Bauhaus Art & Design Movement 1919-1933
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Bauhaus Art & Design Movement 1919-1933
- 6. Bauhaus, Dessau 1926, Gropius
- 10. Gropius House
- 11. Gropius House
- 12. Gropius House
- 13. Johannes Itten
- 14. Johannes Itten
- 15. Johannes Itten
- 16. Johannes Itten
- 17. Johannes Itten
- 18. Johannes Itten
- 19. Johannes Itten
- 20. Paul Klee
- 21. Paul Klee
- 22. Paul Klee
- 23. Paul Klee
- 24. Paul Klee
- 25. Paul Klee
- 26. Paul Klee
- 27. Paul Klee
- 28. Paul Klee
- 29. Paul Klee
- 30. Bauhaus Poster
- 45. Lyonel Feininger
- 46. Lyonel Feininger
- 47. Lyonel Feininger
- 48. Lyonel Feininger
- 49. Lyonel Feininger
- 50. Lyonel Feininger
- 53. Josef Albers
- 54. Josef Albers
- 55. Josef Albers
- 56. Josef Albers
- 57. Josef Albers
- 58. Josef Albers
- 59. Josef Albers
- 60. Josef Albers
- 61. Anni Albers
- 62. Anni Albers
- 63. Anni Albers
- 64. Anni Albers
- 65. Anni Albers
- 66. Anni Albers
- 67. Anni Albers
- 68. Anni Albers
- 69. Anni Albers
- 70. Anni Albers
- 71. Anni Albers
- 72. Anni Albers
- 73. Anni Albers
- 74. Anni Albers
- 87. Oskar Schlemmer
- 88. Oskar Schlemmer
- 89. Oskar Schlemmer
- 90. Oskar Schlemmer
- 91. Oskar Schlemmer
- 92. Oskar Schlemmer
- 93. Oskar Schlemmer
- 94. Oskar Schlemmer
- 95. Ludwig Mies van der Rohe
- 96. Van der Rohe, Seagrams
- 97. Van der Rohe, Glass Skyscraper
- 98. Van der Rohe, Barcelona Pavilion
- 99. Van der Rohe, 1926
- 100. Van der Rohe, Berlin
- 101. Van der Rohe, Chair
- 102. Van der Rohe, Chair
- 103. Van der Rohe, Chair
- 104. Van der Rohe, Chair
- 105. Marcel Breuer
- 106. Breuer Chair
- 107. Breuer Chair
- 110. Breuer, Dining Table
- 111. Breuer, Cupboard
- 112. Breuer Whitney Museum, New York City
- 113. Herbert Bayer
- 114. Bauhaus Poster-Bayer
- 115. Bayer - Structure in Green
- 116. Bayer - Leaning Gate
- 117. Bayer - Concentric Circles
- 118. Bayer - Auctioneers
- 119. Bayer Sculpture
- 120. Bayer - Ascension
- 121. Bayer Sculpture
- 122. Georg Muche
- 123. Georg Muche
- 124. Georg Muche Experimental single family housing and steel house.
- 125. Georg Muche
- 126. Georg Muche
- 127. Georg Muche
- 128. Georg Muche
- 129. Herbert Meyer
- 130. Herbert Meyer
- 131. Herbert Meyer
- 132. Herbert Meyer
- 133. Herbert Meyer
- 134. Herbert Meyer
- 135. Herbert Meyer
- 136. Herbert Meyer
- 137. Bauhaus Teapot
- 138. Bauhaus Tea Set
- 140. Bauhaus Fabric
- 141. Bauhaus Cradle
- 142. Bauhaus Furniture
- 143. Bauhaus Font, Bayer
- 144. Bauhaus Font
- 145. Bauhaus Group Photo Josef Albers, Hinnerk Scheper, Georg Muche, Làszio Moholy- Nagy, Herbert Bayer, Joost Schmidt, Walter Gropius, Marcel Breuer, Vassily Kandinsky, Paul Klee, Lyonel Feininger, Gunta Stolzl and Oskar Schlemmer.
- 146. Bauhaus Weaving
- 148. Josef and Anni Albers
- 149. Bauhaus Influences
- 150. Sonia Delaunay-Terk
- 151. Sonia Delaunay-Terk
- 152. Sonia Delaunay-Terk
- 153. Sonia Delaunay-Terk
- 154. Sonia Delaunay-Terk
- 155. Sonia Delaunay-Terk
- 156. Sonia Delaunay-Terk
- 157. Sonia Delaunay-Terk, Scupture, Robert Delaunay
- 159. Sonia & Robert Delaunay
- 160. Sonia Delaunay-Terk
- 161. Sonia Delaunay-Terk
- 162. Sonia Delaunay-Terk
- 163. Sonia Delaunay-Terk
- 164. Sonia Delaunay-Terk
- 165. Sonia Delaunay-Terk
- 167. Jawlensky
- 168. Jawlensky
- 169. George Grosz
- 170. George Grosz
- 171. George Grosz
- 173. Hitler, Speer, 1943
Notas del editor
- Weimar 1919-1925 Dessau 1925-1933
- The first aim of the school was to "rescue all of the arts from the isolation in which each then found itself."
- Josef Albers was fascinated by the ambiguities of visual and spatial perception. This preoccupation is central to his famous "Homage to the Square" series begun in the 1950s and continuing until his death. In this series, color assumes the main role of producing deceptive and unpredictable effects, causing multiple readings of the same hue depending on what colors surround it. Albers did not mix colors, putting the colors on the painting right out of the tube. He forced his viewers into a changing and dynamic relationship with his work, rather than accepting one visual truth. Albers: "Homage to the Square" "...I see color as motion…to put two color together side by side really excites me. They breathe together. It's like a pulse beat… I like to take a very weak color and make it rich and beautiful or work on its neighbors. I can kill the most brilliant red by putting it with violet. I can make the dullest gray in the world dance by setting it against black… Josef Albers, 1973
- Albers teaching at the Bauhaus, Dessau, 1928 photograph Umbo
- Georg Muche and members of the weaving workshop at the Bauhaus, Weimar, ca. 1923. Anni Albers is at the extreme right.
- Albers teaching at the Bauhaus, Dessau, 1928 photograph Umbo
- Josef and Anni Albers arrive in New York, 1933