked below: Interpersonal, Verbal-Linguistic  strength  90.   Kinesthetic, Intrapersonal strength  80.  Logical-mathematical strength  70 Naturalist strength, Visual-spatial strength  60. Musical strength  50. Existential strength  n/a. http://surfaquarium.com/MI/inventory.htm http://www.igs.net/~cmorris/inventories_on_mi.html
http://www.teach-nology.com/trilogy/
Advantages: *Maximize student talking time. *Maximize interaction. Activity examples:  Think Pair Share, Circle of Speakers,  Circle of Writers, & Snowball.
From George Jacobs’s wonderful website: http://www.georgejacobs.net/index.html
List all the things you know about  ants  ( in 1 minute) Next,  make a list with your partner … next share with the two people next to you or behind you . No duplications please!
Think-Pair-Share I think _______________ is going to ________________________________.
 
 
Think-Pair-Share I think _______________ is going to ________________________________.
 
 
 
 
Think-Pair-Share I think _______________ is going to ________________________________.
http://www.pz.harvard.edu/Research/AERA06ThinkingRoutines.pdf
Conditional Sentences with ‘if’ ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
http://pzweb.harvard.edu/vt/VisibleThinking_html_files/03_ThinkingRoutines/03c_CoreRoutines.html
 
See. Think. Wonder This one is so easy to use!
 
 
Connect Extend Challenge
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Connect Extend Challenge
Challenge
For heaven’s sake use  PPT
Yes you can use PPT to  make your own: ,[object Object],[object Object]
PPT Speaking Frame Example: ,[object Object]
PPT Speaking Frame Example: ,[object Object]
A: What’s your favorite ice-cream? B: My favorite ice-cream is _______. How about you? A: I like ___________. Do you  like ___________? B: Yes I do/No I don’t actually.
1 –Do I use entry points to lessons? 2- Do I use “brain based”  cognivities ? 3- Are the MI’s of students factored? 4- Do I use cooperative learning? 5- Do I use thinking routines? 6- Do I use speaking frames?
Supplemental ‘keys’. I use the 1 + 1 approach to add stuff!
i.  Extensive reading ii.  Video & audio materials iii.  Learner journals iv.  Dramatic skits and readings v.  PPT books & read alouds vi.  Online quizzes vii.  Vocabulary cards viii.  Websites for learning English
i. Extensive reading ,[object Object],[object Object],[object Object],[object Object],[object Object]
Use Graded Readers! Graded Readers  are “books prepared so that  they stay within strictly limited vocabulary.”  (Nation, 2001)
a.  Use Real-English.com to watch videos with subtitles, for all levels.  b.  Find video materials on DVD or  that are level appropriate. c.  Use you-tube videos with script  
 
 
 
  By Rob Waring  (distributed in Korea by YBM Sisa)
 
http://www.finchpark.com/videos/alt_assess/index.htm ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Play video if time
How to Teach English with Technology (Gavin Dudeney and Nicky Hockly 2007)
 
Vocabulary Instruction ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Vocabulary Instruction ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
http://issuu.com/eflclassroom/docs/best_teacher_student_sites
http://eflclassroom.ning.com/index.php
http://jasonrenshaw.typepad.com/jason_renshaws_web_log/
1 –Do I have time for anything? 2 – How can I make (more) time? 3-Do I practice the 1 + 1 approach?  4- Is it for in-class only, or out too? 5- How do I assess learning, or do I? 6- What varies? What stays the same?
http://firesidelearning.ning.com/
Yes, you may George, but come back quickly!
 

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Finding Key Teaching Ingredients

  • 1.
  • 2. Who am I? I resemble the thinker , therefore I am. (Rodin 1902, meets Descarte, 1637)
  • 3. About me… I reflect therefore I teach. (Descarte 1637 meets Farrell 2008)
  • 4. - Reflective teaching practice. -MI & critical thinking approaches. -Learner training/student centered. -Promoting acquisition over learning -Input based approaches like ER & EL
  • 5.
  • 6. More Warm Up Discuss with your partner Hi, my name is ______. Nice to meet you. (I’m _______ NTMY2) I was wondering would you tell me about _______________________? ~tell me a memorable school moment? ~tell me about your favorite teacher? ~tell me what ‘keys’ ingredients are?
  • 7.
  • 8.  
  • 9. What are key ingredients?
  • 10.  
  • 11.
  • 12.
  • 13.
  • 15.
  • 16. “ As we start the new school year Mr. Smith I want you to know that I am an Abstract-Sequential Learner and trust that you will conduct yourself accordingly.”
  • 18.
  • 21.
  • 22.
  • 23.
  • 24. Are you ?
  • 26. Sharing about our ‘keys’
  • 27. Sharing about our ‘keys’ (1) A Happy & Inspired Teacher (2) A Student Centered Class (3) Affective Filters Lowered (4) Fun & Laughter in the Class (5) Using Nation’s 25% Rule (6) The class (or HW) is wired (7) Adaptation & Supplementals
  • 28. My favorite adaptation ‘keys’ Change the color of your textbook!
  • 29.  
  • 30. i. Using “Entry Points”. ii. 5 minute “Brain Based” activities iii. “Multiple Intelligence” lesson plans. iv. Cooperative Learning activities. v. “Thinking Routines” from HGSE. vi. Speaking frames using PPT
  • 31. There are 5 kinds of Entry Points : -The Aesthetic. -The Narrative. -The Logical/Quantitative. -The Foundational. -The Experiential. Gardner, H. (1991), The Unschooled Mind , New York: Basic Books .
  • 32. The entry point through which learners respond to formal and sensory qualities of a subject or a work of art. http://brooklynartproject.ning.com/
  • 33. Examples: *Use photos from artistic images to stimulate interest. *Show a famous painting or picture which is connected by theme to your topic . Theme: My family
  • 34.
  • 35. Use all kinds of pictures What do you see, think, wonder?
  • 36. The entry point through which learners respond to the narrative (story) elements of a subject or work of art. Theme: My house
  • 37.  
  • 38.
  • 39. The entry point through which learners respond to aspects of a subject, or work of art that invite deductive reasoning or numerical consideration .
  • 40. 10,000 100,000 1 million 2 million 5 million 8 million 10 million Theme: Korea 2002 World Cup
  • 41. 1. They are using sign language . 2. The girl is probably deaf. 3. The woman is a teacher/helper. Theme: Deaf children
  • 42. The entry point through which learners respond to the broader concepts, or philosophical issues, raised by a subject or artwork.
  • 43. Why is it so? Why do we need English? Why do you love your family? Why do you study so hard? Why do you play soccer? Why is Korea so busy? Why do people drive like that?
  • 44. The entry point through which learners respond to a subject or work art by actually doing something with their hands or bodies.
  • 45. *Play different trust games *Pretend to be blind (for unit on physically challenged kids) Theme: Friendship --- Caring/service
  • 46. Adapted from WIDEWORLD professional development resources. http://www.wideworld.pz.harvard.edu/ These examples were excerpted and adapted from: Davis, J. (1996). The MUSE Book . Cambridge, MA: President and Fellows of Harvard College/Harvard Project Zero
  • 48. What is brain based learning? http://eduscapes.com/tap/topic70.htm
  • 49. What’s the most delicious word? What’s the most dangerous word? What’s the ugliest word? What’s the tallest word? What’s the funniest word? What’s your favorite word?
  • 50. M.I. theory by Dr. Howard Gardner (1983), Professor of Education at Harvard University.
  • 51.  
  • 52.  
  • 53.  
  • 54. 1. Using MI inventories , to evaluate students learning styles. 2. Creating a mix of different activities based on an MI lesson plan schema .
  • 56. Aaron’s profile from website linked below: Interpersonal, Verbal-Linguistic strength 90. Kinesthetic, Intrapersonal strength 80. Logical-mathematical strength 70 Naturalist strength, Visual-spatial strength 60. Musical strength 50. Existential strength n/a. http://surfaquarium.com/MI/inventory.htm http://www.igs.net/~cmorris/inventories_on_mi.html
  • 58. Advantages: *Maximize student talking time. *Maximize interaction. Activity examples: Think Pair Share, Circle of Speakers, Circle of Writers, & Snowball.
  • 59. From George Jacobs’s wonderful website: http://www.georgejacobs.net/index.html
  • 60. List all the things you know about ants ( in 1 minute) Next, make a list with your partner … next share with the two people next to you or behind you . No duplications please!
  • 61. Think-Pair-Share I think _______________ is going to ________________________________.
  • 62.  
  • 63.  
  • 64. Think-Pair-Share I think _______________ is going to ________________________________.
  • 65.  
  • 66.  
  • 67.  
  • 68.  
  • 69. Think-Pair-Share I think _______________ is going to ________________________________.
  • 71.
  • 72.
  • 74.  
  • 75. See. Think. Wonder This one is so easy to use!
  • 76.  
  • 77.  
  • 79.
  • 80.
  • 81.
  • 85.
  • 86.
  • 87.
  • 88. A: What’s your favorite ice-cream? B: My favorite ice-cream is _______. How about you? A: I like ___________. Do you like ___________? B: Yes I do/No I don’t actually.
  • 89. 1 –Do I use entry points to lessons? 2- Do I use “brain based” cognivities ? 3- Are the MI’s of students factored? 4- Do I use cooperative learning? 5- Do I use thinking routines? 6- Do I use speaking frames?
  • 90. Supplemental ‘keys’. I use the 1 + 1 approach to add stuff!
  • 91. i. Extensive reading ii. Video & audio materials iii. Learner journals iv. Dramatic skits and readings v. PPT books & read alouds vi. Online quizzes vii. Vocabulary cards viii. Websites for learning English
  • 92.
  • 93. Use Graded Readers! Graded Readers are “books prepared so that they stay within strictly limited vocabulary.” (Nation, 2001)
  • 94. a. Use Real-English.com to watch videos with subtitles, for all levels. b. Find video materials on DVD or that are level appropriate. c. Use you-tube videos with script  
  • 95.  
  • 96.  
  • 97.  
  • 98.   By Rob Waring (distributed in Korea by YBM Sisa)
  • 99.  
  • 100.
  • 101.
  • 102. Play video if time
  • 103.
  • 104. How to Teach English with Technology (Gavin Dudeney and Nicky Hockly 2007)
  • 105.  
  • 106.
  • 107.
  • 111. 1 –Do I have time for anything? 2 – How can I make (more) time? 3-Do I practice the 1 + 1 approach? 4- Is it for in-class only, or out too? 5- How do I assess learning, or do I? 6- What varies? What stays the same?
  • 113. Yes, you may George, but come back quickly!
  • 114.  

Notas del editor

  1. Reflective teaching rocks!!! I’ve been reflecting a lot on the difficulties my students have had with authentic literature.
  2. Reflective teaching rocks!!! I’ve been reflecting a lot on the difficulties my students have had with authentic literature.
  3. No sexism, racism, party political answers. Teams and give points! Rules nothing too emotional please!
  4. Reflective teaching rocks!!! I’ve been reflecting a lot on the difficulties my students have had with authentic literature.
  5. Students and parents praying for success on the university entrance exams.
  6.  
  7. For example: the color, line, expression, and composition of a painting; the intricate patterns on the surface of a beehive; or the alliteration and meter of a poem.
  8. For example: the color, line, expression, and composition of a painting; the intricate patterns on the surface of a beehive; or the alliteration and meter of a poem.
  9. Language Research has shown that comprehensible input is crucial, and also without narrative students cannot develop fluency.
  10. For example: the legend depicted in a painting, the sequence of events in a period of history, or the story behind the construction of a skyscraper.
  11. More about lexiled books later… joke about dark circles…
  12. For example: the question of what decisions led to the creation of an art object, the problem of calculating the overall dimensions of an automobile, or the determination of which character in a mystery is the real villain.
  13. For example: the question of what decisions led to the creation of an art object, the problem of calculating the overall dimensions of an automobile, or the determination of which character in a mystery is the real villain.
  14. For example: the question of what decisions led to the creation of an art object, the problem of calculating the overall dimensions of an automobile, or the determination of which character in a mystery is the real villain.
  15. For example: whether and why calculus is thought to be important to society, whether metaphors depict or defy reality, or why a painting of soup cans is considered art.
  16. For example: whether and why calculus is thought to be important to society, whether metaphors depict or defy reality, or why a painting of soup cans is considered art.
  17. For example: manipulating the same materials used in a work of art, producing a play about the history of a neighborhood, or setting a poem to music.
  18. For example: manipulating the same materials used in a work of art, producing a play about the history of a neighborhood, or setting a poem to music.
  19. -Think of an idea about an entry point that you might use for this example.
  20. Think of activities that challenge your students to think and to be invested in the words, find inventive ways for them to use them and to own them…
  21. -It suggests that the traditional notion of intelligence, based on I.Q. testing, is far too limited. Instead, he proposed 7 different intelligences to account for a broader range of human potential in children and adults.
  22. What about you? What are you’re strongest?
  23. What about you? What are you’re strongest?
  24. The core routines are a set of seven or so routines that target different types of thinking from across the modules. These routines are easy to get started with and are commonly found in Visible Thinking teachers' toolkits. Try getting started with with one of these routines. http://www.pz.harvard.edu/vt/VisibleThinking_html_files/03_ThinkingRoutines/03c_CoreRoutines.html
  25. Reflective teaching rocks!!! I’ve been reflecting a lot on the difficulties my students have had with authentic literature.
  26. Adapted for lesson with if_________ … _________ might happen
  27. Language Research has shown that comprehensible input is crucial, and also without narrative students cannot develop fluency.
  28. Think of activities that challenge your students to think and to be invested in the words, find inventive ways for them to use them and to own them…
  29. Think of activities that challenge your students to think and to be invested in the words, find inventive ways for them to use them and to own them…
  30. Think of activities that challenge your students to think and to be invested in the words, find inventive ways for them to use them and to own them…
  31. Language Research has shown that comprehensible input is crucial, and also without narrative students cannot develop fluency.
  32. Language Research has shown that comprehensible input is crucial, and also without narrative students cannot develop fluency.
  33. Think of activities that challenge your students to think and to be invested in the words, find inventive ways for them to use them and to own them…
  34. For classroom English
  35. Always good to use PPT to keep a repertoire of speaking frames at hand, or plan them into your lesson plan…
  36. Always good to use PPT to keep a repertoire of speaking frames at hand, or plan them into your lesson plan…
  37. Think of activities that challenge your students to think and to be invested in the words, find inventive ways for them to use them and to own them…
  38. Reflective teaching rocks!!! I’ve been reflecting a lot on the difficulties my students have had with authentic literature.
  39. The books are the stars!!!
  40. Insert – Silly Olympics Video Insert – Reading Videos
  41. -Think of an idea about an entry point that you might use for this example.
  42. Reflective teaching rocks!!! I’ve been reflecting a lot on the difficulties my students have had with authentic literature.
  43. Reflective teaching rocks!!! I’ve been reflecting a lot on the difficulties my students have had with authentic literature.
  44. A lot of “Classroom English” is actually teacher modeling language at the right input level for teachers.