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The Girl Next Door:
Post-apocalyptic And Everyday Heroines
In Popular Young Adult Texts
Kelli McGraw
Queensland University of Technology
THE TEXTS:

             Collins, S. (2008). The   hunger games.
             Scholastic


             Marsden, J. (1993). Tomorrow when
             the war began. Pan Macmillan

             Freemantle Media (2011). Neighbours.
             [various episodes]. FremantleMedia
             Australia: Richmond
THE CONTEXT:
• The ‘girls next door’ –
     Katniss
     Ellie
     Summer

• Popular texts with young adults
     In schools; at the cinema; on
     television

• Post-apocalyptic and everyday
  worlds

• Different media used – very similar
  stories.
THE HUNGER GAMES:

Texts as a pedagogical apparatus –
• Do these texts engage a feminist
   pedagogy?


                    • Do they have ‘transformative
                      potential’? (Coffey & Delamont, 2000)
                    • Do they change dominant ways
                      of thinking?
                    • What normative assumptions are
                      challenged?
TOMORROW WHEN THE WAR BEGAN:
          ‘Writing it down means we might be
          remembered. And by God that
          matters to us. None of us wants to
          end up as a pile of dead white
          bones, unnoticed, unknown, and
          worst of all, with no one knowing and
          appreciating the risks we’ve run.’ (p.2)
NEIGHBOURS:
         ‘the model citizen at the heart of
         liberal education … is being prepared
         for economic, political & cultural life in
         the public sphere …’ (Lynch, Lyons & Cantillon, 2007)
         (e.g. Summer – passionate about equity
         and social justice; goal to be a journalist;
         besieged by ethical dilemmas )
THE ‘IDEAL’ CITIZEN?
                          • Obligation to family
                          • Reluctant heroine



• Solidarity with local
  communities & beyond


                          • Sacrifices personal
                            safety/success for
                            the greater good
SIGNIFICANCE:
          Straight white females…




            …who all experience great suffering
            and loss as a result of heroic actions.




                ‘to know is not enough’…?     FIN

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AERA slides

  • 1. The Girl Next Door: Post-apocalyptic And Everyday Heroines In Popular Young Adult Texts Kelli McGraw Queensland University of Technology
  • 2. THE TEXTS: Collins, S. (2008). The hunger games. Scholastic Marsden, J. (1993). Tomorrow when the war began. Pan Macmillan Freemantle Media (2011). Neighbours. [various episodes]. FremantleMedia Australia: Richmond
  • 3. THE CONTEXT: • The ‘girls next door’ – Katniss Ellie Summer • Popular texts with young adults In schools; at the cinema; on television • Post-apocalyptic and everyday worlds • Different media used – very similar stories.
  • 4. THE HUNGER GAMES: Texts as a pedagogical apparatus – • Do these texts engage a feminist pedagogy? • Do they have ‘transformative potential’? (Coffey & Delamont, 2000) • Do they change dominant ways of thinking? • What normative assumptions are challenged?
  • 5. TOMORROW WHEN THE WAR BEGAN: ‘Writing it down means we might be remembered. And by God that matters to us. None of us wants to end up as a pile of dead white bones, unnoticed, unknown, and worst of all, with no one knowing and appreciating the risks we’ve run.’ (p.2)
  • 6. NEIGHBOURS: ‘the model citizen at the heart of liberal education … is being prepared for economic, political & cultural life in the public sphere …’ (Lynch, Lyons & Cantillon, 2007) (e.g. Summer – passionate about equity and social justice; goal to be a journalist; besieged by ethical dilemmas )
  • 7. THE ‘IDEAL’ CITIZEN? • Obligation to family • Reluctant heroine • Solidarity with local communities & beyond • Sacrifices personal safety/success for the greater good
  • 8. SIGNIFICANCE: Straight white females… …who all experience great suffering and loss as a result of heroic actions. ‘to know is not enough’…? FIN