2.  Macrophotography is also called as “close-up
photography”, usually of very small subjects.
 Classically a macrophotograph is one in which
the size of the subject on the negative is
greater than life size. However in modern use it
refers to a finished photograph of a subject at
greater than life size.

3. Photo from : http://www.fotothing.com

4. Photo from : http://tinybuddha.com

5. Photo from : http://www.flickr.com

6.  "Macro" lenses specifically designed for close-
up work, with a long barrel for close focusing,
are one of the most common tools for
macrophotography. (Nikon designates such
lenses as "Micro" because of their original use in
making microforms, but most lens makers use
the term "Macro" or "Makro“. )
 These lenses are optimized for high
reproduction ratios. Most modern macro lenses
can focus continuously to infinity as well, using
complex focusing mechanisms that alter the
optical formula.

7. Macro lenses of different focal lengths find
different uses:
 Continuously Variable Focal Length — suitable for
virtually all macro subjects
 45–65 mm — product photography, small objects
that can be approached closely without causing
undesirable influence, and scenes requiring
natural background perspective
 90–105 mm — insects, flowers, and small objects
from a comfortable distance
 150–200 mm — insects and other small animals
where additional working distance is required

8. Canon MP-E 65mm macro lens. Small front lens elements are typical of macro lenses.

9. Extending the distance between the lens and
the film or sensor, by inserting either extension
tubes or a continuously adjustable bellows, is
another equipment option for
macrophotography.
The further the lens is from the film or sensor,
the closer the focusing distance, the greater
the magnification, and the darker the image
given the same aperture. Tubes of various
lengths can be stacked, decreasing lens-to-
subject distance and increasing
magnification.

10. Extension Tubes for extreme macro use with SLRs. Note the pen placed through the tube to
illustrate that it does not contain any lens elements.
Bellows fitted between an SLR and reversed lens. It has the same function like the Extension
tubes.

11. Photo from : http://www.flickr.com

12. Photo from : http://www.flickr.com

13.  "Depth of field”
— Limited depth of field is an important
consideration in macro photography. This
makes it essential to focus critically on the
most important part of the subject, as
elements that are even a millimeter closer
or farther from the focal plane might be
noticeably blurred. Due to this, the use of
a microscope stage is highly
recommended for precise focus with
large magnification such as
photographing skin cells.

14.  " Lighting”
— The problem of sufficiently and evenly lighting
the subject can be difficult to overcome. Some
cameras can focus on subjects so close that
they touch the front of the lens. It is impossible to
place a light between the camera and a
subject that close, making extreme close-up
photography impractical. A normal-focal-length
macro lens (50 mm on a 35 mm camera) can
focus so close that lighting remains difficult.
To avoid this problem, many photographers
use telephoto macro lenses, typically with focal
lengths from about 100 to 200 mm. These are
popular as they permit sufficient distance for
lighting between the camera and the subject.

17.  Vacation Photography is sometimes called
“Travel Photography”. (Although they have
some differences too)
 It is a subcategory of photography involving
the documentation of an area's landscape,
people, cultures, customs and history.

18. Photo from : http://www.travelblat.com

19. Photo from : http://ainakai.blogspot.com

20. Photo from : http://ainakai.blogspot.com

21.  Take Kid Pictures First
— When you visit an attraction or landmark
immediately pick out a spot with a good
background and take your photo of the
kids in front that background. The kids may
be fresh-faced and cute in their matching
vacation outfits for the moment but after
three hours of walking in the sun they will be
more like messy kids right off the playground
than your photogenic angels.

22.  Shoot wherever, whenever
— You’ve probably heard the “best light” is
only in early morning or early evening hours.
It’s true the soft light of those hours often
makes for great photos. However, there are
wonderful opportunities to shoot in the
middle of the day. Look to shadows for
details and other macro subjects or step
into shaded areas without direct sunlight for
portraits of your kids. You’ll find the diffused
light perfect for portrait photos.

23.  Photograph in transitional weather
— Photographing in inclement weather,
or just as the weather changes, adds
ambiance, texture and intrigue to your
photos. Often, photographing on the
cusp of a rainstorm, either just as it
approaches, or as the storm is breaking,
yields interesting light; perfect for
dramatic photos.

24.  Make it Interactive
—Whenever safely possible take images
that show your family interacting with
your surroundings. This will bring life to
otherwise standard snapshots.

25.  Don't Let Your Images Stay Hidden
— Leaving your images on your memory
card or as undeveloped film when you
get home will not help you remember
your trip at all. Take the time to upload
your images or have them printed.

26. Photo from : http://www.maui-angels.com

27. Photo from : http://globaledgemedia.yolasite.com

28. Reported by: Jhon A. Morada