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Photojournalism Techniques By Mrs. Goodwin
Focus ,[object Object],[object Object],[object Object],[object Object]
Composition ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Composition 1 - Framing ,[object Object],[object Object],[object Object],[object Object],[object Object]
Composition 1 - Framing ,[object Object],[object Object]
Composition 2 - Cropping ,[object Object],2/3 crop 1/3 crop Crop the subject by thirds (in the camera or on the computer).
Composition 3 - Center of Interest ,[object Object],[object Object],[object Object]
Composition 3 - Center of Interest Place the subject on the left 1/3 or right 1/3.
Composition 3 - Center of Interest Place the subject or the horizon on the top 1/3 or bottom 1/3.
Composition 4 - Content ,[object Object],Feet in the way of the ball Car bumping into her head.
[object Object],Composition 4 - Content Missing the story. Telling the story.
Composition 4 - Content ,[object Object],[object Object]
Lighting - Sunlight ,[object Object],[object Object],[object Object],[object Object],[object Object]
Lighting - Backlit ,[object Object],[object Object],[object Object],[object Object],[object Object]
Lighting - Creating Mood ,[object Object]
High Contrast ,[object Object]
Low Contrast ,[object Object],Lighter photos look sunny, bright and cheerful. dark on dark light on light
Point of View ,[object Object]
Point of View ,[object Object]
Balance ,[object Object],Perfect or equal balance is static and boring.  Asymmetrical balance is more dynamic.  Note the placement of the people is not in a straight row.
Eyeline ,[object Object],[object Object]
Eyeline ,[object Object],[object Object]
Spontaneous Photos ,[object Object],[object Object],[object Object]
Which picture is spontaneous?
The End Photojournalism takes time to learn…you’ll need to practice!

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