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Music video analysis of….

Lil Wayne – 6 Foot 7 Foot (featuring
            Cory Gunz)
  Application of Goodwin’s theory
•
                                 Genre Characteristics
    One main convention of hip hop video’s is the performance
    element. It is very rare to find a hip hop video without some
    element of performance and it has been this way throughout
    the history of hip hop. Arguably this convention has remained
    constant throughout hip hops history however there have
    been changes, especially in the spoken content of hip hop. The
    early conventions of hip hops spoken content often involved
    observations of the society the rappers lived and the problems
    they face on a day to day basis demonstrated by lyrics from
    “The Message”- ‘Got no money to move out, guess I got no
    choice’ ‘Junkies in the alley with a baseball bat’
•   These lyrics express the problems suffered by the artist
    involving poverty and violence within his community. This
    identifies the target audience as people who are also suffering
    from these problems which would tend to be ethnic minorities
    as the majority target audience, mostly young black males. The
    song sends a message of wanting to break out of the his
    current position, although he is not sure how.
       Now the target audience of hip hop has not changed, it is still aimed   Clip from Grandmaster flash’s “The Message” (1982)
       at majorly at young black males however the message being sent          demonstrating performance element.
       has changed, the change in conventions has been mainly applied to
       commercial hip hop for example as it has been argued that it is
       these conventions that sell hip hop (According to Dustin Seibert). It
       is argued to now glorify money and almost promises status through
       money. It is also argued glorify violence and the objectifying of
       women. This shown by the lyrics and visuals in ‘6 Foot 7 Foot’-
       “Married to money”
       These new conventions although very different still apply to the
       same target markets as it is still mostly people young black males                                                          Bibliography:
       from similar backgrounds to the target audience that do the rapping
       however they are seen not only to have escaped poverty but to
       have reached a level of rich that they are up there with the super                                                          1*The Message
       elite. This appeals to the target audience as it gives something for                                                        lyrics
       them to aspire to. However it would be unfair to blanket all modern     Clip from Lil Wayne's “6 Foot 7 Foot” showing the
       hip hop as holding these conventions, these conventions are typical     objectification of women.                           2*6 Foot 7 Foot
       of mainstream rap and don’t necessarily apply to artists who hold                                                           Lyrics
       more underground positions.
                                                                                                                                   3*Researcher/write
                                                                                                                                   r for changes in hip
                                                                                                                                   hop
Visuals and lyrics
•   According to Goodwin there is a relationship between the
    lyrics and the visuals, which is either amplifying,
    contradicting or illustrative
•   There is a very strong illustrative relationship between the
    lyrics and visuals in this video. For example at 1.18 in the
    video the rapper says “I think you stand under me, if you
    don’t understand me”. This shown on screen by an
    extremely low angle shot of the rapper to represent the
    people standing under him.
•   This video proves Goodwins theory correct. The strong
    relationship allows for the audience to become engrossed
    in the song and encourages them to watch and listen
    intently to draw connections between the lyrics and
    visuals.
•   The visuals at points are also used to amplify the effect of
    the lyrics
•   He says “I do it like a king do” and this is shown on screen
    with the rapper in a thrown and woman placing a crown
    on his head. This is an example of the visuals on screen
    amplifying the lyrics. The effect of this that it that it adds a
    whole new layer of meaning to the song.
Music and visuals
•      There is a relatively strong relationship between music        There are also shots of Lil Wayne performing with
       and visuals. For example at the beginning of the video         Cory Gunz in the background. This affirms Lil Wayne
       there is a close up of the the Lil Wayne to establish him as   as the main artist, however it also affirms Cory Gunz
       the main artist.                                               as a contributing act, and highlights his secondary role
                                                                      in the song by the fact he is standing behind Lil
                                                                      Wayne.




    It could also be argued that the editing is motivated by the beat of the drum. Which creates a video
    that flows very well and is exciting to watch. I would describe the relationship as illustrative as the role
    of the visuals matches the upfront and upbeat pace of the music.
Demands of the record label
•   Goodwins theory states that the record label will
    demand lots of close up in order to familiarize the
    audience with the artists. This is present right from the
    beginning of the video as it starts with a close up of the
    artist.
                                                                 The theory also states that the record label demand the artist
                                                                 create there own image or motif. Within this video it could be
                                                                 argued that Lil Wayne undertakes the image of a leader. He is
                                                                 often wearing clothes that set him apart from those on screen
                                                                 or clothes that portray him in a position of superiority. This
                                                                 appeals to the target audience as he is shown as a figure for
                                                                 them to aspire to be like.
Voyeuristic Treatment
•   This video does have signs of explicit sexual
    content. This conforms to Freud’s theory of
    voyeuristic treatment of the female body in
    order for the audience to gain sexual pleasure.
    Women are mostly blacked out with only there
    silhouettes on display. This is sexual as it outlines
    their body as though there totally naked.




    In recent years there has also been an increase in, in
    my opinion, of the voyeuristic treatment of the male
    body. As shown by this shot of ‘Trey Songz’, this may
    represent shifting attitudes of women enjoying
    sexually explicit content within videos, and the move
    by record labels was done to widen there target
    audience.




                                                             Trey Songz – “Can’t Be Friends”
Intertextual References
•   There are intertextual references right from the start of   Although not all of the audience will not necessarily
    the video, the opening scene mirrors a scene from the       spot the reference this need not massively detract from
    famous film ‘The Matrix’. We know this because of           there pleasure , but it is often argued that greater
    costume, setting and dialogue. The suit is a piece of       pleasure is drawn by those members of the audience
    clothing frequently worn in the matrix which allows the     who spot the reference.
    audience to draw a connection to a film, the setting of
    the video starts in a quite dank and dirty room which is
    traditional of ‘The Matrix’, the dialogue mirrors that of
    the matrix by asking him to wake up which mirrors a
    particular scene from ‘The Matrix’

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Lilwaynepresntation

  • 1. Music video analysis of…. Lil Wayne – 6 Foot 7 Foot (featuring Cory Gunz) Application of Goodwin’s theory
  • 2. Genre Characteristics One main convention of hip hop video’s is the performance element. It is very rare to find a hip hop video without some element of performance and it has been this way throughout the history of hip hop. Arguably this convention has remained constant throughout hip hops history however there have been changes, especially in the spoken content of hip hop. The early conventions of hip hops spoken content often involved observations of the society the rappers lived and the problems they face on a day to day basis demonstrated by lyrics from “The Message”- ‘Got no money to move out, guess I got no choice’ ‘Junkies in the alley with a baseball bat’ • These lyrics express the problems suffered by the artist involving poverty and violence within his community. This identifies the target audience as people who are also suffering from these problems which would tend to be ethnic minorities as the majority target audience, mostly young black males. The song sends a message of wanting to break out of the his current position, although he is not sure how. Now the target audience of hip hop has not changed, it is still aimed Clip from Grandmaster flash’s “The Message” (1982) at majorly at young black males however the message being sent demonstrating performance element. has changed, the change in conventions has been mainly applied to commercial hip hop for example as it has been argued that it is these conventions that sell hip hop (According to Dustin Seibert). It is argued to now glorify money and almost promises status through money. It is also argued glorify violence and the objectifying of women. This shown by the lyrics and visuals in ‘6 Foot 7 Foot’- “Married to money” These new conventions although very different still apply to the same target markets as it is still mostly people young black males Bibliography: from similar backgrounds to the target audience that do the rapping however they are seen not only to have escaped poverty but to have reached a level of rich that they are up there with the super 1*The Message elite. This appeals to the target audience as it gives something for lyrics them to aspire to. However it would be unfair to blanket all modern Clip from Lil Wayne's “6 Foot 7 Foot” showing the hip hop as holding these conventions, these conventions are typical objectification of women. 2*6 Foot 7 Foot of mainstream rap and don’t necessarily apply to artists who hold Lyrics more underground positions. 3*Researcher/write r for changes in hip hop
  • 3. Visuals and lyrics • According to Goodwin there is a relationship between the lyrics and the visuals, which is either amplifying, contradicting or illustrative • There is a very strong illustrative relationship between the lyrics and visuals in this video. For example at 1.18 in the video the rapper says “I think you stand under me, if you don’t understand me”. This shown on screen by an extremely low angle shot of the rapper to represent the people standing under him. • This video proves Goodwins theory correct. The strong relationship allows for the audience to become engrossed in the song and encourages them to watch and listen intently to draw connections between the lyrics and visuals. • The visuals at points are also used to amplify the effect of the lyrics • He says “I do it like a king do” and this is shown on screen with the rapper in a thrown and woman placing a crown on his head. This is an example of the visuals on screen amplifying the lyrics. The effect of this that it that it adds a whole new layer of meaning to the song.
  • 4. Music and visuals • There is a relatively strong relationship between music There are also shots of Lil Wayne performing with and visuals. For example at the beginning of the video Cory Gunz in the background. This affirms Lil Wayne there is a close up of the the Lil Wayne to establish him as as the main artist, however it also affirms Cory Gunz the main artist. as a contributing act, and highlights his secondary role in the song by the fact he is standing behind Lil Wayne. It could also be argued that the editing is motivated by the beat of the drum. Which creates a video that flows very well and is exciting to watch. I would describe the relationship as illustrative as the role of the visuals matches the upfront and upbeat pace of the music.
  • 5. Demands of the record label • Goodwins theory states that the record label will demand lots of close up in order to familiarize the audience with the artists. This is present right from the beginning of the video as it starts with a close up of the artist. The theory also states that the record label demand the artist create there own image or motif. Within this video it could be argued that Lil Wayne undertakes the image of a leader. He is often wearing clothes that set him apart from those on screen or clothes that portray him in a position of superiority. This appeals to the target audience as he is shown as a figure for them to aspire to be like.
  • 6. Voyeuristic Treatment • This video does have signs of explicit sexual content. This conforms to Freud’s theory of voyeuristic treatment of the female body in order for the audience to gain sexual pleasure. Women are mostly blacked out with only there silhouettes on display. This is sexual as it outlines their body as though there totally naked. In recent years there has also been an increase in, in my opinion, of the voyeuristic treatment of the male body. As shown by this shot of ‘Trey Songz’, this may represent shifting attitudes of women enjoying sexually explicit content within videos, and the move by record labels was done to widen there target audience. Trey Songz – “Can’t Be Friends”
  • 7. Intertextual References • There are intertextual references right from the start of Although not all of the audience will not necessarily the video, the opening scene mirrors a scene from the spot the reference this need not massively detract from famous film ‘The Matrix’. We know this because of there pleasure , but it is often argued that greater costume, setting and dialogue. The suit is a piece of pleasure is drawn by those members of the audience clothing frequently worn in the matrix which allows the who spot the reference. audience to draw a connection to a film, the setting of the video starts in a quite dank and dirty room which is traditional of ‘The Matrix’, the dialogue mirrors that of the matrix by asking him to wake up which mirrors a particular scene from ‘The Matrix’