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By Harry Jenner
Making a film takes years and involves hundreds of
     people but when starting a film all you need is a
brilliant idea from one person. The person with the idea
  then goes to a producer to make their idea reality. A
director then redrafts the story to make it suitable for
     the screen. A writer then makes the story more
  interesting and turns it into something tangible. The
    writer will then make the story long enough and
interesting enough for a film. There is then a pitch that
   contains all the information the producer needs in
                  order to sell the idea.
The producer uses her power of persuasion to get
 money for the development of a script . The producer
then finds film production companies for development
  money, but they have no projects of their own. The
  producer can offer the future sales and broadcast
rights to the film in return for money for the script.
The producer can also get money form public funding.
    The producer can even pitch private investors.
First the writer and the producer wave to agree on
  key scenes and events in the film. Most writers then
 create a step outline to plan their script. The writer
then drafts out the story. When the producer and the
writer agree the draft will be sent to the financiers.
 When everyone is happy it is locked off and becomes a
final draft. Then the writer is paid. The final stage of
 the script development process is the creation of the
                    sales treatment.
The producer and director must now make the script
into a full commercial proposition ready for financing.
  They then try to find well known stars to make the
project more commercial. The producer must then find
out how expensive the film will cost to make. Investors
    need to know how the money will be raised. The
producer packages the film to see what people think of
                          it.
The producer may have to travel round the world to find
a financier. The financier then draw up contracts with the
 producer to seal the deal. The producer can also sell the
     film before its been made to raise money. Banks and
insurance companies can also offer loans. Once the essential
   funding and insurance is secured. The film gets a “green
            light” and the producer gets drunk.
Once all of the heads of department are hired they decide
which actors will be playing which character. There are
   also story boards made for the film. The production
designer plans how the film will look and hires people to
design and build each part. Effects shots are planned more
  because they need a lot longer to design and build. The
 producer and the production manager make up the key
           logistic triangle of the production.
This is when the shooting starts. Then camera department is
then in charge of getting all the footage that the director
  and editor need to tell the story. Once all the lighting,
sound are set up and hair and make-up have been checked the
 shot can begin. The actor must use emotional techniques to
  draw the audience into it. The special effects must be safe
 with a minimum risk of injury. If the film productions fall
   behind schedule the financiers and insures may step in.
As the film is shot the editor has to assemble the scenes to
create a narrative sequence before the sound department
  add sound effects and music. The digital effects are then
 added by specialist effect compositors. Finally the film is
edited and different colours are experimented with to see
 which creates the best effect. Rough sound mix goes to a
   dubbing theatre where the sound mixer sets the final
levels. The film is now finished and ready for duplication.
To help the producer sell the film she secures the
services of a sales agent, a specialist in film sales. The film
then needs a trailer to advertise it. The producer and the
sales agent then collect everything they need to sell the
 film. The producer must go to great lengths to attract
  peoples attention one of the best ways to do this is by
putting the film at a high profile screening. The producer
 can now negotiate good deals with distributors around
                        the world.
The producer hires sales agents to help her sell the film to
   distributors. To know what your audience likes the
 marketing team run test screenings to see how the film is
received. Posters, trailers, TV spots, radio, newspapers the
 internet and other marketing materials are used to help
 attract attention and so that people know what type of
film they are watching before they watch it. The film also
  can be shown at the cinema by paying them to screen it.
A high-profile premier is used to launch the film to public
with an explosion of media coverage. The UK has more than
 3,500 cinema screens. Distributors supply the exhibitors
with prints of the film. The more screens the films is shown
 on, the more prints are needed. The exhibitors take their
  share of the box office receipts, after the distributors
      recoup their marketing costs. The investors and
      distributors are paid or given their investments.
Other ways the film producers can make money is by playing
their film in flight entertainment, selling DVDs, broadcasting
on TV and even creating a computer game of the film. After the
producer has made as much money as she can she then pays all
   the people who have helped make the film. Other ways to
 increase the income after then film is made is to make sequels
                      and special editions.

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Making a film from idea to reality

  • 2. Making a film takes years and involves hundreds of people but when starting a film all you need is a brilliant idea from one person. The person with the idea then goes to a producer to make their idea reality. A director then redrafts the story to make it suitable for the screen. A writer then makes the story more interesting and turns it into something tangible. The writer will then make the story long enough and interesting enough for a film. There is then a pitch that contains all the information the producer needs in order to sell the idea.
  • 3. The producer uses her power of persuasion to get money for the development of a script . The producer then finds film production companies for development money, but they have no projects of their own. The producer can offer the future sales and broadcast rights to the film in return for money for the script. The producer can also get money form public funding. The producer can even pitch private investors.
  • 4. First the writer and the producer wave to agree on key scenes and events in the film. Most writers then create a step outline to plan their script. The writer then drafts out the story. When the producer and the writer agree the draft will be sent to the financiers. When everyone is happy it is locked off and becomes a final draft. Then the writer is paid. The final stage of the script development process is the creation of the sales treatment.
  • 5. The producer and director must now make the script into a full commercial proposition ready for financing. They then try to find well known stars to make the project more commercial. The producer must then find out how expensive the film will cost to make. Investors need to know how the money will be raised. The producer packages the film to see what people think of it.
  • 6. The producer may have to travel round the world to find a financier. The financier then draw up contracts with the producer to seal the deal. The producer can also sell the film before its been made to raise money. Banks and insurance companies can also offer loans. Once the essential funding and insurance is secured. The film gets a “green light” and the producer gets drunk.
  • 7. Once all of the heads of department are hired they decide which actors will be playing which character. There are also story boards made for the film. The production designer plans how the film will look and hires people to design and build each part. Effects shots are planned more because they need a lot longer to design and build. The producer and the production manager make up the key logistic triangle of the production.
  • 8. This is when the shooting starts. Then camera department is then in charge of getting all the footage that the director and editor need to tell the story. Once all the lighting, sound are set up and hair and make-up have been checked the shot can begin. The actor must use emotional techniques to draw the audience into it. The special effects must be safe with a minimum risk of injury. If the film productions fall behind schedule the financiers and insures may step in.
  • 9. As the film is shot the editor has to assemble the scenes to create a narrative sequence before the sound department add sound effects and music. The digital effects are then added by specialist effect compositors. Finally the film is edited and different colours are experimented with to see which creates the best effect. Rough sound mix goes to a dubbing theatre where the sound mixer sets the final levels. The film is now finished and ready for duplication.
  • 10. To help the producer sell the film she secures the services of a sales agent, a specialist in film sales. The film then needs a trailer to advertise it. The producer and the sales agent then collect everything they need to sell the film. The producer must go to great lengths to attract peoples attention one of the best ways to do this is by putting the film at a high profile screening. The producer can now negotiate good deals with distributors around the world.
  • 11. The producer hires sales agents to help her sell the film to distributors. To know what your audience likes the marketing team run test screenings to see how the film is received. Posters, trailers, TV spots, radio, newspapers the internet and other marketing materials are used to help attract attention and so that people know what type of film they are watching before they watch it. The film also can be shown at the cinema by paying them to screen it.
  • 12. A high-profile premier is used to launch the film to public with an explosion of media coverage. The UK has more than 3,500 cinema screens. Distributors supply the exhibitors with prints of the film. The more screens the films is shown on, the more prints are needed. The exhibitors take their share of the box office receipts, after the distributors recoup their marketing costs. The investors and distributors are paid or given their investments.
  • 13. Other ways the film producers can make money is by playing their film in flight entertainment, selling DVDs, broadcasting on TV and even creating a computer game of the film. After the producer has made as much money as she can she then pays all the people who have helped make the film. Other ways to increase the income after then film is made is to make sequels and special editions.