2. Manifesto of Nouveau Réalisme
signed October 27, 1960
The New Realists have seized
awareness of their collective
singularity
New Realism = new ways of
perceiving the real
3. Yves Klein
Leap into the Void
Fontenay-aux-Roses
October 23, 1960
Photograph by Harry
Shunk
[Fig. 18-02]
4.
5. Yves Klein
Leap into the Void
Fontenay-aux-Roses
October 23, 1960
Photograph by Harry
Shunk
[Fig. 18-02]
6. Jean Tinguely
Homage to New York
1960
Mixed media
Self-destructing
installation in the garden of
The Museum of Modern
Art, New York
[Fig. 18-05]
12. Joseph Beuys
The Pack
1969
Installation with Volkswagen
bus and twenty sledges, each
carrying felt, fat, and a
flashlight
Staatliche Kunstsammlungen
Kassel, Neue Galerie
Kassel, Germany
[Fig. 18-21]
Notas del editor
Manifesto of Nouveau Réalisme signed October 27, 1960. The New Realists have seized awareness of their collective singularity. New Realism = new ways of perceiving the real.
Yves Klein, Leap into the Void, Fontenay-aux-Roses, October 23, 1960. Photograph by Harry Shunk. [Fig. 18-02]
Yves Klein, Leap into the Void, Fontenay-aux-Roses, October 23, 1960. Photograph by Harry Shunk. [Fig. 18-02]
Jean Tinguely, Homage to New York, 1960. Mixed media. Self-destructing installation in the garden of The Museum of Modern Art, New York. [Fig. 18-05]
Arman, Long-Term Parking, 1982. Sixty automobiles imbedded in cement, 60 × 20 × 20’ (18.3 × 6.1 × 6.1 m). Centre d’Art de Montcel, Jouy-en-Josas, France. [Fig. 18-10]
George Maciunas, Fluxus Manifesto, 1963. Offset, 8-3⁄16 × 5-11⁄16” (20.8 × 14.5 cm). The Museum of Modern Art, New York. [Fig. 18-17]
Yoko Ono performing Cut Piece at Carnegie Recital Hall, New York City, March 21, 1965. [Fig. 18-19]
Joseph Beuys, The Pack, 1969. Installation with Volkswagen bus and twenty sledges, each carrying felt, fat, and a flashlight. Staatliche Kunstsammlungen Kassel, Neue Galerie, Kassel, Germany. [Fig. 18-21]
