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‫‪  ‬‬ ‫ﻭﻣﺴﺮﺣﻴﺎﺕ ﺃﺧﺮﻯ‬ ‫ﻧﺎﻫﺪ ﻧﺎﺋﻠﺔ ﳒﻴﺐ‬
‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
‫ﺇﻫﺩﺍﺀ‬ ‫ﺇﻟﻰ ﻜل ﺍﻟﺭﺠﺎل ﺍﻟﺒﻭﺍﺴل ﺍﻟﺫﻴﻥ ﻀﺤﻭﺍ ﺒﺤﻴـﺎﺘﻬﻡ ﻤـﻥ‬ ‫ﺃﺠل ﻤﺼﺭ، ﻭﺨﺎﺼﺔ ﺍﻟﺠﻨﻭﺩ ﺍﻟﻤﺠﻬﻭﻟﻴﻥ ﺍﻟـﺫﻴﻥ ﻤـﺎﺘﻭﺍ ﻓـﻲ‬ ‫ﺼﺤﺭﺍﺀ ﺴﻴﻨﺎﺀ ﺍﻟﺠﺭﺩﺍﺀ.. ﺁﻨﺫﺍﻙ.‬
‫ﺍﻟﺸﺨﺼﻴﺎﺕ‬ ‫ﺤﺴﺏ ﻅﻬﻭﺭﻫﺎ ﻋﻠﻰ ﺍﻟﻤﺴﺭﺡ‬ ‫ﻗﺩﺭﻱ: ﻀﺎﺒﻁ ‪‬ﻘ ‪‬ﺩ ﻓﻲ ﺍﻟﺨﻤﺴﻴﻥ ﻤﻥ ﻋﻤﺭﻩ.‬ ‫ﻤﻌ‬ ‫ﺴﻌﺎﺩ: ﺯﻭﺠﺘﻪ ﻋﺎﺯﻓﺔ ﻜﻤﺎﻥ ﻓﻲ ﺍﻷﺭﺒﻌﻴﻥ ﻤﻥ ﻋﻤﺭﻫﺎ.‬ ‫ﻓﺎﺩﻴﺔ ) ﺍﻟﺯﻭﺠﺔ (: ﺍﻤﺭﺃﺓ ﻋﺎﺩﻴﺔ ﻓﻲ ﺍﻟﺨﺎﻤﺴﺔ ﻭﺍﻟﺜﻼﺜﻴﻥ.‬ ‫ﻤﺩﺤﺕ ) ﺍﻟﺯﻭﺝ (: ﻤﺩﻴﺭ ﺸﺭﻜﺔ ﺴﻴﺎﺤﺔ ﻓﻲ ﺍﻷﺭﺒﻌﻴﻥ.‬ ‫ﻤﺩﻴﺤﺔ: ﺍﺒﻨﺔ ﻗﺩﺭﻱ ﻭﺴﻌﺎﺩ ﻓﻲ ﺍﻟﺜﺎﻤﻨﺔ ﻋﺸﺭ.‬ ‫ﻤﺅﻟﻑ ١: ﻓﻲ ﺍﻟﺨﺎﻤﺴﺔ ﻭﺍﻟﺨﻤﺴﻴﻥ.‬ ‫ﻤﺅﻟﻑ ٢: ﻓﻲ ﺍﻟﺴﻥ ﻨﻔﺴﻪ.‬ ‫ﺒﺴﻁﺎﺭﻭﺱ: ﻓﻲ ﺍﻟﺜﺎﻤﻨﺔ ﻭﺍﻟﺨﻤﺴﻴﻥ.‬ ‫ﻫﻴﻼﻨﺔ: ﻓﻲ ﺍﻟﺨﺎﻤﺴﺔ ﻭﺍﻟﺜﻼﺜﻴﻥ.‬ ‫ﺭﺠل ١:‬ ‫ﺍﻤﺭﺃﺓ ١:‬ ‫ﺍﻤﺭﺃﺓ ٢:‬ ‫ﺍﻤﺭﺃﺓ ٣:‬ ‫ﺒﺨﻴﺕ: ﻤﻭﻅﻑ ﻓﻲ ﺍﻟﺨﻤﺴﻴﻥ ﻤﻥ ﻋﻤﺭﻩ.‬ ‫ﺍﻟﺼ ‪‬ﺍﻑ:‬ ‫ﺭ‬
‫ﻤﺭﻓﺕ: ﻤﻭﻅﻔﺔ‬ ‫ﺍﻟﺴﺎﻋﻲ:‬ ‫ﻨﺒﻴﻠﺔ: ﻓﻲ ﺍﻟﺘﺎﺴﻌﺔ ﻭﺍﻟﺨﻤﺴﻴﻥ.‬ ‫ﻤﻭﻅﻑ ١:‬ ‫ﻤﻭﻅﻑ ٢:‬ ‫ﻤﻭﻅﻑ ٣:‬ ‫ﺭﺌﻴﺱ ﻤﺠﻠﺱ ﺍﻹﺩﺍﺭﺓ: ﻓﻲ ﺍﻟﺘﺎﺴﻌﺔ ﻭﺍﻟﺨﻤﺴﻴﻥ .‬ ‫ﻤﺩﻴﺭ ﻤﻜﺘﺒﻪ:‬ ‫ﺘﻔﻴﺩﺓ: ﻓﻲ ﺍﻟﺜﺎﻤﻨﺔ ﻋﺸﺭ.. ﻤﻥ ﺍﻟﺼﻌﻴﺩ‬ ‫ﺯﻟﻴﺨﺎ: ﺃﻤﻬﺎ ﻤﻥ ﺍﻟﺼﻌﻴﺩ ﺃﻴ ‪‬ﺎ ﻓﻲ ﺍﻷﺭﺒﻌﻴﻥ ﻤﻥ ﻋﻤﺭﻫﺎ.‬ ‫ﻀ‬
‫ﺍﻟﻔﺼل ﺍﻷﻭل‬ ‫ﺍﻟﻤﻨﻅﺭ‬ ‫) ﻏﺭﻓﺔ ﺠﻠﻭﺱ ﺃﺜﺎﺜﻬﺎ ﺒﺴﻴﻁ ﺇﻨﻤﺎ ﻴﺩل ﻋﻠﻰ ﺍﻟﺫﻭﻕ ﻓﻲ‬ ‫ﺍﺨﺘﻴﺎﺭ ﻗﻁﻊ ﺍﻷﺜﺎﺙ، ﻭﺘﻭﺠﺩ ﻟﻭﺤﺎﺕ ﻋﻠﻰ ﺍﻟﺤﺎﺌﻁ ﻟﻜﻤﺎل ﺨﻠﻴﻔﺔ‬ ‫ﻭﺠﻭﺭﺝ ﺍﻟﺒﻬﺠﻭﺭﻱ ﻓﻲ ﻤﺭﺤﻠﺘﻪ ﺍﻷﻭﻟﻰ ﻭﻟﻜﻨﻬﺎ ﻟﻴﺴﺕ ﺃﺼﻭل‬ ‫ﺍﻟﻠﻭﺤﺎﺕ ﻟﻠﺭﺴﺎﻤﻴﻥ ﺍﻟﻜﺒﻴﺭﻴﻥ، ﻭﺇﻨﻤﺎ ﺼـﻭﺭ ﻤﻨﻬـﺎ.. ‪‬ﺴـﻤﻊ‬ ‫ﻴ‬ ‫ﺼﻭﺕ ﺍﻟﻜﻤﺎﻥ ﻤﻥ ﻜﺎﺒﺭﻴﻴﺘﺸﻲ ﺘﺄﻟﻴﻑ ﺍﻟﻤﻭﺴـﻴﻘﺎﺭ ﺍﻹﻴﻁـﺎﻟﻲ‬ ‫ﺒﺎﺠﺎﻨﻴﻨﻲ ) ‪ ( Capricci by Paganini‬ﻋﺎﺯﻓـﺔ ﺍﻟﻜﻤـﺎﻥ‬ ‫" ﺴﻌﺎﺩ " ﺘﺠﻠﺱ ﻤﻊ ﺯﻭﺠﻬﺎ ﺘﺭﺘـﺩﻱ ﺠﻠﺒﻴـﺔ ﻤﻁـﺭﺯﺓ ﻤﺜـل‬ ‫ﱠ‬ ‫ﺠﻼﺒﻴﺎﺕ ﺍﻟﻔﻠﺴﻁﻴﻨﻴﺎﺕ ﻭﺸﻌﺭﻫﺎ ﺍﻟﻁﻭﻴل ﻤﻠﻤﻭﻡ ﻓﻲ " ﺸﻴﻨﻴﻭﻥ "‬ ‫ﻤﺜل ﺘﺴﺭﻴﺤﺔ ﺭﺍﻗﺼﺎﺕ ﺍﻟﺒﺎﻟﻴﺔ. ﻭﺯﻭﺠﻬﺎ ﺍﻟﻀﺎﺒﻁ ﻗﺩﺭﻱ ﻴﺠﻠﺱ‬ ‫ﻓﻲ ﻜﺭﺴﻲ ﻤﺘﺤﺭﻙ ﻭﻫﻭ ﻓﻲ ﺍﻟﺨﻤﺴﻴﻥ ﻤـﻥ ﻋﻤـﺭﻩ، ﺸـﻌﺭﻩ‬ ‫ﺃﺒﻴﺽ، ﻭﻟﻜﻨﻪ ﻭﺴﻴﻡ ﻭﺤﻠﻴﻕ ﻤﺜل ﻀﺒﺎﻁ ﺍﻟﺠﻴﺵ (.‬ ‫ﻗﺩﺭﻱ: ﺃﺤﻴﺎ ﹰﺎ ﺒ ِﺱ ﺇﻨﻲ ﻅﻠﻤﺘﻙ.. ﻴﻤﻜﻥ ﻜﻨﺕ ﺤﺘﺒﻘﻲ ﺃﺴﻌﺩ ﻟﻭ‬ ‫ﻨ ‪‬ﺤ‬ ‫ﻜﻨﺕ ﺍﺘﺠﻭﺯﺘﻲ ﺍﻟﻤﺎﻴﺴﺘﺭﻭ ﺍﻟﻠﻲ ﻜﻨﺕ ﺘﻌﺭﻓﻴﻪ ﻗﺒل ﻤـﺎ‬ ‫ﻨﺘﻘﺎﺒل.‬
‫ﺴﻌﺎﺩ: ﺇﺨﺹ ﻋﻠﻴﻙ ﻴﺎ ﻗﺩﺭﻱ.. ﻜﺩﻩ ﺒﺭﻀﻪ.. ﺇﻨﺕ ﻤﺵ ﻋﺎﺭﻑ‬ ‫ﺇﻨﻙ ﺃﺤﺴﻥ ﺤﺎﺠﺔ ﺤﺼﻠﺕ ﻟﻲ ﻓﻲ ﺤﻴﺎﺘﻲ.. ﺼﺤﻴﺢ ﺃﻨﺎ‬ ‫ﺘﻌﺒﺕ ﻜﺜﻴﺭ ﻓﻲ ﺍﻟﺴﻨﻴﻥ ﺍﻟﻠﻲ ﻓﺎﺘﺕ ﻟﻤﺎ ﻜﻨـﺕ ﻤﺭﻤـﻲ‬ ‫ﻉ ﺍﻟﺠﺒﻬﺔ ﻤﻥ ﻏﻴﺭ ﺤﺭﺏ ﻭﻻ ﺴﻼﻡ.. ﻋﺎﻨﻴﺕ ﻜﺜﻴـﺭ‬ ‫ﻤﻥ ﺍﻟﻭﺤﺩﺓ ﻭﻜﻨﺕ ﺨﺎﻴﻔﻪ ﺒﺎﺴﺘﻤﺭﺍﺭ ﺒﺎﻟﺫﺍﺕ ﻟﻤﺎ ﻜﻨـﺕ‬ ‫ﺃﺴﻤﻊ ﻋﻥ ﻋﻤﻠﻴﺎﺕ ﺤﺭﺏ ﺍﻻﺴﺘﻨﺯﺍﻑ.. ﻜﻨﺕ ﺒﺨـﺎﻑ‬ ‫ﻗﻭﻱ ﻭﺃﺼﹼﻲ ﻟﻴل ﻨﻬﺎﺭ ﺇﻥ ﺭﺒﻨﺎ ﻴﺭﺠﻌﻙ ﺒﺎﻟﺴـﻼﻤﺔ..‬ ‫ﻠ‬ ‫ﻜﺎﻨﺕ ﺃﻋﺼﺎﺒﻲ ﻋﻠﻰ ﺍﻵﺨﺭ. ﻭﺃﻱ ﻭﺍﺤﺩ ﻜـﺎﻥ ﻴﻘـﺩﺭ‬ ‫ﻴﻠﻌﺏ ﻋﻠﻰ ﺃﻋﺼﺎﺒﻲ.. ﻭﻭﻻﺩ ﺍﻟﺤﻼل ﻜﺘﻴﺭ.. ﻴـﺎ ﻤـﺎ‬ ‫ﺩﻏﺩﻏﻭﺍ ﺃﻋﺼﺎﺒﻲ ﺒﺤﻜﺎﻴﺎﺘﻬﻡ ﻋﻥ ﺍﻟﺤـﻭﺍﺩﺙ ﺍﻟﻔﻅﻴﻌـﺔ‬ ‫ﺍﻟﻠﻲ ﺒﺘﺤﺼل ﻉ ﺍﻟﺠﺒﻬﺔ.. ﻭﺃﻨﺎ ﻜﻨﺕ ﺒﺒﻘﻰ ﺯﻱ ﺍﻟﻔﺭﺨﺔ‬ ‫ﺍﻟﻤﺩﺒﻭﺤﺔ.. ﻭﺃﻨﺎ ﺒﺴﻤﻊ ﺍﻟﺤﻜﺎﻴﺎﺕ ﺩﻱ ﻜﻨﺕ ﺒﺼﻠﻲ ﻟﻴل‬ ‫ﻨﻬﺎﺭ ﻋﺸﺎﻥ ﺭﺒﻨﺎ ﻴﺭﺠﻌﻙ ﺒﺎﻟﺴﻼﻤﺔ.‬ ‫‪‬‬ ‫ﻗﺩﺭﻱ: ﺃﺩﻴﻨﻲ ﺭﺠﻌﺕ ﻴﺎ ﺴ ﹼﻲ. ﺒﺱ ﺭﺠﻌﺕ ﻟﻙ ﺭﺠل ﻋـﺎﺠﺯ‬ ‫ِﺘ‬ ‫‪‬ﻌ ‪‬ﻕ.. ﻤﺎ ﻤ ﹼﻴﺵ ﻓﺎﻴﺩﺓ.. ﻋﺎﻟﺔ ﻋﻠﻴﻙ.. ﻋﺏﺀ ﺸﺎﻴﻼﻩ‬ ‫ﻨ‬ ‫ﻤﻭ‬ ‫ﺒﺎﻹﻀﺎﻓﺔ ﺇﻟﻰ ﺍﻷﻋﺒﺎﺀ ﺍﻷﺨﺭﻯ.‬ ‫ﺴﻌﺎﺩ: ﺇﺨﺹ ﻋﻠﻴﻙ ﻴﺎ ﻗﺩﺭﻱ.. ﺩﻩ ﻜﻼﻡ ﺘﻘﻭﻟﻪ.. ﺩﻩ ﺃﻨﺎ ﺒﺎﺤﻤـﺩ‬ ‫ﺭﺒﻨﺎ ﻟﻴل ﻨﻬﺎﺭ ﺇﻨﻙ ﻤﻌﺎﻨﺎ ﻭﺇﻨﻪ ﺴﻨﻴﻥ ﺍﻟﻭﺤﺩﺓ ﻭﺍﻟﺨـﻭﻑ‬
‫ﻭﺍﻟﻘﻠﻕ ﺍﻨﺘﻬﺕ ﻭﺇﻨﻪ ﻟﻴﺎﻟﻲ ﺍﻷﺭﻕ ﻭﺍﻟﻔﺯﻉ ﺭﺍﺤﺕ ﻭﻤﺵ‬ ‫ﻤﻤﻜﻥ ﺘﺭﺠﻊ ﺘﺎﻨﻲ. ﺃﻨﺎ ﻋﺎﺭﻓﺔ ﺇﻨﻪ ﺭﻭﺤﻙ ﻑ ﺍﻟﺠـﻴﺵ‬ ‫ﻭﺍﻟﻌﻤﻠﻴﺎﺕ ﺍﻟﻌﺴﻜﺭﻴﺔ ﻭﺤﺎ ‪‬ﺔ ﺒﻙ ﻭﺃﻨﺕ ‪‬ﻌﺩ.. ﻟﻜﻥ ﺩﻱ‬ ‫ﻤ‬ ‫ﺴ‬ ‫ﺇﺭﺍﺩﺓ ﺭﺒﻨﺎ ﻭﻗﻀﺎ ﺃﺨﻑ ﻤﻥ ﻗﻀﺎ.‬ ‫ﻗﺩﺭﻱ: ﻁﺒ ‪‬ﺎ ﻨﺤﻤﺩﻩ ﻋﻠﻰ ﻜل ﺸﻲﺀ.. ﻓﻴﻪ ﻏﻴﺭﻱ ﺤﺎﻟﺘﻪ ﺃﺴـﻭﺃ‬ ‫ﻌ‬ ‫ﻤﻨﻲ ﺒﻜﺜﻴﺭ.. ﺒﺱ ﻜﻠﻨﺎ ﻓﻲ ﻤﺭﻜﺏ ﻭﺍﺤﺩﺓ.. ﻋﺎﻴﺸـﻴﻥ‬ ‫ﻋﺎﻟﺔ ﻋﻠﻰ ﺯﻭﺠﺎﺘﻨﺎ ﻭﺍﻟﻤﻌﺎﺵ ﺃﺼﺒﺢ ﻤﻼﻟﻴﻡ.. ﻴﺎ ﺩﻭﺒﻙ‬ ‫ﻴﻜ ‪‬ل ﻤﺼﺎﺭﻴﻑ ﺍﻟﺒﻴﺕ ﻭﺸﻭﻴﺔ ﻜﻤﺎﻟﻴﺎﺕ.‬ ‫ﻤ‬ ‫ﺴﻌﺎﺩ: ﺇﻴﻪ ﺍﻟﻜﻼﻡ ﺍﻟﻔﺎﺭﻍ ﺩﻩ.. ﻤﺎ ﺘﺤ ِﺵ ﻓﻲ ﺒﺎﻟﻙ.. ﺃﻨﺎ ﻤﻘ ‪‬ﺭﺓ‬ ‫ﺩ‬ ‫‪‬ﻁ‬ ‫ﻅﺭﻭﻓﻙ.. ﻫﻲ ﺼﺤﻴﺢ ﻜﺎﻨﺕ ﺼﺩﻤﺔ ﻜﺒﻴﺭﺓ ﺒﺎﻟﻨﺴﺒﺔ ﻟﻙ‬ ‫ﺇﻨﻙ ﻤﺎ ﺘﻘﺩﺭﺵ ﺘﻤﺸﻲ ﺘﺎﻨﻲ ﻟﻜﻥ ﻻﺯﻡ ﺘﺭﻀﻰ ﺒـﺎﻟﻠﻲ‬ ‫ﺭﺒﻨﺎ ﻗﺴﻤﻪ ﻟﻙ.‬ ‫ﻗﺩﺭﻱ: ) ﺒﻤﺭﺍﺭﺓ ( ﺩﻭل ﺤﺘﻰ ﻨﺴﻴﻭﻨﺎ ﻓﻲ ﺍﻟﺠﻴﺵ.. ﺒﻴـﺯﻭﺩﻭﺍ‬ ‫ﺍﻟﻤﻌﺎﺵ ﺒﺎﻟﻘﻁﺎﺭﺓ.. ﻭﻤﺎ ﻋﺩﺵ ﻴﻜﻔﻲ ﺍﻟﺤﻴﺎﺓ ﺍﻟﻜﺭﻴﻤـﺔ‬ ‫ﺍﻟﻠﻲ ﻜﺎﻨﻭﺍ ﺒﻴﻘﻭﻟﻭﺍ ﻋﻠﻴﻬﺎ ﻓﻲ ﺍﻟﺴﺘﻴﻨﻴﺎﺕ..‬ ‫ﺴﻌﺎﺩ: ﺇﺤﻨﺎ ﺃﺤﺴﻥ ﻤﻥ ﻏﻴﺭﻨﺎ ﻜﺘﻴﺭ ﻭﺃﺩﻴﻨﻲ ﺒـ ‪‬ﻱ ﺩﺭﻭﺱ ﻓـﻲ‬ ‫ﺩ‬ ‫ﺍﻟﻤﻭﺴﻴﻘﻰ ﻭﺍﻟﻌﺯﻑ ﻋﻠﻰ ﺍﻟﻜﻤﺎﻥ.‬
‫ﻗﺩﺭﻱ: ﺁﻩ ﺒﺱ ﻋﻠﻰ ﺤﺴﺎﺏ ﺃﻋﺼـﺎﺒﻙ.. ﺃﻨـﺎ ﻋـﺎﺭﻑ ﺇﻨـﻙ‬ ‫ﺒﺘﻜﺭﻫﻲ ﺍﻟﺩﺭﻭﺱ ﺍﻟﺨﺼﻭﺼﻴﺔ.‬ ‫ﺴﻌﺎﺩ: ﻻ ﻤﻴﻥ ﻗﺎل ﻟﻙ ﺍﻟﻜﻼﻡ ﺩﻩ؟ ﺼﺤﻴﺢ ﻟ ‪‬ـﺎ ﻴﻜـﻭﻥ ﺘﻠﻤﻴـﺫ‬ ‫ﻤ‬ ‫ﻤﺎﻟﻭﺵ ﺍﺴﺘﻌﺩﺍﺩ ﺒﻴﻌﻤل ﻨﺸﺎﺯ ﻓﻲ ﻭﺩﻨﻲ..‬ ‫ﻗﺩﺭﻱ: ﺇﻨﺕ ﻜﺎﻥ ﻤﻔﺭﻭﺽ ﺘﻜ ‪‬ﺴﻲ ﻜـل ﺠﻬـﺩﻙ ﻟﻠﺘﺤﻀـﻴﺭ‬ ‫ﺭ‬ ‫ﻟﻠﻤﺴﺎﺒﻘﺔ ﻋﺸﺎﻥ ﻴﺨﺘﺎﺭﻭﻙ ﻟﻠﺭﻴﺴﻴﺘﺎل.. ﻤﺵ ﺇﻨﺕ ﺍﻟﻠﻲ‬ ‫ﻗﻠﺕ ﻟﻲ ﺇﻨﻬﻡ ﺤﻴﺨﺘﺎﺭﻭﺍ ﻭﺍﺤﺩﺓ ﺒﺱ ﻤﻥ ﺍﻟﻜﻭﻨﺴﺭﻓﺎﺘﻭﺍﺭ‬ ‫ـﺎﻨﻴﻨﻲ‬ ‫ـﻲ ﻟﺒﺎﺠــ‬ ‫ـﺯﻑ ﻜﺎﺒﺭﻴﻴﺘﺸــ‬ ‫ـﺎﻥ ﺘﻌــ‬ ‫ﻋﺸــ‬ ‫) ‪ ( Capricci by Paganini‬ﻭﺩﻱ ﻤﻘﻁﻭﻋــﺔ‬ ‫ﺼﻌﺒﺔ ﺃﻭﻱ.‬ ‫ﺴﻌﺎﺩ: ) ﺒﺎﺴﺘﺨﻔﺎﻑ ( ﻤﺵ ﻤﻬﻡ ﻗﻭﻱ ﻟﻠﺩﺭﺠﺔ ﺩﻱ.‬ ‫ﻗﺩﺭﻱ: ﺒﺱ ﺩﻱ ﻓﺭﺼﺔ ﺍﻟﻌﻤﺭ ﺒﺎﻟﻨﺴﺒﺔ ﻟﻙ.. ﻤﺵ ﺃﻨـﺕ ﺍﻟﻠـﻲ‬ ‫ﺒﺘﻘﻭﻟﻲ ﺇﻥ ﻓﺭﺹ ﺍﻟﻜﻤﺎﻥ ﻗﻠﻴﻠﺔ.‬ ‫ﺴﻌﺎﺩ: ﻤﺵ ﻗﻭﻱ ﻴﻌﻨﻲ.. ﺇﻥ ﻤﺎ ﺠـﺘﺵ ﺍﻟﻔﺭﺼـﺔ ﺩﻱ ﺘﻴﺠـﻲ‬ ‫ﻏﻴﺭﻫﺎ ﻤﺎ ﺘﺭﻜﺯﺵ ﻗﻭﻱ.‬ ‫ﻗﺩﺭﻱ: ﻻ ﺩﻩ ﻤﻭﻀﻭﻉ ﻤﻬﻡ.. ﺃﻨﺎ ﻋﺎﺭﻑ ﺇﻨﺕ ﺒﺘﺤﺒﻲ ﺍﻟﻤﻭﺴﻴﻘﻰ‬ ‫ﺃﺩ ﺇﻴﻪ.. ﺃﻨﺎ ﻤﺘﻬﻴﺄ ﻟﻲ ﺇﻨﻙ ﻜﻨﺕ ﺘﺒﻘﻲ ﺃﺴﻌﺩ ﻟﻭ ﺍﺘﺠﻭﺯﺕ‬ ‫‪‬‬ ‫ﺍﻟﻤﺎﻴﺴﺘﺭﻭ ﺍﻟﻠﻲ ﻜﻨﺕ ﺒﺘﺨﺭﺠﻲ ﻤﻌﺎﻩ.‬
‫ﺴﻌﺎﺩ: ﺘﺎﻨﻲ ﻴﺎ ﻗﺩﺭﻱ.. ﺩﻱ ﺤﻜﺎﻴﺔ ﺒﻘﻰ ﻟﻬﺎ ﻋﺸﺭﻴﻥ ﺴﻨﺔ.. ﻫﻲ‬ ‫‪‬‬ ‫ﻟ ‪‬ﺔ ﺒﺘﻘﻠﻘﻙ؟‬ ‫ﺴ‬ ‫ﻗﺩﺭﻱ: ﻻ ﺃﻨﺎ ﻤﺵ ﻗﻠﻘﺎﻥ ﻭﻻ ﺯﻋﻼﻥ، ﺃﻨﺎ ﺒﺱ ﺤﺎﺴﺱ ﺇﻨﻪ ﺃﻨـﺎ‬ ‫ﻤﻌ ﹼﻠﻙ ﻋﻥ ﺍﻟﻤﻭﺴﻴﻘﻰ.. ﻭﻟﻭ ﻜﻨﺕ ﻋﺎﺭﻑ ﺇﻥ ﻜـل ﺩﻩ‬ ‫ﻁ‬ ‫ﺤﻴﺤﺼل ﻤﺎ ﻜﻨﺘﺵ ﺤﺎﻭﻟﺕ ﺁﺨﺫﻙ ﻤﻨﻪ.. ﻜﻨﺕ ﺴـﺒﺘﻙ‬ ‫ﺘﺘﺠﻭﺯﻴﻪ.. ﻜﺎﻨﺕ ﺤﻴﺎﺘﻙ ﻜﻠﻬﺎ ﺘﺒﻘﻰ ﻤﻭﺴﻴﻘﻰ.. ﻋﻠـﻰ‬ ‫ﺍﻷﻗل ﻜﻨﺕ ﺤﺘﺒﻘﻲ ﺯﻭﺠﺔ ﻤﻭﺴﻴﻘﺎﺭ ﻜﺒﻴﺭ.‬ ‫ﺴﻌﺎﺩ: ﻴﺎ ﺸﻴﺦ ﺩﻩ ﻜﺎﻥ ﻭﺩﺍﻨﻪ ﺒﺎﻴﻅﺔ ﻭ ِﺘﻤﻪ ﻭﺍﻗﻊ ﻭﻤﺎ ﻴﻌـﺭﻓﺵ‬ ‫ﺭ‬ ‫ﻴﻘﻭﺩ ﺍﻷﻭﺭﻜﺴﺘﺭﺍ.. ﻜﺎﻥ ﻜـل ﻋـﺎﺯﻑ ﻓـﻲ ﻭﺍﺩﻱ..‬ ‫ﻭﻋﺎﻤل ﻟﻲ ﺭﻭﺤﻪ ﻓﻨﺎﻥ ﺃﺼﻴل.. ﻓﺎﻜﺭ ﻨﻔﺴﻪ ﻋﺒﻘﺭﻱ..‬ ‫ﻤﺘ ﱠﺢ ﻭﻋﺒﻘﺭﻱ.. ﻁﺏ ﺘﻴﺠﻲ ﺇﺯﺍﻱ ﺩﻱ.. ﻭﺍﻷﻨﺄﺡ ﻤﻥ‬ ‫ِ ﹶﻨ‬ ‫ﻜﺩﻩ ﻭﻗﺕ ﺍﻟﺸﺩﺓ ﻤﺎ ﻻﻗﻴﻬﻭﺵ.. ﺩﻩ ﺍﻟﻠﻲ ﺨﻼﻨﻲ ﺃﻋﺭﻑ‬ ‫ﻗﻴﻤﺘﻙ... ﻓﻲ ﻜل ﺸﺩﺓ ﺃﻻﻗﻴﻙ ﻭﺍﻗﻑ ﺠﻨﺒـﻲ.. ﺭﺠـل‬ ‫ﻤﺘﻴﻥ ﻭﺍﻗﻑ ﺠﻨﺏ ﻤﺭﺍﺘﻪ.. ﺜﻡ ﻤﺎﻜﺎﻨﺵ ﺒﻴﺴﺎﻋﺩﻨﻲ ﻓـﻲ‬ ‫ﺍﻟﻤﻭﺴﻴﻘﻰ ﺯﻱ ﻤﺎﻨﺕ ﻓﺎﻜﺭ.. ﻜﺎﻥ ﺒﻴﺤﺎﻭل ﻴﻔﺭﺽ ﻋﻠﻲ‬ ‫‪‬‬ ‫ﻓﻬﻤﻪ ﻟﻠﻌﺯﻑ ﺍﻟﻠﻲ ﻜﻠﻪ ﺃﻜﻠﻴﺸﻴﻬﺎﺕ ﻋﻔﺎ ﻋﻠﻴﻬﺎ ﺍﻟﺯﻤﻥ..‬ ‫ﺍﻹﻴﻘﺎﻋﻴﻥ ﺍﻟﻠﻲ ﺤﻔﻅﻬﻡ ﻤﻥ ﺍﻟﺒﻌﺜﺔ ﻟﻔﺭﻨﺴﺎ ﺍﻟﻠﻲ ﺨـﺩﻫﺎ‬ ‫ﺒﺎﻟﻜﻭﺴﺔ.. ﻜﺎﻥ ﺒﻴﻤﻨﻌﻨﻲ ﺃﻥ ﺃﻀ ‪‬ﺭ ﻋﻠـﻰ ﺇﺤﺴـﺎﺱ‬ ‫ﻭ‬
‫ـﺎﺱ‬‫ـﻴﻘﻰ.. ﺍﻹﺤﺴـ‬‫ـﺎﺠﻨﻴﻨﻲ ‪ Paganini‬ﺒﺎﻟﻤﻭﺴـ‬‫ﺒـ‬ ‫ﺍﻟﺤﻘﻴﻘﻲ.. ﻭﺭﻏﻡ ﺫﻟﻙ ﻜﺎﻥ ﻜل ﻜﻼﻤﻪ ﻋـﻥ ﺍﻟﺼـﺩﻕ‬ ‫ﻭﺍﻷﺼﺎﻟﺔ.. ﺨﺩﻋﻨﻲ ﻷﻨﻲ ﻜﻨﺕ ﻟﺴﻪ ﺒﺨﻁﻭ ﺨﻁـﻭﺍﺘﻲ‬ ‫ﺍﻷﻭﻟﻰ ﻓﻲ ﺍﻟﻤﻭﺴﻴﻘﻰ.. ﺜﻡ ﻤﺎ ﻜﺎﻨﺵ ﺤﺏ ﺤﻘﻴﻘـﻲ ﺯﻱ‬ ‫ﻤﺎ ﺇﻨﺕ ﻓﺎﻜﺭ.. ﻜﻨﺕ ﺒﺤﺏ ﺍﻟﻤﻭﺴﻴﻘﻰ ﻓﻴﻪ.. ﻜﻨﺕ ﻟﺴـﻪ‬ ‫ﻁﺎﻟﺒﺔ ﻓﻲ ﺍﻟﻜﻭﻨﺴﺭﻓﺎﺘﻭﺍﺭ.. ﻭﻜﻨﺕ ﺤﺎﺴـﺔ ﺇﻨـﻪ ﻫـﻭ‬ ‫ﺤﻴﻔﺘﺢ ﻟﻲ ﻋﺎﻟﻡ ﺠﺩﻴﺩ ﻓﻲ ﺍﻟﻤﻭﺴﻴﻘﻰ.. ﻟﻜﻥ ﺩﻟﻭﻗﺕ ﺃﻨـﺎ‬ ‫ﺩﺨﻠﺕ ﻓﻲ ﺍﻟﻤﺠﺎل ﺩﻩ ﻭﺤﺩﻱ ﻭﺴﻠﻜﺕ ﻓﻴﻪ.. ﺼﺤﻴﺢ ﺃﻨﺎ‬ ‫ﺘﻌﺒﺕ ﻜﺘﻴﺭ.. ﺒﺎﻟﺫﺍﺕ ﻟ ‪‬ﺎ ﻜﻨﺕ ﺃﻨﺕ ﻋﻠﻰ ﺍﻟﺠﺒﻬﺔ.. ﻟﻜﻥ‬ ‫ﻤ‬ ‫ﺍﻟﺤﻤﺩ ﷲ ﺭﺒﻨﺎ ﺃﻜﺭﻤﻨﺎ ﻭﻻ ﻴﻤﻜﻥ ﺃﺒ ‪‬ل ﺤﻴـﺎﺘﻲ ﻤﻌـﺎﻙ‬ ‫ﺩ‬ ‫ﺒﺤﻴﺎﺓ ﺘﺎﻨﻴﺔ.‬ ‫ﻗﺩﺭﻱ: ) ﺒﺎﺭﺘﻴﺎﺡ ( ﺼﺤﻴﺢ ﺍﻟﻜﻼﻡ ﺩﻩ.‬ ‫ﺴﻌﺎﺩ: ﻁﺒ ‪‬ﺎ ﺼﺤﻴﺢ.. ﻜﻔﺎﻴﺎﻨﺎ ﻜﻼﻡ.. ﺘﻌﺎﻟﻰ ﻨﺸﻭﻑ ﻓﻴﻪ ﺇﻴﻪ ﻓﻲ‬ ‫ﻌ‬ ‫ﺍﻟﺘﻠﻴﻔﺯﻴﻭﻥ ) ﺘﻭﻟﻊ ﺍﻟﺘﻠﻴﻔﺯﻴﻭﻥ (.‬ ‫ﻗﺩﺭﻱ: ﻻ ﻻ ) ﻴﻁﻔﺌﻪ ﺒـﺎﻟﺭﻴﻤﻭﺕ ﻜﻨﺘـﺭﻭل ( ﻴـﺎﷲ ﻗـﻭﻤﻲ‬ ‫ﺍﻋﺯﻓﻲ.. ﻤﻌﺎﺩ ﺍﻟﻤﺴﺎﺒﻘﺔ ﺒﺘﺎﻋﺔ ﺍﻟﺭﻴﺴﻴﺘﺎل ﻗ ‪‬ﺏ.‬ ‫ﹶﺭ‬ ‫ﺴﻌﺎﺩ: ﻤﺵ ﻤﻬﻡ ﻟﻠﺩﺭﺠﺔ ﺩﻱ.. ﻤﻤﻜﻥ ﺃﻋﺯﻑ ﻓﻲ ﺃﻱ ﻭﻗﺕ.‬
‫ﻗﺩﺭﻱ: ﺩﻟﻭﻗﺕ ﺘﺩﺨل ﻋﻠﻴﻨﺎ ﻤﺩﻴﺤﺔ ﻭﺘﻌﻁﻠﻙ.. ﺍﻟﺤﻘﻲ ﻟﻙ ﺘﺩﺭﻴﺏ‬ ‫ﺨﻤﺱ ﺩﻗﺎﺌﻕ.‬ ‫ﺴــﻌﺎﺩ: ﻤﺎﺸــﻲ. ) ﺘﻌــﺯﻑ ﻜﺎﺒﺭﻴﺘﺸــﻲ ﻟﺒﺎﺠــﺎﻨﻴﻨﻲ‬ ‫‪ Capricci by Paganini‬ﻭﻫﻭ ﻴﻘﺭﺃ ﺍﻟﺠﺭﺍﺌﺩ (.‬ ‫ﺇﻅﻼﻡ‬ ‫) ﻏﺭﻓﺔ ﻤﻌﻴﺸﺔ ﺃﺨﺭﻯ ﻭﻫﻲ ﺃﻴ ‪‬ﺎ ﻷﺴﺭﺓ ﻤﻥ ﺍﻟﻁﺒﻘﺔ‬ ‫ﻀ‬ ‫ﺍﻟﻤﺘﻭﺴﻁﺔ.. ﻭﺇﻨﻤﺎ ﻟﻴﺱ ﺒﻨﻔﺱ ﺍﻟﺫﻭﻕ ﺍﻟﺭﻓﻴﻊ.. ﻓﺎﻷﺜﺎﺙ ﺴﺘﻴل‬ ‫ﻤﺫﻫﺏ ﻭﻫﻭ ﺘﻘﻠﻴﺩ " ﺍﻟﺴﺘﻴل " ﺍﻷﺼﻠﻲ ﻭ ﹸﺴﻤﻊ ﻤﻭﺴـﻴﻘﻰ ﺭﻭﻙ‬ ‫ﺘ‬ ‫ﺁﻨﺩ ﺭﻭل ﺤﺩﻴﺜﺔ.. ﻭﺍﻟﻤﻭﺴﻴﻘﻰ ﻋﺎﻟﻴﺔ ﻓﻲ ﺒﺩﺍﻴﺔ ﹶﺨ ﹸـﺕ ﻤـﻊ‬ ‫ﺘ ﻔ‬ ‫ﺒﺩﺍﻴﺔ ﺍﻟﺤﻭﺍﺭ (.‬ ‫ﻓﺎﺩﻴﺔ: ﺇﻨﺕ ﻜﻨﺕ ﻓﻴﻥ ﺍﻟﻨﻬﺎﺭﺩﺓ؟‬ ‫ﻤﺩﺤﺕ: ﺍﺘﺄﺨﺭﺕ ﻓﻲ ﺍﻟﺸﻐل.‬ ‫ﻓﺎﺩﻴﺔ: ﺃﻨﺎ ﺍﺘﺼﻠﺕ ﺒﺎﻟﺸﻐل.. ﺍﻟﺴﻜﺭﺘﻴﺭﺓ ﻗﺎﻟﺕ ﻟﻲ ﺇﻨﻙ ﺨﺭﺠﺕ‬ ‫ﺍﻟﺴﺎﻋﺔ ﺃﺭﺒﻌﺔ ﻭﺩﻟﻭﻗﺕ ﺍﻟﺴﺎﻋﺔ ﺒﻘﺕ ﻭﺍﺤﺩﺓ ﺒﻌﺩ ﻨـﺹ‬ ‫ﺍﻟﻠﻴل.‬ ‫ﻤﺩﺤﺕ: ﻜﺎﻥ ﻋﻨﺩﻱ ﻤﻌﺎﺩ ﻤﻊ ﻋﻤﻴل ﻤﻬﻡ.. ﻜﻨﺕ ﻤـﻊ ﻤﻨـﺩﻭﺏ‬ ‫ﺸﺭﻜﺔ ﺴﻴﺎﺤﺔ ﺃﻟﻤﺎﻨﻴﺔ " ﺒﻴﺯﻨﻴﺱ ".‬ ‫ﻓﺎﺩﻴﺔ: ﻤﻨﺩﻭﺏ ﻭﻻ ﻤﻨﺩﻭﺒﺔ؟‬
‫ﻤﺩﺤﺕ: ﻤﻨﺩﻭﺏ ﻁﺒ ‪‬ﺎ.‬ ‫ﻌ‬ ‫ﻓﺎﺩﻴﺔ: ﺃ ‪‬ﺎل ﺇﻴﻪ ﺍﻟﺠﻭﺍﺏ ﺩﻩ...‬ ‫ُﻤ‬ ‫,‪My Darling‬‬ ‫.‪I can't live without you‬‬ ‫.‪Your loving Julia‬‬ ‫ﻤﺩﺤﺕ: ﺇﻴﻪ ﺩﻩ.. ﻟﻘﻴﺘﻴﻪ ﻓﻴﻥ؟‬ ‫ﻓﺎﺩﻴﺔ: ﻟﻘﻴﺘﻪ ﻤﻁﺭﺡ ﻤﺎ ﺃﻨﺕ ﺴﺎﻴﺒﻪ.. ﻓﻲ ﺩﺭﺝ ﺍﻟﻜﻤﻭﺩﻴﻨﻭ ﻴﻌﻨﻲ‬ ‫ﺤﺘﻰ ﻤﺎ ﺒﻘﺘﺵ ﺘﻬﺘﻡ ﺘﺨﺒﻲ ﺁﺜﺎﺭ ﻋﻼﻗﺎﺘﻙ ﻤﻊ ﺍﻟﺴﺘﺎﺕ.‬ ‫ﻤﺩﺤﺕ: ﻫﻭ ﺘﺤﻘﻴﻕ ﻭﻻ ﺇﻴﻪ؟ ﺍﻟﺴﺕ ﻻﺯﻡ ﺘﺤﺎﻓﻅ ﻋﻠﻰ ﺠﻭﺯﻫـﺎ‬ ‫‪‬‬ ‫ﻭﻻ ﺇﻻ...‬ ‫ﻓﺎﺩﻴﺔ: ﺃﻴﻭﻩ ﺘﺤﻘﻴﻕ ﻤﺎ ﺃﻨﺎ ﻟﻘﻴﺕ ﻋﻼﻤـﺎﺕ ﺭﻭﺝ ﻋﻠـﻰ ﻴﺎﻗـﺔ‬ ‫ﻗﻤﻴﺼﻙ.. ﻤﻥ ﺍﻟﺴـﺕ ﺠﻭﻟﻴـﺎ ﻭﻻ ﺘﻜـﻭﻨﺵ ﺍﻟﺴـﺕ‬ ‫ﻤﺭﺠﺭﻴﺘﺎ ﺒﺘﺎﻋﺔ ﺍﻟﺴﻨﺔ ﺍﻟﻠﻲ ﻓﺎﺘﺕ.‬ ‫ﻤﺩﺤﺕ: ) ﻤﻬﺩﺌﺎ ( ﻁﻴﺏ ﺃﻨﺎ ﺡ ﺃﻋﺘﺭﻑ ﻟﻙ ﺒﻜل ﺤﺎﺠﺔ.. ﺠﻭﻟﻴﺎ‬ ‫ً‬ ‫ﻜﺎﻨﺕ ﺯﺒﻭﻨﺔ ﻭﺒﻌﺩﻴﻥ ﻗﻌﺩﺕ ﺘﻘـﻭل ﻟـﻲ ﺇﻨﻬـﺎ ﻤـﺵ‬ ‫ﻤﺒﺴﻭﻁﺔ ﻤﻊ ﺠﻭﺯﻫﺎ ﻭﺇﻨﻪ ﺠﻭﺯﻫﺎ ﻀـﺭﺒﻬﺎ ﻭﻗﻌـﺩﺕ‬ ‫ﺘﻌ ‪‬ﻁ ﻓﺼﻌﺒﺕ ﻋﻠﻲ ﻭﻁﻠﻌﺕ ﻟﻬﺎ ﻤﻨﺩﻴﻠﻲ ﻋﺸﺎﻥ ﺃﺠﻔﻑ‬ ‫‪‬‬ ‫ﻴ‬ ‫ﺩﻤﻭﻋﻬﺎ ﺃﻡ ﺠﻪ ﺭﻭﺝ ﻋﻠﻴﻪ.‬
‫ﻓﺎﺩﻴﺔ: ﻴﺎ ﺴﻼﻡ.. ﻴﻌﻨﻲ ﻓﺎﻜﺭﻨﻲ ﺤﺎﻜل ﻤﻥ ﺍﻟﻜﻼﻡ ﺩﻩ.. ﺜـﻡ ﺇﻥ‬ ‫ﺍﻟﺭﻭﺝ ﻜﺎﻥ ﻋﻠﻰ ﻴﺎﻗﺔ ﻗﻤﻴﺼﻙ ﻭﻤﺵ ﻋﻠﻰ ﻤﻨﺩﻴﻠﻙ..‬ ‫ﻤﺩﺤﺕ: ﻴﻭﻩ ﺒﻘﻰ..‬ ‫ﻓﺎﺩﻴﺔ: ﺜﻡ ﺇﻥ ﺍﻷﺴﺒﻭﻉ ﺍﻟﻠﻲ ﻓﺎﺕ ﻜﺎﻨـﺕ ﺭﻭﺯﺍ ﻭﺍﻟﻠـﻲ ﻗﺒﻠـﻪ‬ ‫ﺒﺎﺭﺒﺭﺍ.. ﺩﺍﻴﺭ ﺘﺠﺭﻱ ﻭﺭﺍ ﻜل ﺍﻟﺨﻭﺍﺠـﺎﺕ ﻭﻋﺎﻤـل‬ ‫ﺤﻨﺒﻠﻲ ﻤﺎ ﺘﻠﺒﺴﻴﺵ " ﻤﺎﻴﻭ " ﺩﻩ ﺍﻟﻠﻲ ﺃﻨﺕ ﺸـﺎﻁﺭ ﻓﻴـﻪ‬ ‫ﻭﻴﺎ ﺭﻴﺘﻙ ﻓﺎﻟﺢ ﻓﻲ ﻭﺍﺠﺒﺎﺘﻙ ﺍﻟﺯﻭﺠﻴﺔ.‬ ‫ﻤﺩﺤﺕ: ) ﺒﻌﺼﺒﻴﺔ ( ﺸﻭﻓﻲ ﺒﻘﻰ ﻟﻤﺎ ﺃﻗﻭل ﻟﻙ.. ﺃﻨﺎ ﺭﺍﺠل ﻭﺩﻩ‬ ‫ﺤﻘﻲ..‬ ‫ﻓﺎﺩﻴﺔ: ﺤﻕ ﻟﻤﺎ ﻴﺤﺅﻙ..‬ ‫) ﻭﺘﻤﺴﻙ ﺍﻟﻤﻘﺸﺔ ﻭﺘﺠﺭﻱ ﻭﺭﺍﺀﻩ (‬ ‫ﹸﻁ ِﺕ ﺍﻟﺴﻴﺎﺤﺔ ﻭﺴﻨﻴﻨﻬﺎ.. ﺃﻨﺕ ﻓﺎﻜﺭ ﺤﺎﻗﻌﺩ ﺃﻋﻴﺵ‬ ‫ﻗ ﻌ‬ ‫ﺤﻴﺎﺘﻲ ﻜﻠﻬﺎ ﺃﻓﺘﺵ ﻓﻲ ﺠﻴﻭﺒﻙ ﻭﺃﻗﺭﺃ ﺠﻭﺍﺒﺎﺘﻙ‬ ‫ﺍﻟﻐﺭﺍﻤﻴﺔ..‬ ‫ﻤﺩﺤﺕ: ) ﺒﻌﺩ ﻀﺭﺒﺔ ﻤﻘﺸﺔ ﻴﻭﺍﺠﻬﻬﺎ ( ﺤﺎﺴﺒﻲ ﻓﻲ ﻜﻼﻤﻙ ﺇﻻ‬ ‫ﻤﺎ ﻴﺤﺼﻠﺵ ﻁﻴﺏ.‬ ‫ﻓﺎﺩﻴﺔ: ) ﺘﻀﺭﺒﻪ ﺒﺎﻟﻤﻘﺸﺔ ﻤﺭﺓ ﺃﺨﺭﻯ ( ﺃﻨﺕ ﺒﺘﻬﺩﺩﻨﻲ.. ﻤﺘﻬﻴﺄ‬ ‫ﻟﻙ ﺇﻨﻪ ﻀل ﺭﺍﺠل ﻭﻻ ﻀل ﺤﻴﻁﺔ.. ﺍﻟﻜﻼﻡ ﺩﻩ ﻜـﺎﻥ‬
‫ﺯﻤﺎﻥ ) ﺘﺭﻤﻲ ﺍﻟﻤﻘﺸﺔ ( ﺃﻨﺎ ﺤﺎﻁﺭﺒﻕ ﺍﻟـﺩﻨﻴﺎ ﻓـﻭﻕ‬ ‫ﺩﻤﺎﻏﻙ.. ﻤﻥ ﺒﻜﺭﻩ ﺤـﺎﺭﻓﻊ ﻋﻠﻴـﻙ ﻗﻀـﻴﺔ ﺨﻠـﻊ..‬ ‫ﺤﺎﺨﻠﻌﻙ ﻭﺃﺨﻠﻊ ﺍﻟﻠﻲ ﺨﻠﻔﻭﻙ.‬ ‫ﺇﻅﻼﻡ‬ ‫) ﻓﻲ ﻤﻨﺯل ﻗﺩﺭﻱ ﻭﺴﻌﺎﺩ، ﻭﺴﻌﺎﺩ ﺘﺴﺘﻤﺭ ﻓﻲ ﻋـﺯﻑ‬ ‫ﺍﻟﻜﻤﺎﻥ (.‬ ‫ﻗﺩﺭﻱ: ﻴﺎ ﺩﻱ ﻤﻭﺴﻴﻘﻰ ﺤﻠﻭﺓ ﻗﻭﻱ.. ﺍﻟﻁﺭﻴﻘﺔ ﺍﻟﻠﻲ ﺃﻨﺕ ﺒﺘﻌﺯﻓﻲ‬ ‫ﺒﻴﻬﺎ.. ﺘﺨﻠﻲ ﺍﻟﻭﺍﺤﺩ ﻴﺤﺱ ﺇﻥ ﺒﺎﺠﺎﻨﻴﻨﻲ ﻜﺎﻥ ﺒﻴﻌﺸﻕ ﺁﻟﺔ‬ ‫ﺍﻟﻜﻤﺎﻥ.. ﺩﻩ ﻟﻭ ﻜﺎﻥ ﻓﻴﻪ ﺠﺎﻴﺯﺓ ﻨﻭﺒل ﻟﻠﻌـﺯﻑ ﻋﻠـﻰ‬ ‫ﺍﻟﻜﻤﺎﻥ ﻜﻨﺕ ﺃﺨﺩﻴﺘﻬﺎ ﺒﺎﻟﺜﻠﺙ.‬ ‫ﺴﻌﺎﺩ: ﻤﻴﺭﻴﺴﻲ ﻴﺎ ﺤﺒﻴﺒﻲ ) ﺘﻘﺒﻠﻪ ( ﺘﻌﻴﺵ ﻭﺘﺸﺠﻌﻨﻲ.. ﺃﻨـﺕ‬ ‫ﺩﺍﻴ ‪‬ﺎ ﻜﺩﻩ ﻜﻼﻤﻙ ﻴﺭﺩ ﺍﻟﺭﻭﺡ ﻤﺵ ﺯﻱ ﺯﻓﺕ ﺍﻟﻁـﻴﻥ‬ ‫ﻤ‬ ‫ﺍﻟﻤﺎﻴﺴﺘﺭﻭ.. ﻜﺎﻥ ﺩﺍﻴ ‪‬ﺎ ﻴﻜ ‪‬ﺭ ﻤﺠﺎﺩﻴﻔﻲ.. ﺃﺼل ﻜـﺎﻥ‬ ‫ﻤ ﺴ‬ ‫ﺭﺍﺠل ﻀﻌﻴﻑ.. ﺒﻴﺨﺎﻑ ﻤﻥ ﺍﻟﺴﺕ ﺍﻟﻘﻭﻴﺔ.. ﺇﻨﻤﺎ ﺒﻼﺵ‬ ‫ﺍﻟﻜﻼﻡ ﺩﻩ.. ﺃﻨﺎ ﻋﺎﺭﻓﺔ ﺇﻨﻪ ﺴﻴﺭﺘﻪ ﺒﺘﻌﻜﺭ ﻤﺯﺍﺠﻙ.. ﻗل‬ ‫ﱠ‬ ‫ﻟﻲ ﺇﻴﻪ ﺁﺨﺭ ﺍﻷﺨﺒﺎﺭ.. ﺃﻨﺕ ﻋﺎﺭﻑ ﺇﻨﻪ ﻤـﺎ ﺒﻠﺤﻘﺸـﻲ‬ ‫ﺃﻗﺭﺃ ﺍﻟﺠﺭﺍﻴﺩ..‬
‫ﻗﺩﺭﻱ: ﻤﺎ ﻓﻴﺵ ﺠﺩﻴﺩ.. ﻨﻔﺱ ﺍﻟﻜﻼﻡ ﺒﺘﺎﻉ ﻜل ﻴﻭﻡ.. ﺒﺱ ﻓﻴـﻪ‬ ‫ﺤﺎﺠﺔ ﻏﺭﻴﺒﺔ.. ﻜل ﺍﻟﻌﻭﺍﻤﻴﺩ ﻭﻜل ﺍﻟﻜﺎﺭﻴﻜـﺎﺘﻴﺭ ﻋـﻥ‬ ‫ﺍﻟﻔﻴﺎﺠﺭﺍ..‬ ‫ﺴﻌﺎﺩ: ﻴﺒﻘﻰ ﻓﻴﻪ ﺤﺎﺠﺔ ﺒﺘﺤﺼل.. ﻴﻤﻜﻥ ﻓﻴﻪ ﻤﻅـﺎﻫﺭﺍﺕ ﻓـﻲ‬ ‫ﺍﻟﺠﺎﻤﻌﺔ.‬ ‫ﻗﺩﺭﻱ: ﺃﻜﻴﺩ ﻓﻴﻪ ﺤﺎﺠﺔ.‬ ‫ﺴﻌﺎﺩ: ﻁﻴﺏ ﻤﺎ ﺘﺠﻴﺏ ﺇﺫﺍﻋﺔ ﻟﻨﺩﻥ.‬ ‫ﻗﺩﺭﻱ: ﻟ ‪‬ﺔ ﺸﻭﻴﺔ ﻋﻠﻰ ﻤﻌﺎﺩ ﺍﻷﺨﺒﺎﺭ ) ﺒﺤﺴﺭﺓ ( ﺁﻩ ﻟﻭ ﺒـﺱ‬ ‫ﺴ‬ ‫ﻋﻨﺩﻨﺎ ﺩﻴﺵ.‬ ‫ﺴﻌﺎﺩ: ﻀﺭﻭﺭﻱ ﺤﻨﺠﻴﺏ ﺩﻴﺵ... ﺃﻨﺕ ﻻﺯﻡ ﺘﺘـﺎﺒﻊ ﺍﻷﺨﺒـﺎﺭ‬ ‫ﻋﻠﻰ ﺍﻟـ ‪ C N N‬ﻭﺍﻟـ ‪ B B C‬ﻭﻗﻨﺎﺓ ﺍﻟﺠﺯﻴﺭﺓ.‬ ‫) ﺘﺩﺨل ﻤﺩﻴﺤﺔ ﻋﻠﻰ ﺁﺨﺭ ﺍﻟﻜﻼﻡ (‬ ‫ﻤﺩﻴﺤﺔ: ﻭﺤﺘﺠﻴﺒﻲ ﻤﻨﻴﻥ " ﺍﻟﺩﻴﺵ " ﻴﺎ ﺴﺕ ﻤﺎﻤﺎ.. ﻟﻤـﺎ ﻜـل‬ ‫ﺤﺎﺠﺔ ﺒﺘﻘﻭﻟﻭﺍ ﻟﻲ ﻤﺎ ﻓﻴﺵ ﻓﻠﻭﺱ.. ﻫﻭ ﺃﻨﺎ ﺍﻟﻠﻲ ﻭﻗﻌﺕ‬ ‫ﻤﻥ ﻗﻌﺭ ﺍﻟﻘﻔﺔ.. ﺍﺸﻤﻌﻨﻰ ﺒﺎﺒﺎ ﻴﻌﻨﻲ ﺍﻟﻠﻲ ﺘﺠﻴﺒـﻲ ﻟـﻪ‬ ‫ﺩﻴﺵ.‬ ‫ﻗﺩﺭﻱ: ) ﺒﻤﺭﺍﺭﺓ ( ﻫﻲ ﺤﺼﻠﺕ.. ﻤﺭﺍﺘﺎﺘﻨﺎ ﺍﻟﻠﻲ ﺘﺠﻴﺏ ﻟﻨﺎ ﺒﻌﺩ‬ ‫ﻤﺎ ﻜﻨﺎ ﺒﻨﺠﻴﺏ ﻜل ﺤﺎﺠﺔ ﻤﻥ ﻤﺭﺘﺒﺎﺘﻨﺎ ﻭﺴﻔﺭﻴﺎﺘﻨﺎ.‬
‫ﺴﻌﺎﺩ: ﻤﺎ ﺘﺎﺨﺩﺵ ﺍﻟﻤﻭﻀﻭﻉ ﺒﺎﻟﺤﺴﺎﺴﻴﺔ ﺩﻱ ﻴﺎ ﻗﺩﺭﻱ.. ﺍﻟﺴﺕ‬ ‫ﺯﻱ ﺍﻟﺭﺍﺠل ﺩﻟﻭﻗﺕ. ﺒﺘﺸﻐل ﻭﺘﺴﺎﻫﻡ ﻓﻲ ﺍﻟﺒﻴﺕ.. ﻭﺃﻨﺕ‬ ‫ﻴﺎ ﻤﺩﻴﺤﺔ، ﺇﺒﻘﻲ ﺨﻠـﻲ ﺒﺎﻟـﻙ ﻤـﻥ ﻜﻼﻤـﻙ ﺸـﻭﻴﺔ‬ ‫ﻭﺇﻻ ﺤﻭﺭﻴﻙ ﺸﻐﻠﻙ.‬ ‫ﺇﻅﻼﻡ‬ ‫) ﻋﻠﻰ ﻤﻘﻬﻰ (‬ ‫ﻤﺅﻟﻑ ١: ﻤﺎﻟﻙ ﺩﺍﺨل ﻤﺘﺄﺭﻴﻑ ﻜﺩﻩ.‬ ‫ﻤﺅﻟﻑ ٢: ﻟﺴﻪ ﻤﺘﺨﺎﻨﻕ ﻤﻊ ﺴ ‪‬ﺍﻕ ﺍﻟﺘﺎﻜﺴﻲ.. ﻭﺍﺨﺩﻩ ﻤـﻥ ﺩﺍﺭ‬ ‫ﻭ‬ ‫ﺍﻟﻘﻀﺎﺀ ﺍﻟﻌﺎﻟﻲ ﻟﺤﺩ ﻫﻨﺎ ﻭﺒﺩﻱ ﻟـﻪ ٣ ﺠﻨﻴـﻪ.. ﻤـﺵ‬ ‫ﻋﺎﺠﺒﻪ.. ﻗﺎل ﻟﻲ ﻜﻤﺎﻥ ﺠﻨﻴﻪ ﻴﺎ ﺃﺴﺘﺎﺫ.. ﻗﻠﺕ ﻟﻪ ﻋﻠـﻰ‬ ‫ﺇﻴﻪ.. ﺩﻩ ﻤﺸﻭﺍﺭ ﻤﺎ ﻴﺴﺘﺤﻘﺵ ﺠﻨﻴﻪ ﻭﻨﺼﻑ.. ﻭﻜﻠﻤـﺔ‬ ‫ﻤﻥ ﻫﻨﺎ ﻭﻜﻠﻤﺔ ﻤﻥ ﻫﻨﺎ... ﻜﺎﻥ ﺤﻴﻤﺴﻙ ﻓﻲ.. ﻗﻠﺕ ﻟـﻪ‬ ‫‪‬‬ ‫ﺃﻨﺎ ﻤﺩﻴﺭ ﻋﺎﻡ ﻓﻲ ﺍﻟﺤﻜﻭﻤﺔ... ﻭﺭﺩ ﻋﻠﻲ ﻭﻗﺎل ﻟـﻲ..‬ ‫‪‬‬ ‫ﻭﻟﻤﺎ ﺃﻨﺕ ﻤﻭﻅﻑ ﺤﻜﻭﻤﺔ ﺒﺘﺭﻜﺏ ﺘﺎﻜﺴﻲ ﻟﻴﻪ.‬ ‫ﻤﺅﻟﻑ ١: ﻁﻴﺏ ﺍﻗﻌﺩ ﺭﻭﻕ.. ﺍﺸﺭﺏ ﻟﻙ ﻓﻨﺠﺎل ﻗﻬﻭﺓ ﻭﻗل ﻟﻲ‬ ‫ﺃﺨﺒﺎﺭ ﺍﻟﻘﻀﻴﺔ ﺇﻴﻪ..‬ ‫ﻤﺅﻟﻑ ٢: ﺍﺘﺄﺠﻠﺕ ﻟﻴﻭﻡ ٨٢ ﺩﻴﺴﻤﺒﺭ.‬ ‫ﻤﺅﻟﻑ ١: ﺘﺎﻨﻲ..‬
‫ﻤﺅﻟﻑ ٢: ﺃﻨﺎ ﺤﺘﻨﻘﻁ ﺭﻏﻡ ﺇﻨﻪ ﻓﻴﻪ ﻨﺎﺸﺭ ﻤﺴﺘﻌﺩ ﻴﻨﺸﺭ ﺭﻭﺍﻴﺎﺘﻲ.‬ ‫ﻤﺅﻟﻑ ١: ﻭﻤﺴﺘﻌﺠل ﻟﻴﻪ ﻋﻠﻰ ﺍﻟﻨﺸﺭ.. ﺩﻩ ﺃﻨﺎ ﻜﺘﺒـﻲ ﺃﻜﻠﺘﻬـﺎ‬ ‫ﺍﻟﻔﻴﺭﺍﻥ ﻓﻲ ﺍﻟﻤﺨﺎﺯﻥ.. ﻫﻲ ﺍﻟﻨﺎﺱ ﻤﻌﻬﺎ ﻓﻠﻭﺱ ﺘﺸﺘﺭﻱ‬ ‫ﺠﺭﺍﻴﺩ ﺃ ‪‬ﺎ ﺘﺸﺘﺭﻱ ﻜﺘﺏ.. ﻋﻠﻰ ﺍﻷﻗل ﻨﺯﻟﺕ ﺭﻭﺍﻴﺎﺘـﻙ‬ ‫ﻤ‬ ‫ﻋﻠﻰ ﺍﻹﻨﺘﺭﻨﻴﺕ.. ﻀﺎﻤﻥ ﺇﻨﻬﺎ ﺤﺘﺘﻘﺭﻱ.‬ ‫ﻤﺅﻟﻑ ٢: ﻴﻌﻨﻲ ﻓﻴﻪ ﻜﺎﻡ ﻭﺍﺤﺩ ﻋﻨﺩﻩ ﻜﻤﺒﻴﻭﺘﺭ.‬ ‫ﻤﺅﻟﻑ ١: ﻤﻌﻠﺵ.. ﺁﻫﻲ ﺤﺎﺠﺔ ﺒﺭﻀﻪ.. ﻴﺎ ﻤـﻴﻥ ﻴﺭﺯﻗﻨـﻲ‬ ‫ﺒﻌﻀﻭ ﻤﺠﻠﺱ ﺍﻟﺸﻌﺏ ﻴﻬﺎﺠﻡ ﻜﺘﺒﻲ ﺒﺄﻱ ﺤﺠﺔ ﺘﻌﺠﺒـﻪ‬ ‫ﺴﻭﺍﺀ ﻜﺎﻨﺕ ﺴﻴﺎﺴﻴﺔ ﺃﻭ ﺩﻴﻨﻴﺔ ﺃﻭ ﺃﺨﻼﻗﻴﺔ.‬ ‫ﻤﺅﻟﻑ ٢: ﺘﺼﻭﺭ ﻗﺎﻟﻭﺍ ﺇﻴﻪ ﻋﻨﻲ.. ﻗﺎﻟﻭﺍ ﺇﻥ ﻜﺘﺒﻲ ﺒﺘﺨﺩﺵ ﺤﻴﺎﺀ‬ ‫ﺯﻭﺠﺎﺘﻬﻡ ﻭﺒﻨﺎﺘﻬﻡ ﺭﻏﻡ ﺇﻨﻪ ﻟﻨﺎ ﻋﺸﺭﺍﺕ ﺍﻟﺴﻨﻴﻥ ﺒﻨﻘـﺭﺍ‬ ‫ﺴﺎﺭﺘﺭ ‪ Sartre‬ﻭﻜﺎﻤﻲ ‪ Camus‬ﻭﺃﻨـﻭﻱ ‪Anouilh‬‬ ‫ﺩﻩ ﺤﺘﻰ ﻓﻲ ﺍﻟﺴـﺘﻴﻨﻴﺎﺕ ﺘﺭﺠﻤـﻭﺍ ﺭﻭﺍﻴـﺔ ﺴـﺎﺭﺘﺭ‬ ‫" ﺴ ـﻥ ﺍﻟﺭﺸ ـﺩ " ﻭﻗ ـﺩﻤﻭﺍ ﻤﺴ ـﺭﺤﻴﺔ " ﺍﻟ ـﺫﺒﺎﺏ "‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ﻭ " ﺍﻟﺠﻠﺴﺔ ﺍﻟﺴﺭﻴﺔ " ﻭ " ﺍﻟﻤﻭﻤﺱ ﺍﻟﻔﺎﻀﻠﺔ " ﺩﻩ ﺤﺘﻰ‬ ‫ﺒﺎﻷﻤﺎﺭﺓ ﺍﻟﻤﻭﻤﺱ ﺍﻟﻔﺎﻀﻠﺔ ﺍﺴـﺘﻘﺒﻠﺕ ﺒﻨﺠـﺎﺡ ﺒـﺎﻫﺭ،‬ ‫ﻭﺠﺎﻥ ﺒﻭل ﺴﺎﺭﺘﺭ ﺠﻪ ﻤﺼﺭ ﻭﺍﺴﺘﻘﺒﻠﻨﺎﻩ ﺒﺤﻔﺎﻭﺓ ﺸﺩﻴﺩﺓ‬ ‫ﻤﻊ ﺇﻨﻪ ﻜﺎﻥ ﻋﺎﻴﺵ ﻤﻊ ﺨﻠﻴﻠﺘﻪ " ﺴﻴﻤﻭﻥ ﺩﻱ ﺒﻴﻔـﻭﺍﺭ "‬
‫‪ Simone de Beauvoir‬ﻭﺍﻟﻨﻬـﺎﺭﺩﻩ ﻓـﻲ ﺍﻟﻘـﺭﻥ‬ ‫ﺍﻟﻭﺍﺤﺩ ﻭﺍﻟﻌﺸﺭﻴﻥ ﺠﺎﻴﻴﻥ ﻴﻘﻭﻟﻭﺍ ﻟـﻲ ﺇﻨـﻲ ﺼـﻭﺭﺕ‬ ‫ﺯﻭﺠﺔ ﺒﺘﺨﻭﻥ ﺯﻭﺠﻬﺎ ﻭﺇﻨﻪ ﺩﻩ ﻀﺩ ﺍﻟﻤﺒﺎﺩﺉ ﻭﺍﻟﺘﻌـﺎﻟﻴﻡ‬ ‫ﺍﻹﺴﻼﻤﻴﺔ.. ﻭﺩﻩ ﺼﺤﻴﺢ.. ﻓﺎﻹﺴﻼﻡ ﻴﺼﺭ ﻋﻠﻰ ﻋﻔـﺔ‬ ‫ﺍﻟﻤﺭﺃﺓ ﻟﻜﻥ ﻫل ﻤﻥ ﺍﻟﻤﻌﻘﻭل ﺇﻨﻪ ﻋﻠﻰ ﻤﺭ ﺨﻤﺴﺔ ﻋﺸﺭ‬ ‫ﻗﺭﻥ ﻟﻡ ﺘﺤﺩﺙ ﺤﺎﻟﺔ ﺨﻴﺎﻨﺔ ﺯﻭﺠﻴﺔ ﻭﺍﺤﺩﺓ.. ﻭﺍﷲ ﻤﺎ ﺃﻨﺎ‬ ‫ﻋﺎﺭﻑ ﺇﺤﻨﺎ ﻋﺎﻴﺸﻴﻥ ﻓﻲ ﺃﻱ ﻗﺭﻥ..‬ ‫ﻤﺅﻟﻑ ١: ﻤﺎ ﺘﺤﻁﺵ ﻓﻲ ﺒﺎﻟﻙ.. ﺩﻭل ﺸﻭﻴﺔ ﺍﻨﺘﻬﺎﺯﻴﻴﻥ ﻋﺎﻴﺯﻴﻥ‬ ‫ﻴﻁﻠﻌﻭﺍ ﻋﻠﻰ ﺃﻜﺘﺎﻓﻨﺎ.. ﺩﻩ ﺯﻤﺎﻥ ﻜﺎﻥ ﺍﻟﻌﻠﻡ ﻨﻭﺭ ﻋﻠـﻰ‬ ‫ﺃﻴﺎﻡ ﺍﻟﺩﻜﺘﻭﺭ ﻁﻪ ﺤﺴﻴﻥ.. ﺍﻟﻨﻬﺎﺭﺩﻩ ﺒﻘﻰ ﺍﻟﺠﻬل ﻨـﻭﺭ‬ ‫ﻭﺍﻟﻤﺼﻴﺒﺔ ﺇﻨﻪ ﺇﺴﺭﺍﺌﻴل ﻤﺘﺤﺭﺸﺔ ﻟﻨﺎ ﻭﻤﻨﻰ ﻋﻴﻨﻬﺎ ﻟ ‪‬ـﺎ‬ ‫ﻤ‬ ‫ﺘﻼﻗﻲ ﺍﻟﻨﺎﺱ ﺒﻴﺭﻓﻌﻭﺍ ﻗﻀﺎﻴﺎ ﻋﻠﻰ ﺍﻷﺩﺒـﺎﺀ ﻭﺍﻟﻔﻨـﺎﻨﻴﻥ‬ ‫ﻋﺸﺎﻥ ﻴﻜﺘﻤﻭﺍ ﻋﻠﻰ ﺃﻨﻔﺎﺴﻬﻡ ﻴﺴﻘﻭﻫﻡ ﺍﻟﺠـﺒﻥ ﻋﺸـﺎﻥ‬ ‫ﻴﺒﱠﻌﻭﺍ ﺒﻴﻪ ﺍﻟﻠﻘﻤﺔ ﺍﻟﻤﺭﺓ. ﻟﻤﺼﻠﺤﺔ ﻤﻴﻥ؟ ﻫﻲ ﺇﺴـﺭﺍﺌﻴل‬ ‫ﻠ‬ ‫ﻋﺎﻴﺯﻩ ﺇﻴﻪ ﻏﻴﺭ ﻜﺩﻩ.. ﻜل ﻤﻨﺎﻫﺎ ﺇﻨﻪ ﻨﻠﻐﻲ ﺇﻨﺠـﺎﺯﺍﺕ‬ ‫ﺍﻷﺩﺏ ﻭﺍﻟﻔﻥ ﻭﻴﺒﻘﻰ ﻤﺎ ﻟﻨﺎﺵ ﺇﻻ ﺍﻟﻔﺭﺍﻋﻨﺔ ﺍﻟﻠﻲ ﺒﻘـﻰ‬ ‫ﻟﻬﻡ ﺴﺒﻌﺔ ﺁﻻﻑ ﺴﻨﺔ.. ﻫﻲ ﻋﺎﻴﺯﺓ ﺇﻴﻪ ﺃﻜﺘﺭ ﻤﻥ ﻜﺩﻩ..‬
‫ﻭﻋﻀﻭ ﻤﺠﻠﺱ ﺍﻟﺸﻌﺏ ﺍﻟﻤﻭﻗﺭ ﺍﻟﻠـﻲ ﺍﺤـﺘﺞ ﻋﻠـﻰ‬ ‫ﺭﻭﺍﻴﺘﻲ ﻤﺵ ﻤﺩﺭﻙ ﺩﻩ.‬ ‫ﻤﺅﻟﻑ ٢: ﺒﻤﻨﺎﺴﺒﺔ ﻤﺠﻠﺱ ﺍﻟﺸﻌﺏ ﺴﻤﻌﺕ ﺁﺨﺭ ﻨﻜﺘﺔ؟ ﻜﺎﻥ ﻓﻴﻪ‬ ‫ﻨﻭﺍﺏ ﻋﺎﻴﺯﻴﻥ ﻴﻁﺒﻘﻭﺍ ﺍﻟﺸﺭﻴﻌﺔ ﺍﻹﺴﻼﻤﻴﺔ.‬ ‫ﻤﺅﻟﻑ ١: ﻤﺎ ﻨﺎ ﻋﺎﺭﻓﻬﺎ ﻟﻜﻥ ﺍﻷﻏﻠﺒﻴﺔ ﺍﻟﺴﺎﺤﻘﺔ ﻤـﻥ ﺃﻋﻀـﺎﺀ‬ ‫ﺍﻟﻤﺠﻠﺱ ﺒﻤﺎ ﻓﻴﻬﻡ ﻨﻭﺍﺏ ﺍﻟﻘﺭﻭﺽ ﺃﻗﻨﻌﻭﻫﻡ ﺇﻥ ﻤﺼﻠﺤﺔ‬ ‫ﺍﻟﻤﺠﻠﺱ ﺍﻟﻌﻠﻴﺎ ﻋﺩﻡ ﺘﻁﺒﻴﻕ ﺍﻟﺸﺭﻴﻌﺔ. ﻭﺫﻟﻙ ﻷﻥ ﺘﻁﺒﻴﻕ‬ ‫ﻗﻭﺍﻨﻴﻨﻬﺎ ﺴﻭﻑ ﻴﻤﻨﻊ ﺍﻟﻤﺠﻠﺱ ﻤـﻥ ﻤﺒﺎﺸـﺭﺓ ﻤﻬﺎﻤـﻪ‬ ‫ﺍﻟﺭﺌﻴﺴﻴﺔ ﻭﻫﻲ ﺍﻟﺴﻴﺌﺔ ﻷﻥ ﺇﻴﺩ ﻭﺍﺤﺩﺓ ﻤﺎ ﺘﺴﺄﻓﺸﻲ.‬ ‫) ﻓﻲ ﻤﻨﺯل ﻗﺩﺭﻱ ﻭﺴﻌﺎﺩ (‬ ‫ﻗﺩﺭﻱ: ﺃﻨﺎ ﻤﺵ ﻋﺎﺠﺒﺎﻨﻲ ﻁﺭﻴﻘﺘﻙ ﻴـﺎ ﻤﺩﻴﺤـﺔ.. ﺇﻨـﺕ ﻻﺯﻡ‬ ‫ﺘﻜﺎﻓﺤﻲ.. ﺍﻟﺤﻴﺎﺓ ﻜﻠﻬﺎ ﻜﻔﺎﺡ.. ﺃﺩﻴﻜﻲ ﻤـﺎ ﺫﺍﻜـﺭﺘﻴﺵ‬ ‫ﻓﻤﺎ ﺠﺒﺘﻴﺵ ﻤﺠﻤﻭﻉ ﻴﺩﺨﻠﻙ ﺍﻟﺠﺎﻤﻌﺔ.‬ ‫ﻤﺩﻴﺤﺔ: ﺃﻨﺎ ﺠﺒﺕ ﻤﺠﻤﻭﻉ ﻜﻭﻴﺱ ٩٦ ﻓﻲ ﺍﻟﻤﺎﺌﺔ.. ﺒﺱ ﺍﻟـﺩﻨﻴﺎ‬ ‫ﺤﻅﻭﻅ.. ﻨﺎﺩﻴﺔ ﺠﺎﺒﺕ ٨٥ ﻓﻲ ﺍﻟﻤﺎﺌﺔ ﻟﻜﻥ ﺤﺘﺨﺵ ﻜﻠﻴﺔ‬ ‫ﺍﻷﻟﺴﻥ ﻋﺸﺎﻥ ﺃﺒﻭﻫﺎ ﺸﻬﻴﺩ.. ﻴﺎ ﺭﻴﺘﻨـﻲ ﻜﻨـﺕ ﺒﻨـﺕ‬ ‫ﺸﻬﻴﺩ.‬ ‫ﺴﻌﺎﺩ: ) ﺘﺼﻔﻌﻬﺎ ﻋﻠﻰ ﻭﺠﻬﻬﺎ ( ﺇﺨﺭﺴﻲ ﻴﺎ ﺴﺎﻓﻠﺔ.‬
‫ﻗﺩﺭﻱ: ) ﻴﺒﺩﻭ ﻋﻠﻴﻪ ﺃﻨﻪ ﺘﺄﺜﺭ ﺒﻜﻠﻤﺔ ﻤﺩﻴﺤﺔ ( ﻫﻲ ﻤﺎ ﺘﻘﺼﺩﺵ‬ ‫) ﺜﻡ ﺒﺼﻭﺕ ﻤﻨﻜﺴﺭ ( ﻴﻬﻭﻥ ﻋﻠﻴﻜﻲ ﺒﺎﺒﻲ ﺍﻟﻠﻲ ﺒﺘﺤﻜﻲ‬ ‫ﻟﻪ ﻜل ﺃﺴﺭﺍﺭﻙ.‬ ‫ﺴﻌﺎﺩ: ﺴﻭﺭﻱ ﻴﺎ ﺒﺎﺒﻲ ﺃﻨﺎ ﻤﺎ ﺃﻗﺼﺩﺵ.. ﺒﺠﺩ ﻤﺵ ﻗﺼـﺩﻱ..‬ ‫ﺒﺱ ﺃﻨﺎ ﻨﻔﺴﻲ ﻓﻲ ﺤﺎﺠﺎﺕ ﻜﺜﻴﺭﺓ ﻭﻤﺵ ﻗﺎﺩﺭﺓ ﺃﺠﻴﺒﻬﺎ.‬ ‫) ﺘﺒﻜﻲ ﺒﺤﺭﺍﺭﺓ ﻭﺘﺭﺘﻤﻲ ﻓﻲ ﺃﺤﻀﺎﻨﻪ (.‬ ‫ﻗﺩﺭﻱ: ) ﻴﻁﺒﻁﺏ ﻋﻠﻴﻬﺎ ( ﻋﺎﻴﺯﻩ ﺇﻴﻪ ﻴﺎ ﺤﺒﻴﺒﺘﻲ؟‬ ‫ﻤﺩﻴﺤﺔ: ﺃﻨﺎ ﻋﺎﻴﺯﻩ ﺃﺼﻴﻑ.‬ ‫ﻗﺩﺭﻱ: ﺒﺈﺫﻥ ﺍﷲ.. ﻀﺭﻭﺭﻱ ﺤﻨﺼﻴﻑ.. ﻤﺵ ﺇﺤﻨﺎ ﺒﻨﺼـﻴﻑ‬ ‫ﻜل ﺴﻨﺔ؟‬ ‫ﻤﺩﻴﺤﺔ: ﺒﺱ ﺃﻨﺎ ﻤﺵ ﻋﺎﻴﺯﻩ ﺃﺭﻭﺡ ﻤﺼﻴﻑ ﺍﻟﻤﺤﺎﺭﺒﻴﻥ ﺍﻟﻘﺩﺍﻤﻰ‬ ‫ﺍﻟﻠﻲ ﻓﻲ ﺠﻤﺼﺔ.. ﺩﻩ ﻋﺎﻤل ﺯﻱ ﺍﻟﻤﺴﺎﻜﻥ ﺍﻟﺸـﻌﺒﻴﺔ..‬ ‫ﺃﻨﺎ ﻋﺎﻴﺯﻩ ﺃﺭﻭﺡ ﻤﺎﺭﻴﻨـﺎ ﻭﺃﺭﻜـﺏ ﺍﻟﺒﻴـﺘﺵ ﺒـﺎﺠﻲ‬ ‫‪ Beach buggy‬ﻭﺍﻟﺴﻜﻲ ﺠﻴﺕ ‪.Ski jet‬‬ ‫ﺴﻌﺎﺩ: ﻤﺎ ﺃﻨﺕ ﺭﺤﺕ ﻤﺎﺭﻴﻨﺎ ﻤﻊ ﺼﺎﺤﺒﺘﻙ ﻓﺘﺤﻴﺔ.‬ ‫ﻤﺩﻴﺤﺔ: ﺒﺱ ﻋﺎﻴﺯﻩ ﺃﺭﻭﺡ ﺘﺎﻨﻲ، ﻭﻤـﺎ ﺃﻗـﺩﺭﺵ ﺃﺭﻭﺡ ﺇﻻ ﺇﺫﺍ‬ ‫ﻋﺯﻤﺘﻬﺎ.‬ ‫ﻗﺩﺭﻱ: ﻭﻤﺎﻟﻪ. ﻨﻌﺯﻤﻬﺎ ﺘﻘﻌﺩ ﻤﻌﺎﻨﺎ ﻴﻭﻤﻴﻥ ﻭﻨﺎﺨﺩﻫﺎ ﺍﻟﻨﺎﺩﻱ.‬
‫ﻤﺩﻴﺤﺔ: ﻤﺎ ﻴﻨﻔﻌﺵ ﻴﺎ ﺒﺎﺒﺎ.. ﺩﻱ ﻋﻴﺸﺘﻬﻡ ﺤﺎﺠﺔ ﺘﺎﻨﻲ.. ﺒﻴـﺎﻜﻠﻭﺍ‬ ‫ﺴـــــﻭﻤﻭﻥ ﻓﻴﻭﻤﻴـــــﻪ ﻭﻜﺎﻓﻴـــــﺎﺭ‬ ‫‪ Saumon fume‬ﻭ ‪ ..Caviar‬ﻭﺍﺤﻨﺎ ﺒﻨﺘﻌﺸﻰ ﺠﺒﻨﻪ‬ ‫ﺒﻴﻀﺎ.‬ ‫ﻗﺩﺭﻱ: ﻭﻤﺎﻟﻪ ﻨﺠﻴﺏ ﻟﻬﺎ ﻜﺎﻓﻴﺎﺭ ﻭﺴﻭﻤﻭﻥ ﻓﻴﻭﻤﻴﻪ..‬ ‫ﺴﻌﺎﺩ: ﺇﻴﻪ ﻴﺎ ﻗﺩﺭﻱ.. ﺇﻨﺕ ﻋﺎﺭﻑ ﺍﻟﻜﺎﻓﻴﺎﺭ ﺒﻜﺎﻡ.. ﺇﺤﻨـﺎ ﻤـﺎ‬ ‫ﻨﻘﺩﺭﺵ ﻨﻨﻔﺫ ﻟﻬﺎ ﻜل ﻁﻠﺒﺎﺘﻬﺎ.. ﺇﻨﺕ ﻻﺯﻡ ﺘﻌﺭﻓﻲ ﺇﻨﻪ ﻤﺎ‬ ‫ﻨﻘﺩﺭﺵ ﻨﺠﻴﺏ ﻟﻙ ﻜل ﺍﻟﻠﻲ ﺇﻨﺕ ﺒﺘﺸﻭﻓﻴﻪ.‬ ‫ﻤﺩﻴﺤﺔ: ﻭﺃﻨﺎ ﻤﺎﻟﻲ ﺒﻘﻰ.. ﻴﻌﻨﻲ ﺃﺒﻘﻰ ﺃﻗل ﻤﻥ ﺍﻟﺒﻨﺎﺕ ﺍﻟﻠﻲ ﻓـﻲ‬ ‫ﻓﺼﻠﻲ؟‬ ‫ﺴﻌﺎﺩ: ﻫﻲ ﺩﻱ ﺁﺨﺭﺓ ﺍﻟﻤﺩﺍﺭﺱ ﺍﻟﺨﺎﺼﺔ ﻭﻤﺩﺍﺭﺱ ﺍﻟﻠﻐﺎﺕ ﺍﻟﻠﻲ‬ ‫ﺩﻓﻌﻨﺎ ﺩﻡ ﻗﻠﺒﻨﺎ ﻓﻴﻬﺎ.‬ ‫ﻗﺩﺭﻱ: ﻤﺎ ﻴﻐﻼﺵ ﻋﻠﻴﻙ ﺤﺎﺠﺔ ﻴﺎ ﺤﺒﻴﺒﺘﻲ.. ﺨﺩﻱ ﻤﻥ ﺃﻱ ﺒﻨـﺩ‬ ‫ﻴﺎ ﺴـﻌﺎﺩ، ﻭﺍﺸـﺘﺭﻱ ﺴـﻭﻤﻭﻥ ﻓﻴﻭﻤﻴـﻪ ﻭﻜﺎﻓﻴـﺎﺭ‬ ‫ﻭﺍﻟﺤﺎﺠﺎﺕ ﺍﻟﻠﻲ ﺒﺘﺸﻭﻓﻬﺎ ﻓﻲ ﺍﻟﺴﻭﺒﺭ ﻤﺎﺭﻜﺕ ﻋﺸﺎﻥ ﻤﺎ‬ ‫ﺘﺤﺴﺵ ﺇﻨﻬﺎ ﺃﻗل ﻤﻥ ﺼﺤﺒﺎﺘﻬﺎ.‬ ‫ﺴﻌﺎﺩ: ﺃﻨﺕ ﺒﺘﺩﻟﻌﻬﺎ ﻗﻭﻱ ﻴﺎ ﻗﺩﺭﻱ.. ﺃﻨﺎ ﻤﺵ ﻤﺼﺩﻗﺔ ﻭﺩﺍﻨﻲ..‬ ‫ﺇﻨﺕ ﻗﺎﺌﺩ ﺴﺭﻴﺔ ﺍﻟﺼﺎﻋﻘﺔ.. ﻤﻥ ﺃﻴﺎﻡ ﻤﺎ ﻜﻨﺕ ﻤﻘـﺩﻡ..‬
‫ﺒﺘﻘﻭﺩ ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻟﻔﺩﺍﺌﻴﻴﻥ ﻤﻥ ﺃﻗﻭﻯ ﻭﺃﻜﺭﻡ ﻭﺃﻋـﺯ‬ ‫ﺃﺒﻨﺎﺀ ﻤﺼﺭ.. ﺘﺅﻤﺭ ﻭﺘﻨﻬﻲ..، ﻭﻴﻨﻔﺫﻭﺍ ﻟـﻙ ﺃﺼـﻌﺏ‬ ‫ﺍﻷﻭﺍﻤﺭ ﻭﻴﺠﺎﺯﻓﻭﺍ ﺒﺤﻴﺎﺘﻬﻡ ﺒﺩﻭﻥ ﺘﺭﺩﺩ.. ﺘﻀﻌﻑ ﻗﺩﺍﻡ‬ ‫ﺒﻨﺕ ﻤﻔﻌﻭﺼﺔ ﻻ ﺭﺍﺤﺕ ﻭﻻ ﺠﺕ.. ﻭﺘﻨﻔﺫ ﻟﻬـﺎ ﻜـل‬ ‫ﻁﻠﺒﺎﺘﻬﺎ.‬ ‫ﻗﺩﺭﻱ: ﺁﻫﻲ ﻫﻲ ﺍﻟﻠﻲ ﻁﻠﻌﺕ ﺒﻴﻬﺎ ﻤﻥ ﺍﻟﺩﻨﻴﺎ.‬ ‫ﻤﺩﻴﺤﺔ: ﻴﻭﻩ ﺒﻘﻰ ﻴﺎ ﻤﺎﻤﺎ .. ﻤﺎ ﺘﺤﺒﻜﻴﻬﺎﺵ.. ﻤﻴﺭﺴﻲ ﻴﺎ ﺒﺎﺒﻲ.‬ ‫ﺴﻌﺎﺩ: ﻫﻲ ﺩﻱ ﺁﺨﺭﺓ ﺍﻟﻤﺩﺍﺭﺱ ﺍﻟﺨﺎﺼﺔ.. ﻤﺩﺍﺭﺱ ﺍﻟﻠﻐﺎﺕ ﺍﻟﻠﻲ‬ ‫ﺍﻨﻘﻁﻡ ﻭﺴﻁﻨﺎ ﻋﺸﺎﻥ ﻨﺩﻓﻊ ﻤﺼﺎﺭﻴﻔﻬﺎ.. ﻴﺭﻭﺤﻭﺍ ﻋﻨـﺩ‬ ‫ﺃﺼﺤﺎﺒﻬﻡ ﻭﻴﺭﺠﻌـﻭﺍ ﻴﻘﻭﻟـﻭ ﺴـﻜﻲ ﺠﻴـﺕ ‪Skijet‬‬ ‫ﻭﺒﻴﺘﺵ ﺒﺎﺠﻲ ‪ Beach buggy‬ﻭﻴﺨـﺕ.. ﻭﻋـﺎﻴﺯﻴﻥ‬ ‫ﻴﺘﻌﺸﻭﺍ ﺴﻭﻤﻭﻥ ﻓﻴﻭﻤﻴﻪ ﻭﻜﺎﻓﻴﺎﺭ.. ﺍﷲ ﻴﺭﺤﻡ ﺃﻴﺎﻡ ﺯﻤﺎﻥ‬ ‫ﻟﻤﺎ ﻜﺎﻥ ﻜل ﺍﻟﻨﺎﺱ ﺒﻴﻔﻁﺭﻭﺍ ﻓﻭل ﺒﺯﻴﺕ ﺒﺫﺭﺓ ﺍﻟﻘﻁﻥ.‬ ‫ﻤﺩﻴﺤﺔ: ﻤﺎ ﺤﻨﺎ ﻟﺴﻪ ﺒﻨﺎﻜل ﻓﻭل.. ﻫﻲ ﺤﺒﺔ ﺍﻟﺯﻴـﺕ ﺍﻟﺯﻴﺘـﻭﻥ‬ ‫ﺍﻟﻠﻲ ﺒﺘﺤﻁﻴﻪ ﻋﻠﻴﻪ ﻫﻲ ﺍﻟﻠﻲ ﻓﺭﻗﺕ.. ﺇﻨﻤﺎ ﻋﻨﺩ ﻓﺘﺤﻴـﺔ‬ ‫ﺒﻴﺎﻜﻠﻭﺍ ﺠﺒﻨﺔ ﻜﺎﻤﻤﺒﺭﺕ ‪ Camembert‬ﻋﻠﻰ ﺍﻟﻔﻁﺎﺭ.‬ ‫ﺴﻌﺎﺩ: ﺃﻨﺕ ﻟﺴﺎﻨﻙ ﻁﻭﻴل ﻜﺩﻩ ﻟﻴﻪ؟ ﻫﻭ ﺠﻴﻠﻜﻡ ﻁﺎﻟﻊ ﻜﺩﻩ ﻟﻴـﻪ؟‬ ‫ﻤﺎ ﻓﻴﺵ ﺤﺎﺠﻪ ﻤﺎﻟﻴﺔ ﻋﻴﻨﻙ.. ﺍﻤﺸﻲ ﺍﺨﺭﺠﻲ ﺒﺭﻩ.‬
‫ﺇﻅﻼﻡ‬ ‫) ﻋﻠﻰ ﺍﻟﻤﻘﻬﻰ (‬ ‫ﻤﺅﻟﻑ ١: ﺩﻩ ﺒﻴﻘﻭﻟﻭﺍ ﻓﻴﻪ ﻤﺩﻴﺭ ﺠﺩﻴﺩ ﻓﻲ ﺍﻟﻤﺼﻠﺤﺔ.‬ ‫ﻤﺅﻟﻑ ٢: ﻤﺎﻨﺎ ﻋﺎﺭﻓﻪ ﺒﺴﻁﺎﺭﻭﺱ ﺍﺴﺘﻴﻨﺎﻨﻭﺱ ﺠﺭﻴﺠﻭﺭﻴﻭﺱ.‬ ‫ﻤﺅﻟﻑ ١: ﻭﺩﻩ ﻁﻠﻊ ﻟﻨﺎ ﻤﻥ ﻓﻴﻥ؟‬ ‫ﻤﺅﻟﻑ ٢: ﺩﻩ ﻗﺭﺏ ﻤﻥ ﺴﻥ ﺍﻟﻤﻌﺎﺵ.. ﻓﻀل ﻴﺘﺩﺭﺝ ﻋﻠﻰ ﺍﻟﺴﻠﻡ‬ ‫ﺍﻟﻭﻅﻴﻔﻲ ﻟﺤﺩ ﻤﺎ ﺃﺨﺫ ﺩﺭﺠﺔ ﻤﺩﻴﺭ ﻋﺎﻡ.‬ ‫ﻤﺅﻟﻑ ١: ﺒﻜﺭﺓ ﻴﻌﻴﻥ ﻜل ﻗﺭﺍﻴﺒﻪ ﻭﺼﺤﺎﺒﻪ ﻭﻴﻘﻠﺒﻬﺎ ﺒﻁﺭﺨﺎﻨﺔ.‬ ‫ﻤﺅﻟﻑ ٢: ﻤﺎ ﻴﻘﺩﺭﺵ.. ﻫﻭ ﻋﺎﺭﻑ ﻜﻭﻴﺱ ﻗﻭﻱ ﺇﻨﻪ ﻟﻭ ﻋﻴﻥ ﻟﻪ‬ ‫ﺃﻜﺜﺭ ﻤﻥ ﻗﺒﻁﻲ ﻭﻻ ﺍﺘﻨﻴﻥ ﻴﻼﻗـﻲ ﺃﻟـﻑ ﻤـﻥ ﻴﻘـﻑ‬ ‫ﻗﺼﺎﺩﻩ.. ﻤﺴﺘﻌﺩﻴﻥ ﻴﻁﻴﺭﻭﻩ ﻤﻥ ﻤﻨﺼـﺒﻪ.. ﻴﺨـﺎﻑ..‬ ‫ﻭﻴﻌﻨﻲ ﻫﻭ ﺍﻷﺭﺸﻴﻑ ﻨﺎﻗﺹ ﻗﺒﻁ.‬ ‫ﻤﺅﻟﻑ ١: ﻋﻠﻰ ﺭﺃﻴﻙ.. ﻋﻀﻤﺔ ﺯﺭﻗﺎ ﺃ ‪‬ﺎ ﻋﻥ ﺠﺩ.. ﻻ ﻴﻬـﺵ‬ ‫ﺒ‬ ‫ﻭﻻ ﻴﻨﺵ.‬ ‫ﻤﺅﻟﻑ ٢: ﻗﺎل ﻤﺘﻬﻴﺄ ﻟﻪ ﺇﻨﻪ ﺤﻴﺤل ﺃﺯﻤﺔ ﺍﻟﻭﺭﻕ.‬ ‫ﻤﺅﻟﻑ ١: ﻫﻭ ﺒﺱ ﺍﻟﻭﺭﻕ.. ﺩﻩ ﻓﻴﻪ ﺃﺯﻤﺔ ﻜﺎﺭﺒﻭﻥ.. ﺃﻨﺎ ﺠﻴـﺕ‬ ‫ﺃﻜﺘﺏ ﻤﺫﻜﺭﺓ ﺘﻅﻠﻡ ﻋﺸﺎﻥ ﻗﺭﺒﺕ ﻤﻥ ﺴﻥ ﺍﻟﻤﻌﺎﺵ.. ﻤﺎ‬ ‫ﻟﻘﻴﺘﺵ ﻭﺭﻗﺔ ﻭﺍﺤﺩﺓ ﻓﻲ ﺍﻟﻤﺼﻠﺤﺔ.. ﺍﻟﻤﻭﻅﻑ ﺍﻟﻤﺨﺘﺹ‬
‫ﻤﺩﻜﻥ ﻋﻠﻰ ﺍﻟﻜﺎﺭﺒﻭﻥ.. ﺒﻴﻭﻓﺭ ﻓﻲ ﺍﻟﻜﺎﺭﺒﻭﻥ ﻓﻲ ﻋﺼﺭ‬ ‫ﺍﻹﻨﺘﺭﻨﻴﺕ ‪.Internet‬‬ ‫ﻤﺅﻟﻑ ٢: ﻋﻠﻰ ﺭﺃﻴﻙ ﻭﺍﺩﻴﻨﺎ ﺩﺨﻠﻨﺎ ﺍﻟﻘﺭﻥ ﺍﻟﻭﺍﺤﺩ ﻭﺍﻟﻌﺸـﺭﻴﻥ‬ ‫ﻋﻠﻰ ﻗﺩﻡ ﻭﺴﺎﻕ.‬ ‫) ﻓﻲ ﻤﻨﺯل ﺒﺴﻁﺎﺭﻭﺱ ﺍﺴﺘﻴﻔﺎﻨﻭﺱ ﺠﺭﻴﺠﻭﺭﻴـﻭﺱ، ﻏﺭﻓـﺔ‬ ‫ﺍﻟﻤﻌﻴﺸﺔ ﻤﻥ ﻜﺭﺍﺴﻲ ﺃﺴﻴﻭﻁﻲ ﻭﻋﻠﻰ ﺍﻟﺤﺎﺌﻁ ﺼـﻭﺭﺓ‬ ‫ﻟﻠﺒﺎﺒﺎ ﺸﻨﻭﺩﺓ ﻭﺃﺨﺭﻯ ﻟﻠﺒﺎﺒﺎ ﻜﻴﺭﻟﺱ ﻭﺼﻠﻴﺏ ﻭﺼـﻭﺭ‬ ‫ﻟﻠﻌﺫﺭﺍﺀ ﻭﻫﻲ ﺘﺤﻤل ﺍﻟﻁﻔل ﻴﺴﻭﻉ ﺒﻴﻥ ﺫﺭﺍﻋﻴﻬﺎ (.‬ ‫ﺍﻟﺩﻜﺘﻭﺭ: ﺃﻟﻑ ﻤﺒﺭﻭﻙ.. ﻴﺘﺭﺒﻰ ﻓﻲ ﻋﺯﻙ.. ﺤﺘﺴﻤﻴﻪ ﺇﻴﻪ ﺒﻘﻰ؟‬ ‫ﺒﺴﻁﺎﺭﻭﺱ: ﺃﺒﺎﺩﻴﺭ.‬ ‫ﻫﻴﻼﻨﺔ: ﻤﺎ ﺘﺸﻭﻑ ﻟﻪ ﺍﺴﻡ ﺘﺎﻨﻲ.. ﺨﻠﻴﻪ ﻴﻌﺭﻑ ﻴﻤﺸﻲ ﺤﺎﻟـﻪ..‬ ‫ﻤﺵ ﻜﻔﺎﻴﺔ ﺇﻨﻪ ﺍﺴـﻤﻙ ﺒﺴـﻁﺎﺭﻭﺱ ﻭﺍﺴـﻡ ﺃﺒـﻭﻙ‬ ‫ﺍﺴﻁﻔﺎﻨﻭﺱ.. ﺩﻩ ﺇﻴﻪ ﺍﻟﺒﺨﺕ ﺩﻩ.. ﻴﺒﻘﻰ ﺍﺴﻡ ﺍﻟﻭﻟﺩ ﻓـﻲ‬ ‫ﺸﻬﺎﺩﺓ ﺍﻟﻤﻴﻼﺩ ﺃﺒﺎﺩﻴﺭ ﺒﺴﻁﺎﺭﻭﺱ ﺍﺴﻁﻔﺎﻨﻭﺱ.. ﺩﻩ ﺍﺴﻡ‬ ‫ﻴﻘﻁﻊ ﺍﻟﺨﻤﻴﺭﺓ ﻤﻥ ﺍﻟﺒﻴﺕ.. ﺨﻠﻴـﻪ ﻴﻌـﺭﻑ ﻴﻌـﻴﺵ..‬ ‫ﻋﺎﻴﺯﻩ ﻴﻘﻌﺩ ﻉ ﺍﻟﺭﺼﻴﻑ.‬ ‫ﺒﺴﻁﺎﺭﻭﺱ: ﻻ ﻭﺍﻨﺕ ﺍﻟﺼﺎﺩﻗﺔ ﺤﻴﻘﻌﺩ ﻓﻲ ﺍﻷﺭﺸﻴﻑ ﺯﻴﻲ. ﻫﻲ‬ ‫ﻓﺭﻗﺕ ﺇﻴﻪ.. ﺃﺒﺎﺩﻴﺭ ﻴﻌﻨﻲ ﺃﺒﺎﺩﻴﺭ..‬
‫ﻫﻴﻼﻨﺔ: ) ﺒﺤﺴﺭﺓ ( ﺤﺘﻭﻗﻑ ﺤﺎﻟﻪ ﺃﻜﺜﺭ ﻤﻤﺎ ﻫﻲ ﻭﺍﻗﻔﺔ ﻤﻌﻨﺎ.‬ ‫ﺒﺴﻁﺎﺭﻭﺱ: ﻋﻠﻰ ﺃﻴﺎﻤﻬﻡ ﻤﺵ ﺤﺘﻔـﺭﻕ ﺃﺒـﺎﺩﻴﺭ ﺒﺴـﻁﺎﺭﻭﺱ‬ ‫ﺍﺴﻁﻔﺎﻨﻭﺱ ﺤﻴﺒﻘﻰ ﺯﻱ ﺤﺴـﻨﻴﻥ ﻋﻠﻴـﻭﺓ ﺤﺴـﻨﻴﻥ..‬ ‫ﺍﻻﺜﻨﻴﻥ ﺤﻴﻘﻌﺩﻭﺍ ﻉ ﺍﻟﺭﺼﻴﻑ ﻴﺸﺤﺘﻭﺍ.. ﻤﺴﺘﻨﻴﻴﻥ ﻤﻌﻠﻡ‬ ‫ﺍﻷﻨﻔﺎﺭ ﻟﻤﺎ ﻴﺸﻐﻠﻬﻡ. ﻤـﺵ ﺩﺨﻠﻨـﺎ ﻋﺼـﺭ ﺍﻟﻌﻭﻟﻤـﺔ‬ ‫ﻭﺍﻟﺸﺭﻜﺎﺕ ﺍﻟﻜﺒﺭﻯ...‬ ‫) ﻋﻠﻰ ﺍﻟﻤﻘﻬﻰ (‬ ‫ﻤﺅﻟﻑ ١:ﻨﻔﺴﻲ ﻓﻲ ﺤﺘﺔ ﺸﻬﺭﺓ ﻋﺸﺎﻥ ﺃﻗﻭل " ﺭﻴﺎﻥ ﻴﺎ ﻓﺠـل،‬ ‫ﻭﺍﻟﻨﺎﺱ ﺘﺴﺄﻑ ﻟﻲ..‬ ‫ﻤﺅﻟﻑ ٢: ﻤﺘﻬﻴﺄ ﻟﻙ ﺃﻨﺕ ﻋﺎﺭﻑ ﺍﻟﺸﻬﺭﺓ ﺩﻱ ﺤﺘﻜﻠﻔﻙ ﺇﻴﻪ؟‬ ‫ﻤﺅﻟﻑ ١: ﺤﺘﻜﻭﻥ ﺇﻴﻪ ﻴﻌﻨﻲ؟‬ ‫ﻤﺅﻟـﻑ ٢: ﺤﻴﻤﺼﻭﺍ ﺩﻤﻙ ﻟﺤﺩ ﻤﺎ ﺘﺒﻘﻰ ﺠﺜﺔ ﻤﻸﺤﻪ ﻤﺵ ﻻﻗﻴﻪ‬ ‫ﺤﺩ ﻴﺸﻴﻠﻬﺎ.. ﺤﺘﻼﻗﻲ ﺃﻗﺭﺏ ﻭﺃﻋﺯ ﺃﺼﺩﻗﺎﺌﻙ ﺒﻴﻁﻌﻨﻭﻙ‬ ‫ﻤﻥ ﺃﺠل ٢ ﻤﻠﻴﻡ ﻭﻟﻭ ﻜﺎﻨﻭﺍ ﻁﻠﺒﻭﺍ ﺃﻟﻑ ﺠﻨﻴﻪ ﻤﻨﻙ ﻜﻨﺕ‬ ‫ﺍﺩﻴﺘﻬﻡ ﺒﺭﻀﺎﻙ.. ﺇﻨﻤـﺎ ﻷﺠـل ﺍﻻﺜﻨـﻴﻥ ﻤﻠـﻴﻡ ﺩﻭل‬ ‫ﻴﻁﻌﻨﻭﻙ.‬ ‫ﻤﺅﻟﻑ ١: ﻴﺎ ﺴﻼﻡ.. ﻭﺍﻨﺕ ﺇﻴﺵ ﻋﺭﻓﻙ.. ﻫﻭ ﺃﻨﺕ ﻴﻌﻨﻲ ﻜﻨﺕ‬ ‫ﺍﺸﺘﻬﺭﺕ ﻭﻻ ﺇﻜﻤﻥ ﻜﺘﺎﺒﻙ ﻨﺯل ﻋﻠﻰ ﺍﻹﻨﺘﺭﻨﻴﺕ.‬
‫ﻤﺅﻟﻑ ٢: ﺸﻔﺕ ﺒﻘﻰ.. ﺃﻫﻭ ﺃﻨﺕ ﻤﺴﺘﺨﺴﺭ ﺤﺘﺔ ﺍﻟﻨﺠـﺎﺡ ﻓـﻲ‬ ‫‪‬‬ ‫ﻭﺒﺘﺘﺭﻴﺄ ﻋﻠﻲ ﻤﻊ ﺇﻨﻪ ﻏﻴﺭﻱ ﻜﺘﺒﻪ ﻤﻨﺸﻭﺭﺓ ﺒﻘـﻰ ﻟﻬـﺎ‬ ‫ﺴﻨﻴﻥ ﻭﺒﻴﻘﺒﺽ ﺒﺎﻟﺠﻨﻴـﻪ ﻭﺍﻟـﺩﻭﻻﺭ.. ﻭﺭﻏـﻡ ﺫﻟـﻙ‬ ‫ﻤﺴﺘﺨﺴﺭ ﻓﻲ ﺍﻟﻨﺠﺎﺡ ﺍﻟﺼﻐﻴﺭ.. ﻤﺵ ﺒﻘﻭﻟﻙ ﺤﺘﻼﻗـﻲ‬ ‫ﺍﻟﻜل ﺒﻤﺎ ﻓﻴﻬﻡ ﺃﺼﺤﺎﺒﻙ ﺍﻟﻤﻘﺭﺒﻴﻥ ﻋﺎﻴﺯﻴﻥ ﻴﺸـﻨﻜﻠﻭﻙ‬ ‫ﻟﺤﺩ ﻤﺎ ﺘﻘﻊ ﺴﻁﻴﺢ ﻋﻠﻰ ﻭﺸﻙ.. ﻭﺘﺘﻜﺴﺭ ﻭﺘﺘﻜﺴﺢ.‬ ‫ﻤﺅﻟﻑ ١: ﻁﺏ ﺭﻭﻕ ﺃﻤﺎل، ﻭﺍﺸﺭﺏ ﻗﻬﻭﺘﻙ.. ﻭﺍﻨـﺕ ﻋـﺎﻴﺯ‬ ‫ﺍﻟﺸﻬﺭﺓ ﻟﻴﻪ.. ﺃ ‪‬ﺎ ﺨﺒﺭ ﻨﺯل ﻋﻨﻲ ﻓﻲ ﺍﻟﺠﺭﻨﺎل ﻭﻜﻼﺏ‬ ‫ﻤ‬ ‫ﺠﻬﻨﻡ ﺍﻟﻤﺴﺭﻭﻋﺔ ﻓﻲ ﺍﻟﻤﺼﻠﺤﺔ ﻗﺎﻤﺕ ﻋﻠـﻲ.. ﺍﻟﻠـﻲ‬ ‫ﻋﺎﻴﺯ ﻴﺄﺨﺭ ﻟﻲ ﺍﻟﺤﻭﺍﻓﺯ ﻭﺍﻟﻠﻲ ﻋﺎﻴﺯ ﻴﺠﻴﺏ ﻟﻲ ﻴﻭﻤﻴﻥ‬ ‫ﺨﺼﻡ.‬ ‫ﻤﺅﻟﻑ ٢: ﻴﺎ ﺃﺨﻲ ﻤﺎ ﺘﺒﺎﻟﻐﺵ.. ﺇﻴﻪ ﻴﻌﻨـﻲ ﻴـﻭﻤﻴﻥ ﺨﺼـﻡ،‬ ‫ﻭﻻ ﻴﺄﺨﺭﻭﺍ ﻟﻙ ﺍﻟﺤﻭﺍﻓﺯ.. ﺒﺎﻟﻙ ﺒﻘﻰ ﻟﻤﺎ ﺍﺒﻥ ﺍﻟﺤـﻼل‬ ‫ﻋﻀﻭ ﻤﺠﻠﺱ ﺍﻟﺸﻌﺏ ﻋﻤل ﺍﻟﻀﺠﺔ ﺒﺘﺎﻋﺘﻪ.. ﻜﻨﺕ ﺒﻘﻰ‬ ‫ﺘﺸﻭﻑ ﻜﻼﺏ ﺠﻬﻨﻡ ﺒﺼﺤﻴﺢ..‬ ‫ﻤﺅﻟﻑ ١: ﻤﺎ ﻓﺭﻗﺘﺵ ﻴﺎ ﻋﻡ.. ﻜل ﺍﻟﻠﻲ ﻋﺎﻴﺯﻴﻨﻪ ﻫـﻭ ﺍﻟﺴـﺘﺭ‬ ‫ﻭﺍﻟﻠﻘﻤﺔ ﺍﻟﻬﻨﻴﺔ ﻭﻨﻜﺘﺏ ﺒﻤﺯﺍﺠﻨﺎ ﻭﺍﻟﺯﻤﻥ ﻴﺒﻘﻰ ﻴﺤﻜﻡ ﺒﻴﻨﻨﺎ‬ ‫ﻭﺒﻴﻥ ﺍﻷﺭﺯﻗﻴﺔ..‬
‫ﻤﺅﻟﻑ ٢: ﺘﻜﻭﻨﺵ ﻓﺎﻜﺭ ﻨﻔﺴﻙ ﻓﻲ ﺃﻭﺭﺒـﺎ.. ﻫﻨـﺎ ﺍﻷﺭﺯﻗﻴـﺔ‬ ‫ﻭﺍﺨﺩﻴﻨﻬﺎ ﺩﻨﻴﺎ ﻭﺁﺨﺭﺓ.. ﺇﻨـﺕ ﻤـﺵ ﻋـﺎﺭﻑ ﺒﻠـﺩﻙ‬ ‫ﻴﺎ ﺒﻨﻲ.. ﺒﻼ ﻗﺭﻑ.. ﻫﺎﺕ ﺍﺘﻨـﻴﻥ ﺸﻴﺸـﺔ ﻴـﺎ ﻭﻟـﻪ‬ ‫ﻭﺴﻤﻌﻨﺎ ﺩﻭﺭ ﻟﻠﺸﻴﺦ ﺴﻴﺩ..‬ ‫ﺼﺒﻲ ﺍﻟﻘﻬﻭﺓ: ﻤﺎﺸﻲ ﻴﺎ ﺤﻀﺭﺓ.. ﺘﻨﻔﻊ ﺴﺎﻟﻤﺔ ﻴﺎ ﺴﻼﻤﺔ...‬ ‫) ﺘﺴﻤﻊ ﺃﻏﻨﻴﺔ ﺴﺎﻟﻤﺔ ﻴﺎ ﺴﻼﻤﺔ.. ﻟﺴﻴﺩ ﺩﺭﻭﻴﺵ (.‬ ‫) ﺃﻤﺎﻡ ﻤﻜﺘﺏ ﺍﻟﺼﺭﺍﻑ ﻓﻲ ﻤﺼﻠﺤﺔ ﺤﻜﻭﻤﻴـﺔ ﺠﻤـﻊ‬ ‫ﻏﻔﻴﺭ ﻤﻥ ﺍﻟﻨﺎﺱ ﻴﻘﻔﻭﻥ ﺃﻤﺎﻡ ﺍﻟﺨﺯﺍﻨـﺔ ﻓـﻲ‬ ‫ﻁﺎﺒﻭﺭ ﻟﻠﺴﻴﺩﺍﺕ ﻭﻁﺎﺒﻭﺭ ﻟﻠﺭﺠﺎل ﺒﻴﻨﻤﺎ ﻫﻨﺎﻙ‬ ‫ﺃﻨﺎﺱ ﻜﺜﻴﺭﻭﻥ ﻭﺨﺎﺼﺔ ﺴﻴﺩﺍﺕ ﻻ ﻴﻘﻔﻭﻥ ﻓﻲ‬ ‫ﺍﻟﻁﺎﺒﻭﺭ (.‬ ‫ﺴﻌﺎﺩ:ﺇﻴﻪ ﺍﻟﺯﺤﻤﺔ ﺩﻱ.. ﺩﻩ ﺒﺎﻴﻥ ﻤﺵ ﺤﺎﻗـﺩﺭ ﺃﻗـﺒﺽ ﺃﺠـﺭ‬ ‫ﺍﻟﺭﻴﺴﻴﺘﺎل ﺍﻟﻠﻲ ﻗﺩﻤﺘﻪ ﻟﻠﻌﻤﺎل ﺍﻟﺸﻬﺭ ﺍﻟﻠﻲ ﻓﺎﺕ.. ﺇﻴـﻪ‬ ‫ﺍﻟﺯﺤﻤﺔ ﺩﻱ ﻴﺎ ﺃﺴﺘﺎﺫ؟‬ ‫ﺭﺠل: ﺩﻭل ﺍﻟﻤﻭﻅﻔﻴﻥ ﺒﻴﻘﺒﻀﻭﺍ ﺍﻟﺤﻭﺍﻓﺯ ﻭ " ﺍﻷﻭﻓﺭﺘﺎﻴﻡ " .‬ ‫ﺴﻌﺎﺩ: ﻴﺎ.. ﻜل ﺍﻟﻁﻭﺍﺒﻴﺭ ﺩﻱ.. ﻭﺃﻨﺎ ﺍﻟﻠﻲ ﻜﻨﺕ ﻋﺎﻤﻠﺔ ﺤﺴـﺎﺒﻲ‬ ‫ﺃﻗﺒﺽ ﺍﻟﻨﻬﺎﺭﺩﺓ.. ﺩﻩ ﺍﻟﻁﺎﺒﻭﺭ ﻁﻭﻴل ﻗـﻭﻱ.. ﻓﻜـﺭﻙ‬ ‫ﺃﻟﺤﻕ ﺃﻗﺒﺽ؟‬
‫ﺭﺠل: ﺠﺭﺒﻲ ﺤﻅﻙ.‬ ‫) ﺴﻌﺎﺩ ﺘﻘﻑ ﻓﻲ ﻁﺎﺒﻭﺭ ﺍﻟﺴﻴﺩﺍﺕ (‬ ‫ﺍﻤﺭﺃﺓ ١: ﺩﻩ ﺃﻨﺎ ﻫﻨﺎ ﻤﻥ ﺍﻟﺴﺎﻋﺔ ٨..‬ ‫ﺍﻤﺭﺃﺓ ٢: ﻟﻜﻥ ﺇﻨﺕ ﺒﻌﺩﻱ.. ﺃﻨﺎ ﺤﺎﺠﺯﺓ ﺩﻭﺭﻱ ﻤـﻥ ﺍﻟﺴـﺎﻋﺔ‬ ‫ِ‬ ‫ﺴﺒﻌﺔ ﻭﻨﺹ.. ﻤﺵ ﻜﺩﻩ ﻴﺎ ﺃﺴﺘﺎﺫ ﺒﺨﻴﺕ؟‬ ‫ﺒﺨﻴﺕ: ﺒﺎﻟﻨﻅﺎﻡ.. ﺒﺎﻟﻨﻅﺎﻡ.. ﻜل ﻭﺍﺤﺩ ﺤﻴﺎﺨﺩ ﺩﻭﺭﻩ.‬ ‫ﺍﻤﺭﺃﺓ ٣: ﺇﻨﺕ ﻨﻤﺭﺓ ﻜﺎﻡ ﻴﺎ ﻤﺩﺍﻡ؟.. ﺃﻨﺎ ٣٢.‬ ‫ِ‬ ‫ﺍﻤﺭﺃﺓ ١: ﻤﺵ ﻤﻌﻘﻭل.. ﺇﻨﺕ ﺠﺎﻴﺔ ﺒﻌﺩﻱ ﻭﺃﻨﺎ ﻨﻤﺭﺓ ٠٣.‬ ‫ِ‬ ‫ﺍﻤﺭﺃﺓ ٣: ﺃﺼل ﺃﻨﺎ ﻁﻠﻌﺕ ﻓﻭﻕ ﺃﺴﻠﻡ ﺸﻐل ﻋﻠﻰ ﻤـﺎ ﻴﻔﺘﺤـﻭﺍ‬ ‫ﺍﻟﺨﺯﻨﺔ.‬ ‫ﺍﻤﺭﺃﺓ ١: ﻻ ﻤﺎ ﻴﻨﻔﻌﺵ.. ﺘﺎﺨﺩﻱ ﺩﻭﺭﻙ ﻤﻥ ﺠﺩﻴﺩ‬ ‫ﺍﻤﺭﺃﺓ ٣: ﻻ ﺍﻷﺴﺘﺎﺫ ﺒﺨﻴﺕ ﻫﻭ ﺍﻟﻠﻲ ﻤﺩﻱ ﺍﻷﺭﻗﺎﻡ.. ﻤﺵ ﻜـﺩﻩ‬ ‫ﻴﺎ ﺃﺴﺘﺎﺫ ﺒﺨﻴﺕ؟‬ ‫ﺒﺨﻴﺕ: ﺒﺎﻟﻨﻅﺎﻡ.. ﺒﺎﻟﻨﻅﺎﻡ..‬ ‫) ﺍﻟﺼ ‪‬ﺍﻑ ﻴﻔﺘﺢ ﺸﺒﺎﻙ ﺍﻟﺨﺯﻨﺔ ﻭﺘﻬﺠﻡ ﺍﻟﺴﻴﺩﺍﺕ ﻋﻠﻰ‬ ‫ﺭ‬ ‫ﺍﻟﺸﺒﺎﻙ (‬ ‫ﺒﺨﻴـﺕ: ﺒﺎﻟﻨﻅﺎﻡ.. ﺒﺎﻟﻨﻅﺎﻡ.. ﻴﺎ ﺃﺴﺘﺎﺫ.. ﺒﺎﻟﺩﻭﺭ ﺍﻟﺼ ‪‬ﺍﻑ ﺤﻴﻨﺩﻩ‬ ‫ﺭ‬ ‫ﺍﻷﺴﻤﺎﺀ ﻋﻠﻰ ﺤﺴﺏ ﺍﻟﻨﻤﺭ.‬
‫ﺍﻟﺼ ‪‬ﺍﻑ: ﺃﻤﻴﻨﺔ ﻤﺤﻤﺩ ﺤﺴﻴﻥ.‬ ‫ﺭ‬ ‫ﺒﺨﻴﺕ:‬ ‫) ﻴﻜﺭﺭ ﺒﺼﻭﺕ ﻋﺎل ﻟﻜﻲ ‪‬ﺴ ‪‬ﻊ ﻭﺴﻁ ﺍﻟﺯﺤﺎﻡ (‬ ‫ﻴ ﻤ‬ ‫ٍ‬ ‫ﺃﻤﻴﻨﺔ ﻤﺤﻤﺩ ﺤﺴﻴﻥ.. ﻓﻴﻥ ﺃﻤﻴﻨﺔ ) ﺃﻤﻴﻨﺔ ﺘﻘﺒﺽ (.‬ ‫ﺍﻟﺼﺭﺍﻑ: ﻨﻤﺭﺓ ٢ ﻤﺭﻓﺕ ﺃﻤﻴﻥ ﻓﺅﺍﺩ..‬ ‫) ﺼﻭﺕ ﺒﺨﻴﺕ ﻭﺃﺼﻭﺍﺕ ﺃﺨﺭﻯ ﺘﺭﺩﺩ ( ﻤﺭﻓﺕ ﺃﻤـﻴﻥ‬ ‫ﻓﺅﺍﺩ.‬ ‫ﻤﺭﻓﺕ:ﺃﻴﻭﻩ.. ﻓ ‪‬ﻭﺘﻭﻨﻲ.. ﺍﷲ ﻴﺨﻠﻴﻜﻡ.. ﺩﻩ ﺃﻨﺎ ﻭﺍﻗﻔﺔ ﻤﻥ ﺍﻟﺼﺒﺢ‬ ‫ﻭ‬ ‫ﺒﺩﺭﻱ ﻭﻋﻨﺩﻱ ﺭﻭﻤﺎﺘﻴﺯﻡ.‬ ‫) ﻴﺴﺘﻤﺭ ﺍﻟﺼﺭﺍﻑ ﻓﻲ ﻨﺩﺍﺀ ﺍﻷﺴﻤﺎﺀ ﻭﻴﺯﺩﺍﺩ ﺍﻟﺯﺤـﺎﻡ‬ ‫ﻭﺍﻟﻬﺭﺠﻠﺔ ﻓﻲ ﻁﺎﺒﻭﺭ ﺍﻟﺴﻴﺩﺍﺕ ﺒﻴﻨﻤـﺎ ﻴﻘـﻑ‬ ‫ﻁﺎﺒﻭﺭ ﺍﻟﺭﺠﺎل ﻓﻲ ﻨﻅﺎﻡ (.‬ ‫ﺍﻤﺭﺃﺓ ٢: ﻤﺎ ﺘﺯﺅﻴﺵ.‬ ‫ﺍﻤﺭﺃﺓ ١: ﺍﻟﻠﻲ ﻭﺭﺍﻴﺎ ﻫﻲ ﺍﻟﻠﻲ ﺒﺘﺯﺅﻨﻲ..‬ ‫ﺒﺨﻴـــﺕ: ﺒﺎﻟـــﺩﻭﺭ ﺒﺎﻟـــﺩﻭﺭ ﻴـــﺎ ﺴـــﻴﺩﺍﺕ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫) ﺍﻟﻜل ﻴﺯﺍﺤﻡ ﻓﻲ ﻁﺎﺒﻭﺭ ﺍﻟﺴﻴﺩﺍﺕ (.‬ ‫ﺍﻟﺼﺭﺍﻑ: ﺍﻟﻔﻠﻭﺱ ﺨﻠﺼﺕ‬
‫) ﺘﻬﺠﻡ ﻋﻠﻴﻪ ﺍﻟﺴﻴﺩﺍﺕ ﻭﻫﻥ ﻴﺼﺤﻥ (.‬ ‫ﺍﻤﺭﺃﺓ ٣: ﻤﺵ ﺼﺤﻴﺢ.. ﺇﻨﺕ ﻋﻤﻠﺕ ﻜﺩﻩ ﺍﻷﺴﺒﻭﻉ ﺍﻟﻠﻲ ﻓـﺎﺕ‬ ‫ﻭﻟﻤﺎ ﻁﻠﻌﻨﺎ ﻟﺭﺌﻴﺱ ﻤﺠﻠﺱ ﺍﻹﺩﺍﺭﺓ ﻓﺘﺤﺕ ﺍﻟﺨﺯﻨﺔ ﺘﺎﻨﻲ.‬ ‫ﺍﻤﺭﺃﺓ ١: ﺩﻩ ﺒﻴﻘ ‪‬ﺽ ﻨﺎﺱ ﻨﺎﺱ ﻤﻥ ﺘﺤﺕ ﻟﺘﺤﺕ.‬ ‫ﺒ‬ ‫ﺍﻤﺭﺃﺓ ٢: ﺍﻟﻨﺎﺱ ﺍﻟﻠﻲ ﻭﺍﺼﻠﻴﻥ.‬ ‫ﺍﻤﺭﺃﺓ ٣: ﺃﻫﻭ ﻜل ﻭﺍﺤﺩ ﻴﺯل ﻓﻴﻨﺎ ﺸﻭﻴﺔ..‬ ‫ﺍﻤﺭﺃﺓ ١: ﺩﻱ ﻋﻤﺭﻫﺎ ﻤﺎ ﺤﺼﻠﺕ.. ﺍﻻﻋﺘﻤﺎﺩﺍﺕ ﺩﺍﻴ ‪‬ﺎ ﻜﺒﻴﺭﺓ.‬ ‫ﻤ‬ ‫ﺍﻤﺭﺃﺓ ٢: ﺒﻘﻰ ﻟﻨﺎ ﺴﻨﺔ ﺃﻫﻭ ﻭﺍﻷﺯﻤـﺔ ﻜـل ﻤـﺩﻯ ﺒﺘﺴـﺘﻔﺤل‬ ‫) ﻴﻘﻑ ﺴﺎﻋﻲ ﻴﺤﻤل ﺃﺫﻨﺎﺕ ﺼﺭﻑ (.‬ ‫ﺍﻟﺴﺎﻋﻲ: ﻓﻴﻥ ﻓﻠﻭﺱ ﺍﻷﺴﺎﺘﺫﺓ؟‬ ‫) ﺍﻟﺼﺭﺍﻑ ﻴﻌﻁﻴﻪ ﻤﺒﻠﻎ ﻤﻥ ﺍﻟﻤﺎل (‬ ‫ﺍﻤﺭﺃﺓ ٣: ﺩﻩ ﺒﻴﻘ ‪‬ﺽ ﻋﻠﻰ ﻤﺯﺍﺠـﻪ.. ﺍﻟﻤﺴـﺄﻟﺔ ﻓﻴﻬـﺎ ﺨﻴـﺎﺭ‬ ‫ﺒ‬ ‫ﻭﻓﺎﻗﻭﺱ.‬ ‫) ﺘﻬﺠﻡ ﺍﻟﺴﻴﺩﺍﺕ ﻋﻠﻰ ﺸﺒﺎﻙ ﺍﻟﺼﺭﺍﻑ ﺒﻴﻨﻤﺎ ﺘﻨﺴﺤﺏ‬ ‫ﺴﻌﺎﺩ ﻤﻥ ﺍﻟﻁﺎﺒﻭﺭ ﻭﻓﻲ ﺍﻟﺯﺤﺎﻡ ﺘﺩﻫﺱ ﺘﺤﺕ‬ ‫ﺍﻷﻗﺩﺍﻡ ﺍﻤﺭﺃﺓ ﻓﻲ ﺍﻟﺴﺘﻴﻥ ﻤﻥ ﻋﻤﺭﻫﺎ (.‬ ‫ﺒﺨﻴﺕ: ﻭﺴﻌﻭﺍ ﺸﻭﻴﺔ.. ﺸﻭﻓﻭﺍ ﺍﻟﺴﺕ ﺍﻟﻜﺒﻴﺭﺓ ﺍﻟﻠﻲ ﻭﻗﻌﺘﻭﻫـﺎ..‬ ‫ﻭ ‪‬ﻌﻲ ﺇﻨﺕ ﻭﻫﻲ ) ﻴﺎﺨﺩ ﻴﺩ ﺍﻟﻤﺭﺃﺓ ﺍﻟﺘﻲ ﻭﻗﻌﺕ ﻋﻠـﻰ‬ ‫‪‬‬ ‫ِ‬ ‫ﺴ‬
‫ﺍﻷﺭﺽ ( ﺃﻟﻑ ﺴﻼﻤﺔ ﻋﻠﻴﻜﻲ ﻴﺎ ﺤﺎﺠﺔ ) ﻴﺤـﺎﻭل ﺃﻥ‬ ‫ﻴﺭﻓﻌﻬﺎ ﻓﻼ ﻴﺴﺘﻁﻴﻊ ( ﺩﻱ ﺒﺎﻴﻥ ﻋﻠﻴﻬﺎ ﺍﻨﻜﺴﺭﺕ.‬ ‫ﺒﺨﻴﺕ: ﺇﻨﺕ ﻜﺎﻥ ﻤﺎﻟﻙ ﻭﻤﺎل ﺍﻟﺯﺤﻤﺔ ﺩﻱ ﻴﺎ ﺤﺎﺠﺔ؟ ﺤﻀـﺭﺘﻙ‬ ‫ِ‬ ‫ﻤﻥ ﺃﻱ ﻗﺴﻡ؟‬ ‫ﻨﺒﻴﻠﺔ: ﺃﻨﺎ ﻨﺒﻴﻠﺔ ﻤﺤﻤﺩ ﺍﻟﺴﻴﺩ، ﻤﻥ ﺍﻟﺸﺌﻭﻥ ﺍﻟﻘﺎﻨﻭﻨﻴﺔ.‬ ‫ﺒﺨﻴﺕ: ﻤﺩﺍﻡ ﻨﺒﻴﻠﺔ؟ ﻤﻌﻘﻭﻟﺔ ﺒﻌﺩ ﺍﻟﻌﻤﺭ ﺩﻩ ﻜﻠﻪ؟ ﺃﻨﺎ ﻓﺎﻜﺭ ﺃﻴﺎﻡ ﻤﺎ‬ ‫ﻜﻨﺎ ﺒﻨﻜﺘﺏ ﻤﺫﻜﺭﺍﺕ ﺴﻭﻯ ﻨﺩﺍﻓﻊ ﻋﻥ ﻋﻤﺎل ﺍﻟﺘﺭﺍﺤﻴل؟‬ ‫ﻨﺒﻴﻠﺔ: ﻗﻁﻌﺕ ﺍﻟﻤﺫﻜﺭﺍﺕ ﻭﺴﻨﻴﻨﻬﺎ.. ﺒﻘﻰ ﺩﻩ ﺁﺨـﺭ ﺍﻟﻤﻁـﺎﻑ..‬ ‫ﺩﻩ ﺃﻨﺎ ﻤﻥ ﺘﻼﺘﻴﻥ ﺴﻨﺔ ﻨﺯﻟﺕ ﻤﻥ ﻤﻭﺍﻗﻊ ﺍﻟﻌﻤل ﻭﻋﻤﻠﺕ‬ ‫ﺘﺤﺭﻴﺎﺕ ﻋﻠﻰ ﻋﻤﺎل ﺍﻟﺘﺭﺍﺤﻴل.. ﺃﻨﺎ ﺃﻭل ﻤﻥ ﻁﺎﻟﺏ ﻟﻬﻡ‬ ‫ﺒﺤﻘﻭﻗﻬﻡ ﻭﺠﺒﺕ ﻟﺒﻌﻀﻬﻡ ﻤﻌﺎﺵ ﻭﺴﺠﻠﺘﻬﻡ ﻓﻲ ﻨﻘﺎﺒـﺔ‬ ‫ﺍﻟﻌﻤﺎل.‬ ‫ﺒﺨﻴﺕ: ﺃﻴﻭﻩ ﺃﻨﺎ ﻓﺎﻜﺭ.. ﺤﻀﺭﺘﻙ ﻟﻔ ﱢﻲ ﺍﻟﻨﻅﺭ ﻟﻭﻀـﻊ ﻋﻤـﺎل‬ ‫ﺘ‬ ‫ﺍﻟﺘﺭﺍﺤﻴل..‬ ‫ﻨﺒﻴﻠﺔ: ﻭﺩﻟﻭﻗﺕ ﺇﺤﻨﺎ ﺒﻘﻴﻨﺎ ﺃﺴﻭﺃ ﻤﻥ ﺍﻟﺘﺭﺍﺤﻴل.. ﻤﻴﻥ ﻴﻘﻭل ﺇﻨـﻪ‬ ‫ﺩﻱ ﻤﺅﺴﺴﺔ ﺤﻜﻭﻤﻴﺔ!‬ ‫ﺒﺨﻴﺕ: ﻋﻠﻰ ﺭﺃﻱ ﺍﻟﻤﺜل " ﺇﻥ ﻓﺎﺘﻙ ﺍﻟﻤﻴـﺭﻱ.. ﺍﺘﻤـ ‪‬ﻍ ﻓـﻲ‬ ‫ﺭ‬ ‫ﺘﺭﺍﺒﻪ".‬
‫ﻨﺒﻴﻠﺔ: ) ﺒﻤﺭﺍﺭﺓ ﺸﺩﻴﺩﺓ ( ﻭﺃﺩﻴﻨﺎ ﻤﺘﻤﺭﻤﻐﻴﻥ ﻓﻲ ﺍﻟﺘﺭﺍﺏ.‬ ‫ﻤﻭﻅﻑ ١: ﺍﻟﻜﻼﻡ ﺩﻩ ﻤﺎ ﻴﻨﻔﻌﺵ.. ﻻﺯﻡ ﻨﻁﻠﻊ ﻟﺭﺌﻴﺱ ﻤﺠﻠـﺱ‬ ‫ﺍﻹﺩﺍﺭﺓ.‬ ‫) ﻓﻲ ﻤﻜﺘﺏ ﺭﺌﻴﺱ ﻤﺠﻠﺱ ﺍﻹﺩﺍﺭﺓ (‬ ‫ﻤﻭﻅـﻑ ٢: ﻴﺎ ﻓﻨﺩﻡ ﺇﺤﻨﺎ ﺒﻨﺘﻌ ‪‬ﺽ ﻟﻤﻬﺎﻨـﺔ ﻭﺇﺤﻨـﺎ ﺒﻨﻘـﺒﺽ‬ ‫ﺭ‬ ‫ﻭﻏﺼﺏ ﻋﻨﻨﺎ ﺒﻨﺘﺒﻬﺩل ﻷﻨﻨﺎ ﻓﺎﺘﺤﻴﻥ ﺒﻴـﻭﺕ ﻭﻭﺭﺍﻨـﺎ‬ ‫ﻋﻴﺎل.‬ ‫ﻤﻭﻅﻑ ١: ﺩﻩ ﻏﻴﺭ ﺍﻟﺒﻬﺩﻟﺔ ﻭﺍﻟﻭﻗﻭﻑ ﻓﻲ ﻁﻭﺍﺒﻴﺭ ﻓﻴﻪ ﻭﺍﺤـﺩﺓ‬ ‫ﺴﺕ ﻜﺒﻴﺭﺓ ﺍﻨﻜﺴﺭﺕ ﺭﺠﻠﻬﺎ ﻓﻲ ﺍﻟﺯﺤﻤﺔ..‬ ‫ﻤﻭﻅﻑ ٣: ﺍﻟﻤﺼﻠﺤﺔ ﻓﻠﻭﺴﻬﺎ ﻜﺘﻴﺭ.. ﺇﺤﻨـﺎ ﻋـﺎﻴﺯﻴﻥ ﻜﺸـﻑ‬ ‫ﺒﺎﻟﺩﺨل ﻭﺍﻟﻤﺼﺭﻭﻓﺎﺕ.. ﻭﻨﻌﺭﻑ ﺍﻟﻔﻠﻭﺱ ﺭﺍﺤﺕ ﻓﻴﻥ..‬ ‫ﺍﻟﺭﺌﻴﺱ: ) ﺒﻨﺒﺭﺓ ﺘﻬﺩﻴﺩ ﻓﻲ ﺼﻭﺘﻪ ( ﻗل ﻟﻲ ﻴـﺎ ﺍﺒﻨـﻲ ﺇﻨـﺕ‬ ‫ﺒﺘﺸﺘﻐل ﻜﺎﻡ ﺴﺎﻋﺔ ﻋﻤل ﺇﻀﺎﻓﻲ.. ﺇﺤﻨﺎ ﺤﻨﻀﻁﺭ ﻨﺸﻴل‬ ‫ﺠﺯﺀ ﻤﻥ ﺍﻷﺠـﺭ ﺍﻹﻀـﺎﻓﻲ.. ﻭﺤﻨﻀـﻁﺭ ﻨﻠﻐـﻲ‬ ‫ﺍﻟﺤﻭﺍﻓﺯ.. ﺩﻩ ﻏﺼﺏ ﻋﻨﻨﺎ.. ﻓﻴﻪ ﻨﺎﺱ ﺒﻴﻁﺎﻟﺒﻭﺍ ﺒﺈﻟﻐﺎﺀ‬ ‫ﺍﻟﻤﺼﻠﺤﺔ ﻭﺘﺴﺭﻴﺢ ﺍﻟﻌﺎﻤﻠﻴﻥ.. ﺇﻨﻤﺎ ﺇﺤﻨﺎ ﻗﻠﻨﺎ ﻨﺨﻔـﺽ‬ ‫ﻤﻥ ﺃﺠﻭﺭﻫﻡ ﻭﺭﻏﻡ ﺫﻟـﻙ ﺒﻨـﺩﻴﻜﻡ ﺃﺠـﺭ ﺇﻀـﺎﻓﻲ..‬ ‫ﻭﺤﻭﺍﻓﺯ ﻭﺤﺎﺠﺎﺕ ﺘﺎﻨﻴﺔ ﻜﺘﻴﺭ ﻋﺎﻴﺯﻴﻥ ﻨﺸﻴﻠﻬﻡ.‬
‫ﻤﻭﻅﻑ ٣: ) ﺒﺈﺒﺎﺀ ( ﺍﻟﻠﻬﻡ ﻻ ﻤﺎﻨﻊ ﻟﻤﺎ ﺃﻋﻁﻴﺕ ﻭﻻ ﻤﻌﻁﻲ ﻟﻤﺎ‬ ‫ﻤﻨﻌﺕ..‬ ‫ﺍﻟﺭﺌﻴﺱ: ﻁﺒ ‪‬ﺎ ﻁﺒ ‪‬ﺎ.. ﺇﻥ ﺸﺎﺀ ﺍﷲ ﺤﺎﻨﺸـﻭﻑ ﺍﻟﻤﻭﻀـﻭﻉ ﺩﻩ‬ ‫ﻌ ﻌ‬ ‫ﻭﻨﺤل ﻟﻜﻡ ﻤﺸﻜﻠﺘﻜﻡ.. ﺍﺭﺠﻌﻭﺍ ﺸﻐﻠﻜﻡ ﺩﻟﻭﻗﺕ.‬ ‫) ﺘﺨﺭﺝ ﺍﻟﻤﺠﻤﻭﻋﺔ (‬ ‫ﺍﻟﺭﺌﻴﺱ: ) ﻟﻤﺩﻴﺭ ﻤﻜﺘﺒﻪ ( ﺍﻟﻭﺍﺩ ﺩﻩ ﻟﺴﺎﻨﻪ ﻁﻭﻴـل ﺸـﻭﻴﺘﻴﻥ..‬ ‫ﺒﻁﻠﻭﺍ ﺍﻟﺘﻌﺎﻤل ﻤﻌﺎﻩ.‬ ‫ﻤﺩﻴﺭ ﺍﻟﻤﻜﺘﺏ: ﻴﺎ ﻓﻨﺩﻡ ﻫﻭ ﻟﻭ ﻜﺎﻥ ﻤﺘﻌﺎﻤل ﻤﻥ ﺍﻟﺨـﺎﺭﺝ ﻜـﺎﻥ‬ ‫ﻴﺠﺭﺅ ﻴﻘﻭل ﺍﻟﻜﻼﻡ ﺩﻩ.. ﺩﻩ ﻤﻭﻅﻑ.‬ ‫ﺍﻟﺭﺌﻴﺱ: ﺸﻴل ﻤﻨﻪ ﺍﻷﺠﺭ ﺍﻹﻀـﺎﻓﻲ ﻋﺸـﺎﻥ ﻴـﺘﻌﻠﻡ ﺍﻷﺩﺏ.‬ ‫ﻭ ‪‬ﺒﻪ.‬ ‫ﻀ‬ ‫) ﺼﻭﺕ ﺍﻟﻌﻤﺎل ﻭﺍﻟﻤﻭﻅﻔﻴﻥ ﻴﻌﻠﻭ ﻤﻥ ﺍﻟﺨﺎﺭﺝ ﻭ ‪‬ﻀﺎﺀ‬ ‫ﻴ‬ ‫ﺠﺯﺀ ﺁﺨﺭ ﻤﻥ ﺨﺸﺒﺔ ﺍﻟﻤﺴﺭﺡ ﺤﻴﺙ ﻴﻘﻔـﻭﻥ‬ ‫ﻭﻴﺼﻴﺤﻭﻥ (‬ ‫ﺼﻭﺕ ١: ﻋﺎﻴﺯﻴﻥ ﻨﻘﺒﺽ ﺍﻷﻭﻓﺭﺘﺎﻴﻡ.‬ ‫ﺼﻭﺕ ٢: ﺇﺤﻨﺎ ﻓﺎﺘﺤﻴﻥ ﺒﻴﻭﺕ ﻭﻭﺭﺍﻨﺎ ﻋﻴﺎل..‬ ‫ﺼﻭﺕ ٣: ﺍﻟﻤﻼﻟﻴﻡ ﺍﻟﻠﻲ ﺒﻨﺎﺨﺩﻫﺎ ﻤﺎ ﻋﺩﺘﺸﻲ ﺘﻜﻔﻲ.‬ ‫) ﺍﻟﺼﻴﺎﺡ ﻴﻌﻠﻭ (‬
‫ﺼﻭﺕ ٤: ﻫﻲ ﻋﺯﺒﺔ ﺃﺒﻭﻫﻡ.. ﻟﻤﺎ ﻴﺫﻟﻭﻨﺎ ﻜﺩﻩ ﺩﻱ ﺤﻜﻭﻤﺔ.‬ ‫ﺼﻭﺕ ١: ﻻ ﻭﺃﻨﺕ ﺍﻟﺼﺎﺩﻕ ﺍﻟﻤﺎل ﺍﻟﺴﺎﻴﺏ ﻴﻌﻠﻡ ﺍﻟﺤﺭﺍﻡ..‬ ‫ﺼﻭﺕ ٢: ﺇﻥ ﻜﺎﻥ ﻋﻠﻴﻬﺎ ﺩﻱ ﺴﺎﻴﺒﺔ ﻉ ﺍﻵﺨﺭ.‬ ‫ﺼﻭﺕ ٣: ﻜل ﻭﺍﺤﺩ ﻴﻨﻬﺏ ﻟﻪ ﻜﺎﻡ ﺒﺎﻜﻭ..‬ ‫ﺼﻭﺕ ٤: ﺒﻭﺍﻜﻲ ﺇﻴﻪ ﻴﺎ ﻋﻡ.. ﻗﻭل ﺃﺭﻨﺏ..‬ ‫ﺼﻭﺕ ١: ﻋﻠﻰ ﺭﺃﻴﻙ ﺩﻭل ﻤﺎ ﺒﻴﺸﺒﻌﻭﺵ..‬ ‫) ﺍﻟﺼﻴﺎﺡ ﻴﻌﻠﻭ (‬ ‫ﻨﻬﺎﻴﺔ ﺍﻟﻔﺼل ﺍﻷﻭل‬
‫ﺍﻟﻔﺼل ﺍﻟﺜﺎﻨﻲ‬ ‫ﺍﻟﻤﻨﻅﺭ‬ ‫) ﻓﻲ ﻏﺭﻓﺔ ﺍﻟﻤﻌﻴﺸﺔ.. ﻗﺩﺭﻱ ﻴﻘﺭﺃ ﺍﻟﺠﺭﺍﺌﺩ ﺒﻴﻨﻤﺎ‬ ‫ﻟﺒﺎﺠﺎﻨﻴﻨﻲ‬ ‫ﻜﺎﺒﺭﻴﺘﺸﻲ‬ ‫ﻤﻥ‬ ‫ﻤﻘﻁﻭﻋﺔ‬ ‫ﺘﻌﺯﻑ‬ ‫ﺴﻌﺎﺩ‬ ‫) ‪ .( Capricci by Paganini‬ﺍﻹﻀﺎﺀﺓ ﺨﺎﻓﺘﺔ ﻭ ﹸﻭﺤﻲ‬ ‫ﺘ‬ ‫ﺒﺎﻷﻟﻔﺔ ﻭﺭﺍﺤﺔ ﺍﻟﺒﺎل. ﻓﺠﺄﺓ ‪‬ﺴﻤﻊ ﺨﺒﻁ ﺠﺎﻤﺩ ﻋﻠﻰ ﺍﻟﺒﺎﺏ..‬ ‫ﻴ‬ ‫ﺴﻌﺎﺩ ﺘﻔﺘﺢ ﺍﻟﺒﺎﺏ ﻭﺘﺩﺨل ﻤﺩﻴﺤﺔ ﻭﻴﺒﺩﻭ ﻋﻠﻴﻬﺎ ﻋﻼﻤﺎﺕ‬ ‫ﺍﻟﻐﻀﺏ ﺍﻟﺸﺩﻴﺩ (.‬ ‫ﻗﺩﺭﻱ: ﺇﻴﻪ ﻓﻴﻪ ﺇﻴﻪ ﻴﺎ ﻤﺩﻴﺤﺔ.. ﺇﻴﻪ ﺍﻟﻠﻲ ﺭ ‪‬ﻌﻙ ﺒﺩﺭﻱ.. ﺇﻨـﺕ‬ ‫ِ‬ ‫ﺠ‬ ‫ﻤﺵ ﻜﻨﺕ ﺤﺘﻘﺩﻱ ﺃﺴﺒﻭﻉ ﻭﺃﻨﺕ ﻤﺴﺎﻓﺭﺓ ﺇﻤﺒﺎﺭﺡ..‬ ‫ﻤﺩﻴﺤﺔ: ﻤﺎ ﻓﻴﺵ ﺤﺎﺠﺔ..‬ ‫ﻗﺩﺭﻱ: ﻷ ﻓﻴﻪ ﻁﺒ ‪‬ﺎ... ﻤﺵ ﺘﻘﻭﻟﻲ ﻟﺒﺎﺒﻲ ﺼﺩﻴﻘﻙ.. ﻤﺵ ﺇﻨـﺕ‬ ‫ﻌ‬ ‫ﺒﺘﺤﻜﻲ ﻟﻲ ﻜل ﺤﺎﺠﺔ.. ﻁﻴﺏ ﺒﻼﺵ ﺘﻘـﻭﻟﻲ.. ﻤـﺵ‬ ‫ﺘﻴﺠﻲ ﺘﺒﻭﺴﻲ ﺒﺎﺒﻲ.. ﺇﻨﺕ ﻟﺴﺔ ﺭﺍﺠﻌﺔ ﻤﻥ ﺍﻟﺴﻔﺭ..‬ ‫ﻤﺩﻴﺤﺔ: ) ﺘﻨﻔﺠﺭ ﺒﺎﻜﻴﺔ ﻭﺘﺭﺘﻤﻲ ﻓﻲ ﺃﺤﻀﺎﻨﻪ ( ﺃﺼﻠﻲ ﺍﺘﺨﺎﻨﻘﺕ‬ ‫ﻤﻊ ﻓﺘﺤﻴﺔ.. ﻷﻨﻬﺎ ﻁﻠﻌﺕ ﻋﻠﻰ ﺍﻟﺴﻜﻲ ﺠﻴـﺕ ‪Ski jet‬‬
‫ﺘﻼﺕ ﺴﺎﻋﺎﺕ ﻭﻗﻠﺕ ﻟﻬﺎ ﺇﺩﻴﻨﻲ ﻟ ﹼﺔ.. ﻗﺎﻟﺕ ﻟﻲ ﺃ ‪‬ـﺭﻱ‬ ‫ﺠ‬ ‫ﻔ‬ ‫ﻟﻙ ﺴﻜﻲ ﺠﻴﺕ.‬ ‫ﻗﺩﺭﻱ: ﻭﺇﻴﻪ ﻴﻌﻨﻲ ﻤﺎ ﻨﺎ ﻤﺩﻴﻜﻲ ٠٠٢ ﺠﻨﻴﻪ ﻋﺸﺎﻥ ﻤﺼـﺎﺭﻴﻔﻙ‬ ‫ﻭﻋﺸﺎﻥ ﺘﺠﺎﻤﻠﻲ ﺼﺎﺤﺒﺘﻙ ﺯﻱ ﻤﺎ ﻫﻲ ﻋﺯﻤﺘﻙ.. ﻜﻨﺕ‬ ‫ﺩﻓﻌﺕ ﻋﺸﺭﺓ ﻭﻻ ﻋﺸﺭﻴﻥ ﺠﻨﻴﻪ ﻭﺃﺠﺭﺕ ﻟـﻙ ﺴـﻜﻲ‬ ‫ﺠﻴﺕ ‪ Ski jet‬ﻜﻨﺕ ﺤﺘﻭﺭﻴﻬﺎ ﺴـﺎﻋﺘﻬﺎ ﺇﻨـﻙ ﻤـﺵ‬ ‫ﻤﺤﺘﺎﺠﺔ ﺤﺎﺠﺔ.‬ ‫ﻤﺩﻴﺤﺔ: ﻤﺎ ﺍﻟﺴﺎﻋﺔ ﻓﻲ ﺍﻟﺴﻜﻲ ﺠﻴﺕ ﺒﺘﻠﺕ ﻤﻴﺕ ﺠﻨﻴﻪ.‬ ‫ﻗﺩﺭﻱ: ) ‪‬ﺼﺩﻡ ( ﻤﻌﻘﻭﻟﺔ!‬ ‫ﻴ‬ ‫ﺴﻌﺎﺩ: ﻤﺎ ﻗﻠﻨﺎ ﺒﻼﺵ ﺘﺭﻭﺡ ﻤﺎﺭﻴﻨﺎ ﻤـﻊ ﻓﺘﺤﻴـﺔ.. ﺩﻱ ﻨﺎﺩﻴـﺔ‬ ‫ﺼﺎﺤﺒﺘﻲ ﺍﻟﻠﻲ ﺍﺒﻨﻬﺎ ﻋﻨﺩﻩ ﺨﻤﺱ ﺴﻨﻴﻥ.. ﺠﻭﺯﻫﺎ ﺨﺫﻫﺎ‬ ‫ﻴﻔﺭﺠﻬﺎ ﻤﺎﺭﻴﻨﺎ.. ﻗﺎل ﻋﺸﺎﻥ ﺍﻟﻭﻟﺩ ﻴﺸﻭﻑ ﻜل ﺤﺎﺠﺔ..‬ ‫ﻭﻟﻤﺎ ﻴﻜﺒﺭ ﻤﺎ ﻴﺒﻘﺎﺵ ﻨﻔﺴﻪ ﻓﻲ ﺤﺎﺠـﺔ.. ﺍﻟـﻭﺍﺩ ﻜـﺎﻥ‬ ‫ﺤﻴﺘﺠﻨﻥ.. ﻁﻭل ﺍﻟﻨﻬﺎﺭ ﻋﺎﻴﺯ ﻴﺭﻜﺏ ﺍﻟﺒﻴـﺘﺵ ﺒـﺎﺠﻲ‬ ‫‪ Beach buggy‬ﻭﺍﻟﺴﺎﻋﺔ ﺒﻤﻴﺘﻴﻥ ﺠﻨﻴﻪ. ﺃﺒﻭﻩ ﺭ ﱠﺒـﻪ‬ ‫ﻜ‬ ‫ﺭﺒﻊ ﺴﺎﻋﺔ ﺒﺨﻤﺴﻴﻥ ﺠﻨﻴﻪ ﻭﺍﻟﻭﻟﺩ ﻗﺎل ﻟﻪ " ﺒﺎﺒﺎ ﺍﺸﺘﺭﻱ‬ ‫ﻟﻲ ﺒﻴﺘﺵ ﺒﺎﺠﻲ ‪ ..Beach buggy‬ﺍﻟﺭﺍﺠل ﻗﺎل ﻟـﻪ‬ ‫" ﺍﻟﺒﺘﺵ ﺒﺎﺠﻲ ﻏﺎﻟﻴﺔ ﻋﻠﻴﻨﺎ " ﺍﻟﻭﻟﺩ ﻗﺎل ﻟـﻪ "ﺒـﻼﺵ‬
‫ﺍﻟﻨﺎﺩﻱ ﻭﺍﺸﺘﺭﻱ ﻟﻲ ﺒﻴﺘﺵ ﺒﺎﺠﻲ" ﻗـﺎل ﻟـﻪ "ﺒﺭﻀـﻪ‬ ‫ﻤﺎﻴﻨﻔﻌﺵ" " ﻁﻴﺏ ﻨﺒﻴﻊ ﺍﻟﻌﺭﺒﻴﺔ ﻭﻨﺸﺘﺭﻱ ﺒﻴﺘﺵ ﺒﺎﺠﻲ‬ ‫" ﺍﻷﺏ ﻗﺎل ﻟﻪ " ﺃﺭﻭﺡ ﺍﻟﺸﻐل ﺇﺯﺍﻱ؟ " ﻗﺎل ﻟﻪ: " ﻴﺒﻘﻰ‬ ‫ﻨﺒﻴﻊ ﺸﻘﺘﻨﺎ ﻭﻨﺸﺘﺭﻱ ﺒﻴﺘﺵ ﺒﺎﺠﻲ ".. ﻗﺎل ﻟﻪ " ﻭﻨﺴﻜﻥ‬ ‫ﻓﻴﻥ؟".‬ ‫ﻗﺩﺭﻱ: ) ﻤﻨﻜﺴﺭﺍ ( ﻟﻠﺩﺭﺠﺔ ﺩﻱ ﻓﻴﻪ ﺇﻏﺭﺍﺀﺍﺕ ﻓـﻲ ﻤﺎﺭﻴﻨـﺎ..‬ ‫‪‬‬ ‫ﻟﻭ ﻜﻨﺕ ﻋﺎﺭﻑ ﻜﺩﻩ ﻤﺎ ﻜﻨﺘﺵ ﻭﺍﻓﻘﺕ ﻋﻠﻰ ﺴﻔﺭﻫﺎ.‬ ‫ﺴﻌﺎﺩ: ) ﻏﺎﻀﺒﺔ ( ﻭﺇﻴﻪ ﻴﻌﻨﻲ ﺇﻏﺭﺍﺀﺍﺕ.. ﺇﻥ ﺸﺎﷲ ﻤﺎ ﻋﻨﻬـﺎ‬ ‫ﺭﻜﺒـﺕ ﺍﻟﺴـﻜﻲ ﺠﻴـﺕ ‪ Ski jet‬ﻭﺍﻟﺒﻴـﺘﺵ ﺒـﺎﺠﻲ‬ ‫‪ ) Beach buggy‬ﻟﻤﺩﻴﺤﺔ ( ﻫﻭ ﺃﻨﺕ ﻋﻴﻠﺔ ﻋﺸـﺎﻥ‬ ‫‪‬‬ ‫ﺘﻌﻴﻁﻲ ﻋﻠﻰ ﻜل ﺤﺎﺠﺔ ﻫﺎﻴﻔﺔ ﻜﺩﻩ؟‬ ‫ﻤﺩﻴﺤﺔ: ) ﺘﺒﻜﻲ ﺃﻜﺜﺭ ( ﻤﺵ ﻫﺎﻴﻔﺔ ﻴﺎ ﻤﺎﻤﺎ.. ﻟﻭ ﻜﻨﺕ ﺴـﻤﻌﺘﻲ‬ ‫ﺍﻟﺨﻨﺎﻗﺔ ﻜﻨﺕ ﻋﻴﻁﻲ ﺇﻨﺕ ﻜﻤﺎﻥ...‬ ‫ﻗﺩﺭﻱ: ) ﻴﻁﺒﻁﺏ ﻋﻠﻴﻬﺎ ( ﻗﻭﻟﻲ ﻟﺒﺎﺒﻲ.. ﻫﻲ ﻗﺎﻟﺕ ﻟﻙ ﺇﻴﻪ؟‬ ‫‪‬‬ ‫ﻤﺩﻴﺤﺔ: ﻗﺎﻟﺕ ﻟﻲ " ﻫﻭ ﺇﻨﺕ ﺃﺒﻭﻜﻲ ﻤﺎ ﻴﻘﺩﺭﺵ ﻴﺩﻓﻊ ﻟﻙ ﺃﺠـﺭﺓ‬ ‫‪‬‬ ‫ﺍﻟﺴﻜﻲ ﺠﻴﺕ "؟ ﻗﻠﺕ ﻟﻬﺎ " ﺃﻨﺎ ﺃﺒﻭﻴﺎ ﺒﻁل ﺤﺭﺏ ﻭﺃﺨـﺫ‬ ‫ﻨﺠﻤﺔ ﺴﻴﻨﺎﺀ".‬ ‫ﺴﻌﺎﺩ: ﺒﺭﺍﻓﻭ ﻋﻠﻴﻙ.. ﻜﺎﻥ ﻻﺯﻡ ﺘﺩﻴﻬﺎ ﺩﺭﺱ ﻓﻲ ﺍﻷﺨﻼﻕ.‬
‫ﻤﺩﻴﺤﺔ: ﺍﻟﺒﻨﺎﺕ ﺴﻘﻔﻭﺍ ﻟﻲ ﻗﺎﻡ ﻫﻲ ﺭﺩﺕ ﻭﻗﺎﻟﺕ، ﺇﻴﻪ ﻴﻌﻨﻲ ﺒﻁل‬ ‫ﺤﺭﺏ.. ﺃﻨﺎ ﻋﻨﺩﻱ ﺃﺒﻭﻴﺎ ﻴﺒﻘﻰ ﺘﺎﺠﺭ ﺨﺭﺩﺓ ﺃﺤﺴﻥ ﻤـﻥ‬ ‫ﺇﻨﻪ ﻴﻜﻭﻥ ﺒﻁل ﺤﺭﺏ ﻭﻨﺠﻤﺔ ﺴﻴﻨﺎ ﺩﻱ ﺒﹼﻴﻬﺎ ﻭﺍﺸـﺭﺒﻲ‬ ‫ﻠ‬ ‫ﻤﻴﺘﻬﺎ، ﻤﺴﻜﻨﺎ ﻓﻲ ﺨﻨﺎﻕ ﺒﻌـﺽ. ﻀـﺭﺒﺘﻨﻲ ﺭﺤـﺕ‬ ‫ﻀﺭﺒﺘﻬﺎ.. ﺩﺨﻠﺕ ﺃﻤﻬﺎ ﻤﺭﺍﺕ ﺘﺎﺠﺭ ﺍﻟﺨﺭﺩﺓ ﻭﻗﺎﻟﺕ ﻟﻲ‬ ‫" ﻟﻤﻲ ﻫﺩﻭﻤﻙ ﻴﺎ ﺸﺎﻁﺭﺓ ﻭﺭﻭﺤﻲ ﺒﻴﺘﻜﻡ.. ﺃﻨﺕ ﻤـﺵ‬ ‫ﻭﺵ ﻤﺎﺭﻴﻨﺎ ﻭﺍﻟﺤﺎﺠﺎﺕ ﺩﻱ " ) ﺼﻤﺕ (.‬ ‫ﻗﺩﺭﻱ: ) ﺒﻌﺩ ﺼﻤﺕ ﻁﻭﻴل ﻴﻘﻭل ﺒﺎﻨﻜﺴﺎﺭ ( ﻴﺎ ﺭﻴﺘﻨـﻲ ﻜﻨـﺕ‬ ‫ـﻴﻥ ﺩﻭل‬‫ـﺎ ـﻤﻌﺘﺵ ﺍﻟﻜﻠﻤﺘـ‬ ‫ـﺕ ـﻬﻴﺩ ﻭﻤـ ﺴـ‬ ‫ﻤـ ﺸـ‬ ‫) ﺍﻟﺩﻤﻭﻉ ﺘﻨﻬﻤﺭ ﻤﻥ ﻋﻴﻨﻴﻪ (.‬ ‫ﺴﻌﺎﺩ: ) ﻏﺎﻀﺒﺔ ( ﺁﺩﻱ ﺁﺨﺭﺓ ﻜﻼﻤﻙ ﻋﻥ ﻤﺎﺭﻴﻨﺎ ﻭﺯﻓﺕ ﻤـﺎ‬ ‫ﺇﻥ ﺸﺎﷲ ﻤﺎ ﺭﻜﺒﺕ ﺴﻜﻲ ﺠﻴﺕ ﻭﻻ ﺒﻴـﺘﺵ ﺒـﺎﺠﻲ..‬ ‫ﺍﻤﺸﻲ ﺭﻭﺤﻲ ﺃﻭﺩﺘﻙ ﻭﻤﺎ ﺘﻭﺭﻨﻴﺵ ﻭﺸﻙ ﻟﻠﺼـﺒﺢ.. )‬ ‫ﺘﺨﺭﺝ ﻤﺩﻴﺤﺔ (.‬ ‫ﻗﺩﺭﻱ: ﺩﻩ ﺍﻟﻤﻭﺕ ﻉ ﺍﻟﺠﺒﻬﺔ ﻜﺎﻥ ﻴﻜﻭﻥ ﺃﺭﺤﻡ ﺃﻟﻑ ﻤﺭﺓ.‬ ‫ﺴﻌﺎﺩ: ِﻑ ﻤﻥ ﺒ ﱠﻙ. ﻤﺎ ﺘﺨﻠﻴﺵ ﻜﻼﻡ ﻋﻴﺎل ‪‬ﺅﺜﺭ ﻓﻴﻙ..‬ ‫ﻴ‬ ‫‪‬ﺅ‬ ‫ﺘ‬ ‫ﻗﺩﺭﻱ: ﺩﻩ ﺃﻨﺎ ﺤﻁﺭﺒﺄﻫﺎ ﻓﻭﻕ ﺩﻤﺎﻏﻬﻡ.. ﺒﻘﻪ ﺩﻩ ﺠﺯﺍﺓ ﺍﻟﻭﻴل ﺍﻟﻠﻲ‬ ‫ﺸﻔﻨﺎﻩ ﻓﻲ ﺍﻟﺤﺭﺏ.. ﻓﻲ ٧٦ ﻭﺸﻔﻨﺎ ﺍﻟﺠﺜﺙ ﺍﻟﻤﺘﻸﺤﺔ ﻓﻲ‬
‫ﺴﻴﻨﺎ ﻤﺵ ﻻﻗﻴﺔ ﺍﻟﻠﻲ ﻴﺩﻓﻨﻬﺎ.. ﻭﺒﻌﻀﻨﺎ ﺒﻴﺠﺭﻱ.. ﺒـﺱ‬ ‫ﺍﺤﻨﺎ ﺼﻤﺩﻨﺎ.. ﻜﻨﺎ ﺒﻨﺤﺎﻭل ﻨﻨﻘل ﺯﻤﻼﺌﻨﺎ ﺍﻟﺠﺭﺤﻰ.. ﺃﻤﺎ‬ ‫ﺍﻟﻤﻭﺘﻰ ﻓﺴﺒﻨﺎﻫﻡ ﻟﻠﻐﺭﺒﺎﻥ ﻴﻨﻬﺸﻭﺍ ﻓﻲ ﺠﺜﺜﻬﻡ ﻭﻓﻲ ﻋﻘل‬ ‫ﺒﺎﻟﻨﺎ ﺒﻨﻘﻭل " ﺇﻜﺭﺍﻡ ﺍﻟﻤﻴﺕ ﺩﻓﻨﻪ " ﻟﻜﻥ ﺘﻘـﻭل ﻟﻤـﻴﻥ‬ ‫ﻜﺄﻨﻨﺎ ﺒﻨﺅﺫﻥ ﻓﻲ ﻤﺎﻟﻁﺔ.. ﻫ ‪‬ـﺎ ﺍﻹﺴـﺭﺍﺌﻴﻠﻴﻴﻥ ﻜـﺎﻨﻭﺍ‬ ‫ﻤ‬ ‫ﺤﻴﺩﻓﻨﻭﺍ ﻤﻭﺘﺎﻨﺎ.‬ ‫ﺴﻌﺎﺩ: ﺍﻨﺱ ﻴﺎ ﻗﺩﺭﻱ ﺍﻨﺱ.. ﻤﺎ ﺇﻨﺘﻡ ﻗﻤﺘﻡ ﺒﻌﻤﻠﻴﺎﺕ ﺍﻨﺘﺤﺎﺭﻴﺔ ﻓﻲ‬ ‫ﺤﺭﺏ ﺍﻻﺴﺘﻨﺯﺍﻑ ﻭﺍﻨﺕ ﺍﺘﺭﻗﻴﺕ ﻭﺒﻘﻴﺕ ﺭﺍﺌﺩ ﻤﻜﺎﻓـﺄﺓ‬ ‫ﻟﻙ ﻋﻠﻰ ﺍﻟﻌﻤﻠﻴﺔ ﺍﻟﻔﺩﺍﺌﻴﺔ ﺍﻟﻠﻲ ﻗﻤﺕ ﺒﻬﺎ.. ﻟﻤﺎ ﺠﺎﺯﻓـﺕ‬ ‫ﺒﺤﻴﺎﺘﻙ ﻭﺭﻤﻴﺕ ﻗﻨﺒﻠﺔ ﻴﺩﻭﻴﺔ ﻋﻠﻰ ﻓﺼـﻴﻠﺔ ﺇﺴـﺭﺍﺌﻴﻠﻴﺔ‬ ‫ﻭﻗﺘﻠﺕ ﻋﺸﺭﻴﻥ ﺇﺴﺭﺍﺌﻴﻠﻲ ﻤﺭﺓ ﻭﺍﺤﺩﺓ.. ﺃﻨﺕ ﺍﺘﺭﻗﻴـﺕ‬ ‫ﻭﺃﺨﺫﺕ ﺭﺘﺒﺔ ﺭﺍﺌﺩ ﻋﻥ ﺠﺩﺭﺍﺓ.‬ ‫ﻗﺩﺭﻱ: ﻴﺒﻠﻭﻫﺎ ﻭﻴﺸﺭﺒﻭﺍ ﻤﻴﺘﻬﺎ.. ﺃﻨﺎ ﻋﺎﻴﺯ ﺃﺠﻴﺏ ﻟﺒﻨﺘﻲ ﺍﻟﻠﻲ ﻫﻲ‬ ‫‪‬‬ ‫ﻋﺎﻴﺯﺍﻩ.‬ ‫ﺴﻌﺎﺩ: ﻫﻭ ﺍﻟﺴﻜﻲ ﺠﻴﺕ ﻴﻌﻨﻲ ﻜﺎﻥ ﺍﻷﻤﻠﺔ.. ﻜﺒﺭ ﻋﻘﻠﻙ ﺃﻤﺎل..‬ ‫ﻗﺩﺭﻱ: ﺒﺎﻻﺵ ﺍﻟﺴﻜﻲ ﺠﻴﺕ.. ﻫﻭ ﺃﻨﺎ ﻗﺎﺩﺭ ﺃﻨﻔﻌﻬﺎ ﻭﺃﺠﻴﺏ ﻟﻬـﺎ‬ ‫‪‬‬ ‫ﺍﻟﻠﻲ ﻫﻲ ﻋﺎﻴﺯﺍﻩ..‬ ‫‪‬‬
‫ﺴـﻌﺎﺩ: ﻫﻭ ﺍﻷﺏ ‪‬ﻘ ‪‬ﺭ ﺒﻘﻴﻤﺔ " ﻫﺎﺕ ﻫﺎﺕ " ﺩﻩ ﻜﻔﺎﻴـﺔ ﺩﻓﺌـﻙ‬ ‫ﻴﺩ‬ ‫‪‬‬ ‫ﻭﺤﻨﺎﻨﻙ..‬ ‫ﻗﺩﺭﻱ: ﺩﻩ ﻜﻼﻡ ﺒﺱ.. ) ﺒﻤﺭﺍﺭﺓ ﺃﺸﺩ ( ﻴﺎ ﺭﻴﺘﻨﻲ ﻜﻨـﺕ ﻤـﺕ‬ ‫ﺸﻬﻴﺩ..‬ ‫ﺴﻌﺎﺩ: ﻭﺘﺴﻴﺒﻨﺎ ﻭﺤﺩﻴﻨﺎ.. ﻴﻬﻭﻥ ﻋﻠﻴﻙ ) ﺠﺎﻨ ‪‬ﺎ ( ﺃﻨﺎ ﺤﺒﻬﺩﻟﻬﺎ ﻉ‬ ‫ﺒ‬ ‫ﺍﻟﻜﻼﻡ ﺍﻟﻠﻲ ﻗﺎﻟﺘﻪ..‬ ‫ﻗﺩﺭﻱ: ) ﻴﺴﻤﻊ ( ﻤﺎﺘﺌﺴﻴﺵ ﻋﻠﻴﻬﺎ ﻴـﺎ ﺴـﻌﺎﺩ.. ﺩﻩ ﻏﺼـﺏ‬ ‫ﻋﻨﻬﺎ.. ﺍﻟﺤﻴﺎﺓ ﺼﻌﺒﺔ ﻟﻠﺸـﺒﺎﺏ.. ﺍﻟﻤﻐﺭﻴـﺎﺕ ﻜﺜﻴـﺭﺓ‬ ‫ﻭﻤﺎ ﻋﺩﺵ ﻓﻴﻪ ﻗﻴﻡ.. ﺤﺘﻰ ﺍﻟﺤﻴﺎﺓ ﺍﻟﻜﺭﻴﻤﺔ ﻤﺎ ﺒﻘﻨـﺎﺵ‬ ‫ﻋﺎﺭﻓﻴﻥ ﺘﺤﺘﺎﺝ ﻜﺎﻡ.. ﻤﻬﻤﺎ ﻴﺯﻭﺩﻭﺍ ﻓﻲ ﻤﻌﺎﺸﺎﺘﻨﺎ ﺍﻟﺤﻴﺎﺓ‬ ‫ﺍﻟﻜﺭﻴﻤﺔ ﻤﺎ ﻋﺩﺘﺵ ﻓﻲ ﻤﻨﺎﻟﻨﺎ.. ﻤﺩﻴﺤﺔ ﻟﻬﺎ ﺤﻕ ﺘﺒﻘـﻰ‬ ‫ﻋﺎﻴﺯﺓ ﺍﻟﺴﻜﻲ ﺠﻴﺕ ﻭﺍﻟﺒﻴﺘﺵ ﺒﺎﺠﻲ.‬ ‫ﺴﻌﺎﺩ: ﻗﻁﻌﺕ ﺍﻟﺴﻜﻲ ﺠﻴﺕ ﻭﺍﻟﺒﻴﺘﺵ ﺒﺎﺠﻲ.. ﺒﻘﻰ ﺃﻨﺕ ﻴﺎ ﻗﺩﺭﻱ‬ ‫ﺍﻟﻠﻲ ﺘﻘﻭل ﺍﻟﻜﻼﻡ ﺩﻩ.. ﺒﻌﺩ ﻤﺎ ﻜﺎﻥ ﺭﻭﺤﻙ ﻓﻲ ﺍﻟﺠﻴﺵ‬ ‫ﻭﺍﻟﻌﻤﻠﻴﺎﺕ ﺍﻟﻔﺩﺍﺌﻴﺔ.. ﻭﻋﺎﻴﺯ ﺘﻌﻴﺩ ﻟﻠـﻭﻁﻥ ﻭﺍﻟﺠـﻴﺵ‬ ‫ﻜﺭﺍﻤﺘﻪ.‬ ‫ﻗﺩﺭﻱ: ﻗﻁﻊ ﺍﻟﺠﻴﺵ ﻭﺍﻟﻭﻁﻥ ﺒﺎﻟﺜﻠﺙ.. ﻫﻲ ﺩﻱ ﺁﺨﺭﺓ ﺍﻟﻌﻤﻠﻴﺎﺕ‬ ‫‪‬‬ ‫ﺍﻟﻔﺩﺍﺌﻴﺔ.. ) ﻴﺴﺘﺭﺴل ﻓﻲ ﺍﻟﺫﻜﺭﻴﺎﺕ ( ﺩﻩ ﺍﻟﻌﻤﻴﺩ ﻋﺯﻴﺯ‬
‫ﺍﻟﻠﻲ ﻜﺎﻥ ﻤﺘﺒﻨﻴﻨﻲ ﻓﻲ ﺍﻟﻜﻠﻴﺔ ﺍﻟﺤﺭﺒﻴﺔ.. ﻜﺎﻥ ﺤﻴﺘﺠـﻨﻥ‬ ‫ﻓﻲ ٧٦ ﻟﻤﺎ ﺸﺎﻑ ﺍﻻﻨﺴﺤﺎﺏ ﺍﻟﻌﺸـﻭﺍﺌﻲ ﺒـﻼ ﻗﺎﺌـﺩ‬ ‫ﻴﻨﻅﻤﻪ.. ﻤﺎ ﺍﺴﺘﺤﻤﻠﺵ.. ﺴﺎﺏ ﻏﺭﻓﺔ ﺍﻟﻌﻤﻠﻴﺎﺕ ﻭﺨـﺩ‬ ‫ﺃﻭل ﺠﻴﺏ ..." ﺍﻟﻭﻴﻠﺯ " ﺍﻟﺘﻌﺒﺎﻥ ﺒﺘﺎﻉ ﺯﻤﺎﻥ.. ﻭﺴـﺎﻗﻪ‬ ‫ﺒﻨﻔﺴﻪ ﻟﻘﻠﺏ ﺴﻴﻨﺎ ﻋﺸﺎﻥ ﻴﺸـﺭﻑ ﻋﻠـﻰ ﺍﻻﻨﺴـﺤﺎﺏ‬ ‫ﺍﻟﻤﻬﺭﺠل.. ﻜﺎﻥ ﻋﺎﻴﺯ ﻴﻨﻘﺫ ﺍﻟﺠﻨﻭﺩ ﻭﺍﻟﻀﺒﺎﻁ.. ﺸـﺒﺎﺏ‬ ‫ﻤﺼﺭ ﺍﻟﻠﻲ ﺯﻱ ﺍﻟﻔل.. ﻜﺎﻥ ﻤﻌﺘﺒﺭﻫﻡ ﺃﺒﻨﺎﺅﻩ.. ﺒﺎ ﺩﻭﺒﻙ‬ ‫ﻭﺼل ﻤﻤﺭ ﻤﺘﻼ ﻭﻨﺯل ﻤﻥ ﺍﻟﺠﻴـﺏ ﻴﺤـﺎﻭل ﻴـﻨﻅﻡ‬ ‫ﺍﻟﺭﺠﺎﻟﺔ ﺍﻟﻤﺘﺒﻌﺘﺭﻴﻥ.. ﺒﻴﺠﺭﻭﺍ ﻓﻲ ﻜل ﺍﺘﺠـﺎﻩ.. ﻗـﺎﻡ‬ ‫ﺩﻫﺴﺘﻪ ﺩﺒﺎﺒﺔ ﺇﺴﺭﺍﺌﻴﻠﻴﺔ.. ﺒﻘﻰ ﻫﻭ ﻭﺭﻤل ﺴﻴﻨﺎ ﺍﻟﻐﺎﻟﻴـﺔ‬ ‫‪‬‬ ‫ﻭﺍﺤﺩ.. ﺍﻟﺩﺒﺎﺒﺔ ﺍﻹﺴﺭﺍﺌﻴﻠﻴﺔ ﻤﺎ ﺴﺎﺒﺘﺵ ﺃﺜﺭ ﺇﻻ ﺍﻟـﺯﻱ‬ ‫ﺍﻟﻌﺴﻜﺭﻱ..‬ ‫ﺴﻌﺎﺩ: ﺍﻨﺱ ﻴﺎ ﻗﺩﺭﻱ ﻭﺍﺤﻤﺩ ﺭﺒﻨﺎ ﺇﻨﻪ ﻨ ‪‬ﺎﻙ ﻭﺭﺠﻌﺕ ﻟﻤﺭﺍﺘـﻙ‬ ‫ﺠ‬ ‫ﻭﺒﻨﺘﻙ.. ﺩﻱ ﻨﻌﻤﺔ ﻤﻥ ﻋﻨﺩ ﺭﺒﻨﺎ..‬ ‫ﻗﺩﺭﻱ: ) ﻤﺘﺠﺎﻫﻼ ﻜﻼﻤﻬﺎ ( ﻭﺼﺩﻴﻕ ﺘﺎﻨﻲ.. ﺯﻤﻴﻠﻲ ﻓﻲ ﺍﻟﻜﻠﻴﺔ‬ ‫ﹰ‬ ‫ﺍﻟﺤﺭﺒﻴﺔ.. ﺨﺒﻁﺘﻪ ﺩﺒﺎﺒﺔ ﺇﺴﺭﺍﺌﻴﻠﻴﺔ ﻓﻲ ﻭ ﹼﻪ.. ﻭ ﹼﻪ ﺒﻘﻰ‬ ‫ﺸ‬ ‫ﺸ‬ ‫ﺴﻠﻁﺔ.. ﺒ ُﻩ ﻤﻌﻭﺝ ﻭﻤﻨﺎﺨﻴﺭﻩ ﺇﻁﺭﺒﺄﺕ ﻤﺎ ﺒﻘﺎﺵ ﻓﺎﻀل‬ ‫‪‬ﺅ‬ ‫ﻓﻴﻪ ﺇﻻ ﺼﺭﺨﺔ ﺍﻷﻟﻡ ﺍﻟﻠﻲ ﻓﻲ ﻋﻴﻨﻴﻪ.. ﺩﻱ ﺃﻤﻪ ﻤﺎﺘـﺕ‬
‫ﻤﻥ ﺍﻟﺤﺴﺭﺓ ﻋﻠﻴﻪ.. ﻟﻤﺎ ﺸﺎﻓﺘﻪ ﺒﻌـﺩ ﻤـﺎ ﻨﻘﻠـﻭﻩ ﻤـﻥ‬ ‫ﺍﻟﺠﺒﻬﺔ.. ﻤﺎ ﻟﻘﺎﺵ ﺼﺩﻴﻕ ﻴﻘﻑ ﺠﻨﺒﻪ.. ﻤﺭﺍﺘﻪ ﺍﻷﺼﻴﻠﺔ‬ ‫ﻤﺎ ﺒﺎﻗﺘﺵ ﻗﺎﺩﺭﺓ ﹸﺒﺹ ﻓﻲ ﻭ ﹼﻪ.. ﻁﻠﺒﺕ ﺍﻟﻁﻼﻕ.. ﻟﻬﺎ‬ ‫ﺸ‬ ‫ﺘ‬ ‫ﺤﻕ.. ﻫﻭ ﻜﺎﻥ ﺤﻴﻨﻔﻌﻬﺎ ﺒﺤﺎﺠﺔ ﻭﻻ ﺃﻜﺒﺭ ﺃﻁﺒﺎﺀ ﺭﻭﺴﻴﺎ‬ ‫‪‬‬ ‫ﻭﻴﻭﻏﻭﺴﻼﻓﻴﺎ ﻋﺭﻓﻭﺍ ﻴﻌﻤﻠﻭﺍ ﻟـﻪ ﺤﺎﺠـﺔ.. ﺩﻩ ﻜـﺎﻥ‬ ‫ﺴﺎﻋﺘﻬﺎ ﻤﺎ ﻜﺎﻨﺸﻲ ﻓﻴﻪ ﺤﺘﻰ ﻨﺠﻤﺔ ﺴﻴﻨﺎ ﻴﺎﺨﺩﻫﺎ.. ﻴﻌﻨﻲ‬ ‫ﻁﻠﻊ ﻤﻥ ﺍﻟﻤﻭﻟﺩ ﺒﻼ ﺤﻤﺹ ) ﻴﻀﺤﻙ ﺒﻤﺭﺍﺭﺓ ( ﻫﺎﻫـﺎ‬ ‫ﻨﻜﺘﺔ ﺒﺎﻴﺨﺔ.‬ ‫ﺴﻌﺎﺩ: ﺍﻨﺱ ﻴﺎ ﻗﺩﺭﻱ ﺍﻨﺱ.‬ ‫ﻗـﺩﺭﻱ: ﺒﻘﻰ ﻋﻤﻠﻨﺎ ﻜل ﺍﻟﺘﻀﺤﻴﺎﺕ..ﺃﺸﻼﺀ ﺍﻟﺠﺜﺙ ﻓـﻲ ﺃﺭﺽ‬ ‫ﺴﻴﻨﺎ ﺍﻟﻐﺎﻟﻴﺔ ﻋﺸﺎﻥ ﹸﻨ ‪‬ﺭ ﻤﺒﺎﺩﺌﻨﺎ ﻭ ‪‬ﻡ ﻭﻻﺩ ﺍﻟﺤـﻼل‬ ‫ﺠ‬ ‫ﻨﺼ‬ ‫ﻴﻬﺩﺭﻭﻫﺎ.. ﻭﺴﻜﺘﻨﺎ ﻟﻬـﻡ ﻗـﺎﻟﻭﺍ " ﺍﻻﺴـﺘﻘﻼل ﺍﻟﺘـﺎﻡ‬ ‫ﺃﻭ ﺍﻟﻤﻭﺕ ﺍﻟﺯﺅﺍﻡ " ﺸﻌﺎﺭ ﻴﺒﱡﻭﻩ ﻭﻴﺸﺭﺒﻭﺍ ﻤﻴﺘﻪ.. ﻟﻜـﻥ‬ ‫ﻠ‬ ‫ﺴﻜﺘﻨﺎ ﺒﺭﻀﻪ.. ﻤـﻥ ﻤﻠﻴـﻭﻥ ﺴـﻨﺔ ﺍﻟﻨﺤـﺎﺱ ﻗـﺎل‬ ‫" ﺍﻟﺤﻕ ﻓﻭﻕ ﺍﻟﻘﻭﺓ ﻭﺍﻷﻤﺔ ﻓﻭﻕ ﺍﻟﺤﻜﻭﻤﺔ". ﻗﺎﻟﻭﺍ ﻋﻠﻴﻪ‬ ‫ﺭﺠﻌﻲ ﻭﻤﻥ ﺍﻟﻌﻬﺩ ﺍﻟﺒﺎﺌﺩ.. ﻭﺍﻓﻘﻨﺎﻫﻡ ﺒﺤﻤﺎﺱ.. ﻗـﺎﻟﻭﺍ‬ ‫" ﺒﺎﻟﻨﻅﺎﻡ ﻭﺍﻻﺘﺤﺎﺩ ﻭﺍﻟﻌﻤل " ﻗﻠﻨﺎ " ﺘﻤﺎﻡ ﻴـﺎ ﻓﻨـﺩﻡ "‬ ‫ﻭﺍﺩﻴﻨﺎ ﺃﺭﻭﺍﺤﻨﺎ ﻓﺩﺍﺀ ﺍﻟﻤﺒﺎﺩﺉ ﺩﻱ.. ﺤﺎﺭﺒﻨﺎ ﻭﺃﻫﺩﺭﻭﺍ ﺩﻡ‬
‫ﺸﺒﺎﺒﻨﺎ ﺍﻟﻐﺎﻟﻲ.. ﻋﺸﺎﻥ ﺇﻴﻪ؟ ﻋﺸﺎﻥ ﻴﺨﺭﺒﻭﻫﺎ ﻭﻴﻨﻬﺒﻭﻫﺎ‬ ‫ﻭﻴﻘﻌﺩﻭﺍ ﻋﻠﻰ ﺘﻠﻬﺎ.‬ ‫ﺴﻌﺎﺩ: ﻤﺵ ﻜﺩﻩ ﻴﺎ ﻗﺩﺭﻱ.. ﻤﺵ ﻜﺩﻩ ﺃﻤﺎل..‬ ‫ﻗﺩﺭﻱ: ﻟﻜﻥ ﻜل ﺩﻩ ﻜﻭﻡ ﻭﺇﻫﺎﻨﺔ ﺒﻨﺘﻲ ﻜﻭﻡ.. ﺒﻘـﻰ ﺒﻌـﺩ ﻜـل‬ ‫ﺘﻀﺤﻴﺎﺘﻨﺎ ﺘﻴﺠﻲ ﺤﺘﺔ " ﻤﺭﺓ " ﺠﺭﺒﻭﻋﺔ ﻤﺭﺍﺕ ﺘـﺎﺠﺭ‬ ‫ﺨﺭﺩﺓ ﺘﻘﻭل ﻟﻬﺎ " ﻟﻤﻲ ﻫﺩﻭﻤﻙ ﻴﺎ ﺸـﺎﻁﺭﺓ " ﺩﻩ ﺃﻨـﺎ‬ ‫ﺃﻀﺭﺒﻬﻡ ﻜﻠﻬﻡ ﺒﻤﺩﻓﻊ ﺭﺸﺎﺵ .‬ ‫) ﻴﺤﺎﻭل ﺍﻟﻘﻴﺎﻡ ﻤﻥ ﻜﺭﺴﻴﻪ ﺍﻟﻤﺘﺤﺭﻙ ﻭﻴﻘـﻊ ﻋﻠـﻰ ﺍﻷﺭﺽ..‬ ‫ﺴﻌﺎﺩ ﺘﺴﺎﻋﺩﻩ ﻋﻠﻰ ﺍﻟﻘﻴﺎﻡ ﻭﺍﻟﺠﻠﻭﺱ ﻋﻠـﻰ ﻜﺭﺴـﻴﻪ‬ ‫ﻤﺭﺓ ﺃﺨﺭﻯ ﻭﻓﻲ ﺃﺜﻨﺎﺀ ﺫﻟﻙ ﻴﺘﻔﻙ " ﺍﻟﺸﻨﻴﻭﻥ"، ﺍﻟـﺫﻱ‬ ‫ﺍﺤﺘﻔﻅﺕ ﺒﻪ ﻁﻭﺍل ﺍﻟﻤﺴﺭﺤﻴﺔ ﻭﻴﻘﻊ ﺸـﻌﺭﻫﺎ ﺍﻟﻐﺯﻴـﺭ‬ ‫ﻋﻠﻰ ﺃﻜﺘﺎﻓﻬﺎ ﻭﻋﻠﻰ ﻭﺠﻪ ﻗﺩﺭﻱ (.‬ ‫ﺴﻌﺎﺩ: ﺇﻫﺩﺍ ﺃﻤﺎل.. ﺩﻩ ﺇﻨﺕ ﻭﻗﻌﺕ ﻤـﻥ ﺍﻟﻜﺭﺴـﻲ.. ﺒﻘـﻰ ﺩﻩ‬ ‫ﻜﻼﻡ.. ﻓﻴﻥ ﻗ ‪‬ﺘﻙ ﻭﺼﻤﻭﺩﻙ.. ﺩﻩ ﺃﻨﺎ ﻟﻭ ﻜﻨﺕ ﺸـﻔﺕ‬ ‫ِﻭ‬ ‫ﻜل ﺍﻟﺒﻼﻭﻱ ﺍﻟﻠﻲ ﺒﺘﺤﻜـﻲ ﻋﻨﻬـﺎ.. ﺃﺸـﻼﺀ ﺍﻟﺠﻨـﻭﺩ‬ ‫ﻭﺍﻟﺠﺜﺙ ﺍﻟﻤﺭﻤﻴﺔ ﺍﻟﻠﻲ ﻤﺵ ﻻﻗﻴﻪ ﺤﺩ ﻴـﺩﻓﻨﻬﺎ.. ﻜـﺎﻥ‬ ‫ﺠﺎﻟﻲ ﺍﻨﻬﻴﺎﺭ ﻋﺼﺒﻲ ﻟﻭ ﻜﻨﺕ ﻤﻜﺎﻨﻙ.. ﺒﻘﻰ ﺃﻨﺕ ﺍﻟﻠﻲ‬ ‫ﺼﻤﺩﺕ ﻓﻲ ﺍﻟﺒﻼﻭﻱ ﺩﻱ ﻜﻠﻬﺎ ﻭﺭﺩﻴﺕ ﻟﻠﺠﻴﺵ ﺍﻋﺘﺒﺎﺭﻩ‬
‫ﻭﻜﺭﺍﻤﺘﻪ ﻓﻲ ﺤﺭﺏ ﺍﻻﺴﺘﻨﺯﺍﻑ ﻭ ٣٧ ﺘﺨﻠﻲ ﻜﻠﻤﺔ ﺴﺕ‬ ‫ﺠﺎﻫﻠﺔ ﺘﻬ ‪‬ﻙ ﻜﺩﻩ؟‬ ‫ﺯ‬ ‫ﻗﺩﺭﻱ: ﺃﺼﻠﻲ ﺭﺠل ﻋﺎﺠﺯ.. ﻤﺵ ﻋﺎﺭﻑ ﺃﻨﻔﻊ ﻤﺭﺍﺘﻲ ﻭﺒﻨﺘﻲ..‬ ‫ﺴﺎﻋﺩ: ﺒﻘﻰ ﺩﻩ ﻜﻼﻡ ﺘﻘﻭﻟﻪ! ﺇﻥ ﻤﺎ ﻜﻨﺘﺵ ﺨﺎﻴﻑ ﻋﻠـﻰ ﻨﻔﺴـﻙ‬ ‫ﺨﺎﻑ ﻋﻠﻴﻨﺎ..‬ ‫ﻗﺩﺭﻱ: ) ﺒﻤﺭﺍﺭﺓ ﺸﺩﻴﺩﺓ ( ﻋﻠﻰ ﺭﺃﻴﻙ.. ﺃﺒﻘﻰ ﻋﺎﻟﺔ ﺃﻜﺒﺭ ﻋﻠﻴﻜﻡ‬ ‫ﻟﻭ ﺍﻨﻜﺴﺭﺕ ﻭﺃﻨﺎ ﻤﻜﺴﺢ ﺨﻠﻘﺔ..‬ ‫ﺴﻌﺎﺩ: ) ﺘﻨﻬﻤﺭ ﺍﻟﺩﻤﻭﻉ ﻤﻥ ﻋﻴﻨﻴﻬﺎ ( ﻤﺵ ﻜﺩﻩ ﺃﻤﺎل ﻴﺎ ﻗﺩﺭﻱ‬ ‫ﻤﺎ ﺘﻘﻭﻟﺵ ﺍﻟﻜﻼﻡ ﺩﻩ.. ﺃﻨﺕ ﻤﺵ ﻋـﺎﺭﻑ ﺇﻨـﺕ ﺇﻴـﻪ‬ ‫ﺒﺎﻟﻨﺴﺒﺔ ﻟﻲ.. ﻤﻥ ﻏﻴﺭﻙ ﻤﺎ ﻜﻨﺘﺵ ﺃﻗﺩﺭ ﺃﺴﺘﻤﺭ.‬ ‫ﻗﺩﺭﻱ: ﻟﻴﻪ؟ ﺃﻨﺕ ﻋﻨﺩﻙ ﺍﻟﻤﻭﺴﻴﻘﻰ ﺒﺘﺎﻋﺘﻙ.. ﺩﻱ ﺤﻴﺎﺘﻙ ﻜﻠﻬـﺎ‬ ‫ﻭﻻ ﻜﻨﺕ ﺘﻀﻁﺭﻱ ﺘـﺩﻱ ﺩﺭﻭﺱ ﺨﺼﻭﺼـﻴﺔ ﻓـﻲ‬ ‫ﺍﻟﻜﻤﺎﻥ.. ﻜﻨﺕ ﺤﺘﻜﺭﺴﻲ ﺤﻴﺎﺘﻙ ﻜﻠﻬﺎ ﻟﻠﻌﺯﻑ.‬ ‫ﺴﻌﺎﺩ: ﺩﻩ ﻤﺘﻬﻴﺄ ﻟﻙ..ﺇﻨﺕ ﻓﺎﻜﺭ ﺇﻨﻪ ﺍﻟﻔﻥ ﺒﻴﻐﻨﻲ ﻋـﻥ ﺍﻟﺤﻴـﺎﺓ.‬ ‫ﺩﻩ ﺒﺎﻟﻌﻜﺱ ﻜل ﻤﺎ ﺍﻟﻭﺍﺤﺩ ﻴﻌﺯﻑ ﻜل ﻤﺎ ﻴﺒﻘﻰ ﻋـﺎﻴﺯ‬ ‫ﻴﻌﻴﺵ ﺒﺎﻟﻁﻭل ﻭﺍﻟﻌﺭﺽ.‬ ‫ﻗﺩﺭﻱ: ﺩﻩ ﺃﻨﺎ ﺤﺘﻰ ﻤﺵ ﻗﺎﺩﺭ ﺃﻨﻔﻊ ﺒﻨﺘﻲ ﻭﺃﺠﻴﺏ ﻟﻬﺎ ﺍﻟﻠﻲ ﻫـﻲ‬ ‫ﻋﺎﻴﺯﺍﻩ..‬
‫ﺴﻌﺎﺩ: ﻫﻭ ﺇﻨﺕ ﻻﺯﻡ ﺘﺠﻴﺏ ﻟﻬـﺎ ﻜـل ﺍﻟﻠـﻲ ﺒﺘﺸـﻭﻓﻪ ﻋﻨـﺩ‬ ‫ﺃﺼﺤﺎﺒﻬﺎ.. ﺩﻩ ﻴﺒﻘﻰ ﺩﻟﻊ ﻤﺎﻴﻊ ﻴﺎ ﻗﺩﺭﻱ.‬ ‫ﻗﺩﺭﻱ: ﻤﺎﺘﺌﺴﻴﺵ ﻋﻠﻴﻬﺎ ﻴﺎ ﺴﻌﺎﺩ.. ﺇﻏﺭﺍﺀﺍﺕ ﻤﺠﺘﻤﻌﻨﺎ ﻜﺘﻴـﺭﺓ‬ ‫ﻭﻫﻲ ﻟ ‪‬ﻪ ﺼﻐﻴﺭﺓ..‬ ‫ﺴ‬ ‫ﺴﻌﺎﺩ: ﻤﺎ ﺇﻨﺕ ﻤﺩﻟﻌﻬﺎ.. ﺒﺘﻘﻭل ﻨ ‪‬ﻴﻬﺎ ﻜل ﺍﻟﻠﻲ ﻨﻘﺩﺭ ﻋﻠﻴﻪ.. ﺤﺩ‬ ‫ﺩ‬ ‫ﻋﺎﺭﻑ ﺒﻜﺭﻩ ﺤﺘﻘﺩﺭ ﺘﺠﻴﺏ ﻟﻨﻔﺴﻬﺎ ﻭﻻ ﻷ..‬ ‫ﻗﺩﺭﻱ: ﻻ ﻴﺎ ﺴﻌﺎﺩ ﺇﻨﺕ ﻤﺵ ﻓﺎﻫﻤﻪ ﻭﺠﻬﺔ ﻨﻅـﺭﻱ ﺇﻥ ﺍﻟﺤﻴـﺎﺓ‬ ‫ﻗﺎﺴﻴﺔ ﺠ ‪‬ﺍ ﻭﺍﻟﻤﻅﺎﻫﺭ ﺒﻘﺕ ﻤﻬﻤﺔ ﻗﻭﻱ ﻓﻲ ﺍﻟﻤﺠﺘﻤـﻊ..‬ ‫ﺩ‬ ‫ﻷﻨﻪ ﻤﺠﺘﻤﻊ ‪‬ﺘﻔﺴﺦ ﺍﻟﻘﻴﻡ ﺍﻟﺤﻘﻴﻘﻴﺔ ﻀﺎﻋﺕ ، ﻓﺎﻟﺸـﺒﺎﺏ‬ ‫ﻤ‬ ‫ﻤﻌﺫﻭﺭ.. ﺒﻴﺠﺭﻱ ﻭﺭﺍ ﻜل ﺠﺩﻴـﺩ، ﻭﺍﻟﻤﺴـﺘﻘﺒل ﻗـﺎﺘﻡ‬ ‫ﻗﺩﺍﻤﻬﻡ.. ﺇﺤﻨﺎ ﻜﺎﻥ ﻋﻨﺩﻨﺎ ﺁﻤـﺎل ﻭﺃﺤـﻼﻡ ﻋـﺎﻴﺯﻴﻥ‬ ‫ﻨﺤﻘﻘﻬﺎ.. ﺒﺱ ﻫﻤﺎ ﻋﺎﻴﺯﻴﻥ ﻓﻠﻭﺱ ﻭﺒﺱ..‬ ‫ﺴﻌﺎﺩ: ﻭﻻ ﺘﺯﻋـل ﻭﻻ ﺘﺤـﻁ ﻓـﻲ ﺒﺎﻟـﻙ.. ﺒﻜـﺭﺓ ﺃﺨـﺩﻫﺎ‬ ‫ﺍﻟﻜﻭﻨﺴﺭﻓﺎﺘﻭﺍﺭ.. ﺩﻱ ﻫﻲ ﺴﻭﺒﺭﺍﻨﻭ ﻭﺼﻭﺘﻬﺎ ﺠﻤﻴـل‬ ‫ﺠ ‪‬ﺍ ﻭﺃﻨﺎ ﺃﺨﺩﺕ ﺭﺃﻴﻬﺎ ﻭﻫﻲ ﻤﻭﺍﻓﻘﺔ ﻭﻤﺵ ﺒﺱ ﻤﻭﺍﻓﻘﺔ‬ ‫ﺩ‬ ‫ﺩﻱ ﻤﺘﺤﻤﺴﺔ ﻟﻠﻜﻭﻨﺴﺭﻓﺎﺘﻭﺍﺭ.. ﻭﻟﻤﺎ ﺘﺒﺘـﺩﻱ ﺘـﺩﺭﺱ‬ ‫ﻤﻭﺴﻴﻘﻰ ﺤﺘﻨﺴﻰ ﺍﻟﺴـﻜﻲ ﺠﻴـﺕ ﻭﺍﻟﺒﻴـﺘﺵ ﺒـﺎﺠﻲ‬ ‫ﻭﺍﻷﺘﺎﺭﻱ ﻭﺍﻟﻤﺤﻤﻭل.‬
‫ﻗﺩﺭﻱ: ﻓﻜﺭﻙ..؟‬ ‫ﺴﻌﺎﺩ: ﺃﻜﻴﺩ.. ﻭﻫﻲ ﻤﻥ ﺯﻤﺎﻥ ﻏﺎﻭﻴﺔ ﻤﻭﺴﻴﻘﻰ.. ﻭﺍﻟﻘﻴﻡ ﺍﻟﻌﺎﻟﻴﺔ‬ ‫ﺍﻟﻠﻲ ﺇﺤﻨﺎ ﺭﺒﻴﻨﺎﻫﺎ ﻋﻠﻴﻬﺎ ﻤﺵ ﺤﺘﻀـﻴﻊ.. ﺩﻱ ﻤﺠـﺭﺩ‬ ‫ﻨﺯﻭﺍﺕ ﺯﻱ ﻜﺎﺒﺭﻴﺘﺸﻲ ‪...Capricci‬‬ ‫ﻗﺩﺭﻱ: ) ﻴﻬﺩﺃ ( ﻓﻜﺭﻙ؟‬ ‫ﺴﻌﺎﺩ: ﺇﻫﺩﻯ ﺃﻨﺕ ﺒﺱ ) ﺘﻀﻊ ﻴﺩﻫﺎ ﻋﻠﻰ ﺭﺃﺴﻪ ﻭﺘﺠﺭ ﻜﺭﺴﻲ‬ ‫ﺘﺠﻠﺱ ﻋﻠﻴﻪ ﺒﺠﻭﺍﺭ ﻜﺭﺴﻴﻪ ﺍﻟﻤﺘﺤﺭﻙ ( ﻓـﻲ ﻭﺍﺤـﺩﺓ‬ ‫ﺼﺎﺤﺒﺘﻲ ﻗﺎﻟﺕ ﻟﻲ ﺇﻥ ﻜﻑ ﺍﻹﻴﺩ ﻓﻴﻬﺎ ﻗـﺩﺭﺓ ﺸـﻔﺎﺌﻴﺔ‬ ‫ﻫﺎﻴﻠﺔ.. ﺘﻁﻴﺭ ﺍﻟﺼﺩﺍﻉ ﻭﺘﻬﺩﻱ ﺍﻻﻨﻔﻌﺎﻻﺕ.. ﻗـل ﻟـﻲ‬ ‫ﺒﻘﻰ ﺍﻟﻜﻼﻡ ﺩﻩ ﺼﺤﻴﺢ ) ﺘﻀﻊ ﻜﻔﻬﺎ ﻋﻠﻰ ﺠﺒﻬﺘﻪ (.‬ ‫ﻗﺩﺭﻱ: ) ﻴﻀﻊ ﺫﺭﺍﻋﻪ ﺤﻭل ﺃﻜﺘﺎﻓﻬﺎ ﻭﻴﻘﺒﻠﻬﺎ ( ﻁﺒ ‪‬ﺎ ﺼﺤﻴﺢ..‬ ‫ﻌ‬ ‫) ﺨﻼل ﻫﺫﺍ ﺍﻟﻤﺸﻬﺩ ﺍﻟﺴﺎﺒﻕ ﻋﻨﺩﻤﺎ ﺘﻀﻊ ﻴﺩﻫﺎ ﻋﻠـﻰ‬ ‫ﺠﺒﻬﺘﻪ ﺘﺴﻤﻊ ﻤﻭﺴﻴﻘﻰ ﻜﻤﺎﻥ ﺨﺎﻓﺘﺔ (.‬ ‫) ﺨﺒﻁ ﺸﺩﻴﺩ ﻋﻠﻰ ﺍﻟﺒﺎﺏ ﻭﺼﻴﺎﺡ ﺒﺎﻟﻠﻬﺠﺔ ﺍﻟﺼـﻌﻴﺩﻴﺔ‬ ‫(.‬ ‫ﺘﻔﻴﺩﺓ: ﺇﻟﺤﻘﻴﻨﻲ ﻴﺎ ﺘﺎﻨﺕ.. ﺇﻟﺤﻘﻴﻨﻲ.. ﺁﻱ ﺁﻱ ﺁﻱ.. ﺨ ﹼﻲ ﺇﻴـﺩﻙ‬ ‫ﻔ‬ ‫ﻋﻨﻲ ﻴﺎ ﻤﺎﻤﺎ..‬
‫ﺯﻟﻴﺨـﺎ: ﺠ ‪‬ﺴـﺘﻴﻨﺎ ﻴـﺎ ﺠﺭﺒﻭﻋـﺔ ﻴـﺎ ﻤﻌﻔﻨـﺔ.. ﺠﺭﺴـﺘﻴﻨﺎ‬ ‫ـ‬ ‫ـ‬ ‫ـ ـ‬ ‫ـ‬ ‫ﺭ ـ‬ ‫) ﺼﻭﺕ ﻀﺭﺏ (.‬ ‫ﺴﻌﺎﺩ: ) ﺘﻔﺘﺢ ﺍﻟﺒﺎﺏ ( ﺇﻴﻪ ﻓﻴﻪ ﺇﻴﻪ.. ﺨﻴﺭ.. ﻤﺎﻟـﻙ ﻴـﺎ ﺴـﺕ‬ ‫ﺯﻟﻴﺨﺎ؟‬ ‫ﺯﻟﻴﺨﺎ: ﻭﺍﻟﺨﻴﺭ ﻴﻴﺠﻲ ﻤﻨﻴﻥ.. ﻭﺃﻨﺎ ﻤﻌﺎﻴﺎ ﺒﻨﺕ ﺍﻷﺒﺎﻟﺴـﺔ ﺩﻱ..‬ ‫ﻴﺎﺩﻱ ﺍﻟﻜﺴﻭﻑ.. ﻴﺎ ﺩﻱ ﺍﻟﻜﺴﻭﻑ.. ﻭﺍﷲ ﻭﺠﻪ ﺍﻟﻴـﻭﻡ‬ ‫ـﺤﺘﻴﻨﺎ ـﺎ ـﺩﺓ ـﺎ ـﺕ ـﺩ ـﺎل‬ ‫ﻴـ ﺘﻔﻴـ ﻴـ ﺒﻨـ ﻋﺒـ ﺍﻟﻌـ‬ ‫ﻭﻓﻀـ‬ ‫) ﺘﻀﺭﺒﻬﺎ ﺒﺎﻟﺸﺒﺸﺏ ( ﻭﺍﷲ ﺩﻩ ﺃﻨﺎ ﺤﻀﺭﺒﻙ ﻟﺤﺩ ﻤـﺎ‬ ‫ﻤﻭﺘﻙ.‬ ‫ﺘﻔﻴﺩﺓ: ﺤﻭﺸﻲ ﻋﻨﻲ ﻴﺎ ﺘﺎﻨﺕ.. ﺩﻱ ﺠﺘﺘﻲ ﺍﻨﻬﺭﺕ ﻤﻥ ﺍﻟﻀﺭﺏ.‬ ‫ﺯﻟﻴﺨﺎ: ) ﺍﻟﻌﺎﺯﻓﺔ ﺘﺤﻭﺵ ﺒﻴـﻨﻬﻡ ( ﺴﻴﺒﻭﻨﻲ ﻋﻠﻴﻬـﺎ.. ﺇﻥ ﻤـﺎ‬ ‫ﻤﻭﺘﻬﺎ ﻤﺎ ﺒﻘﺎﺵ ﺃﻨﺎ ﺯﻟﻴﺨﺔ ﺒﻨﺕ ﻋﺒﺩ ﺍﻟﺒﺎﺴﻁ.‬ ‫ﺴﻌﺎﺩ: ﺇﻫﺩﻱ ﺃﻤﺎل ﻴﺎ ﺴﺕ ﺯﻟﻴﺨﺎ ﻭﻗﻭﻟﻲ ﻟﻨﺎ ﻓﻴﻪ ﺇﻴﻪ.‬ ‫ﺯﻟﻴﺨﺎ: ﻴﺎ ﺩﻱ ﺍﻟﻜﺴﻭﻑ.. ﻴﺎ ﺩﻱ ﺍﻟﻜﺴﻭﻑ.. ﺃﻭﺩﻱ ﻭﺸﻲ ﻓـﻴﻥ‬ ‫ﻤﻥ ﺍﻟﻨﺎﺱ ﺍﻟﻁﻴﺒﻴﻥ.. ﺩﻩ ﻟﻭ ﺃﺒﻭﻫﺎ ﻋـﺭﻑ ﻴﺴـﻠﺨﻬﺎ )‬ ‫ﺘﻀﺭﺏ ﺘﻔﻴﺩﺓ ﺒﺎﻟﺸﺒﺸﺏ (.‬ ‫ﻗﺩﺭﻱ: ﻁﻴﺏ ﺒﺱ ﻓﻬﻤﻴﻨﺎ.‬
‫ﺯﻟﻴﺨﺎ: ﺸﻭﺭﻴﻨﻲ ﺃﻤﺎل ﻴﺎ ﺴﺕ ﺴﻌﺎﺩ.. ﺃﻋﻤل ﺇﻴﻪ ﺩﻩ ﺃﻨﺎ ﻓﻲ ﻨﺹ‬ ‫ﻫﺩﻭﻤﻲ.. ﺃﻭﺩﻱ ﻭﺸﻲ ﻓﻴﻥ ﻤﻥ ﺍﻟﻨﺎﺱ ﺍﻟﻁﻴﺒﻴﻥ ﻭﻻﺩ ﻋﻡ‬ ‫ﺠﻭﺯﻱ ﺍﻟﻠﻲ ﺭﺤﺒﻭﺍ ﺒﻴﻨﺎ.. ﺃﻤﺎل ﻟﻭ ﻜﺎﻨﻭﺍ ﻗﺭﺍﻴﺒﻲ ﻜـﺎﻥ‬ ‫ﺍﻷﻤﺭ ﺒﻘﻰ ﺃﻫﻭﻥ..‬ ‫ﺘﻔﻴﺩﺓ: ﺃﻫﻭ ﺇﻨﺕ ﺩﺍﻴ ‪‬ﺎ ﻜﺩﻩ ﻴﺎ ﺍﻤﻪ.. ﺘﻌﻤﻠﻲ ﻤﻥ ﺍﻟﺤﺒﺔ ﻗﺒﺔ..‬ ‫ﻤ‬ ‫ﺯﻟﻴﺨﺎ: ﻟﻙ ﻋﻴﻥ ﺘﺘﻜﻠﻤﻲ ﻴﺎ ﻤﻌﻔﻨﺔ ﺒﻌﺩ ﺍﻟﻠﻲ ﻋﻤﻠﺘﻴﻪ..‬ ‫ﺴﻌﺎﺩ: ﻋﻤﻠﺕ ﺇﻴﻪ ﺒﺱ؟‬ ‫ﺯﻟﻴﺨﺎ: ﺴﺭﻗﺕ ﺃﻟﻑ ﺠﻨﻴﻪ ﻤﻥ ﺩﻭﻻﺏ ﺴﻲ ﻋـﻭﺽ.. ﺍﻟﺭﺠـل‬ ‫ﺍﻟﻁﻴﺏ ﺍﻟﻠﻲ ﻓﺎﺘﺢ ﻟﻨﺎ ﺒﻴﺘﻪ ﻭﻤﺭﺍﺘﻪ ﻜل ﻴﻭﻡ ﺘﻘـﺩﻡ ﻟﻨـﺎ‬ ‫ﺍﻟ ‪‬ﻓﺭ.. ﻭﻻ ﺤﺘﻰ ﺠﺒﻨﺎ ﻟﻬﻡ ﺍﻟﺯﻴﺎﺭﺓ ﺍﻟﻠـﻲ ﻫـﻲ.. ﺩﻩ‬ ‫ﺯ‬ ‫ﻜﺭﻤﻬﻡ ﻤﺎ ﻴﺘﻭﺼﻔﺵ.. ﺸﺎﻴﻠﻨﺎ ﻋﻠﻰ ﻜﻔﻭﻑ ﺍﻟﺭﺍﺤﺔ ﻭﻜل‬ ‫ﻴﻭﻡ ﻴﻔﺴﺤﻭﻨﺎ ﺤﺒﺔ..‬ ‫ﺴﻌﺎﺩ: ﻟﻴﻪ ﻜﺩﻩ ﻴﺎ ﺒﻨﺘﻲ؟‬ ‫ﺘﻔﻴﺩﺓ: ﻏﺼﺏ ﻋﻨﻲ ﻴﺎ ﺘﺎﻨﺕ.. ﺃﻨﺎ ﻋﺎﻴﺯﺓ ﺴﻠﺴﻠﺔ ﺫﻫﺏ ﻭﺃﺴﻭﺭﺓ‬ ‫ﺫﻫﺏ ﻭﺃﻤﻲ ﻤﺵ ﺭﺍﻀﻴﺔ ﺘﺠﻴﺒﻬﻡ ﻟﻲ.‬ ‫ﺴﻌﺎﺩ: ﻤﺵ ﺭﺍﻀﻴﺔ ﻭﺍﻻ ﻤﺵ ﻗﺎﺩﺭﺓ؟‬ ‫ﱠ‬ ‫ﺘﻔﻴﺩﺓ: ﻤﺎ ﺘﻔﺭﻗﺵ ﻤﻌﺎﻴﺎ ) ﻷﻤﻬﺎ ( ﻤﺵ ﺃﻨﺎ ﻗﺎﻴﻠﻪ ﻟﻙ ﺇﻨـﻪ ﺃﻨـﺎ‬ ‫ﻋﺎﻴﺯﺓ ﺴﻠﺴﻠﺔ ﺫﻫﺏ ﻜل ﺃﺼﺤﺎﺒﻲ ﻻﺒﺴﻴﻥ ﺫﻫﺏ ﻤﻥ ﻫﻨﺎ‬
‫ﻟﻬﻨﺎ ) ﺘﺸﺎﻭﺭ ﺒﺫﺭﺍﻋﻴﻬﺎ ﻟﻜﻲ ﺘﻅﻬﺭ ﺍﻷﺴﺎﻭﺭ ﺍﻟـﺫﻫﺏ‬ ‫ﺍﻟﺘﻲ ﺘﻤﻠﻜﻬﺎ ﺯﻤﻴﻼﺘﻬﺎ (.‬ ‫ﺯﻟﻴﺨﺎ: ﻭﺃﻨﺎ ﻭﺃﺒﻭﻙ ﺤﻨﺠﻴﺏ ﻟﻙ ﻤﻨﻴﻥ.. ﻤﺵ ﻜﻔﺎﻴﺔ ﺇﻨﻪ ﺒﻨﺩﻓﻊ ﻟﻙ‬ ‫ﺨﻤﺴﺔ ﻭﺘﻼﺘﻴﻥ ﺠﻨﻴﻪ ﻜل ﺸـﻬﺭ ﺘﺭﻭﺤـﻲ ﺍﻟﻤﺩﺭﺴـﺔ‬ ‫ﺒﺘﺎﻜﺴﻲ ﻤﻥ ﺍﻟﺒﻠﺩ ﻟﻠﺒﻨﺩﺭ.. ﻭﺍﷲ ﻴﺎ ﺴﺕ ﺴـﻌﺎﺩ ﺩﻩ ﺃﻨـﺎ‬ ‫ﺒﺩﻓﻊ ﻤﻥ ﺩﻡ ﻗﻠﺒﻲ ﻭﺒﺎﺩﻴﻬﺎ ﺍﺘﻨﻴﻥ ﺠﻨﻴﻪ ﻤﺼﺭﻭﻑ ﻜـل‬ ‫ﻴﻭﻡ..‬ ‫ﺘﻔﻴﺩﺓ: ﻭﺍﺘﻨﻴﻥ ﺠﻨﻴﻪ ﻴﻌﻤﻠﻭﺍ ﺇﻴﻪ.. ﺩﻱ ﺃﻤﻴﺭﺓ ﺃﺒﻭﻫﺎ ﺒﻴﺩﻴﻬﺎ ﺨﻤﺴﺔ‬ ‫ﺠﻨﻴﻪ ﻭﺒﺘﻌﺯﻡ ﻭﺘﺸﺒﺭﺃ ﻋﻠﻰ ﺍﻟﺒﻨـﺎﺕ.. ﻭﻟﻬـﺎ ﺸـﻌﺒﻴﺔ‬ ‫ﺠﺎﻤﺩﺓ.. ﻜل ﺍﻟﺒﻨﺎﺕ ﺒﻴﺤﺒﻭﻫﺎ.‬ ‫ﺯﻟﻴﺨﺎ: ﻭﺍﺤﻨﺎ ﻤﺎﻟﻨﺎ ﻭﻤﺎل ﺍﻟﻨﺎﺱ.. ﻗـﻭﻡ ﺘﺴـﺭﻗﻲ ﻴـﺎ ﺒﻨـﺕ‬ ‫ﺍﻷﺒﺎﻟﺴﺔ..‬ ‫ﺘﻔﻴﺩﺓ: ﻫﻭ ﺃﻨﺎ ﻤﺵ ﻟﺤﻡ ﻭﺩﻡ؟ ﻤﺎ ﻋﻨﺩﻴﺵ ﺇﺤﺴﺎﺱ؟ ﺸﺎﻴﻔﺔ ﺍﻟﻨﺎﺱ‬ ‫ﻗﺩﺍﻤﻲ ﺇﻴﻪ.. ﺘﺎﻴﻴﺭﺍﺕ ﺇﻴﻪ ﻭﺩﻫﺏ ﺇﻴﻪ.. ﺭﻭﺤﻲ ﺸـﻭﻓﻲ‬ ‫ﺩﻭﻻﺏ ﻟﻭﺴﻲ ﻓﻴﻪ ﺇﻴﻪ.. ﻭﻤﺭﻓﺕ ﻭﺴﻭﺴﻥ ﻭﻗﺩﺭﻴـﺔ..‬ ‫ﻫﻭ ﺃﻨﺎ ﺒﺱ ﺍﻟﻠﻲ ﻭﻗﻌﺕ ﻤﻥ ﻗﻌﺭ ﺍﻟﻘﻔﺔ.. ﺍﺸﻤﻌﻨﻰ ﻫﻤـﺎ‬ ‫ﻴﻠﺒﺴﻭﺍ ﺘﺎﻴﻴﺭﺍﺕ ﻭﺩﻫﺏ ﻭﺍﻟﺫﻱ ﻤﻨﻪ..‬
‫ﺴﻌﺎﺩ: ﻴﺎ ﺒﻨﺘﻲ ﻤﺎ ﺤﺩﺵ ﺒﻴﻠﺒﺱ ﺘﺎﻴﻴﺭﺍﺕ ﺩﻟﻭﻗﺘﻲ.. ﻜل ﺍﻟﺒﻨـﺎﺕ‬ ‫ﻤﻥ ﺴﻨﻙ ﺒﻴﻠﺒﺴﻭﺍ " ﺘﻲ ﺸﻴﺭﺘﺎﺕ " ﻭ " ﺒﻭﺩﻱ "...‬ ‫ﺘﻔﻴﺩﺓ: ﻋﻨﺩﻨﺎ ﺒﻴﻠﺒﺴﻭﺍ ﺘﺎﻴﻴﺭﺍﺕ.‬ ‫ﺯﻟﻴﺨﺎ: ) ﺸﺎﻜﻴﺔ ﻟﺴﻌﺎﺩ ( ﻭﺃﻨﺎ ﺠﺎﻴﺒﺔ ﻟﻬﺎ ﻫﺩﻭﻡ ﻴﺎﻤﺎ.. ﻜل ﻤـﺎ‬ ‫ﺁﺠﻲ ﻤﺼﺭ ﺃﻨﺯل ﻭﻜﺎﻟﺔ ﺍﻟﺒﻠﺢ..‬ ‫ﺘﻔﻴﺩﺓ: ﻤﺵ ﺯﻱ ﻫﺩﻭﻡ ﻨﺎﻨﺴﻲ.. ﺩﻱ ﺒﺘﺸﺘﺭﻱ ﻤـﻥ ﺸـﻴﻜﻭﺭﻴل‬ ‫ﻭﻫﺎﻨﻭ ﻭﻤﺭﻓﺕ ﺃﻫﻠﻬﺎ ﺒﻴﺠﻴﺒﻭﺍ ﻟﻬﺎ ﻫﺩﻭﻤﻬﺎ ﻤﻥ ﻤﺼﺭ..‬ ‫ﺯﻟﻴﺨﺎ: ﻁﻴﺏ ﻤﺎ ﻨﺎ ﺠﺒﺘﻙ ﻤﺼﺭ ﺃﻫﻭ ﻭﺍﺸﺘﺭﻴﺕ ﻟﻙ ﻫﺩﻭﻡ..‬ ‫ﻗﺩﺭﻱ: ) ﺍﻟﺫﻱ ﻅل ﺼﺎﻤ ﹰﺎ ﻁﻭﺍل ﺍﻟﺤﻭﺍﺭ ﺍﻟﺴﺎﺒﻕ ( ﻴﺎ ﺒﻨﺘﻲ ﺩﻱ‬ ‫ﺘ‬ ‫ﺃﺭﺯﺍﻕ ﻤﻭﺯﻋﻬﺎ ﺍﻟﻜﺭﻴﻡ..‬ ‫ﺘﻔﻴﺩﺓ: ﻫﻭ ﺃﻨﺎ ﻤﺵ ﻟﺤﻡ ﻭﺩﻡ.. ﻤﺎ ﻋﻨﺩﻴﺵ ﺇﺤﺴﺎﺱ ﻴﻌﻨﻲ ﺃﺸﻭﻑ‬ ‫ﻜل ﺩﻩ ﻭﺃﻗﻌﺩ ﻤﻥ ﻏﻴﺭ ﻤﺎ ﺃﻋﻤل ﺤﺎﺠﺔ.‬ ‫ﺯﻟﻴﺨﺎ: ﻴﺎ ﻤﻌﻔﻨﺔ.. ﻴﺎ ﺸﻌﻨﻭﻨﺔ ) ﺘﻀﺭﺒﻬﺎ ﺒﺎﻟﺸﺒﺸﺏ (.‬ ‫ﺴﻌﺎﺩ: ﺨﻼﺹ ﻴﺎ ﺴﺕ ﺯﻟﻴﺨﺎ.. ﺩﻱ ﺁﺨـﺭ ﻤـﺭﺓ ﻭﺤﺭﻤـﺕ..‬ ‫ﺍﻟﺸﻴﻁﺎﻥ ﻭﺤﺵ.. ﻫﻲ ﺨﻼﺹ ﻤﺵ ﺤﺘﻌﻤل ﻜﺩﻩ ﺘﺎﻨﻲ.‬ ‫ﺯﻟﻴﺨﺎ: ﺸﻭﺭﻴﻨﻲ ﻴﺎ ﺴﺕ ﺴﻌﺎﺩ.. ﺃﺭﺠﻊ ﺍﻟﻔﻠﻭﺱ ﺇﺯﺍﻱ ﻤﻥ ﻏﻴﺭ‬ ‫ﻤﺎ ﻗﺭﺍﻴﺏ ﺠﻭﺯﻱ ﻴﺤﺴﻭﺍ.. ﻴﺎ ﺩﻱ ﺍﻟﻜﺴﻭﻑ.. ﻴـﺎ ﺩﻱ‬ ‫ﺍﻟﻜﺴﻭﻑ.. ﻟﻭ ﺸﺎﻓﻭﻨﻲ ﺘﺒﻘﻰ ﻓﻀﻴﺤﺔ ﺒﺠﻼﺠل..‬
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3536

  • 1.
  • 2. ‫‪  ‬‬ ‫ﻭﻣﺴﺮﺣﻴﺎﺕ ﺃﺧﺮﻯ‬ ‫ﻧﺎﻫﺪ ﻧﺎﺋﻠﺔ ﳒﻴﺐ‬
  • 3. ‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
  • 4. ‫ﺇﻫﺩﺍﺀ‬ ‫ﺇﻟﻰ ﻜل ﺍﻟﺭﺠﺎل ﺍﻟﺒﻭﺍﺴل ﺍﻟﺫﻴﻥ ﻀﺤﻭﺍ ﺒﺤﻴـﺎﺘﻬﻡ ﻤـﻥ‬ ‫ﺃﺠل ﻤﺼﺭ، ﻭﺨﺎﺼﺔ ﺍﻟﺠﻨﻭﺩ ﺍﻟﻤﺠﻬﻭﻟﻴﻥ ﺍﻟـﺫﻴﻥ ﻤـﺎﺘﻭﺍ ﻓـﻲ‬ ‫ﺼﺤﺭﺍﺀ ﺴﻴﻨﺎﺀ ﺍﻟﺠﺭﺩﺍﺀ.. ﺁﻨﺫﺍﻙ.‬
  • 5. ‫ﺍﻟﺸﺨﺼﻴﺎﺕ‬ ‫ﺤﺴﺏ ﻅﻬﻭﺭﻫﺎ ﻋﻠﻰ ﺍﻟﻤﺴﺭﺡ‬ ‫ﻗﺩﺭﻱ: ﻀﺎﺒﻁ ‪‬ﻘ ‪‬ﺩ ﻓﻲ ﺍﻟﺨﻤﺴﻴﻥ ﻤﻥ ﻋﻤﺭﻩ.‬ ‫ﻤﻌ‬ ‫ﺴﻌﺎﺩ: ﺯﻭﺠﺘﻪ ﻋﺎﺯﻓﺔ ﻜﻤﺎﻥ ﻓﻲ ﺍﻷﺭﺒﻌﻴﻥ ﻤﻥ ﻋﻤﺭﻫﺎ.‬ ‫ﻓﺎﺩﻴﺔ ) ﺍﻟﺯﻭﺠﺔ (: ﺍﻤﺭﺃﺓ ﻋﺎﺩﻴﺔ ﻓﻲ ﺍﻟﺨﺎﻤﺴﺔ ﻭﺍﻟﺜﻼﺜﻴﻥ.‬ ‫ﻤﺩﺤﺕ ) ﺍﻟﺯﻭﺝ (: ﻤﺩﻴﺭ ﺸﺭﻜﺔ ﺴﻴﺎﺤﺔ ﻓﻲ ﺍﻷﺭﺒﻌﻴﻥ.‬ ‫ﻤﺩﻴﺤﺔ: ﺍﺒﻨﺔ ﻗﺩﺭﻱ ﻭﺴﻌﺎﺩ ﻓﻲ ﺍﻟﺜﺎﻤﻨﺔ ﻋﺸﺭ.‬ ‫ﻤﺅﻟﻑ ١: ﻓﻲ ﺍﻟﺨﺎﻤﺴﺔ ﻭﺍﻟﺨﻤﺴﻴﻥ.‬ ‫ﻤﺅﻟﻑ ٢: ﻓﻲ ﺍﻟﺴﻥ ﻨﻔﺴﻪ.‬ ‫ﺒﺴﻁﺎﺭﻭﺱ: ﻓﻲ ﺍﻟﺜﺎﻤﻨﺔ ﻭﺍﻟﺨﻤﺴﻴﻥ.‬ ‫ﻫﻴﻼﻨﺔ: ﻓﻲ ﺍﻟﺨﺎﻤﺴﺔ ﻭﺍﻟﺜﻼﺜﻴﻥ.‬ ‫ﺭﺠل ١:‬ ‫ﺍﻤﺭﺃﺓ ١:‬ ‫ﺍﻤﺭﺃﺓ ٢:‬ ‫ﺍﻤﺭﺃﺓ ٣:‬ ‫ﺒﺨﻴﺕ: ﻤﻭﻅﻑ ﻓﻲ ﺍﻟﺨﻤﺴﻴﻥ ﻤﻥ ﻋﻤﺭﻩ.‬ ‫ﺍﻟﺼ ‪‬ﺍﻑ:‬ ‫ﺭ‬
  • 6. ‫ﻤﺭﻓﺕ: ﻤﻭﻅﻔﺔ‬ ‫ﺍﻟﺴﺎﻋﻲ:‬ ‫ﻨﺒﻴﻠﺔ: ﻓﻲ ﺍﻟﺘﺎﺴﻌﺔ ﻭﺍﻟﺨﻤﺴﻴﻥ.‬ ‫ﻤﻭﻅﻑ ١:‬ ‫ﻤﻭﻅﻑ ٢:‬ ‫ﻤﻭﻅﻑ ٣:‬ ‫ﺭﺌﻴﺱ ﻤﺠﻠﺱ ﺍﻹﺩﺍﺭﺓ: ﻓﻲ ﺍﻟﺘﺎﺴﻌﺔ ﻭﺍﻟﺨﻤﺴﻴﻥ .‬ ‫ﻤﺩﻴﺭ ﻤﻜﺘﺒﻪ:‬ ‫ﺘﻔﻴﺩﺓ: ﻓﻲ ﺍﻟﺜﺎﻤﻨﺔ ﻋﺸﺭ.. ﻤﻥ ﺍﻟﺼﻌﻴﺩ‬ ‫ﺯﻟﻴﺨﺎ: ﺃﻤﻬﺎ ﻤﻥ ﺍﻟﺼﻌﻴﺩ ﺃﻴ ‪‬ﺎ ﻓﻲ ﺍﻷﺭﺒﻌﻴﻥ ﻤﻥ ﻋﻤﺭﻫﺎ.‬ ‫ﻀ‬
  • 7. ‫ﺍﻟﻔﺼل ﺍﻷﻭل‬ ‫ﺍﻟﻤﻨﻅﺭ‬ ‫) ﻏﺭﻓﺔ ﺠﻠﻭﺱ ﺃﺜﺎﺜﻬﺎ ﺒﺴﻴﻁ ﺇﻨﻤﺎ ﻴﺩل ﻋﻠﻰ ﺍﻟﺫﻭﻕ ﻓﻲ‬ ‫ﺍﺨﺘﻴﺎﺭ ﻗﻁﻊ ﺍﻷﺜﺎﺙ، ﻭﺘﻭﺠﺩ ﻟﻭﺤﺎﺕ ﻋﻠﻰ ﺍﻟﺤﺎﺌﻁ ﻟﻜﻤﺎل ﺨﻠﻴﻔﺔ‬ ‫ﻭﺠﻭﺭﺝ ﺍﻟﺒﻬﺠﻭﺭﻱ ﻓﻲ ﻤﺭﺤﻠﺘﻪ ﺍﻷﻭﻟﻰ ﻭﻟﻜﻨﻬﺎ ﻟﻴﺴﺕ ﺃﺼﻭل‬ ‫ﺍﻟﻠﻭﺤﺎﺕ ﻟﻠﺭﺴﺎﻤﻴﻥ ﺍﻟﻜﺒﻴﺭﻴﻥ، ﻭﺇﻨﻤﺎ ﺼـﻭﺭ ﻤﻨﻬـﺎ.. ‪‬ﺴـﻤﻊ‬ ‫ﻴ‬ ‫ﺼﻭﺕ ﺍﻟﻜﻤﺎﻥ ﻤﻥ ﻜﺎﺒﺭﻴﻴﺘﺸﻲ ﺘﺄﻟﻴﻑ ﺍﻟﻤﻭﺴـﻴﻘﺎﺭ ﺍﻹﻴﻁـﺎﻟﻲ‬ ‫ﺒﺎﺠﺎﻨﻴﻨﻲ ) ‪ ( Capricci by Paganini‬ﻋﺎﺯﻓـﺔ ﺍﻟﻜﻤـﺎﻥ‬ ‫" ﺴﻌﺎﺩ " ﺘﺠﻠﺱ ﻤﻊ ﺯﻭﺠﻬﺎ ﺘﺭﺘـﺩﻱ ﺠﻠﺒﻴـﺔ ﻤﻁـﺭﺯﺓ ﻤﺜـل‬ ‫ﱠ‬ ‫ﺠﻼﺒﻴﺎﺕ ﺍﻟﻔﻠﺴﻁﻴﻨﻴﺎﺕ ﻭﺸﻌﺭﻫﺎ ﺍﻟﻁﻭﻴل ﻤﻠﻤﻭﻡ ﻓﻲ " ﺸﻴﻨﻴﻭﻥ "‬ ‫ﻤﺜل ﺘﺴﺭﻴﺤﺔ ﺭﺍﻗﺼﺎﺕ ﺍﻟﺒﺎﻟﻴﺔ. ﻭﺯﻭﺠﻬﺎ ﺍﻟﻀﺎﺒﻁ ﻗﺩﺭﻱ ﻴﺠﻠﺱ‬ ‫ﻓﻲ ﻜﺭﺴﻲ ﻤﺘﺤﺭﻙ ﻭﻫﻭ ﻓﻲ ﺍﻟﺨﻤﺴﻴﻥ ﻤـﻥ ﻋﻤـﺭﻩ، ﺸـﻌﺭﻩ‬ ‫ﺃﺒﻴﺽ، ﻭﻟﻜﻨﻪ ﻭﺴﻴﻡ ﻭﺤﻠﻴﻕ ﻤﺜل ﻀﺒﺎﻁ ﺍﻟﺠﻴﺵ (.‬ ‫ﻗﺩﺭﻱ: ﺃﺤﻴﺎ ﹰﺎ ﺒ ِﺱ ﺇﻨﻲ ﻅﻠﻤﺘﻙ.. ﻴﻤﻜﻥ ﻜﻨﺕ ﺤﺘﺒﻘﻲ ﺃﺴﻌﺩ ﻟﻭ‬ ‫ﻨ ‪‬ﺤ‬ ‫ﻜﻨﺕ ﺍﺘﺠﻭﺯﺘﻲ ﺍﻟﻤﺎﻴﺴﺘﺭﻭ ﺍﻟﻠﻲ ﻜﻨﺕ ﺘﻌﺭﻓﻴﻪ ﻗﺒل ﻤـﺎ‬ ‫ﻨﺘﻘﺎﺒل.‬
  • 8. ‫ﺴﻌﺎﺩ: ﺇﺨﺹ ﻋﻠﻴﻙ ﻴﺎ ﻗﺩﺭﻱ.. ﻜﺩﻩ ﺒﺭﻀﻪ.. ﺇﻨﺕ ﻤﺵ ﻋﺎﺭﻑ‬ ‫ﺇﻨﻙ ﺃﺤﺴﻥ ﺤﺎﺠﺔ ﺤﺼﻠﺕ ﻟﻲ ﻓﻲ ﺤﻴﺎﺘﻲ.. ﺼﺤﻴﺢ ﺃﻨﺎ‬ ‫ﺘﻌﺒﺕ ﻜﺜﻴﺭ ﻓﻲ ﺍﻟﺴﻨﻴﻥ ﺍﻟﻠﻲ ﻓﺎﺘﺕ ﻟﻤﺎ ﻜﻨـﺕ ﻤﺭﻤـﻲ‬ ‫ﻉ ﺍﻟﺠﺒﻬﺔ ﻤﻥ ﻏﻴﺭ ﺤﺭﺏ ﻭﻻ ﺴﻼﻡ.. ﻋﺎﻨﻴﺕ ﻜﺜﻴـﺭ‬ ‫ﻤﻥ ﺍﻟﻭﺤﺩﺓ ﻭﻜﻨﺕ ﺨﺎﻴﻔﻪ ﺒﺎﺴﺘﻤﺭﺍﺭ ﺒﺎﻟﺫﺍﺕ ﻟﻤﺎ ﻜﻨـﺕ‬ ‫ﺃﺴﻤﻊ ﻋﻥ ﻋﻤﻠﻴﺎﺕ ﺤﺭﺏ ﺍﻻﺴﺘﻨﺯﺍﻑ.. ﻜﻨﺕ ﺒﺨـﺎﻑ‬ ‫ﻗﻭﻱ ﻭﺃﺼﹼﻲ ﻟﻴل ﻨﻬﺎﺭ ﺇﻥ ﺭﺒﻨﺎ ﻴﺭﺠﻌﻙ ﺒﺎﻟﺴـﻼﻤﺔ..‬ ‫ﻠ‬ ‫ﻜﺎﻨﺕ ﺃﻋﺼﺎﺒﻲ ﻋﻠﻰ ﺍﻵﺨﺭ. ﻭﺃﻱ ﻭﺍﺤﺩ ﻜـﺎﻥ ﻴﻘـﺩﺭ‬ ‫ﻴﻠﻌﺏ ﻋﻠﻰ ﺃﻋﺼﺎﺒﻲ.. ﻭﻭﻻﺩ ﺍﻟﺤﻼل ﻜﺘﻴﺭ.. ﻴـﺎ ﻤـﺎ‬ ‫ﺩﻏﺩﻏﻭﺍ ﺃﻋﺼﺎﺒﻲ ﺒﺤﻜﺎﻴﺎﺘﻬﻡ ﻋﻥ ﺍﻟﺤـﻭﺍﺩﺙ ﺍﻟﻔﻅﻴﻌـﺔ‬ ‫ﺍﻟﻠﻲ ﺒﺘﺤﺼل ﻉ ﺍﻟﺠﺒﻬﺔ.. ﻭﺃﻨﺎ ﻜﻨﺕ ﺒﺒﻘﻰ ﺯﻱ ﺍﻟﻔﺭﺨﺔ‬ ‫ﺍﻟﻤﺩﺒﻭﺤﺔ.. ﻭﺃﻨﺎ ﺒﺴﻤﻊ ﺍﻟﺤﻜﺎﻴﺎﺕ ﺩﻱ ﻜﻨﺕ ﺒﺼﻠﻲ ﻟﻴل‬ ‫ﻨﻬﺎﺭ ﻋﺸﺎﻥ ﺭﺒﻨﺎ ﻴﺭﺠﻌﻙ ﺒﺎﻟﺴﻼﻤﺔ.‬ ‫‪‬‬ ‫ﻗﺩﺭﻱ: ﺃﺩﻴﻨﻲ ﺭﺠﻌﺕ ﻴﺎ ﺴ ﹼﻲ. ﺒﺱ ﺭﺠﻌﺕ ﻟﻙ ﺭﺠل ﻋـﺎﺠﺯ‬ ‫ِﺘ‬ ‫‪‬ﻌ ‪‬ﻕ.. ﻤﺎ ﻤ ﹼﻴﺵ ﻓﺎﻴﺩﺓ.. ﻋﺎﻟﺔ ﻋﻠﻴﻙ.. ﻋﺏﺀ ﺸﺎﻴﻼﻩ‬ ‫ﻨ‬ ‫ﻤﻭ‬ ‫ﺒﺎﻹﻀﺎﻓﺔ ﺇﻟﻰ ﺍﻷﻋﺒﺎﺀ ﺍﻷﺨﺭﻯ.‬ ‫ﺴﻌﺎﺩ: ﺇﺨﺹ ﻋﻠﻴﻙ ﻴﺎ ﻗﺩﺭﻱ.. ﺩﻩ ﻜﻼﻡ ﺘﻘﻭﻟﻪ.. ﺩﻩ ﺃﻨﺎ ﺒﺎﺤﻤـﺩ‬ ‫ﺭﺒﻨﺎ ﻟﻴل ﻨﻬﺎﺭ ﺇﻨﻙ ﻤﻌﺎﻨﺎ ﻭﺇﻨﻪ ﺴﻨﻴﻥ ﺍﻟﻭﺤﺩﺓ ﻭﺍﻟﺨـﻭﻑ‬
  • 9. ‫ﻭﺍﻟﻘﻠﻕ ﺍﻨﺘﻬﺕ ﻭﺇﻨﻪ ﻟﻴﺎﻟﻲ ﺍﻷﺭﻕ ﻭﺍﻟﻔﺯﻉ ﺭﺍﺤﺕ ﻭﻤﺵ‬ ‫ﻤﻤﻜﻥ ﺘﺭﺠﻊ ﺘﺎﻨﻲ. ﺃﻨﺎ ﻋﺎﺭﻓﺔ ﺇﻨﻪ ﺭﻭﺤﻙ ﻑ ﺍﻟﺠـﻴﺵ‬ ‫ﻭﺍﻟﻌﻤﻠﻴﺎﺕ ﺍﻟﻌﺴﻜﺭﻴﺔ ﻭﺤﺎ ‪‬ﺔ ﺒﻙ ﻭﺃﻨﺕ ‪‬ﻌﺩ.. ﻟﻜﻥ ﺩﻱ‬ ‫ﻤ‬ ‫ﺴ‬ ‫ﺇﺭﺍﺩﺓ ﺭﺒﻨﺎ ﻭﻗﻀﺎ ﺃﺨﻑ ﻤﻥ ﻗﻀﺎ.‬ ‫ﻗﺩﺭﻱ: ﻁﺒ ‪‬ﺎ ﻨﺤﻤﺩﻩ ﻋﻠﻰ ﻜل ﺸﻲﺀ.. ﻓﻴﻪ ﻏﻴﺭﻱ ﺤﺎﻟﺘﻪ ﺃﺴـﻭﺃ‬ ‫ﻌ‬ ‫ﻤﻨﻲ ﺒﻜﺜﻴﺭ.. ﺒﺱ ﻜﻠﻨﺎ ﻓﻲ ﻤﺭﻜﺏ ﻭﺍﺤﺩﺓ.. ﻋﺎﻴﺸـﻴﻥ‬ ‫ﻋﺎﻟﺔ ﻋﻠﻰ ﺯﻭﺠﺎﺘﻨﺎ ﻭﺍﻟﻤﻌﺎﺵ ﺃﺼﺒﺢ ﻤﻼﻟﻴﻡ.. ﻴﺎ ﺩﻭﺒﻙ‬ ‫ﻴﻜ ‪‬ل ﻤﺼﺎﺭﻴﻑ ﺍﻟﺒﻴﺕ ﻭﺸﻭﻴﺔ ﻜﻤﺎﻟﻴﺎﺕ.‬ ‫ﻤ‬ ‫ﺴﻌﺎﺩ: ﺇﻴﻪ ﺍﻟﻜﻼﻡ ﺍﻟﻔﺎﺭﻍ ﺩﻩ.. ﻤﺎ ﺘﺤ ِﺵ ﻓﻲ ﺒﺎﻟﻙ.. ﺃﻨﺎ ﻤﻘ ‪‬ﺭﺓ‬ ‫ﺩ‬ ‫‪‬ﻁ‬ ‫ﻅﺭﻭﻓﻙ.. ﻫﻲ ﺼﺤﻴﺢ ﻜﺎﻨﺕ ﺼﺩﻤﺔ ﻜﺒﻴﺭﺓ ﺒﺎﻟﻨﺴﺒﺔ ﻟﻙ‬ ‫ﺇﻨﻙ ﻤﺎ ﺘﻘﺩﺭﺵ ﺘﻤﺸﻲ ﺘﺎﻨﻲ ﻟﻜﻥ ﻻﺯﻡ ﺘﺭﻀﻰ ﺒـﺎﻟﻠﻲ‬ ‫ﺭﺒﻨﺎ ﻗﺴﻤﻪ ﻟﻙ.‬ ‫ﻗﺩﺭﻱ: ) ﺒﻤﺭﺍﺭﺓ ( ﺩﻭل ﺤﺘﻰ ﻨﺴﻴﻭﻨﺎ ﻓﻲ ﺍﻟﺠﻴﺵ.. ﺒﻴـﺯﻭﺩﻭﺍ‬ ‫ﺍﻟﻤﻌﺎﺵ ﺒﺎﻟﻘﻁﺎﺭﺓ.. ﻭﻤﺎ ﻋﺩﺵ ﻴﻜﻔﻲ ﺍﻟﺤﻴﺎﺓ ﺍﻟﻜﺭﻴﻤـﺔ‬ ‫ﺍﻟﻠﻲ ﻜﺎﻨﻭﺍ ﺒﻴﻘﻭﻟﻭﺍ ﻋﻠﻴﻬﺎ ﻓﻲ ﺍﻟﺴﺘﻴﻨﻴﺎﺕ..‬ ‫ﺴﻌﺎﺩ: ﺇﺤﻨﺎ ﺃﺤﺴﻥ ﻤﻥ ﻏﻴﺭﻨﺎ ﻜﺘﻴﺭ ﻭﺃﺩﻴﻨﻲ ﺒـ ‪‬ﻱ ﺩﺭﻭﺱ ﻓـﻲ‬ ‫ﺩ‬ ‫ﺍﻟﻤﻭﺴﻴﻘﻰ ﻭﺍﻟﻌﺯﻑ ﻋﻠﻰ ﺍﻟﻜﻤﺎﻥ.‬
  • 10. ‫ﻗﺩﺭﻱ: ﺁﻩ ﺒﺱ ﻋﻠﻰ ﺤﺴﺎﺏ ﺃﻋﺼـﺎﺒﻙ.. ﺃﻨـﺎ ﻋـﺎﺭﻑ ﺇﻨـﻙ‬ ‫ﺒﺘﻜﺭﻫﻲ ﺍﻟﺩﺭﻭﺱ ﺍﻟﺨﺼﻭﺼﻴﺔ.‬ ‫ﺴﻌﺎﺩ: ﻻ ﻤﻴﻥ ﻗﺎل ﻟﻙ ﺍﻟﻜﻼﻡ ﺩﻩ؟ ﺼﺤﻴﺢ ﻟ ‪‬ـﺎ ﻴﻜـﻭﻥ ﺘﻠﻤﻴـﺫ‬ ‫ﻤ‬ ‫ﻤﺎﻟﻭﺵ ﺍﺴﺘﻌﺩﺍﺩ ﺒﻴﻌﻤل ﻨﺸﺎﺯ ﻓﻲ ﻭﺩﻨﻲ..‬ ‫ﻗﺩﺭﻱ: ﺇﻨﺕ ﻜﺎﻥ ﻤﻔﺭﻭﺽ ﺘﻜ ‪‬ﺴﻲ ﻜـل ﺠﻬـﺩﻙ ﻟﻠﺘﺤﻀـﻴﺭ‬ ‫ﺭ‬ ‫ﻟﻠﻤﺴﺎﺒﻘﺔ ﻋﺸﺎﻥ ﻴﺨﺘﺎﺭﻭﻙ ﻟﻠﺭﻴﺴﻴﺘﺎل.. ﻤﺵ ﺇﻨﺕ ﺍﻟﻠﻲ‬ ‫ﻗﻠﺕ ﻟﻲ ﺇﻨﻬﻡ ﺤﻴﺨﺘﺎﺭﻭﺍ ﻭﺍﺤﺩﺓ ﺒﺱ ﻤﻥ ﺍﻟﻜﻭﻨﺴﺭﻓﺎﺘﻭﺍﺭ‬ ‫ـﺎﻨﻴﻨﻲ‬ ‫ـﻲ ﻟﺒﺎﺠــ‬ ‫ـﺯﻑ ﻜﺎﺒﺭﻴﻴﺘﺸــ‬ ‫ـﺎﻥ ﺘﻌــ‬ ‫ﻋﺸــ‬ ‫) ‪ ( Capricci by Paganini‬ﻭﺩﻱ ﻤﻘﻁﻭﻋــﺔ‬ ‫ﺼﻌﺒﺔ ﺃﻭﻱ.‬ ‫ﺴﻌﺎﺩ: ) ﺒﺎﺴﺘﺨﻔﺎﻑ ( ﻤﺵ ﻤﻬﻡ ﻗﻭﻱ ﻟﻠﺩﺭﺠﺔ ﺩﻱ.‬ ‫ﻗﺩﺭﻱ: ﺒﺱ ﺩﻱ ﻓﺭﺼﺔ ﺍﻟﻌﻤﺭ ﺒﺎﻟﻨﺴﺒﺔ ﻟﻙ.. ﻤﺵ ﺃﻨـﺕ ﺍﻟﻠـﻲ‬ ‫ﺒﺘﻘﻭﻟﻲ ﺇﻥ ﻓﺭﺹ ﺍﻟﻜﻤﺎﻥ ﻗﻠﻴﻠﺔ.‬ ‫ﺴﻌﺎﺩ: ﻤﺵ ﻗﻭﻱ ﻴﻌﻨﻲ.. ﺇﻥ ﻤﺎ ﺠـﺘﺵ ﺍﻟﻔﺭﺼـﺔ ﺩﻱ ﺘﻴﺠـﻲ‬ ‫ﻏﻴﺭﻫﺎ ﻤﺎ ﺘﺭﻜﺯﺵ ﻗﻭﻱ.‬ ‫ﻗﺩﺭﻱ: ﻻ ﺩﻩ ﻤﻭﻀﻭﻉ ﻤﻬﻡ.. ﺃﻨﺎ ﻋﺎﺭﻑ ﺇﻨﺕ ﺒﺘﺤﺒﻲ ﺍﻟﻤﻭﺴﻴﻘﻰ‬ ‫ﺃﺩ ﺇﻴﻪ.. ﺃﻨﺎ ﻤﺘﻬﻴﺄ ﻟﻲ ﺇﻨﻙ ﻜﻨﺕ ﺘﺒﻘﻲ ﺃﺴﻌﺩ ﻟﻭ ﺍﺘﺠﻭﺯﺕ‬ ‫‪‬‬ ‫ﺍﻟﻤﺎﻴﺴﺘﺭﻭ ﺍﻟﻠﻲ ﻜﻨﺕ ﺒﺘﺨﺭﺠﻲ ﻤﻌﺎﻩ.‬
  • 11. ‫ﺴﻌﺎﺩ: ﺘﺎﻨﻲ ﻴﺎ ﻗﺩﺭﻱ.. ﺩﻱ ﺤﻜﺎﻴﺔ ﺒﻘﻰ ﻟﻬﺎ ﻋﺸﺭﻴﻥ ﺴﻨﺔ.. ﻫﻲ‬ ‫‪‬‬ ‫ﻟ ‪‬ﺔ ﺒﺘﻘﻠﻘﻙ؟‬ ‫ﺴ‬ ‫ﻗﺩﺭﻱ: ﻻ ﺃﻨﺎ ﻤﺵ ﻗﻠﻘﺎﻥ ﻭﻻ ﺯﻋﻼﻥ، ﺃﻨﺎ ﺒﺱ ﺤﺎﺴﺱ ﺇﻨﻪ ﺃﻨـﺎ‬ ‫ﻤﻌ ﹼﻠﻙ ﻋﻥ ﺍﻟﻤﻭﺴﻴﻘﻰ.. ﻭﻟﻭ ﻜﻨﺕ ﻋﺎﺭﻑ ﺇﻥ ﻜـل ﺩﻩ‬ ‫ﻁ‬ ‫ﺤﻴﺤﺼل ﻤﺎ ﻜﻨﺘﺵ ﺤﺎﻭﻟﺕ ﺁﺨﺫﻙ ﻤﻨﻪ.. ﻜﻨﺕ ﺴـﺒﺘﻙ‬ ‫ﺘﺘﺠﻭﺯﻴﻪ.. ﻜﺎﻨﺕ ﺤﻴﺎﺘﻙ ﻜﻠﻬﺎ ﺘﺒﻘﻰ ﻤﻭﺴﻴﻘﻰ.. ﻋﻠـﻰ‬ ‫ﺍﻷﻗل ﻜﻨﺕ ﺤﺘﺒﻘﻲ ﺯﻭﺠﺔ ﻤﻭﺴﻴﻘﺎﺭ ﻜﺒﻴﺭ.‬ ‫ﺴﻌﺎﺩ: ﻴﺎ ﺸﻴﺦ ﺩﻩ ﻜﺎﻥ ﻭﺩﺍﻨﻪ ﺒﺎﻴﻅﺔ ﻭ ِﺘﻤﻪ ﻭﺍﻗﻊ ﻭﻤﺎ ﻴﻌـﺭﻓﺵ‬ ‫ﺭ‬ ‫ﻴﻘﻭﺩ ﺍﻷﻭﺭﻜﺴﺘﺭﺍ.. ﻜﺎﻥ ﻜـل ﻋـﺎﺯﻑ ﻓـﻲ ﻭﺍﺩﻱ..‬ ‫ﻭﻋﺎﻤل ﻟﻲ ﺭﻭﺤﻪ ﻓﻨﺎﻥ ﺃﺼﻴل.. ﻓﺎﻜﺭ ﻨﻔﺴﻪ ﻋﺒﻘﺭﻱ..‬ ‫ﻤﺘ ﱠﺢ ﻭﻋﺒﻘﺭﻱ.. ﻁﺏ ﺘﻴﺠﻲ ﺇﺯﺍﻱ ﺩﻱ.. ﻭﺍﻷﻨﺄﺡ ﻤﻥ‬ ‫ِ ﹶﻨ‬ ‫ﻜﺩﻩ ﻭﻗﺕ ﺍﻟﺸﺩﺓ ﻤﺎ ﻻﻗﻴﻬﻭﺵ.. ﺩﻩ ﺍﻟﻠﻲ ﺨﻼﻨﻲ ﺃﻋﺭﻑ‬ ‫ﻗﻴﻤﺘﻙ... ﻓﻲ ﻜل ﺸﺩﺓ ﺃﻻﻗﻴﻙ ﻭﺍﻗﻑ ﺠﻨﺒـﻲ.. ﺭﺠـل‬ ‫ﻤﺘﻴﻥ ﻭﺍﻗﻑ ﺠﻨﺏ ﻤﺭﺍﺘﻪ.. ﺜﻡ ﻤﺎﻜﺎﻨﺵ ﺒﻴﺴﺎﻋﺩﻨﻲ ﻓـﻲ‬ ‫ﺍﻟﻤﻭﺴﻴﻘﻰ ﺯﻱ ﻤﺎﻨﺕ ﻓﺎﻜﺭ.. ﻜﺎﻥ ﺒﻴﺤﺎﻭل ﻴﻔﺭﺽ ﻋﻠﻲ‬ ‫‪‬‬ ‫ﻓﻬﻤﻪ ﻟﻠﻌﺯﻑ ﺍﻟﻠﻲ ﻜﻠﻪ ﺃﻜﻠﻴﺸﻴﻬﺎﺕ ﻋﻔﺎ ﻋﻠﻴﻬﺎ ﺍﻟﺯﻤﻥ..‬ ‫ﺍﻹﻴﻘﺎﻋﻴﻥ ﺍﻟﻠﻲ ﺤﻔﻅﻬﻡ ﻤﻥ ﺍﻟﺒﻌﺜﺔ ﻟﻔﺭﻨﺴﺎ ﺍﻟﻠﻲ ﺨـﺩﻫﺎ‬ ‫ﺒﺎﻟﻜﻭﺴﺔ.. ﻜﺎﻥ ﺒﻴﻤﻨﻌﻨﻲ ﺃﻥ ﺃﻀ ‪‬ﺭ ﻋﻠـﻰ ﺇﺤﺴـﺎﺱ‬ ‫ﻭ‬
  • 12. ‫ـﺎﺱ‬‫ـﻴﻘﻰ.. ﺍﻹﺤﺴـ‬‫ـﺎﺠﻨﻴﻨﻲ ‪ Paganini‬ﺒﺎﻟﻤﻭﺴـ‬‫ﺒـ‬ ‫ﺍﻟﺤﻘﻴﻘﻲ.. ﻭﺭﻏﻡ ﺫﻟﻙ ﻜﺎﻥ ﻜل ﻜﻼﻤﻪ ﻋـﻥ ﺍﻟﺼـﺩﻕ‬ ‫ﻭﺍﻷﺼﺎﻟﺔ.. ﺨﺩﻋﻨﻲ ﻷﻨﻲ ﻜﻨﺕ ﻟﺴﻪ ﺒﺨﻁﻭ ﺨﻁـﻭﺍﺘﻲ‬ ‫ﺍﻷﻭﻟﻰ ﻓﻲ ﺍﻟﻤﻭﺴﻴﻘﻰ.. ﺜﻡ ﻤﺎ ﻜﺎﻨﺵ ﺤﺏ ﺤﻘﻴﻘـﻲ ﺯﻱ‬ ‫ﻤﺎ ﺇﻨﺕ ﻓﺎﻜﺭ.. ﻜﻨﺕ ﺒﺤﺏ ﺍﻟﻤﻭﺴﻴﻘﻰ ﻓﻴﻪ.. ﻜﻨﺕ ﻟﺴـﻪ‬ ‫ﻁﺎﻟﺒﺔ ﻓﻲ ﺍﻟﻜﻭﻨﺴﺭﻓﺎﺘﻭﺍﺭ.. ﻭﻜﻨﺕ ﺤﺎﺴـﺔ ﺇﻨـﻪ ﻫـﻭ‬ ‫ﺤﻴﻔﺘﺢ ﻟﻲ ﻋﺎﻟﻡ ﺠﺩﻴﺩ ﻓﻲ ﺍﻟﻤﻭﺴﻴﻘﻰ.. ﻟﻜﻥ ﺩﻟﻭﻗﺕ ﺃﻨـﺎ‬ ‫ﺩﺨﻠﺕ ﻓﻲ ﺍﻟﻤﺠﺎل ﺩﻩ ﻭﺤﺩﻱ ﻭﺴﻠﻜﺕ ﻓﻴﻪ.. ﺼﺤﻴﺢ ﺃﻨﺎ‬ ‫ﺘﻌﺒﺕ ﻜﺘﻴﺭ.. ﺒﺎﻟﺫﺍﺕ ﻟ ‪‬ﺎ ﻜﻨﺕ ﺃﻨﺕ ﻋﻠﻰ ﺍﻟﺠﺒﻬﺔ.. ﻟﻜﻥ‬ ‫ﻤ‬ ‫ﺍﻟﺤﻤﺩ ﷲ ﺭﺒﻨﺎ ﺃﻜﺭﻤﻨﺎ ﻭﻻ ﻴﻤﻜﻥ ﺃﺒ ‪‬ل ﺤﻴـﺎﺘﻲ ﻤﻌـﺎﻙ‬ ‫ﺩ‬ ‫ﺒﺤﻴﺎﺓ ﺘﺎﻨﻴﺔ.‬ ‫ﻗﺩﺭﻱ: ) ﺒﺎﺭﺘﻴﺎﺡ ( ﺼﺤﻴﺢ ﺍﻟﻜﻼﻡ ﺩﻩ.‬ ‫ﺴﻌﺎﺩ: ﻁﺒ ‪‬ﺎ ﺼﺤﻴﺢ.. ﻜﻔﺎﻴﺎﻨﺎ ﻜﻼﻡ.. ﺘﻌﺎﻟﻰ ﻨﺸﻭﻑ ﻓﻴﻪ ﺇﻴﻪ ﻓﻲ‬ ‫ﻌ‬ ‫ﺍﻟﺘﻠﻴﻔﺯﻴﻭﻥ ) ﺘﻭﻟﻊ ﺍﻟﺘﻠﻴﻔﺯﻴﻭﻥ (.‬ ‫ﻗﺩﺭﻱ: ﻻ ﻻ ) ﻴﻁﻔﺌﻪ ﺒـﺎﻟﺭﻴﻤﻭﺕ ﻜﻨﺘـﺭﻭل ( ﻴـﺎﷲ ﻗـﻭﻤﻲ‬ ‫ﺍﻋﺯﻓﻲ.. ﻤﻌﺎﺩ ﺍﻟﻤﺴﺎﺒﻘﺔ ﺒﺘﺎﻋﺔ ﺍﻟﺭﻴﺴﻴﺘﺎل ﻗ ‪‬ﺏ.‬ ‫ﹶﺭ‬ ‫ﺴﻌﺎﺩ: ﻤﺵ ﻤﻬﻡ ﻟﻠﺩﺭﺠﺔ ﺩﻱ.. ﻤﻤﻜﻥ ﺃﻋﺯﻑ ﻓﻲ ﺃﻱ ﻭﻗﺕ.‬
  • 13. ‫ﻗﺩﺭﻱ: ﺩﻟﻭﻗﺕ ﺘﺩﺨل ﻋﻠﻴﻨﺎ ﻤﺩﻴﺤﺔ ﻭﺘﻌﻁﻠﻙ.. ﺍﻟﺤﻘﻲ ﻟﻙ ﺘﺩﺭﻴﺏ‬ ‫ﺨﻤﺱ ﺩﻗﺎﺌﻕ.‬ ‫ﺴــﻌﺎﺩ: ﻤﺎﺸــﻲ. ) ﺘﻌــﺯﻑ ﻜﺎﺒﺭﻴﺘﺸــﻲ ﻟﺒﺎﺠــﺎﻨﻴﻨﻲ‬ ‫‪ Capricci by Paganini‬ﻭﻫﻭ ﻴﻘﺭﺃ ﺍﻟﺠﺭﺍﺌﺩ (.‬ ‫ﺇﻅﻼﻡ‬ ‫) ﻏﺭﻓﺔ ﻤﻌﻴﺸﺔ ﺃﺨﺭﻯ ﻭﻫﻲ ﺃﻴ ‪‬ﺎ ﻷﺴﺭﺓ ﻤﻥ ﺍﻟﻁﺒﻘﺔ‬ ‫ﻀ‬ ‫ﺍﻟﻤﺘﻭﺴﻁﺔ.. ﻭﺇﻨﻤﺎ ﻟﻴﺱ ﺒﻨﻔﺱ ﺍﻟﺫﻭﻕ ﺍﻟﺭﻓﻴﻊ.. ﻓﺎﻷﺜﺎﺙ ﺴﺘﻴل‬ ‫ﻤﺫﻫﺏ ﻭﻫﻭ ﺘﻘﻠﻴﺩ " ﺍﻟﺴﺘﻴل " ﺍﻷﺼﻠﻲ ﻭ ﹸﺴﻤﻊ ﻤﻭﺴـﻴﻘﻰ ﺭﻭﻙ‬ ‫ﺘ‬ ‫ﺁﻨﺩ ﺭﻭل ﺤﺩﻴﺜﺔ.. ﻭﺍﻟﻤﻭﺴﻴﻘﻰ ﻋﺎﻟﻴﺔ ﻓﻲ ﺒﺩﺍﻴﺔ ﹶﺨ ﹸـﺕ ﻤـﻊ‬ ‫ﺘ ﻔ‬ ‫ﺒﺩﺍﻴﺔ ﺍﻟﺤﻭﺍﺭ (.‬ ‫ﻓﺎﺩﻴﺔ: ﺇﻨﺕ ﻜﻨﺕ ﻓﻴﻥ ﺍﻟﻨﻬﺎﺭﺩﺓ؟‬ ‫ﻤﺩﺤﺕ: ﺍﺘﺄﺨﺭﺕ ﻓﻲ ﺍﻟﺸﻐل.‬ ‫ﻓﺎﺩﻴﺔ: ﺃﻨﺎ ﺍﺘﺼﻠﺕ ﺒﺎﻟﺸﻐل.. ﺍﻟﺴﻜﺭﺘﻴﺭﺓ ﻗﺎﻟﺕ ﻟﻲ ﺇﻨﻙ ﺨﺭﺠﺕ‬ ‫ﺍﻟﺴﺎﻋﺔ ﺃﺭﺒﻌﺔ ﻭﺩﻟﻭﻗﺕ ﺍﻟﺴﺎﻋﺔ ﺒﻘﺕ ﻭﺍﺤﺩﺓ ﺒﻌﺩ ﻨـﺹ‬ ‫ﺍﻟﻠﻴل.‬ ‫ﻤﺩﺤﺕ: ﻜﺎﻥ ﻋﻨﺩﻱ ﻤﻌﺎﺩ ﻤﻊ ﻋﻤﻴل ﻤﻬﻡ.. ﻜﻨﺕ ﻤـﻊ ﻤﻨـﺩﻭﺏ‬ ‫ﺸﺭﻜﺔ ﺴﻴﺎﺤﺔ ﺃﻟﻤﺎﻨﻴﺔ " ﺒﻴﺯﻨﻴﺱ ".‬ ‫ﻓﺎﺩﻴﺔ: ﻤﻨﺩﻭﺏ ﻭﻻ ﻤﻨﺩﻭﺒﺔ؟‬
  • 14. ‫ﻤﺩﺤﺕ: ﻤﻨﺩﻭﺏ ﻁﺒ ‪‬ﺎ.‬ ‫ﻌ‬ ‫ﻓﺎﺩﻴﺔ: ﺃ ‪‬ﺎل ﺇﻴﻪ ﺍﻟﺠﻭﺍﺏ ﺩﻩ...‬ ‫ُﻤ‬ ‫,‪My Darling‬‬ ‫.‪I can't live without you‬‬ ‫.‪Your loving Julia‬‬ ‫ﻤﺩﺤﺕ: ﺇﻴﻪ ﺩﻩ.. ﻟﻘﻴﺘﻴﻪ ﻓﻴﻥ؟‬ ‫ﻓﺎﺩﻴﺔ: ﻟﻘﻴﺘﻪ ﻤﻁﺭﺡ ﻤﺎ ﺃﻨﺕ ﺴﺎﻴﺒﻪ.. ﻓﻲ ﺩﺭﺝ ﺍﻟﻜﻤﻭﺩﻴﻨﻭ ﻴﻌﻨﻲ‬ ‫ﺤﺘﻰ ﻤﺎ ﺒﻘﺘﺵ ﺘﻬﺘﻡ ﺘﺨﺒﻲ ﺁﺜﺎﺭ ﻋﻼﻗﺎﺘﻙ ﻤﻊ ﺍﻟﺴﺘﺎﺕ.‬ ‫ﻤﺩﺤﺕ: ﻫﻭ ﺘﺤﻘﻴﻕ ﻭﻻ ﺇﻴﻪ؟ ﺍﻟﺴﺕ ﻻﺯﻡ ﺘﺤﺎﻓﻅ ﻋﻠﻰ ﺠﻭﺯﻫـﺎ‬ ‫‪‬‬ ‫ﻭﻻ ﺇﻻ...‬ ‫ﻓﺎﺩﻴﺔ: ﺃﻴﻭﻩ ﺘﺤﻘﻴﻕ ﻤﺎ ﺃﻨﺎ ﻟﻘﻴﺕ ﻋﻼﻤـﺎﺕ ﺭﻭﺝ ﻋﻠـﻰ ﻴﺎﻗـﺔ‬ ‫ﻗﻤﻴﺼﻙ.. ﻤﻥ ﺍﻟﺴـﺕ ﺠﻭﻟﻴـﺎ ﻭﻻ ﺘﻜـﻭﻨﺵ ﺍﻟﺴـﺕ‬ ‫ﻤﺭﺠﺭﻴﺘﺎ ﺒﺘﺎﻋﺔ ﺍﻟﺴﻨﺔ ﺍﻟﻠﻲ ﻓﺎﺘﺕ.‬ ‫ﻤﺩﺤﺕ: ) ﻤﻬﺩﺌﺎ ( ﻁﻴﺏ ﺃﻨﺎ ﺡ ﺃﻋﺘﺭﻑ ﻟﻙ ﺒﻜل ﺤﺎﺠﺔ.. ﺠﻭﻟﻴﺎ‬ ‫ً‬ ‫ﻜﺎﻨﺕ ﺯﺒﻭﻨﺔ ﻭﺒﻌﺩﻴﻥ ﻗﻌﺩﺕ ﺘﻘـﻭل ﻟـﻲ ﺇﻨﻬـﺎ ﻤـﺵ‬ ‫ﻤﺒﺴﻭﻁﺔ ﻤﻊ ﺠﻭﺯﻫﺎ ﻭﺇﻨﻪ ﺠﻭﺯﻫﺎ ﻀـﺭﺒﻬﺎ ﻭﻗﻌـﺩﺕ‬ ‫ﺘﻌ ‪‬ﻁ ﻓﺼﻌﺒﺕ ﻋﻠﻲ ﻭﻁﻠﻌﺕ ﻟﻬﺎ ﻤﻨﺩﻴﻠﻲ ﻋﺸﺎﻥ ﺃﺠﻔﻑ‬ ‫‪‬‬ ‫ﻴ‬ ‫ﺩﻤﻭﻋﻬﺎ ﺃﻡ ﺠﻪ ﺭﻭﺝ ﻋﻠﻴﻪ.‬
  • 15. ‫ﻓﺎﺩﻴﺔ: ﻴﺎ ﺴﻼﻡ.. ﻴﻌﻨﻲ ﻓﺎﻜﺭﻨﻲ ﺤﺎﻜل ﻤﻥ ﺍﻟﻜﻼﻡ ﺩﻩ.. ﺜـﻡ ﺇﻥ‬ ‫ﺍﻟﺭﻭﺝ ﻜﺎﻥ ﻋﻠﻰ ﻴﺎﻗﺔ ﻗﻤﻴﺼﻙ ﻭﻤﺵ ﻋﻠﻰ ﻤﻨﺩﻴﻠﻙ..‬ ‫ﻤﺩﺤﺕ: ﻴﻭﻩ ﺒﻘﻰ..‬ ‫ﻓﺎﺩﻴﺔ: ﺜﻡ ﺇﻥ ﺍﻷﺴﺒﻭﻉ ﺍﻟﻠﻲ ﻓﺎﺕ ﻜﺎﻨـﺕ ﺭﻭﺯﺍ ﻭﺍﻟﻠـﻲ ﻗﺒﻠـﻪ‬ ‫ﺒﺎﺭﺒﺭﺍ.. ﺩﺍﻴﺭ ﺘﺠﺭﻱ ﻭﺭﺍ ﻜل ﺍﻟﺨﻭﺍﺠـﺎﺕ ﻭﻋﺎﻤـل‬ ‫ﺤﻨﺒﻠﻲ ﻤﺎ ﺘﻠﺒﺴﻴﺵ " ﻤﺎﻴﻭ " ﺩﻩ ﺍﻟﻠﻲ ﺃﻨﺕ ﺸـﺎﻁﺭ ﻓﻴـﻪ‬ ‫ﻭﻴﺎ ﺭﻴﺘﻙ ﻓﺎﻟﺢ ﻓﻲ ﻭﺍﺠﺒﺎﺘﻙ ﺍﻟﺯﻭﺠﻴﺔ.‬ ‫ﻤﺩﺤﺕ: ) ﺒﻌﺼﺒﻴﺔ ( ﺸﻭﻓﻲ ﺒﻘﻰ ﻟﻤﺎ ﺃﻗﻭل ﻟﻙ.. ﺃﻨﺎ ﺭﺍﺠل ﻭﺩﻩ‬ ‫ﺤﻘﻲ..‬ ‫ﻓﺎﺩﻴﺔ: ﺤﻕ ﻟﻤﺎ ﻴﺤﺅﻙ..‬ ‫) ﻭﺘﻤﺴﻙ ﺍﻟﻤﻘﺸﺔ ﻭﺘﺠﺭﻱ ﻭﺭﺍﺀﻩ (‬ ‫ﹸﻁ ِﺕ ﺍﻟﺴﻴﺎﺤﺔ ﻭﺴﻨﻴﻨﻬﺎ.. ﺃﻨﺕ ﻓﺎﻜﺭ ﺤﺎﻗﻌﺩ ﺃﻋﻴﺵ‬ ‫ﻗ ﻌ‬ ‫ﺤﻴﺎﺘﻲ ﻜﻠﻬﺎ ﺃﻓﺘﺵ ﻓﻲ ﺠﻴﻭﺒﻙ ﻭﺃﻗﺭﺃ ﺠﻭﺍﺒﺎﺘﻙ‬ ‫ﺍﻟﻐﺭﺍﻤﻴﺔ..‬ ‫ﻤﺩﺤﺕ: ) ﺒﻌﺩ ﻀﺭﺒﺔ ﻤﻘﺸﺔ ﻴﻭﺍﺠﻬﻬﺎ ( ﺤﺎﺴﺒﻲ ﻓﻲ ﻜﻼﻤﻙ ﺇﻻ‬ ‫ﻤﺎ ﻴﺤﺼﻠﺵ ﻁﻴﺏ.‬ ‫ﻓﺎﺩﻴﺔ: ) ﺘﻀﺭﺒﻪ ﺒﺎﻟﻤﻘﺸﺔ ﻤﺭﺓ ﺃﺨﺭﻯ ( ﺃﻨﺕ ﺒﺘﻬﺩﺩﻨﻲ.. ﻤﺘﻬﻴﺄ‬ ‫ﻟﻙ ﺇﻨﻪ ﻀل ﺭﺍﺠل ﻭﻻ ﻀل ﺤﻴﻁﺔ.. ﺍﻟﻜﻼﻡ ﺩﻩ ﻜـﺎﻥ‬
  • 16. ‫ﺯﻤﺎﻥ ) ﺘﺭﻤﻲ ﺍﻟﻤﻘﺸﺔ ( ﺃﻨﺎ ﺤﺎﻁﺭﺒﻕ ﺍﻟـﺩﻨﻴﺎ ﻓـﻭﻕ‬ ‫ﺩﻤﺎﻏﻙ.. ﻤﻥ ﺒﻜﺭﻩ ﺤـﺎﺭﻓﻊ ﻋﻠﻴـﻙ ﻗﻀـﻴﺔ ﺨﻠـﻊ..‬ ‫ﺤﺎﺨﻠﻌﻙ ﻭﺃﺨﻠﻊ ﺍﻟﻠﻲ ﺨﻠﻔﻭﻙ.‬ ‫ﺇﻅﻼﻡ‬ ‫) ﻓﻲ ﻤﻨﺯل ﻗﺩﺭﻱ ﻭﺴﻌﺎﺩ، ﻭﺴﻌﺎﺩ ﺘﺴﺘﻤﺭ ﻓﻲ ﻋـﺯﻑ‬ ‫ﺍﻟﻜﻤﺎﻥ (.‬ ‫ﻗﺩﺭﻱ: ﻴﺎ ﺩﻱ ﻤﻭﺴﻴﻘﻰ ﺤﻠﻭﺓ ﻗﻭﻱ.. ﺍﻟﻁﺭﻴﻘﺔ ﺍﻟﻠﻲ ﺃﻨﺕ ﺒﺘﻌﺯﻓﻲ‬ ‫ﺒﻴﻬﺎ.. ﺘﺨﻠﻲ ﺍﻟﻭﺍﺤﺩ ﻴﺤﺱ ﺇﻥ ﺒﺎﺠﺎﻨﻴﻨﻲ ﻜﺎﻥ ﺒﻴﻌﺸﻕ ﺁﻟﺔ‬ ‫ﺍﻟﻜﻤﺎﻥ.. ﺩﻩ ﻟﻭ ﻜﺎﻥ ﻓﻴﻪ ﺠﺎﻴﺯﺓ ﻨﻭﺒل ﻟﻠﻌـﺯﻑ ﻋﻠـﻰ‬ ‫ﺍﻟﻜﻤﺎﻥ ﻜﻨﺕ ﺃﺨﺩﻴﺘﻬﺎ ﺒﺎﻟﺜﻠﺙ.‬ ‫ﺴﻌﺎﺩ: ﻤﻴﺭﻴﺴﻲ ﻴﺎ ﺤﺒﻴﺒﻲ ) ﺘﻘﺒﻠﻪ ( ﺘﻌﻴﺵ ﻭﺘﺸﺠﻌﻨﻲ.. ﺃﻨـﺕ‬ ‫ﺩﺍﻴ ‪‬ﺎ ﻜﺩﻩ ﻜﻼﻤﻙ ﻴﺭﺩ ﺍﻟﺭﻭﺡ ﻤﺵ ﺯﻱ ﺯﻓﺕ ﺍﻟﻁـﻴﻥ‬ ‫ﻤ‬ ‫ﺍﻟﻤﺎﻴﺴﺘﺭﻭ.. ﻜﺎﻥ ﺩﺍﻴ ‪‬ﺎ ﻴﻜ ‪‬ﺭ ﻤﺠﺎﺩﻴﻔﻲ.. ﺃﺼل ﻜـﺎﻥ‬ ‫ﻤ ﺴ‬ ‫ﺭﺍﺠل ﻀﻌﻴﻑ.. ﺒﻴﺨﺎﻑ ﻤﻥ ﺍﻟﺴﺕ ﺍﻟﻘﻭﻴﺔ.. ﺇﻨﻤﺎ ﺒﻼﺵ‬ ‫ﺍﻟﻜﻼﻡ ﺩﻩ.. ﺃﻨﺎ ﻋﺎﺭﻓﺔ ﺇﻨﻪ ﺴﻴﺭﺘﻪ ﺒﺘﻌﻜﺭ ﻤﺯﺍﺠﻙ.. ﻗل‬ ‫ﱠ‬ ‫ﻟﻲ ﺇﻴﻪ ﺁﺨﺭ ﺍﻷﺨﺒﺎﺭ.. ﺃﻨﺕ ﻋﺎﺭﻑ ﺇﻨﻪ ﻤـﺎ ﺒﻠﺤﻘﺸـﻲ‬ ‫ﺃﻗﺭﺃ ﺍﻟﺠﺭﺍﻴﺩ..‬
  • 17. ‫ﻗﺩﺭﻱ: ﻤﺎ ﻓﻴﺵ ﺠﺩﻴﺩ.. ﻨﻔﺱ ﺍﻟﻜﻼﻡ ﺒﺘﺎﻉ ﻜل ﻴﻭﻡ.. ﺒﺱ ﻓﻴـﻪ‬ ‫ﺤﺎﺠﺔ ﻏﺭﻴﺒﺔ.. ﻜل ﺍﻟﻌﻭﺍﻤﻴﺩ ﻭﻜل ﺍﻟﻜﺎﺭﻴﻜـﺎﺘﻴﺭ ﻋـﻥ‬ ‫ﺍﻟﻔﻴﺎﺠﺭﺍ..‬ ‫ﺴﻌﺎﺩ: ﻴﺒﻘﻰ ﻓﻴﻪ ﺤﺎﺠﺔ ﺒﺘﺤﺼل.. ﻴﻤﻜﻥ ﻓﻴﻪ ﻤﻅـﺎﻫﺭﺍﺕ ﻓـﻲ‬ ‫ﺍﻟﺠﺎﻤﻌﺔ.‬ ‫ﻗﺩﺭﻱ: ﺃﻜﻴﺩ ﻓﻴﻪ ﺤﺎﺠﺔ.‬ ‫ﺴﻌﺎﺩ: ﻁﻴﺏ ﻤﺎ ﺘﺠﻴﺏ ﺇﺫﺍﻋﺔ ﻟﻨﺩﻥ.‬ ‫ﻗﺩﺭﻱ: ﻟ ‪‬ﺔ ﺸﻭﻴﺔ ﻋﻠﻰ ﻤﻌﺎﺩ ﺍﻷﺨﺒﺎﺭ ) ﺒﺤﺴﺭﺓ ( ﺁﻩ ﻟﻭ ﺒـﺱ‬ ‫ﺴ‬ ‫ﻋﻨﺩﻨﺎ ﺩﻴﺵ.‬ ‫ﺴﻌﺎﺩ: ﻀﺭﻭﺭﻱ ﺤﻨﺠﻴﺏ ﺩﻴﺵ... ﺃﻨﺕ ﻻﺯﻡ ﺘﺘـﺎﺒﻊ ﺍﻷﺨﺒـﺎﺭ‬ ‫ﻋﻠﻰ ﺍﻟـ ‪ C N N‬ﻭﺍﻟـ ‪ B B C‬ﻭﻗﻨﺎﺓ ﺍﻟﺠﺯﻴﺭﺓ.‬ ‫) ﺘﺩﺨل ﻤﺩﻴﺤﺔ ﻋﻠﻰ ﺁﺨﺭ ﺍﻟﻜﻼﻡ (‬ ‫ﻤﺩﻴﺤﺔ: ﻭﺤﺘﺠﻴﺒﻲ ﻤﻨﻴﻥ " ﺍﻟﺩﻴﺵ " ﻴﺎ ﺴﺕ ﻤﺎﻤﺎ.. ﻟﻤـﺎ ﻜـل‬ ‫ﺤﺎﺠﺔ ﺒﺘﻘﻭﻟﻭﺍ ﻟﻲ ﻤﺎ ﻓﻴﺵ ﻓﻠﻭﺱ.. ﻫﻭ ﺃﻨﺎ ﺍﻟﻠﻲ ﻭﻗﻌﺕ‬ ‫ﻤﻥ ﻗﻌﺭ ﺍﻟﻘﻔﺔ.. ﺍﺸﻤﻌﻨﻰ ﺒﺎﺒﺎ ﻴﻌﻨﻲ ﺍﻟﻠﻲ ﺘﺠﻴﺒـﻲ ﻟـﻪ‬ ‫ﺩﻴﺵ.‬ ‫ﻗﺩﺭﻱ: ) ﺒﻤﺭﺍﺭﺓ ( ﻫﻲ ﺤﺼﻠﺕ.. ﻤﺭﺍﺘﺎﺘﻨﺎ ﺍﻟﻠﻲ ﺘﺠﻴﺏ ﻟﻨﺎ ﺒﻌﺩ‬ ‫ﻤﺎ ﻜﻨﺎ ﺒﻨﺠﻴﺏ ﻜل ﺤﺎﺠﺔ ﻤﻥ ﻤﺭﺘﺒﺎﺘﻨﺎ ﻭﺴﻔﺭﻴﺎﺘﻨﺎ.‬
  • 18. ‫ﺴﻌﺎﺩ: ﻤﺎ ﺘﺎﺨﺩﺵ ﺍﻟﻤﻭﻀﻭﻉ ﺒﺎﻟﺤﺴﺎﺴﻴﺔ ﺩﻱ ﻴﺎ ﻗﺩﺭﻱ.. ﺍﻟﺴﺕ‬ ‫ﺯﻱ ﺍﻟﺭﺍﺠل ﺩﻟﻭﻗﺕ. ﺒﺘﺸﻐل ﻭﺘﺴﺎﻫﻡ ﻓﻲ ﺍﻟﺒﻴﺕ.. ﻭﺃﻨﺕ‬ ‫ﻴﺎ ﻤﺩﻴﺤﺔ، ﺇﺒﻘﻲ ﺨﻠـﻲ ﺒﺎﻟـﻙ ﻤـﻥ ﻜﻼﻤـﻙ ﺸـﻭﻴﺔ‬ ‫ﻭﺇﻻ ﺤﻭﺭﻴﻙ ﺸﻐﻠﻙ.‬ ‫ﺇﻅﻼﻡ‬ ‫) ﻋﻠﻰ ﻤﻘﻬﻰ (‬ ‫ﻤﺅﻟﻑ ١: ﻤﺎﻟﻙ ﺩﺍﺨل ﻤﺘﺄﺭﻴﻑ ﻜﺩﻩ.‬ ‫ﻤﺅﻟﻑ ٢: ﻟﺴﻪ ﻤﺘﺨﺎﻨﻕ ﻤﻊ ﺴ ‪‬ﺍﻕ ﺍﻟﺘﺎﻜﺴﻲ.. ﻭﺍﺨﺩﻩ ﻤـﻥ ﺩﺍﺭ‬ ‫ﻭ‬ ‫ﺍﻟﻘﻀﺎﺀ ﺍﻟﻌﺎﻟﻲ ﻟﺤﺩ ﻫﻨﺎ ﻭﺒﺩﻱ ﻟـﻪ ٣ ﺠﻨﻴـﻪ.. ﻤـﺵ‬ ‫ﻋﺎﺠﺒﻪ.. ﻗﺎل ﻟﻲ ﻜﻤﺎﻥ ﺠﻨﻴﻪ ﻴﺎ ﺃﺴﺘﺎﺫ.. ﻗﻠﺕ ﻟﻪ ﻋﻠـﻰ‬ ‫ﺇﻴﻪ.. ﺩﻩ ﻤﺸﻭﺍﺭ ﻤﺎ ﻴﺴﺘﺤﻘﺵ ﺠﻨﻴﻪ ﻭﻨﺼﻑ.. ﻭﻜﻠﻤـﺔ‬ ‫ﻤﻥ ﻫﻨﺎ ﻭﻜﻠﻤﺔ ﻤﻥ ﻫﻨﺎ... ﻜﺎﻥ ﺤﻴﻤﺴﻙ ﻓﻲ.. ﻗﻠﺕ ﻟـﻪ‬ ‫‪‬‬ ‫ﺃﻨﺎ ﻤﺩﻴﺭ ﻋﺎﻡ ﻓﻲ ﺍﻟﺤﻜﻭﻤﺔ... ﻭﺭﺩ ﻋﻠﻲ ﻭﻗﺎل ﻟـﻲ..‬ ‫‪‬‬ ‫ﻭﻟﻤﺎ ﺃﻨﺕ ﻤﻭﻅﻑ ﺤﻜﻭﻤﺔ ﺒﺘﺭﻜﺏ ﺘﺎﻜﺴﻲ ﻟﻴﻪ.‬ ‫ﻤﺅﻟﻑ ١: ﻁﻴﺏ ﺍﻗﻌﺩ ﺭﻭﻕ.. ﺍﺸﺭﺏ ﻟﻙ ﻓﻨﺠﺎل ﻗﻬﻭﺓ ﻭﻗل ﻟﻲ‬ ‫ﺃﺨﺒﺎﺭ ﺍﻟﻘﻀﻴﺔ ﺇﻴﻪ..‬ ‫ﻤﺅﻟﻑ ٢: ﺍﺘﺄﺠﻠﺕ ﻟﻴﻭﻡ ٨٢ ﺩﻴﺴﻤﺒﺭ.‬ ‫ﻤﺅﻟﻑ ١: ﺘﺎﻨﻲ..‬
  • 19. ‫ﻤﺅﻟﻑ ٢: ﺃﻨﺎ ﺤﺘﻨﻘﻁ ﺭﻏﻡ ﺇﻨﻪ ﻓﻴﻪ ﻨﺎﺸﺭ ﻤﺴﺘﻌﺩ ﻴﻨﺸﺭ ﺭﻭﺍﻴﺎﺘﻲ.‬ ‫ﻤﺅﻟﻑ ١: ﻭﻤﺴﺘﻌﺠل ﻟﻴﻪ ﻋﻠﻰ ﺍﻟﻨﺸﺭ.. ﺩﻩ ﺃﻨﺎ ﻜﺘﺒـﻲ ﺃﻜﻠﺘﻬـﺎ‬ ‫ﺍﻟﻔﻴﺭﺍﻥ ﻓﻲ ﺍﻟﻤﺨﺎﺯﻥ.. ﻫﻲ ﺍﻟﻨﺎﺱ ﻤﻌﻬﺎ ﻓﻠﻭﺱ ﺘﺸﺘﺭﻱ‬ ‫ﺠﺭﺍﻴﺩ ﺃ ‪‬ﺎ ﺘﺸﺘﺭﻱ ﻜﺘﺏ.. ﻋﻠﻰ ﺍﻷﻗل ﻨﺯﻟﺕ ﺭﻭﺍﻴﺎﺘـﻙ‬ ‫ﻤ‬ ‫ﻋﻠﻰ ﺍﻹﻨﺘﺭﻨﻴﺕ.. ﻀﺎﻤﻥ ﺇﻨﻬﺎ ﺤﺘﺘﻘﺭﻱ.‬ ‫ﻤﺅﻟﻑ ٢: ﻴﻌﻨﻲ ﻓﻴﻪ ﻜﺎﻡ ﻭﺍﺤﺩ ﻋﻨﺩﻩ ﻜﻤﺒﻴﻭﺘﺭ.‬ ‫ﻤﺅﻟﻑ ١: ﻤﻌﻠﺵ.. ﺁﻫﻲ ﺤﺎﺠﺔ ﺒﺭﻀﻪ.. ﻴﺎ ﻤـﻴﻥ ﻴﺭﺯﻗﻨـﻲ‬ ‫ﺒﻌﻀﻭ ﻤﺠﻠﺱ ﺍﻟﺸﻌﺏ ﻴﻬﺎﺠﻡ ﻜﺘﺒﻲ ﺒﺄﻱ ﺤﺠﺔ ﺘﻌﺠﺒـﻪ‬ ‫ﺴﻭﺍﺀ ﻜﺎﻨﺕ ﺴﻴﺎﺴﻴﺔ ﺃﻭ ﺩﻴﻨﻴﺔ ﺃﻭ ﺃﺨﻼﻗﻴﺔ.‬ ‫ﻤﺅﻟﻑ ٢: ﺘﺼﻭﺭ ﻗﺎﻟﻭﺍ ﺇﻴﻪ ﻋﻨﻲ.. ﻗﺎﻟﻭﺍ ﺇﻥ ﻜﺘﺒﻲ ﺒﺘﺨﺩﺵ ﺤﻴﺎﺀ‬ ‫ﺯﻭﺠﺎﺘﻬﻡ ﻭﺒﻨﺎﺘﻬﻡ ﺭﻏﻡ ﺇﻨﻪ ﻟﻨﺎ ﻋﺸﺭﺍﺕ ﺍﻟﺴﻨﻴﻥ ﺒﻨﻘـﺭﺍ‬ ‫ﺴﺎﺭﺘﺭ ‪ Sartre‬ﻭﻜﺎﻤﻲ ‪ Camus‬ﻭﺃﻨـﻭﻱ ‪Anouilh‬‬ ‫ﺩﻩ ﺤﺘﻰ ﻓﻲ ﺍﻟﺴـﺘﻴﻨﻴﺎﺕ ﺘﺭﺠﻤـﻭﺍ ﺭﻭﺍﻴـﺔ ﺴـﺎﺭﺘﺭ‬ ‫" ﺴ ـﻥ ﺍﻟﺭﺸ ـﺩ " ﻭﻗ ـﺩﻤﻭﺍ ﻤﺴ ـﺭﺤﻴﺔ " ﺍﻟ ـﺫﺒﺎﺏ "‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ﻭ " ﺍﻟﺠﻠﺴﺔ ﺍﻟﺴﺭﻴﺔ " ﻭ " ﺍﻟﻤﻭﻤﺱ ﺍﻟﻔﺎﻀﻠﺔ " ﺩﻩ ﺤﺘﻰ‬ ‫ﺒﺎﻷﻤﺎﺭﺓ ﺍﻟﻤﻭﻤﺱ ﺍﻟﻔﺎﻀﻠﺔ ﺍﺴـﺘﻘﺒﻠﺕ ﺒﻨﺠـﺎﺡ ﺒـﺎﻫﺭ،‬ ‫ﻭﺠﺎﻥ ﺒﻭل ﺴﺎﺭﺘﺭ ﺠﻪ ﻤﺼﺭ ﻭﺍﺴﺘﻘﺒﻠﻨﺎﻩ ﺒﺤﻔﺎﻭﺓ ﺸﺩﻴﺩﺓ‬ ‫ﻤﻊ ﺇﻨﻪ ﻜﺎﻥ ﻋﺎﻴﺵ ﻤﻊ ﺨﻠﻴﻠﺘﻪ " ﺴﻴﻤﻭﻥ ﺩﻱ ﺒﻴﻔـﻭﺍﺭ "‬
  • 20. ‫‪ Simone de Beauvoir‬ﻭﺍﻟﻨﻬـﺎﺭﺩﻩ ﻓـﻲ ﺍﻟﻘـﺭﻥ‬ ‫ﺍﻟﻭﺍﺤﺩ ﻭﺍﻟﻌﺸﺭﻴﻥ ﺠﺎﻴﻴﻥ ﻴﻘﻭﻟﻭﺍ ﻟـﻲ ﺇﻨـﻲ ﺼـﻭﺭﺕ‬ ‫ﺯﻭﺠﺔ ﺒﺘﺨﻭﻥ ﺯﻭﺠﻬﺎ ﻭﺇﻨﻪ ﺩﻩ ﻀﺩ ﺍﻟﻤﺒﺎﺩﺉ ﻭﺍﻟﺘﻌـﺎﻟﻴﻡ‬ ‫ﺍﻹﺴﻼﻤﻴﺔ.. ﻭﺩﻩ ﺼﺤﻴﺢ.. ﻓﺎﻹﺴﻼﻡ ﻴﺼﺭ ﻋﻠﻰ ﻋﻔـﺔ‬ ‫ﺍﻟﻤﺭﺃﺓ ﻟﻜﻥ ﻫل ﻤﻥ ﺍﻟﻤﻌﻘﻭل ﺇﻨﻪ ﻋﻠﻰ ﻤﺭ ﺨﻤﺴﺔ ﻋﺸﺭ‬ ‫ﻗﺭﻥ ﻟﻡ ﺘﺤﺩﺙ ﺤﺎﻟﺔ ﺨﻴﺎﻨﺔ ﺯﻭﺠﻴﺔ ﻭﺍﺤﺩﺓ.. ﻭﺍﷲ ﻤﺎ ﺃﻨﺎ‬ ‫ﻋﺎﺭﻑ ﺇﺤﻨﺎ ﻋﺎﻴﺸﻴﻥ ﻓﻲ ﺃﻱ ﻗﺭﻥ..‬ ‫ﻤﺅﻟﻑ ١: ﻤﺎ ﺘﺤﻁﺵ ﻓﻲ ﺒﺎﻟﻙ.. ﺩﻭل ﺸﻭﻴﺔ ﺍﻨﺘﻬﺎﺯﻴﻴﻥ ﻋﺎﻴﺯﻴﻥ‬ ‫ﻴﻁﻠﻌﻭﺍ ﻋﻠﻰ ﺃﻜﺘﺎﻓﻨﺎ.. ﺩﻩ ﺯﻤﺎﻥ ﻜﺎﻥ ﺍﻟﻌﻠﻡ ﻨﻭﺭ ﻋﻠـﻰ‬ ‫ﺃﻴﺎﻡ ﺍﻟﺩﻜﺘﻭﺭ ﻁﻪ ﺤﺴﻴﻥ.. ﺍﻟﻨﻬﺎﺭﺩﻩ ﺒﻘﻰ ﺍﻟﺠﻬل ﻨـﻭﺭ‬ ‫ﻭﺍﻟﻤﺼﻴﺒﺔ ﺇﻨﻪ ﺇﺴﺭﺍﺌﻴل ﻤﺘﺤﺭﺸﺔ ﻟﻨﺎ ﻭﻤﻨﻰ ﻋﻴﻨﻬﺎ ﻟ ‪‬ـﺎ‬ ‫ﻤ‬ ‫ﺘﻼﻗﻲ ﺍﻟﻨﺎﺱ ﺒﻴﺭﻓﻌﻭﺍ ﻗﻀﺎﻴﺎ ﻋﻠﻰ ﺍﻷﺩﺒـﺎﺀ ﻭﺍﻟﻔﻨـﺎﻨﻴﻥ‬ ‫ﻋﺸﺎﻥ ﻴﻜﺘﻤﻭﺍ ﻋﻠﻰ ﺃﻨﻔﺎﺴﻬﻡ ﻴﺴﻘﻭﻫﻡ ﺍﻟﺠـﺒﻥ ﻋﺸـﺎﻥ‬ ‫ﻴﺒﱠﻌﻭﺍ ﺒﻴﻪ ﺍﻟﻠﻘﻤﺔ ﺍﻟﻤﺭﺓ. ﻟﻤﺼﻠﺤﺔ ﻤﻴﻥ؟ ﻫﻲ ﺇﺴـﺭﺍﺌﻴل‬ ‫ﻠ‬ ‫ﻋﺎﻴﺯﻩ ﺇﻴﻪ ﻏﻴﺭ ﻜﺩﻩ.. ﻜل ﻤﻨﺎﻫﺎ ﺇﻨﻪ ﻨﻠﻐﻲ ﺇﻨﺠـﺎﺯﺍﺕ‬ ‫ﺍﻷﺩﺏ ﻭﺍﻟﻔﻥ ﻭﻴﺒﻘﻰ ﻤﺎ ﻟﻨﺎﺵ ﺇﻻ ﺍﻟﻔﺭﺍﻋﻨﺔ ﺍﻟﻠﻲ ﺒﻘـﻰ‬ ‫ﻟﻬﻡ ﺴﺒﻌﺔ ﺁﻻﻑ ﺴﻨﺔ.. ﻫﻲ ﻋﺎﻴﺯﺓ ﺇﻴﻪ ﺃﻜﺘﺭ ﻤﻥ ﻜﺩﻩ..‬
  • 21. ‫ﻭﻋﻀﻭ ﻤﺠﻠﺱ ﺍﻟﺸﻌﺏ ﺍﻟﻤﻭﻗﺭ ﺍﻟﻠـﻲ ﺍﺤـﺘﺞ ﻋﻠـﻰ‬ ‫ﺭﻭﺍﻴﺘﻲ ﻤﺵ ﻤﺩﺭﻙ ﺩﻩ.‬ ‫ﻤﺅﻟﻑ ٢: ﺒﻤﻨﺎﺴﺒﺔ ﻤﺠﻠﺱ ﺍﻟﺸﻌﺏ ﺴﻤﻌﺕ ﺁﺨﺭ ﻨﻜﺘﺔ؟ ﻜﺎﻥ ﻓﻴﻪ‬ ‫ﻨﻭﺍﺏ ﻋﺎﻴﺯﻴﻥ ﻴﻁﺒﻘﻭﺍ ﺍﻟﺸﺭﻴﻌﺔ ﺍﻹﺴﻼﻤﻴﺔ.‬ ‫ﻤﺅﻟﻑ ١: ﻤﺎ ﻨﺎ ﻋﺎﺭﻓﻬﺎ ﻟﻜﻥ ﺍﻷﻏﻠﺒﻴﺔ ﺍﻟﺴﺎﺤﻘﺔ ﻤـﻥ ﺃﻋﻀـﺎﺀ‬ ‫ﺍﻟﻤﺠﻠﺱ ﺒﻤﺎ ﻓﻴﻬﻡ ﻨﻭﺍﺏ ﺍﻟﻘﺭﻭﺽ ﺃﻗﻨﻌﻭﻫﻡ ﺇﻥ ﻤﺼﻠﺤﺔ‬ ‫ﺍﻟﻤﺠﻠﺱ ﺍﻟﻌﻠﻴﺎ ﻋﺩﻡ ﺘﻁﺒﻴﻕ ﺍﻟﺸﺭﻴﻌﺔ. ﻭﺫﻟﻙ ﻷﻥ ﺘﻁﺒﻴﻕ‬ ‫ﻗﻭﺍﻨﻴﻨﻬﺎ ﺴﻭﻑ ﻴﻤﻨﻊ ﺍﻟﻤﺠﻠﺱ ﻤـﻥ ﻤﺒﺎﺸـﺭﺓ ﻤﻬﺎﻤـﻪ‬ ‫ﺍﻟﺭﺌﻴﺴﻴﺔ ﻭﻫﻲ ﺍﻟﺴﻴﺌﺔ ﻷﻥ ﺇﻴﺩ ﻭﺍﺤﺩﺓ ﻤﺎ ﺘﺴﺄﻓﺸﻲ.‬ ‫) ﻓﻲ ﻤﻨﺯل ﻗﺩﺭﻱ ﻭﺴﻌﺎﺩ (‬ ‫ﻗﺩﺭﻱ: ﺃﻨﺎ ﻤﺵ ﻋﺎﺠﺒﺎﻨﻲ ﻁﺭﻴﻘﺘﻙ ﻴـﺎ ﻤﺩﻴﺤـﺔ.. ﺇﻨـﺕ ﻻﺯﻡ‬ ‫ﺘﻜﺎﻓﺤﻲ.. ﺍﻟﺤﻴﺎﺓ ﻜﻠﻬﺎ ﻜﻔﺎﺡ.. ﺃﺩﻴﻜﻲ ﻤـﺎ ﺫﺍﻜـﺭﺘﻴﺵ‬ ‫ﻓﻤﺎ ﺠﺒﺘﻴﺵ ﻤﺠﻤﻭﻉ ﻴﺩﺨﻠﻙ ﺍﻟﺠﺎﻤﻌﺔ.‬ ‫ﻤﺩﻴﺤﺔ: ﺃﻨﺎ ﺠﺒﺕ ﻤﺠﻤﻭﻉ ﻜﻭﻴﺱ ٩٦ ﻓﻲ ﺍﻟﻤﺎﺌﺔ.. ﺒﺱ ﺍﻟـﺩﻨﻴﺎ‬ ‫ﺤﻅﻭﻅ.. ﻨﺎﺩﻴﺔ ﺠﺎﺒﺕ ٨٥ ﻓﻲ ﺍﻟﻤﺎﺌﺔ ﻟﻜﻥ ﺤﺘﺨﺵ ﻜﻠﻴﺔ‬ ‫ﺍﻷﻟﺴﻥ ﻋﺸﺎﻥ ﺃﺒﻭﻫﺎ ﺸﻬﻴﺩ.. ﻴﺎ ﺭﻴﺘﻨـﻲ ﻜﻨـﺕ ﺒﻨـﺕ‬ ‫ﺸﻬﻴﺩ.‬ ‫ﺴﻌﺎﺩ: ) ﺘﺼﻔﻌﻬﺎ ﻋﻠﻰ ﻭﺠﻬﻬﺎ ( ﺇﺨﺭﺴﻲ ﻴﺎ ﺴﺎﻓﻠﺔ.‬
  • 22. ‫ﻗﺩﺭﻱ: ) ﻴﺒﺩﻭ ﻋﻠﻴﻪ ﺃﻨﻪ ﺘﺄﺜﺭ ﺒﻜﻠﻤﺔ ﻤﺩﻴﺤﺔ ( ﻫﻲ ﻤﺎ ﺘﻘﺼﺩﺵ‬ ‫) ﺜﻡ ﺒﺼﻭﺕ ﻤﻨﻜﺴﺭ ( ﻴﻬﻭﻥ ﻋﻠﻴﻜﻲ ﺒﺎﺒﻲ ﺍﻟﻠﻲ ﺒﺘﺤﻜﻲ‬ ‫ﻟﻪ ﻜل ﺃﺴﺭﺍﺭﻙ.‬ ‫ﺴﻌﺎﺩ: ﺴﻭﺭﻱ ﻴﺎ ﺒﺎﺒﻲ ﺃﻨﺎ ﻤﺎ ﺃﻗﺼﺩﺵ.. ﺒﺠﺩ ﻤﺵ ﻗﺼـﺩﻱ..‬ ‫ﺒﺱ ﺃﻨﺎ ﻨﻔﺴﻲ ﻓﻲ ﺤﺎﺠﺎﺕ ﻜﺜﻴﺭﺓ ﻭﻤﺵ ﻗﺎﺩﺭﺓ ﺃﺠﻴﺒﻬﺎ.‬ ‫) ﺘﺒﻜﻲ ﺒﺤﺭﺍﺭﺓ ﻭﺘﺭﺘﻤﻲ ﻓﻲ ﺃﺤﻀﺎﻨﻪ (.‬ ‫ﻗﺩﺭﻱ: ) ﻴﻁﺒﻁﺏ ﻋﻠﻴﻬﺎ ( ﻋﺎﻴﺯﻩ ﺇﻴﻪ ﻴﺎ ﺤﺒﻴﺒﺘﻲ؟‬ ‫ﻤﺩﻴﺤﺔ: ﺃﻨﺎ ﻋﺎﻴﺯﻩ ﺃﺼﻴﻑ.‬ ‫ﻗﺩﺭﻱ: ﺒﺈﺫﻥ ﺍﷲ.. ﻀﺭﻭﺭﻱ ﺤﻨﺼﻴﻑ.. ﻤﺵ ﺇﺤﻨﺎ ﺒﻨﺼـﻴﻑ‬ ‫ﻜل ﺴﻨﺔ؟‬ ‫ﻤﺩﻴﺤﺔ: ﺒﺱ ﺃﻨﺎ ﻤﺵ ﻋﺎﻴﺯﻩ ﺃﺭﻭﺡ ﻤﺼﻴﻑ ﺍﻟﻤﺤﺎﺭﺒﻴﻥ ﺍﻟﻘﺩﺍﻤﻰ‬ ‫ﺍﻟﻠﻲ ﻓﻲ ﺠﻤﺼﺔ.. ﺩﻩ ﻋﺎﻤل ﺯﻱ ﺍﻟﻤﺴﺎﻜﻥ ﺍﻟﺸـﻌﺒﻴﺔ..‬ ‫ﺃﻨﺎ ﻋﺎﻴﺯﻩ ﺃﺭﻭﺡ ﻤﺎﺭﻴﻨـﺎ ﻭﺃﺭﻜـﺏ ﺍﻟﺒﻴـﺘﺵ ﺒـﺎﺠﻲ‬ ‫‪ Beach buggy‬ﻭﺍﻟﺴﻜﻲ ﺠﻴﺕ ‪.Ski jet‬‬ ‫ﺴﻌﺎﺩ: ﻤﺎ ﺃﻨﺕ ﺭﺤﺕ ﻤﺎﺭﻴﻨﺎ ﻤﻊ ﺼﺎﺤﺒﺘﻙ ﻓﺘﺤﻴﺔ.‬ ‫ﻤﺩﻴﺤﺔ: ﺒﺱ ﻋﺎﻴﺯﻩ ﺃﺭﻭﺡ ﺘﺎﻨﻲ، ﻭﻤـﺎ ﺃﻗـﺩﺭﺵ ﺃﺭﻭﺡ ﺇﻻ ﺇﺫﺍ‬ ‫ﻋﺯﻤﺘﻬﺎ.‬ ‫ﻗﺩﺭﻱ: ﻭﻤﺎﻟﻪ. ﻨﻌﺯﻤﻬﺎ ﺘﻘﻌﺩ ﻤﻌﺎﻨﺎ ﻴﻭﻤﻴﻥ ﻭﻨﺎﺨﺩﻫﺎ ﺍﻟﻨﺎﺩﻱ.‬
  • 23. ‫ﻤﺩﻴﺤﺔ: ﻤﺎ ﻴﻨﻔﻌﺵ ﻴﺎ ﺒﺎﺒﺎ.. ﺩﻱ ﻋﻴﺸﺘﻬﻡ ﺤﺎﺠﺔ ﺘﺎﻨﻲ.. ﺒﻴـﺎﻜﻠﻭﺍ‬ ‫ﺴـــــﻭﻤﻭﻥ ﻓﻴﻭﻤﻴـــــﻪ ﻭﻜﺎﻓﻴـــــﺎﺭ‬ ‫‪ Saumon fume‬ﻭ ‪ ..Caviar‬ﻭﺍﺤﻨﺎ ﺒﻨﺘﻌﺸﻰ ﺠﺒﻨﻪ‬ ‫ﺒﻴﻀﺎ.‬ ‫ﻗﺩﺭﻱ: ﻭﻤﺎﻟﻪ ﻨﺠﻴﺏ ﻟﻬﺎ ﻜﺎﻓﻴﺎﺭ ﻭﺴﻭﻤﻭﻥ ﻓﻴﻭﻤﻴﻪ..‬ ‫ﺴﻌﺎﺩ: ﺇﻴﻪ ﻴﺎ ﻗﺩﺭﻱ.. ﺇﻨﺕ ﻋﺎﺭﻑ ﺍﻟﻜﺎﻓﻴﺎﺭ ﺒﻜﺎﻡ.. ﺇﺤﻨـﺎ ﻤـﺎ‬ ‫ﻨﻘﺩﺭﺵ ﻨﻨﻔﺫ ﻟﻬﺎ ﻜل ﻁﻠﺒﺎﺘﻬﺎ.. ﺇﻨﺕ ﻻﺯﻡ ﺘﻌﺭﻓﻲ ﺇﻨﻪ ﻤﺎ‬ ‫ﻨﻘﺩﺭﺵ ﻨﺠﻴﺏ ﻟﻙ ﻜل ﺍﻟﻠﻲ ﺇﻨﺕ ﺒﺘﺸﻭﻓﻴﻪ.‬ ‫ﻤﺩﻴﺤﺔ: ﻭﺃﻨﺎ ﻤﺎﻟﻲ ﺒﻘﻰ.. ﻴﻌﻨﻲ ﺃﺒﻘﻰ ﺃﻗل ﻤﻥ ﺍﻟﺒﻨﺎﺕ ﺍﻟﻠﻲ ﻓـﻲ‬ ‫ﻓﺼﻠﻲ؟‬ ‫ﺴﻌﺎﺩ: ﻫﻲ ﺩﻱ ﺁﺨﺭﺓ ﺍﻟﻤﺩﺍﺭﺱ ﺍﻟﺨﺎﺼﺔ ﻭﻤﺩﺍﺭﺱ ﺍﻟﻠﻐﺎﺕ ﺍﻟﻠﻲ‬ ‫ﺩﻓﻌﻨﺎ ﺩﻡ ﻗﻠﺒﻨﺎ ﻓﻴﻬﺎ.‬ ‫ﻗﺩﺭﻱ: ﻤﺎ ﻴﻐﻼﺵ ﻋﻠﻴﻙ ﺤﺎﺠﺔ ﻴﺎ ﺤﺒﻴﺒﺘﻲ.. ﺨﺩﻱ ﻤﻥ ﺃﻱ ﺒﻨـﺩ‬ ‫ﻴﺎ ﺴـﻌﺎﺩ، ﻭﺍﺸـﺘﺭﻱ ﺴـﻭﻤﻭﻥ ﻓﻴﻭﻤﻴـﻪ ﻭﻜﺎﻓﻴـﺎﺭ‬ ‫ﻭﺍﻟﺤﺎﺠﺎﺕ ﺍﻟﻠﻲ ﺒﺘﺸﻭﻓﻬﺎ ﻓﻲ ﺍﻟﺴﻭﺒﺭ ﻤﺎﺭﻜﺕ ﻋﺸﺎﻥ ﻤﺎ‬ ‫ﺘﺤﺴﺵ ﺇﻨﻬﺎ ﺃﻗل ﻤﻥ ﺼﺤﺒﺎﺘﻬﺎ.‬ ‫ﺴﻌﺎﺩ: ﺃﻨﺕ ﺒﺘﺩﻟﻌﻬﺎ ﻗﻭﻱ ﻴﺎ ﻗﺩﺭﻱ.. ﺃﻨﺎ ﻤﺵ ﻤﺼﺩﻗﺔ ﻭﺩﺍﻨﻲ..‬ ‫ﺇﻨﺕ ﻗﺎﺌﺩ ﺴﺭﻴﺔ ﺍﻟﺼﺎﻋﻘﺔ.. ﻤﻥ ﺃﻴﺎﻡ ﻤﺎ ﻜﻨﺕ ﻤﻘـﺩﻡ..‬
  • 24. ‫ﺒﺘﻘﻭﺩ ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻟﻔﺩﺍﺌﻴﻴﻥ ﻤﻥ ﺃﻗﻭﻯ ﻭﺃﻜﺭﻡ ﻭﺃﻋـﺯ‬ ‫ﺃﺒﻨﺎﺀ ﻤﺼﺭ.. ﺘﺅﻤﺭ ﻭﺘﻨﻬﻲ..، ﻭﻴﻨﻔﺫﻭﺍ ﻟـﻙ ﺃﺼـﻌﺏ‬ ‫ﺍﻷﻭﺍﻤﺭ ﻭﻴﺠﺎﺯﻓﻭﺍ ﺒﺤﻴﺎﺘﻬﻡ ﺒﺩﻭﻥ ﺘﺭﺩﺩ.. ﺘﻀﻌﻑ ﻗﺩﺍﻡ‬ ‫ﺒﻨﺕ ﻤﻔﻌﻭﺼﺔ ﻻ ﺭﺍﺤﺕ ﻭﻻ ﺠﺕ.. ﻭﺘﻨﻔﺫ ﻟﻬـﺎ ﻜـل‬ ‫ﻁﻠﺒﺎﺘﻬﺎ.‬ ‫ﻗﺩﺭﻱ: ﺁﻫﻲ ﻫﻲ ﺍﻟﻠﻲ ﻁﻠﻌﺕ ﺒﻴﻬﺎ ﻤﻥ ﺍﻟﺩﻨﻴﺎ.‬ ‫ﻤﺩﻴﺤﺔ: ﻴﻭﻩ ﺒﻘﻰ ﻴﺎ ﻤﺎﻤﺎ .. ﻤﺎ ﺘﺤﺒﻜﻴﻬﺎﺵ.. ﻤﻴﺭﺴﻲ ﻴﺎ ﺒﺎﺒﻲ.‬ ‫ﺴﻌﺎﺩ: ﻫﻲ ﺩﻱ ﺁﺨﺭﺓ ﺍﻟﻤﺩﺍﺭﺱ ﺍﻟﺨﺎﺼﺔ.. ﻤﺩﺍﺭﺱ ﺍﻟﻠﻐﺎﺕ ﺍﻟﻠﻲ‬ ‫ﺍﻨﻘﻁﻡ ﻭﺴﻁﻨﺎ ﻋﺸﺎﻥ ﻨﺩﻓﻊ ﻤﺼﺎﺭﻴﻔﻬﺎ.. ﻴﺭﻭﺤﻭﺍ ﻋﻨـﺩ‬ ‫ﺃﺼﺤﺎﺒﻬﻡ ﻭﻴﺭﺠﻌـﻭﺍ ﻴﻘﻭﻟـﻭ ﺴـﻜﻲ ﺠﻴـﺕ ‪Skijet‬‬ ‫ﻭﺒﻴﺘﺵ ﺒﺎﺠﻲ ‪ Beach buggy‬ﻭﻴﺨـﺕ.. ﻭﻋـﺎﻴﺯﻴﻥ‬ ‫ﻴﺘﻌﺸﻭﺍ ﺴﻭﻤﻭﻥ ﻓﻴﻭﻤﻴﻪ ﻭﻜﺎﻓﻴﺎﺭ.. ﺍﷲ ﻴﺭﺤﻡ ﺃﻴﺎﻡ ﺯﻤﺎﻥ‬ ‫ﻟﻤﺎ ﻜﺎﻥ ﻜل ﺍﻟﻨﺎﺱ ﺒﻴﻔﻁﺭﻭﺍ ﻓﻭل ﺒﺯﻴﺕ ﺒﺫﺭﺓ ﺍﻟﻘﻁﻥ.‬ ‫ﻤﺩﻴﺤﺔ: ﻤﺎ ﺤﻨﺎ ﻟﺴﻪ ﺒﻨﺎﻜل ﻓﻭل.. ﻫﻲ ﺤﺒﺔ ﺍﻟﺯﻴـﺕ ﺍﻟﺯﻴﺘـﻭﻥ‬ ‫ﺍﻟﻠﻲ ﺒﺘﺤﻁﻴﻪ ﻋﻠﻴﻪ ﻫﻲ ﺍﻟﻠﻲ ﻓﺭﻗﺕ.. ﺇﻨﻤﺎ ﻋﻨﺩ ﻓﺘﺤﻴـﺔ‬ ‫ﺒﻴﺎﻜﻠﻭﺍ ﺠﺒﻨﺔ ﻜﺎﻤﻤﺒﺭﺕ ‪ Camembert‬ﻋﻠﻰ ﺍﻟﻔﻁﺎﺭ.‬ ‫ﺴﻌﺎﺩ: ﺃﻨﺕ ﻟﺴﺎﻨﻙ ﻁﻭﻴل ﻜﺩﻩ ﻟﻴﻪ؟ ﻫﻭ ﺠﻴﻠﻜﻡ ﻁﺎﻟﻊ ﻜﺩﻩ ﻟﻴـﻪ؟‬ ‫ﻤﺎ ﻓﻴﺵ ﺤﺎﺠﻪ ﻤﺎﻟﻴﺔ ﻋﻴﻨﻙ.. ﺍﻤﺸﻲ ﺍﺨﺭﺠﻲ ﺒﺭﻩ.‬
  • 25. ‫ﺇﻅﻼﻡ‬ ‫) ﻋﻠﻰ ﺍﻟﻤﻘﻬﻰ (‬ ‫ﻤﺅﻟﻑ ١: ﺩﻩ ﺒﻴﻘﻭﻟﻭﺍ ﻓﻴﻪ ﻤﺩﻴﺭ ﺠﺩﻴﺩ ﻓﻲ ﺍﻟﻤﺼﻠﺤﺔ.‬ ‫ﻤﺅﻟﻑ ٢: ﻤﺎﻨﺎ ﻋﺎﺭﻓﻪ ﺒﺴﻁﺎﺭﻭﺱ ﺍﺴﺘﻴﻨﺎﻨﻭﺱ ﺠﺭﻴﺠﻭﺭﻴﻭﺱ.‬ ‫ﻤﺅﻟﻑ ١: ﻭﺩﻩ ﻁﻠﻊ ﻟﻨﺎ ﻤﻥ ﻓﻴﻥ؟‬ ‫ﻤﺅﻟﻑ ٢: ﺩﻩ ﻗﺭﺏ ﻤﻥ ﺴﻥ ﺍﻟﻤﻌﺎﺵ.. ﻓﻀل ﻴﺘﺩﺭﺝ ﻋﻠﻰ ﺍﻟﺴﻠﻡ‬ ‫ﺍﻟﻭﻅﻴﻔﻲ ﻟﺤﺩ ﻤﺎ ﺃﺨﺫ ﺩﺭﺠﺔ ﻤﺩﻴﺭ ﻋﺎﻡ.‬ ‫ﻤﺅﻟﻑ ١: ﺒﻜﺭﺓ ﻴﻌﻴﻥ ﻜل ﻗﺭﺍﻴﺒﻪ ﻭﺼﺤﺎﺒﻪ ﻭﻴﻘﻠﺒﻬﺎ ﺒﻁﺭﺨﺎﻨﺔ.‬ ‫ﻤﺅﻟﻑ ٢: ﻤﺎ ﻴﻘﺩﺭﺵ.. ﻫﻭ ﻋﺎﺭﻑ ﻜﻭﻴﺱ ﻗﻭﻱ ﺇﻨﻪ ﻟﻭ ﻋﻴﻥ ﻟﻪ‬ ‫ﺃﻜﺜﺭ ﻤﻥ ﻗﺒﻁﻲ ﻭﻻ ﺍﺘﻨﻴﻥ ﻴﻼﻗـﻲ ﺃﻟـﻑ ﻤـﻥ ﻴﻘـﻑ‬ ‫ﻗﺼﺎﺩﻩ.. ﻤﺴﺘﻌﺩﻴﻥ ﻴﻁﻴﺭﻭﻩ ﻤﻥ ﻤﻨﺼـﺒﻪ.. ﻴﺨـﺎﻑ..‬ ‫ﻭﻴﻌﻨﻲ ﻫﻭ ﺍﻷﺭﺸﻴﻑ ﻨﺎﻗﺹ ﻗﺒﻁ.‬ ‫ﻤﺅﻟﻑ ١: ﻋﻠﻰ ﺭﺃﻴﻙ.. ﻋﻀﻤﺔ ﺯﺭﻗﺎ ﺃ ‪‬ﺎ ﻋﻥ ﺠﺩ.. ﻻ ﻴﻬـﺵ‬ ‫ﺒ‬ ‫ﻭﻻ ﻴﻨﺵ.‬ ‫ﻤﺅﻟﻑ ٢: ﻗﺎل ﻤﺘﻬﻴﺄ ﻟﻪ ﺇﻨﻪ ﺤﻴﺤل ﺃﺯﻤﺔ ﺍﻟﻭﺭﻕ.‬ ‫ﻤﺅﻟﻑ ١: ﻫﻭ ﺒﺱ ﺍﻟﻭﺭﻕ.. ﺩﻩ ﻓﻴﻪ ﺃﺯﻤﺔ ﻜﺎﺭﺒﻭﻥ.. ﺃﻨﺎ ﺠﻴـﺕ‬ ‫ﺃﻜﺘﺏ ﻤﺫﻜﺭﺓ ﺘﻅﻠﻡ ﻋﺸﺎﻥ ﻗﺭﺒﺕ ﻤﻥ ﺴﻥ ﺍﻟﻤﻌﺎﺵ.. ﻤﺎ‬ ‫ﻟﻘﻴﺘﺵ ﻭﺭﻗﺔ ﻭﺍﺤﺩﺓ ﻓﻲ ﺍﻟﻤﺼﻠﺤﺔ.. ﺍﻟﻤﻭﻅﻑ ﺍﻟﻤﺨﺘﺹ‬
  • 26. ‫ﻤﺩﻜﻥ ﻋﻠﻰ ﺍﻟﻜﺎﺭﺒﻭﻥ.. ﺒﻴﻭﻓﺭ ﻓﻲ ﺍﻟﻜﺎﺭﺒﻭﻥ ﻓﻲ ﻋﺼﺭ‬ ‫ﺍﻹﻨﺘﺭﻨﻴﺕ ‪.Internet‬‬ ‫ﻤﺅﻟﻑ ٢: ﻋﻠﻰ ﺭﺃﻴﻙ ﻭﺍﺩﻴﻨﺎ ﺩﺨﻠﻨﺎ ﺍﻟﻘﺭﻥ ﺍﻟﻭﺍﺤﺩ ﻭﺍﻟﻌﺸـﺭﻴﻥ‬ ‫ﻋﻠﻰ ﻗﺩﻡ ﻭﺴﺎﻕ.‬ ‫) ﻓﻲ ﻤﻨﺯل ﺒﺴﻁﺎﺭﻭﺱ ﺍﺴﺘﻴﻔﺎﻨﻭﺱ ﺠﺭﻴﺠﻭﺭﻴـﻭﺱ، ﻏﺭﻓـﺔ‬ ‫ﺍﻟﻤﻌﻴﺸﺔ ﻤﻥ ﻜﺭﺍﺴﻲ ﺃﺴﻴﻭﻁﻲ ﻭﻋﻠﻰ ﺍﻟﺤﺎﺌﻁ ﺼـﻭﺭﺓ‬ ‫ﻟﻠﺒﺎﺒﺎ ﺸﻨﻭﺩﺓ ﻭﺃﺨﺭﻯ ﻟﻠﺒﺎﺒﺎ ﻜﻴﺭﻟﺱ ﻭﺼﻠﻴﺏ ﻭﺼـﻭﺭ‬ ‫ﻟﻠﻌﺫﺭﺍﺀ ﻭﻫﻲ ﺘﺤﻤل ﺍﻟﻁﻔل ﻴﺴﻭﻉ ﺒﻴﻥ ﺫﺭﺍﻋﻴﻬﺎ (.‬ ‫ﺍﻟﺩﻜﺘﻭﺭ: ﺃﻟﻑ ﻤﺒﺭﻭﻙ.. ﻴﺘﺭﺒﻰ ﻓﻲ ﻋﺯﻙ.. ﺤﺘﺴﻤﻴﻪ ﺇﻴﻪ ﺒﻘﻰ؟‬ ‫ﺒﺴﻁﺎﺭﻭﺱ: ﺃﺒﺎﺩﻴﺭ.‬ ‫ﻫﻴﻼﻨﺔ: ﻤﺎ ﺘﺸﻭﻑ ﻟﻪ ﺍﺴﻡ ﺘﺎﻨﻲ.. ﺨﻠﻴﻪ ﻴﻌﺭﻑ ﻴﻤﺸﻲ ﺤﺎﻟـﻪ..‬ ‫ﻤﺵ ﻜﻔﺎﻴﺔ ﺇﻨﻪ ﺍﺴـﻤﻙ ﺒﺴـﻁﺎﺭﻭﺱ ﻭﺍﺴـﻡ ﺃﺒـﻭﻙ‬ ‫ﺍﺴﻁﻔﺎﻨﻭﺱ.. ﺩﻩ ﺇﻴﻪ ﺍﻟﺒﺨﺕ ﺩﻩ.. ﻴﺒﻘﻰ ﺍﺴﻡ ﺍﻟﻭﻟﺩ ﻓـﻲ‬ ‫ﺸﻬﺎﺩﺓ ﺍﻟﻤﻴﻼﺩ ﺃﺒﺎﺩﻴﺭ ﺒﺴﻁﺎﺭﻭﺱ ﺍﺴﻁﻔﺎﻨﻭﺱ.. ﺩﻩ ﺍﺴﻡ‬ ‫ﻴﻘﻁﻊ ﺍﻟﺨﻤﻴﺭﺓ ﻤﻥ ﺍﻟﺒﻴﺕ.. ﺨﻠﻴـﻪ ﻴﻌـﺭﻑ ﻴﻌـﻴﺵ..‬ ‫ﻋﺎﻴﺯﻩ ﻴﻘﻌﺩ ﻉ ﺍﻟﺭﺼﻴﻑ.‬ ‫ﺒﺴﻁﺎﺭﻭﺱ: ﻻ ﻭﺍﻨﺕ ﺍﻟﺼﺎﺩﻗﺔ ﺤﻴﻘﻌﺩ ﻓﻲ ﺍﻷﺭﺸﻴﻑ ﺯﻴﻲ. ﻫﻲ‬ ‫ﻓﺭﻗﺕ ﺇﻴﻪ.. ﺃﺒﺎﺩﻴﺭ ﻴﻌﻨﻲ ﺃﺒﺎﺩﻴﺭ..‬
  • 27. ‫ﻫﻴﻼﻨﺔ: ) ﺒﺤﺴﺭﺓ ( ﺤﺘﻭﻗﻑ ﺤﺎﻟﻪ ﺃﻜﺜﺭ ﻤﻤﺎ ﻫﻲ ﻭﺍﻗﻔﺔ ﻤﻌﻨﺎ.‬ ‫ﺒﺴﻁﺎﺭﻭﺱ: ﻋﻠﻰ ﺃﻴﺎﻤﻬﻡ ﻤﺵ ﺤﺘﻔـﺭﻕ ﺃﺒـﺎﺩﻴﺭ ﺒﺴـﻁﺎﺭﻭﺱ‬ ‫ﺍﺴﻁﻔﺎﻨﻭﺱ ﺤﻴﺒﻘﻰ ﺯﻱ ﺤﺴـﻨﻴﻥ ﻋﻠﻴـﻭﺓ ﺤﺴـﻨﻴﻥ..‬ ‫ﺍﻻﺜﻨﻴﻥ ﺤﻴﻘﻌﺩﻭﺍ ﻉ ﺍﻟﺭﺼﻴﻑ ﻴﺸﺤﺘﻭﺍ.. ﻤﺴﺘﻨﻴﻴﻥ ﻤﻌﻠﻡ‬ ‫ﺍﻷﻨﻔﺎﺭ ﻟﻤﺎ ﻴﺸﻐﻠﻬﻡ. ﻤـﺵ ﺩﺨﻠﻨـﺎ ﻋﺼـﺭ ﺍﻟﻌﻭﻟﻤـﺔ‬ ‫ﻭﺍﻟﺸﺭﻜﺎﺕ ﺍﻟﻜﺒﺭﻯ...‬ ‫) ﻋﻠﻰ ﺍﻟﻤﻘﻬﻰ (‬ ‫ﻤﺅﻟﻑ ١:ﻨﻔﺴﻲ ﻓﻲ ﺤﺘﺔ ﺸﻬﺭﺓ ﻋﺸﺎﻥ ﺃﻗﻭل " ﺭﻴﺎﻥ ﻴﺎ ﻓﺠـل،‬ ‫ﻭﺍﻟﻨﺎﺱ ﺘﺴﺄﻑ ﻟﻲ..‬ ‫ﻤﺅﻟﻑ ٢: ﻤﺘﻬﻴﺄ ﻟﻙ ﺃﻨﺕ ﻋﺎﺭﻑ ﺍﻟﺸﻬﺭﺓ ﺩﻱ ﺤﺘﻜﻠﻔﻙ ﺇﻴﻪ؟‬ ‫ﻤﺅﻟﻑ ١: ﺤﺘﻜﻭﻥ ﺇﻴﻪ ﻴﻌﻨﻲ؟‬ ‫ﻤﺅﻟـﻑ ٢: ﺤﻴﻤﺼﻭﺍ ﺩﻤﻙ ﻟﺤﺩ ﻤﺎ ﺘﺒﻘﻰ ﺠﺜﺔ ﻤﻸﺤﻪ ﻤﺵ ﻻﻗﻴﻪ‬ ‫ﺤﺩ ﻴﺸﻴﻠﻬﺎ.. ﺤﺘﻼﻗﻲ ﺃﻗﺭﺏ ﻭﺃﻋﺯ ﺃﺼﺩﻗﺎﺌﻙ ﺒﻴﻁﻌﻨﻭﻙ‬ ‫ﻤﻥ ﺃﺠل ٢ ﻤﻠﻴﻡ ﻭﻟﻭ ﻜﺎﻨﻭﺍ ﻁﻠﺒﻭﺍ ﺃﻟﻑ ﺠﻨﻴﻪ ﻤﻨﻙ ﻜﻨﺕ‬ ‫ﺍﺩﻴﺘﻬﻡ ﺒﺭﻀﺎﻙ.. ﺇﻨﻤـﺎ ﻷﺠـل ﺍﻻﺜﻨـﻴﻥ ﻤﻠـﻴﻡ ﺩﻭل‬ ‫ﻴﻁﻌﻨﻭﻙ.‬ ‫ﻤﺅﻟﻑ ١: ﻴﺎ ﺴﻼﻡ.. ﻭﺍﻨﺕ ﺇﻴﺵ ﻋﺭﻓﻙ.. ﻫﻭ ﺃﻨﺕ ﻴﻌﻨﻲ ﻜﻨﺕ‬ ‫ﺍﺸﺘﻬﺭﺕ ﻭﻻ ﺇﻜﻤﻥ ﻜﺘﺎﺒﻙ ﻨﺯل ﻋﻠﻰ ﺍﻹﻨﺘﺭﻨﻴﺕ.‬
  • 28. ‫ﻤﺅﻟﻑ ٢: ﺸﻔﺕ ﺒﻘﻰ.. ﺃﻫﻭ ﺃﻨﺕ ﻤﺴﺘﺨﺴﺭ ﺤﺘﺔ ﺍﻟﻨﺠـﺎﺡ ﻓـﻲ‬ ‫‪‬‬ ‫ﻭﺒﺘﺘﺭﻴﺄ ﻋﻠﻲ ﻤﻊ ﺇﻨﻪ ﻏﻴﺭﻱ ﻜﺘﺒﻪ ﻤﻨﺸﻭﺭﺓ ﺒﻘـﻰ ﻟﻬـﺎ‬ ‫ﺴﻨﻴﻥ ﻭﺒﻴﻘﺒﺽ ﺒﺎﻟﺠﻨﻴـﻪ ﻭﺍﻟـﺩﻭﻻﺭ.. ﻭﺭﻏـﻡ ﺫﻟـﻙ‬ ‫ﻤﺴﺘﺨﺴﺭ ﻓﻲ ﺍﻟﻨﺠﺎﺡ ﺍﻟﺼﻐﻴﺭ.. ﻤﺵ ﺒﻘﻭﻟﻙ ﺤﺘﻼﻗـﻲ‬ ‫ﺍﻟﻜل ﺒﻤﺎ ﻓﻴﻬﻡ ﺃﺼﺤﺎﺒﻙ ﺍﻟﻤﻘﺭﺒﻴﻥ ﻋﺎﻴﺯﻴﻥ ﻴﺸـﻨﻜﻠﻭﻙ‬ ‫ﻟﺤﺩ ﻤﺎ ﺘﻘﻊ ﺴﻁﻴﺢ ﻋﻠﻰ ﻭﺸﻙ.. ﻭﺘﺘﻜﺴﺭ ﻭﺘﺘﻜﺴﺢ.‬ ‫ﻤﺅﻟﻑ ١: ﻁﺏ ﺭﻭﻕ ﺃﻤﺎل، ﻭﺍﺸﺭﺏ ﻗﻬﻭﺘﻙ.. ﻭﺍﻨـﺕ ﻋـﺎﻴﺯ‬ ‫ﺍﻟﺸﻬﺭﺓ ﻟﻴﻪ.. ﺃ ‪‬ﺎ ﺨﺒﺭ ﻨﺯل ﻋﻨﻲ ﻓﻲ ﺍﻟﺠﺭﻨﺎل ﻭﻜﻼﺏ‬ ‫ﻤ‬ ‫ﺠﻬﻨﻡ ﺍﻟﻤﺴﺭﻭﻋﺔ ﻓﻲ ﺍﻟﻤﺼﻠﺤﺔ ﻗﺎﻤﺕ ﻋﻠـﻲ.. ﺍﻟﻠـﻲ‬ ‫ﻋﺎﻴﺯ ﻴﺄﺨﺭ ﻟﻲ ﺍﻟﺤﻭﺍﻓﺯ ﻭﺍﻟﻠﻲ ﻋﺎﻴﺯ ﻴﺠﻴﺏ ﻟﻲ ﻴﻭﻤﻴﻥ‬ ‫ﺨﺼﻡ.‬ ‫ﻤﺅﻟﻑ ٢: ﻴﺎ ﺃﺨﻲ ﻤﺎ ﺘﺒﺎﻟﻐﺵ.. ﺇﻴﻪ ﻴﻌﻨـﻲ ﻴـﻭﻤﻴﻥ ﺨﺼـﻡ،‬ ‫ﻭﻻ ﻴﺄﺨﺭﻭﺍ ﻟﻙ ﺍﻟﺤﻭﺍﻓﺯ.. ﺒﺎﻟﻙ ﺒﻘﻰ ﻟﻤﺎ ﺍﺒﻥ ﺍﻟﺤـﻼل‬ ‫ﻋﻀﻭ ﻤﺠﻠﺱ ﺍﻟﺸﻌﺏ ﻋﻤل ﺍﻟﻀﺠﺔ ﺒﺘﺎﻋﺘﻪ.. ﻜﻨﺕ ﺒﻘﻰ‬ ‫ﺘﺸﻭﻑ ﻜﻼﺏ ﺠﻬﻨﻡ ﺒﺼﺤﻴﺢ..‬ ‫ﻤﺅﻟﻑ ١: ﻤﺎ ﻓﺭﻗﺘﺵ ﻴﺎ ﻋﻡ.. ﻜل ﺍﻟﻠﻲ ﻋﺎﻴﺯﻴﻨﻪ ﻫـﻭ ﺍﻟﺴـﺘﺭ‬ ‫ﻭﺍﻟﻠﻘﻤﺔ ﺍﻟﻬﻨﻴﺔ ﻭﻨﻜﺘﺏ ﺒﻤﺯﺍﺠﻨﺎ ﻭﺍﻟﺯﻤﻥ ﻴﺒﻘﻰ ﻴﺤﻜﻡ ﺒﻴﻨﻨﺎ‬ ‫ﻭﺒﻴﻥ ﺍﻷﺭﺯﻗﻴﺔ..‬
  • 29. ‫ﻤﺅﻟﻑ ٢: ﺘﻜﻭﻨﺵ ﻓﺎﻜﺭ ﻨﻔﺴﻙ ﻓﻲ ﺃﻭﺭﺒـﺎ.. ﻫﻨـﺎ ﺍﻷﺭﺯﻗﻴـﺔ‬ ‫ﻭﺍﺨﺩﻴﻨﻬﺎ ﺩﻨﻴﺎ ﻭﺁﺨﺭﺓ.. ﺇﻨـﺕ ﻤـﺵ ﻋـﺎﺭﻑ ﺒﻠـﺩﻙ‬ ‫ﻴﺎ ﺒﻨﻲ.. ﺒﻼ ﻗﺭﻑ.. ﻫﺎﺕ ﺍﺘﻨـﻴﻥ ﺸﻴﺸـﺔ ﻴـﺎ ﻭﻟـﻪ‬ ‫ﻭﺴﻤﻌﻨﺎ ﺩﻭﺭ ﻟﻠﺸﻴﺦ ﺴﻴﺩ..‬ ‫ﺼﺒﻲ ﺍﻟﻘﻬﻭﺓ: ﻤﺎﺸﻲ ﻴﺎ ﺤﻀﺭﺓ.. ﺘﻨﻔﻊ ﺴﺎﻟﻤﺔ ﻴﺎ ﺴﻼﻤﺔ...‬ ‫) ﺘﺴﻤﻊ ﺃﻏﻨﻴﺔ ﺴﺎﻟﻤﺔ ﻴﺎ ﺴﻼﻤﺔ.. ﻟﺴﻴﺩ ﺩﺭﻭﻴﺵ (.‬ ‫) ﺃﻤﺎﻡ ﻤﻜﺘﺏ ﺍﻟﺼﺭﺍﻑ ﻓﻲ ﻤﺼﻠﺤﺔ ﺤﻜﻭﻤﻴـﺔ ﺠﻤـﻊ‬ ‫ﻏﻔﻴﺭ ﻤﻥ ﺍﻟﻨﺎﺱ ﻴﻘﻔﻭﻥ ﺃﻤﺎﻡ ﺍﻟﺨﺯﺍﻨـﺔ ﻓـﻲ‬ ‫ﻁﺎﺒﻭﺭ ﻟﻠﺴﻴﺩﺍﺕ ﻭﻁﺎﺒﻭﺭ ﻟﻠﺭﺠﺎل ﺒﻴﻨﻤﺎ ﻫﻨﺎﻙ‬ ‫ﺃﻨﺎﺱ ﻜﺜﻴﺭﻭﻥ ﻭﺨﺎﺼﺔ ﺴﻴﺩﺍﺕ ﻻ ﻴﻘﻔﻭﻥ ﻓﻲ‬ ‫ﺍﻟﻁﺎﺒﻭﺭ (.‬ ‫ﺴﻌﺎﺩ:ﺇﻴﻪ ﺍﻟﺯﺤﻤﺔ ﺩﻱ.. ﺩﻩ ﺒﺎﻴﻥ ﻤﺵ ﺤﺎﻗـﺩﺭ ﺃﻗـﺒﺽ ﺃﺠـﺭ‬ ‫ﺍﻟﺭﻴﺴﻴﺘﺎل ﺍﻟﻠﻲ ﻗﺩﻤﺘﻪ ﻟﻠﻌﻤﺎل ﺍﻟﺸﻬﺭ ﺍﻟﻠﻲ ﻓﺎﺕ.. ﺇﻴـﻪ‬ ‫ﺍﻟﺯﺤﻤﺔ ﺩﻱ ﻴﺎ ﺃﺴﺘﺎﺫ؟‬ ‫ﺭﺠل: ﺩﻭل ﺍﻟﻤﻭﻅﻔﻴﻥ ﺒﻴﻘﺒﻀﻭﺍ ﺍﻟﺤﻭﺍﻓﺯ ﻭ " ﺍﻷﻭﻓﺭﺘﺎﻴﻡ " .‬ ‫ﺴﻌﺎﺩ: ﻴﺎ.. ﻜل ﺍﻟﻁﻭﺍﺒﻴﺭ ﺩﻱ.. ﻭﺃﻨﺎ ﺍﻟﻠﻲ ﻜﻨﺕ ﻋﺎﻤﻠﺔ ﺤﺴـﺎﺒﻲ‬ ‫ﺃﻗﺒﺽ ﺍﻟﻨﻬﺎﺭﺩﺓ.. ﺩﻩ ﺍﻟﻁﺎﺒﻭﺭ ﻁﻭﻴل ﻗـﻭﻱ.. ﻓﻜـﺭﻙ‬ ‫ﺃﻟﺤﻕ ﺃﻗﺒﺽ؟‬
  • 30. ‫ﺭﺠل: ﺠﺭﺒﻲ ﺤﻅﻙ.‬ ‫) ﺴﻌﺎﺩ ﺘﻘﻑ ﻓﻲ ﻁﺎﺒﻭﺭ ﺍﻟﺴﻴﺩﺍﺕ (‬ ‫ﺍﻤﺭﺃﺓ ١: ﺩﻩ ﺃﻨﺎ ﻫﻨﺎ ﻤﻥ ﺍﻟﺴﺎﻋﺔ ٨..‬ ‫ﺍﻤﺭﺃﺓ ٢: ﻟﻜﻥ ﺇﻨﺕ ﺒﻌﺩﻱ.. ﺃﻨﺎ ﺤﺎﺠﺯﺓ ﺩﻭﺭﻱ ﻤـﻥ ﺍﻟﺴـﺎﻋﺔ‬ ‫ِ‬ ‫ﺴﺒﻌﺔ ﻭﻨﺹ.. ﻤﺵ ﻜﺩﻩ ﻴﺎ ﺃﺴﺘﺎﺫ ﺒﺨﻴﺕ؟‬ ‫ﺒﺨﻴﺕ: ﺒﺎﻟﻨﻅﺎﻡ.. ﺒﺎﻟﻨﻅﺎﻡ.. ﻜل ﻭﺍﺤﺩ ﺤﻴﺎﺨﺩ ﺩﻭﺭﻩ.‬ ‫ﺍﻤﺭﺃﺓ ٣: ﺇﻨﺕ ﻨﻤﺭﺓ ﻜﺎﻡ ﻴﺎ ﻤﺩﺍﻡ؟.. ﺃﻨﺎ ٣٢.‬ ‫ِ‬ ‫ﺍﻤﺭﺃﺓ ١: ﻤﺵ ﻤﻌﻘﻭل.. ﺇﻨﺕ ﺠﺎﻴﺔ ﺒﻌﺩﻱ ﻭﺃﻨﺎ ﻨﻤﺭﺓ ٠٣.‬ ‫ِ‬ ‫ﺍﻤﺭﺃﺓ ٣: ﺃﺼل ﺃﻨﺎ ﻁﻠﻌﺕ ﻓﻭﻕ ﺃﺴﻠﻡ ﺸﻐل ﻋﻠﻰ ﻤـﺎ ﻴﻔﺘﺤـﻭﺍ‬ ‫ﺍﻟﺨﺯﻨﺔ.‬ ‫ﺍﻤﺭﺃﺓ ١: ﻻ ﻤﺎ ﻴﻨﻔﻌﺵ.. ﺘﺎﺨﺩﻱ ﺩﻭﺭﻙ ﻤﻥ ﺠﺩﻴﺩ‬ ‫ﺍﻤﺭﺃﺓ ٣: ﻻ ﺍﻷﺴﺘﺎﺫ ﺒﺨﻴﺕ ﻫﻭ ﺍﻟﻠﻲ ﻤﺩﻱ ﺍﻷﺭﻗﺎﻡ.. ﻤﺵ ﻜـﺩﻩ‬ ‫ﻴﺎ ﺃﺴﺘﺎﺫ ﺒﺨﻴﺕ؟‬ ‫ﺒﺨﻴﺕ: ﺒﺎﻟﻨﻅﺎﻡ.. ﺒﺎﻟﻨﻅﺎﻡ..‬ ‫) ﺍﻟﺼ ‪‬ﺍﻑ ﻴﻔﺘﺢ ﺸﺒﺎﻙ ﺍﻟﺨﺯﻨﺔ ﻭﺘﻬﺠﻡ ﺍﻟﺴﻴﺩﺍﺕ ﻋﻠﻰ‬ ‫ﺭ‬ ‫ﺍﻟﺸﺒﺎﻙ (‬ ‫ﺒﺨﻴـﺕ: ﺒﺎﻟﻨﻅﺎﻡ.. ﺒﺎﻟﻨﻅﺎﻡ.. ﻴﺎ ﺃﺴﺘﺎﺫ.. ﺒﺎﻟﺩﻭﺭ ﺍﻟﺼ ‪‬ﺍﻑ ﺤﻴﻨﺩﻩ‬ ‫ﺭ‬ ‫ﺍﻷﺴﻤﺎﺀ ﻋﻠﻰ ﺤﺴﺏ ﺍﻟﻨﻤﺭ.‬
  • 31. ‫ﺍﻟﺼ ‪‬ﺍﻑ: ﺃﻤﻴﻨﺔ ﻤﺤﻤﺩ ﺤﺴﻴﻥ.‬ ‫ﺭ‬ ‫ﺒﺨﻴﺕ:‬ ‫) ﻴﻜﺭﺭ ﺒﺼﻭﺕ ﻋﺎل ﻟﻜﻲ ‪‬ﺴ ‪‬ﻊ ﻭﺴﻁ ﺍﻟﺯﺤﺎﻡ (‬ ‫ﻴ ﻤ‬ ‫ٍ‬ ‫ﺃﻤﻴﻨﺔ ﻤﺤﻤﺩ ﺤﺴﻴﻥ.. ﻓﻴﻥ ﺃﻤﻴﻨﺔ ) ﺃﻤﻴﻨﺔ ﺘﻘﺒﺽ (.‬ ‫ﺍﻟﺼﺭﺍﻑ: ﻨﻤﺭﺓ ٢ ﻤﺭﻓﺕ ﺃﻤﻴﻥ ﻓﺅﺍﺩ..‬ ‫) ﺼﻭﺕ ﺒﺨﻴﺕ ﻭﺃﺼﻭﺍﺕ ﺃﺨﺭﻯ ﺘﺭﺩﺩ ( ﻤﺭﻓﺕ ﺃﻤـﻴﻥ‬ ‫ﻓﺅﺍﺩ.‬ ‫ﻤﺭﻓﺕ:ﺃﻴﻭﻩ.. ﻓ ‪‬ﻭﺘﻭﻨﻲ.. ﺍﷲ ﻴﺨﻠﻴﻜﻡ.. ﺩﻩ ﺃﻨﺎ ﻭﺍﻗﻔﺔ ﻤﻥ ﺍﻟﺼﺒﺢ‬ ‫ﻭ‬ ‫ﺒﺩﺭﻱ ﻭﻋﻨﺩﻱ ﺭﻭﻤﺎﺘﻴﺯﻡ.‬ ‫) ﻴﺴﺘﻤﺭ ﺍﻟﺼﺭﺍﻑ ﻓﻲ ﻨﺩﺍﺀ ﺍﻷﺴﻤﺎﺀ ﻭﻴﺯﺩﺍﺩ ﺍﻟﺯﺤـﺎﻡ‬ ‫ﻭﺍﻟﻬﺭﺠﻠﺔ ﻓﻲ ﻁﺎﺒﻭﺭ ﺍﻟﺴﻴﺩﺍﺕ ﺒﻴﻨﻤـﺎ ﻴﻘـﻑ‬ ‫ﻁﺎﺒﻭﺭ ﺍﻟﺭﺠﺎل ﻓﻲ ﻨﻅﺎﻡ (.‬ ‫ﺍﻤﺭﺃﺓ ٢: ﻤﺎ ﺘﺯﺅﻴﺵ.‬ ‫ﺍﻤﺭﺃﺓ ١: ﺍﻟﻠﻲ ﻭﺭﺍﻴﺎ ﻫﻲ ﺍﻟﻠﻲ ﺒﺘﺯﺅﻨﻲ..‬ ‫ﺒﺨﻴـــﺕ: ﺒﺎﻟـــﺩﻭﺭ ﺒﺎﻟـــﺩﻭﺭ ﻴـــﺎ ﺴـــﻴﺩﺍﺕ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫) ﺍﻟﻜل ﻴﺯﺍﺤﻡ ﻓﻲ ﻁﺎﺒﻭﺭ ﺍﻟﺴﻴﺩﺍﺕ (.‬ ‫ﺍﻟﺼﺭﺍﻑ: ﺍﻟﻔﻠﻭﺱ ﺨﻠﺼﺕ‬
  • 32. ‫) ﺘﻬﺠﻡ ﻋﻠﻴﻪ ﺍﻟﺴﻴﺩﺍﺕ ﻭﻫﻥ ﻴﺼﺤﻥ (.‬ ‫ﺍﻤﺭﺃﺓ ٣: ﻤﺵ ﺼﺤﻴﺢ.. ﺇﻨﺕ ﻋﻤﻠﺕ ﻜﺩﻩ ﺍﻷﺴﺒﻭﻉ ﺍﻟﻠﻲ ﻓـﺎﺕ‬ ‫ﻭﻟﻤﺎ ﻁﻠﻌﻨﺎ ﻟﺭﺌﻴﺱ ﻤﺠﻠﺱ ﺍﻹﺩﺍﺭﺓ ﻓﺘﺤﺕ ﺍﻟﺨﺯﻨﺔ ﺘﺎﻨﻲ.‬ ‫ﺍﻤﺭﺃﺓ ١: ﺩﻩ ﺒﻴﻘ ‪‬ﺽ ﻨﺎﺱ ﻨﺎﺱ ﻤﻥ ﺘﺤﺕ ﻟﺘﺤﺕ.‬ ‫ﺒ‬ ‫ﺍﻤﺭﺃﺓ ٢: ﺍﻟﻨﺎﺱ ﺍﻟﻠﻲ ﻭﺍﺼﻠﻴﻥ.‬ ‫ﺍﻤﺭﺃﺓ ٣: ﺃﻫﻭ ﻜل ﻭﺍﺤﺩ ﻴﺯل ﻓﻴﻨﺎ ﺸﻭﻴﺔ..‬ ‫ﺍﻤﺭﺃﺓ ١: ﺩﻱ ﻋﻤﺭﻫﺎ ﻤﺎ ﺤﺼﻠﺕ.. ﺍﻻﻋﺘﻤﺎﺩﺍﺕ ﺩﺍﻴ ‪‬ﺎ ﻜﺒﻴﺭﺓ.‬ ‫ﻤ‬ ‫ﺍﻤﺭﺃﺓ ٢: ﺒﻘﻰ ﻟﻨﺎ ﺴﻨﺔ ﺃﻫﻭ ﻭﺍﻷﺯﻤـﺔ ﻜـل ﻤـﺩﻯ ﺒﺘﺴـﺘﻔﺤل‬ ‫) ﻴﻘﻑ ﺴﺎﻋﻲ ﻴﺤﻤل ﺃﺫﻨﺎﺕ ﺼﺭﻑ (.‬ ‫ﺍﻟﺴﺎﻋﻲ: ﻓﻴﻥ ﻓﻠﻭﺱ ﺍﻷﺴﺎﺘﺫﺓ؟‬ ‫) ﺍﻟﺼﺭﺍﻑ ﻴﻌﻁﻴﻪ ﻤﺒﻠﻎ ﻤﻥ ﺍﻟﻤﺎل (‬ ‫ﺍﻤﺭﺃﺓ ٣: ﺩﻩ ﺒﻴﻘ ‪‬ﺽ ﻋﻠﻰ ﻤﺯﺍﺠـﻪ.. ﺍﻟﻤﺴـﺄﻟﺔ ﻓﻴﻬـﺎ ﺨﻴـﺎﺭ‬ ‫ﺒ‬ ‫ﻭﻓﺎﻗﻭﺱ.‬ ‫) ﺘﻬﺠﻡ ﺍﻟﺴﻴﺩﺍﺕ ﻋﻠﻰ ﺸﺒﺎﻙ ﺍﻟﺼﺭﺍﻑ ﺒﻴﻨﻤﺎ ﺘﻨﺴﺤﺏ‬ ‫ﺴﻌﺎﺩ ﻤﻥ ﺍﻟﻁﺎﺒﻭﺭ ﻭﻓﻲ ﺍﻟﺯﺤﺎﻡ ﺘﺩﻫﺱ ﺘﺤﺕ‬ ‫ﺍﻷﻗﺩﺍﻡ ﺍﻤﺭﺃﺓ ﻓﻲ ﺍﻟﺴﺘﻴﻥ ﻤﻥ ﻋﻤﺭﻫﺎ (.‬ ‫ﺒﺨﻴﺕ: ﻭﺴﻌﻭﺍ ﺸﻭﻴﺔ.. ﺸﻭﻓﻭﺍ ﺍﻟﺴﺕ ﺍﻟﻜﺒﻴﺭﺓ ﺍﻟﻠﻲ ﻭﻗﻌﺘﻭﻫـﺎ..‬ ‫ﻭ ‪‬ﻌﻲ ﺇﻨﺕ ﻭﻫﻲ ) ﻴﺎﺨﺩ ﻴﺩ ﺍﻟﻤﺭﺃﺓ ﺍﻟﺘﻲ ﻭﻗﻌﺕ ﻋﻠـﻰ‬ ‫‪‬‬ ‫ِ‬ ‫ﺴ‬
  • 33. ‫ﺍﻷﺭﺽ ( ﺃﻟﻑ ﺴﻼﻤﺔ ﻋﻠﻴﻜﻲ ﻴﺎ ﺤﺎﺠﺔ ) ﻴﺤـﺎﻭل ﺃﻥ‬ ‫ﻴﺭﻓﻌﻬﺎ ﻓﻼ ﻴﺴﺘﻁﻴﻊ ( ﺩﻱ ﺒﺎﻴﻥ ﻋﻠﻴﻬﺎ ﺍﻨﻜﺴﺭﺕ.‬ ‫ﺒﺨﻴﺕ: ﺇﻨﺕ ﻜﺎﻥ ﻤﺎﻟﻙ ﻭﻤﺎل ﺍﻟﺯﺤﻤﺔ ﺩﻱ ﻴﺎ ﺤﺎﺠﺔ؟ ﺤﻀـﺭﺘﻙ‬ ‫ِ‬ ‫ﻤﻥ ﺃﻱ ﻗﺴﻡ؟‬ ‫ﻨﺒﻴﻠﺔ: ﺃﻨﺎ ﻨﺒﻴﻠﺔ ﻤﺤﻤﺩ ﺍﻟﺴﻴﺩ، ﻤﻥ ﺍﻟﺸﺌﻭﻥ ﺍﻟﻘﺎﻨﻭﻨﻴﺔ.‬ ‫ﺒﺨﻴﺕ: ﻤﺩﺍﻡ ﻨﺒﻴﻠﺔ؟ ﻤﻌﻘﻭﻟﺔ ﺒﻌﺩ ﺍﻟﻌﻤﺭ ﺩﻩ ﻜﻠﻪ؟ ﺃﻨﺎ ﻓﺎﻜﺭ ﺃﻴﺎﻡ ﻤﺎ‬ ‫ﻜﻨﺎ ﺒﻨﻜﺘﺏ ﻤﺫﻜﺭﺍﺕ ﺴﻭﻯ ﻨﺩﺍﻓﻊ ﻋﻥ ﻋﻤﺎل ﺍﻟﺘﺭﺍﺤﻴل؟‬ ‫ﻨﺒﻴﻠﺔ: ﻗﻁﻌﺕ ﺍﻟﻤﺫﻜﺭﺍﺕ ﻭﺴﻨﻴﻨﻬﺎ.. ﺒﻘﻰ ﺩﻩ ﺁﺨـﺭ ﺍﻟﻤﻁـﺎﻑ..‬ ‫ﺩﻩ ﺃﻨﺎ ﻤﻥ ﺘﻼﺘﻴﻥ ﺴﻨﺔ ﻨﺯﻟﺕ ﻤﻥ ﻤﻭﺍﻗﻊ ﺍﻟﻌﻤل ﻭﻋﻤﻠﺕ‬ ‫ﺘﺤﺭﻴﺎﺕ ﻋﻠﻰ ﻋﻤﺎل ﺍﻟﺘﺭﺍﺤﻴل.. ﺃﻨﺎ ﺃﻭل ﻤﻥ ﻁﺎﻟﺏ ﻟﻬﻡ‬ ‫ﺒﺤﻘﻭﻗﻬﻡ ﻭﺠﺒﺕ ﻟﺒﻌﻀﻬﻡ ﻤﻌﺎﺵ ﻭﺴﺠﻠﺘﻬﻡ ﻓﻲ ﻨﻘﺎﺒـﺔ‬ ‫ﺍﻟﻌﻤﺎل.‬ ‫ﺒﺨﻴﺕ: ﺃﻴﻭﻩ ﺃﻨﺎ ﻓﺎﻜﺭ.. ﺤﻀﺭﺘﻙ ﻟﻔ ﱢﻲ ﺍﻟﻨﻅﺭ ﻟﻭﻀـﻊ ﻋﻤـﺎل‬ ‫ﺘ‬ ‫ﺍﻟﺘﺭﺍﺤﻴل..‬ ‫ﻨﺒﻴﻠﺔ: ﻭﺩﻟﻭﻗﺕ ﺇﺤﻨﺎ ﺒﻘﻴﻨﺎ ﺃﺴﻭﺃ ﻤﻥ ﺍﻟﺘﺭﺍﺤﻴل.. ﻤﻴﻥ ﻴﻘﻭل ﺇﻨـﻪ‬ ‫ﺩﻱ ﻤﺅﺴﺴﺔ ﺤﻜﻭﻤﻴﺔ!‬ ‫ﺒﺨﻴﺕ: ﻋﻠﻰ ﺭﺃﻱ ﺍﻟﻤﺜل " ﺇﻥ ﻓﺎﺘﻙ ﺍﻟﻤﻴـﺭﻱ.. ﺍﺘﻤـ ‪‬ﻍ ﻓـﻲ‬ ‫ﺭ‬ ‫ﺘﺭﺍﺒﻪ".‬
  • 34. ‫ﻨﺒﻴﻠﺔ: ) ﺒﻤﺭﺍﺭﺓ ﺸﺩﻴﺩﺓ ( ﻭﺃﺩﻴﻨﺎ ﻤﺘﻤﺭﻤﻐﻴﻥ ﻓﻲ ﺍﻟﺘﺭﺍﺏ.‬ ‫ﻤﻭﻅﻑ ١: ﺍﻟﻜﻼﻡ ﺩﻩ ﻤﺎ ﻴﻨﻔﻌﺵ.. ﻻﺯﻡ ﻨﻁﻠﻊ ﻟﺭﺌﻴﺱ ﻤﺠﻠـﺱ‬ ‫ﺍﻹﺩﺍﺭﺓ.‬ ‫) ﻓﻲ ﻤﻜﺘﺏ ﺭﺌﻴﺱ ﻤﺠﻠﺱ ﺍﻹﺩﺍﺭﺓ (‬ ‫ﻤﻭﻅـﻑ ٢: ﻴﺎ ﻓﻨﺩﻡ ﺇﺤﻨﺎ ﺒﻨﺘﻌ ‪‬ﺽ ﻟﻤﻬﺎﻨـﺔ ﻭﺇﺤﻨـﺎ ﺒﻨﻘـﺒﺽ‬ ‫ﺭ‬ ‫ﻭﻏﺼﺏ ﻋﻨﻨﺎ ﺒﻨﺘﺒﻬﺩل ﻷﻨﻨﺎ ﻓﺎﺘﺤﻴﻥ ﺒﻴـﻭﺕ ﻭﻭﺭﺍﻨـﺎ‬ ‫ﻋﻴﺎل.‬ ‫ﻤﻭﻅﻑ ١: ﺩﻩ ﻏﻴﺭ ﺍﻟﺒﻬﺩﻟﺔ ﻭﺍﻟﻭﻗﻭﻑ ﻓﻲ ﻁﻭﺍﺒﻴﺭ ﻓﻴﻪ ﻭﺍﺤـﺩﺓ‬ ‫ﺴﺕ ﻜﺒﻴﺭﺓ ﺍﻨﻜﺴﺭﺕ ﺭﺠﻠﻬﺎ ﻓﻲ ﺍﻟﺯﺤﻤﺔ..‬ ‫ﻤﻭﻅﻑ ٣: ﺍﻟﻤﺼﻠﺤﺔ ﻓﻠﻭﺴﻬﺎ ﻜﺘﻴﺭ.. ﺇﺤﻨـﺎ ﻋـﺎﻴﺯﻴﻥ ﻜﺸـﻑ‬ ‫ﺒﺎﻟﺩﺨل ﻭﺍﻟﻤﺼﺭﻭﻓﺎﺕ.. ﻭﻨﻌﺭﻑ ﺍﻟﻔﻠﻭﺱ ﺭﺍﺤﺕ ﻓﻴﻥ..‬ ‫ﺍﻟﺭﺌﻴﺱ: ) ﺒﻨﺒﺭﺓ ﺘﻬﺩﻴﺩ ﻓﻲ ﺼﻭﺘﻪ ( ﻗل ﻟﻲ ﻴـﺎ ﺍﺒﻨـﻲ ﺇﻨـﺕ‬ ‫ﺒﺘﺸﺘﻐل ﻜﺎﻡ ﺴﺎﻋﺔ ﻋﻤل ﺇﻀﺎﻓﻲ.. ﺇﺤﻨﺎ ﺤﻨﻀﻁﺭ ﻨﺸﻴل‬ ‫ﺠﺯﺀ ﻤﻥ ﺍﻷﺠـﺭ ﺍﻹﻀـﺎﻓﻲ.. ﻭﺤﻨﻀـﻁﺭ ﻨﻠﻐـﻲ‬ ‫ﺍﻟﺤﻭﺍﻓﺯ.. ﺩﻩ ﻏﺼﺏ ﻋﻨﻨﺎ.. ﻓﻴﻪ ﻨﺎﺱ ﺒﻴﻁﺎﻟﺒﻭﺍ ﺒﺈﻟﻐﺎﺀ‬ ‫ﺍﻟﻤﺼﻠﺤﺔ ﻭﺘﺴﺭﻴﺢ ﺍﻟﻌﺎﻤﻠﻴﻥ.. ﺇﻨﻤﺎ ﺇﺤﻨﺎ ﻗﻠﻨﺎ ﻨﺨﻔـﺽ‬ ‫ﻤﻥ ﺃﺠﻭﺭﻫﻡ ﻭﺭﻏﻡ ﺫﻟـﻙ ﺒﻨـﺩﻴﻜﻡ ﺃﺠـﺭ ﺇﻀـﺎﻓﻲ..‬ ‫ﻭﺤﻭﺍﻓﺯ ﻭﺤﺎﺠﺎﺕ ﺘﺎﻨﻴﺔ ﻜﺘﻴﺭ ﻋﺎﻴﺯﻴﻥ ﻨﺸﻴﻠﻬﻡ.‬
  • 35. ‫ﻤﻭﻅﻑ ٣: ) ﺒﺈﺒﺎﺀ ( ﺍﻟﻠﻬﻡ ﻻ ﻤﺎﻨﻊ ﻟﻤﺎ ﺃﻋﻁﻴﺕ ﻭﻻ ﻤﻌﻁﻲ ﻟﻤﺎ‬ ‫ﻤﻨﻌﺕ..‬ ‫ﺍﻟﺭﺌﻴﺱ: ﻁﺒ ‪‬ﺎ ﻁﺒ ‪‬ﺎ.. ﺇﻥ ﺸﺎﺀ ﺍﷲ ﺤﺎﻨﺸـﻭﻑ ﺍﻟﻤﻭﻀـﻭﻉ ﺩﻩ‬ ‫ﻌ ﻌ‬ ‫ﻭﻨﺤل ﻟﻜﻡ ﻤﺸﻜﻠﺘﻜﻡ.. ﺍﺭﺠﻌﻭﺍ ﺸﻐﻠﻜﻡ ﺩﻟﻭﻗﺕ.‬ ‫) ﺘﺨﺭﺝ ﺍﻟﻤﺠﻤﻭﻋﺔ (‬ ‫ﺍﻟﺭﺌﻴﺱ: ) ﻟﻤﺩﻴﺭ ﻤﻜﺘﺒﻪ ( ﺍﻟﻭﺍﺩ ﺩﻩ ﻟﺴﺎﻨﻪ ﻁﻭﻴـل ﺸـﻭﻴﺘﻴﻥ..‬ ‫ﺒﻁﻠﻭﺍ ﺍﻟﺘﻌﺎﻤل ﻤﻌﺎﻩ.‬ ‫ﻤﺩﻴﺭ ﺍﻟﻤﻜﺘﺏ: ﻴﺎ ﻓﻨﺩﻡ ﻫﻭ ﻟﻭ ﻜﺎﻥ ﻤﺘﻌﺎﻤل ﻤﻥ ﺍﻟﺨـﺎﺭﺝ ﻜـﺎﻥ‬ ‫ﻴﺠﺭﺅ ﻴﻘﻭل ﺍﻟﻜﻼﻡ ﺩﻩ.. ﺩﻩ ﻤﻭﻅﻑ.‬ ‫ﺍﻟﺭﺌﻴﺱ: ﺸﻴل ﻤﻨﻪ ﺍﻷﺠﺭ ﺍﻹﻀـﺎﻓﻲ ﻋﺸـﺎﻥ ﻴـﺘﻌﻠﻡ ﺍﻷﺩﺏ.‬ ‫ﻭ ‪‬ﺒﻪ.‬ ‫ﻀ‬ ‫) ﺼﻭﺕ ﺍﻟﻌﻤﺎل ﻭﺍﻟﻤﻭﻅﻔﻴﻥ ﻴﻌﻠﻭ ﻤﻥ ﺍﻟﺨﺎﺭﺝ ﻭ ‪‬ﻀﺎﺀ‬ ‫ﻴ‬ ‫ﺠﺯﺀ ﺁﺨﺭ ﻤﻥ ﺨﺸﺒﺔ ﺍﻟﻤﺴﺭﺡ ﺤﻴﺙ ﻴﻘﻔـﻭﻥ‬ ‫ﻭﻴﺼﻴﺤﻭﻥ (‬ ‫ﺼﻭﺕ ١: ﻋﺎﻴﺯﻴﻥ ﻨﻘﺒﺽ ﺍﻷﻭﻓﺭﺘﺎﻴﻡ.‬ ‫ﺼﻭﺕ ٢: ﺇﺤﻨﺎ ﻓﺎﺘﺤﻴﻥ ﺒﻴﻭﺕ ﻭﻭﺭﺍﻨﺎ ﻋﻴﺎل..‬ ‫ﺼﻭﺕ ٣: ﺍﻟﻤﻼﻟﻴﻡ ﺍﻟﻠﻲ ﺒﻨﺎﺨﺩﻫﺎ ﻤﺎ ﻋﺩﺘﺸﻲ ﺘﻜﻔﻲ.‬ ‫) ﺍﻟﺼﻴﺎﺡ ﻴﻌﻠﻭ (‬
  • 36. ‫ﺼﻭﺕ ٤: ﻫﻲ ﻋﺯﺒﺔ ﺃﺒﻭﻫﻡ.. ﻟﻤﺎ ﻴﺫﻟﻭﻨﺎ ﻜﺩﻩ ﺩﻱ ﺤﻜﻭﻤﺔ.‬ ‫ﺼﻭﺕ ١: ﻻ ﻭﺃﻨﺕ ﺍﻟﺼﺎﺩﻕ ﺍﻟﻤﺎل ﺍﻟﺴﺎﻴﺏ ﻴﻌﻠﻡ ﺍﻟﺤﺭﺍﻡ..‬ ‫ﺼﻭﺕ ٢: ﺇﻥ ﻜﺎﻥ ﻋﻠﻴﻬﺎ ﺩﻱ ﺴﺎﻴﺒﺔ ﻉ ﺍﻵﺨﺭ.‬ ‫ﺼﻭﺕ ٣: ﻜل ﻭﺍﺤﺩ ﻴﻨﻬﺏ ﻟﻪ ﻜﺎﻡ ﺒﺎﻜﻭ..‬ ‫ﺼﻭﺕ ٤: ﺒﻭﺍﻜﻲ ﺇﻴﻪ ﻴﺎ ﻋﻡ.. ﻗﻭل ﺃﺭﻨﺏ..‬ ‫ﺼﻭﺕ ١: ﻋﻠﻰ ﺭﺃﻴﻙ ﺩﻭل ﻤﺎ ﺒﻴﺸﺒﻌﻭﺵ..‬ ‫) ﺍﻟﺼﻴﺎﺡ ﻴﻌﻠﻭ (‬ ‫ﻨﻬﺎﻴﺔ ﺍﻟﻔﺼل ﺍﻷﻭل‬
  • 37. ‫ﺍﻟﻔﺼل ﺍﻟﺜﺎﻨﻲ‬ ‫ﺍﻟﻤﻨﻅﺭ‬ ‫) ﻓﻲ ﻏﺭﻓﺔ ﺍﻟﻤﻌﻴﺸﺔ.. ﻗﺩﺭﻱ ﻴﻘﺭﺃ ﺍﻟﺠﺭﺍﺌﺩ ﺒﻴﻨﻤﺎ‬ ‫ﻟﺒﺎﺠﺎﻨﻴﻨﻲ‬ ‫ﻜﺎﺒﺭﻴﺘﺸﻲ‬ ‫ﻤﻥ‬ ‫ﻤﻘﻁﻭﻋﺔ‬ ‫ﺘﻌﺯﻑ‬ ‫ﺴﻌﺎﺩ‬ ‫) ‪ .( Capricci by Paganini‬ﺍﻹﻀﺎﺀﺓ ﺨﺎﻓﺘﺔ ﻭ ﹸﻭﺤﻲ‬ ‫ﺘ‬ ‫ﺒﺎﻷﻟﻔﺔ ﻭﺭﺍﺤﺔ ﺍﻟﺒﺎل. ﻓﺠﺄﺓ ‪‬ﺴﻤﻊ ﺨﺒﻁ ﺠﺎﻤﺩ ﻋﻠﻰ ﺍﻟﺒﺎﺏ..‬ ‫ﻴ‬ ‫ﺴﻌﺎﺩ ﺘﻔﺘﺢ ﺍﻟﺒﺎﺏ ﻭﺘﺩﺨل ﻤﺩﻴﺤﺔ ﻭﻴﺒﺩﻭ ﻋﻠﻴﻬﺎ ﻋﻼﻤﺎﺕ‬ ‫ﺍﻟﻐﻀﺏ ﺍﻟﺸﺩﻴﺩ (.‬ ‫ﻗﺩﺭﻱ: ﺇﻴﻪ ﻓﻴﻪ ﺇﻴﻪ ﻴﺎ ﻤﺩﻴﺤﺔ.. ﺇﻴﻪ ﺍﻟﻠﻲ ﺭ ‪‬ﻌﻙ ﺒﺩﺭﻱ.. ﺇﻨـﺕ‬ ‫ِ‬ ‫ﺠ‬ ‫ﻤﺵ ﻜﻨﺕ ﺤﺘﻘﺩﻱ ﺃﺴﺒﻭﻉ ﻭﺃﻨﺕ ﻤﺴﺎﻓﺭﺓ ﺇﻤﺒﺎﺭﺡ..‬ ‫ﻤﺩﻴﺤﺔ: ﻤﺎ ﻓﻴﺵ ﺤﺎﺠﺔ..‬ ‫ﻗﺩﺭﻱ: ﻷ ﻓﻴﻪ ﻁﺒ ‪‬ﺎ... ﻤﺵ ﺘﻘﻭﻟﻲ ﻟﺒﺎﺒﻲ ﺼﺩﻴﻘﻙ.. ﻤﺵ ﺇﻨـﺕ‬ ‫ﻌ‬ ‫ﺒﺘﺤﻜﻲ ﻟﻲ ﻜل ﺤﺎﺠﺔ.. ﻁﻴﺏ ﺒﻼﺵ ﺘﻘـﻭﻟﻲ.. ﻤـﺵ‬ ‫ﺘﻴﺠﻲ ﺘﺒﻭﺴﻲ ﺒﺎﺒﻲ.. ﺇﻨﺕ ﻟﺴﺔ ﺭﺍﺠﻌﺔ ﻤﻥ ﺍﻟﺴﻔﺭ..‬ ‫ﻤﺩﻴﺤﺔ: ) ﺘﻨﻔﺠﺭ ﺒﺎﻜﻴﺔ ﻭﺘﺭﺘﻤﻲ ﻓﻲ ﺃﺤﻀﺎﻨﻪ ( ﺃﺼﻠﻲ ﺍﺘﺨﺎﻨﻘﺕ‬ ‫ﻤﻊ ﻓﺘﺤﻴﺔ.. ﻷﻨﻬﺎ ﻁﻠﻌﺕ ﻋﻠﻰ ﺍﻟﺴﻜﻲ ﺠﻴـﺕ ‪Ski jet‬‬
  • 38. ‫ﺘﻼﺕ ﺴﺎﻋﺎﺕ ﻭﻗﻠﺕ ﻟﻬﺎ ﺇﺩﻴﻨﻲ ﻟ ﹼﺔ.. ﻗﺎﻟﺕ ﻟﻲ ﺃ ‪‬ـﺭﻱ‬ ‫ﺠ‬ ‫ﻔ‬ ‫ﻟﻙ ﺴﻜﻲ ﺠﻴﺕ.‬ ‫ﻗﺩﺭﻱ: ﻭﺇﻴﻪ ﻴﻌﻨﻲ ﻤﺎ ﻨﺎ ﻤﺩﻴﻜﻲ ٠٠٢ ﺠﻨﻴﻪ ﻋﺸﺎﻥ ﻤﺼـﺎﺭﻴﻔﻙ‬ ‫ﻭﻋﺸﺎﻥ ﺘﺠﺎﻤﻠﻲ ﺼﺎﺤﺒﺘﻙ ﺯﻱ ﻤﺎ ﻫﻲ ﻋﺯﻤﺘﻙ.. ﻜﻨﺕ‬ ‫ﺩﻓﻌﺕ ﻋﺸﺭﺓ ﻭﻻ ﻋﺸﺭﻴﻥ ﺠﻨﻴﻪ ﻭﺃﺠﺭﺕ ﻟـﻙ ﺴـﻜﻲ‬ ‫ﺠﻴﺕ ‪ Ski jet‬ﻜﻨﺕ ﺤﺘﻭﺭﻴﻬﺎ ﺴـﺎﻋﺘﻬﺎ ﺇﻨـﻙ ﻤـﺵ‬ ‫ﻤﺤﺘﺎﺠﺔ ﺤﺎﺠﺔ.‬ ‫ﻤﺩﻴﺤﺔ: ﻤﺎ ﺍﻟﺴﺎﻋﺔ ﻓﻲ ﺍﻟﺴﻜﻲ ﺠﻴﺕ ﺒﺘﻠﺕ ﻤﻴﺕ ﺠﻨﻴﻪ.‬ ‫ﻗﺩﺭﻱ: ) ‪‬ﺼﺩﻡ ( ﻤﻌﻘﻭﻟﺔ!‬ ‫ﻴ‬ ‫ﺴﻌﺎﺩ: ﻤﺎ ﻗﻠﻨﺎ ﺒﻼﺵ ﺘﺭﻭﺡ ﻤﺎﺭﻴﻨﺎ ﻤـﻊ ﻓﺘﺤﻴـﺔ.. ﺩﻱ ﻨﺎﺩﻴـﺔ‬ ‫ﺼﺎﺤﺒﺘﻲ ﺍﻟﻠﻲ ﺍﺒﻨﻬﺎ ﻋﻨﺩﻩ ﺨﻤﺱ ﺴﻨﻴﻥ.. ﺠﻭﺯﻫﺎ ﺨﺫﻫﺎ‬ ‫ﻴﻔﺭﺠﻬﺎ ﻤﺎﺭﻴﻨﺎ.. ﻗﺎل ﻋﺸﺎﻥ ﺍﻟﻭﻟﺩ ﻴﺸﻭﻑ ﻜل ﺤﺎﺠﺔ..‬ ‫ﻭﻟﻤﺎ ﻴﻜﺒﺭ ﻤﺎ ﻴﺒﻘﺎﺵ ﻨﻔﺴﻪ ﻓﻲ ﺤﺎﺠـﺔ.. ﺍﻟـﻭﺍﺩ ﻜـﺎﻥ‬ ‫ﺤﻴﺘﺠﻨﻥ.. ﻁﻭل ﺍﻟﻨﻬﺎﺭ ﻋﺎﻴﺯ ﻴﺭﻜﺏ ﺍﻟﺒﻴـﺘﺵ ﺒـﺎﺠﻲ‬ ‫‪ Beach buggy‬ﻭﺍﻟﺴﺎﻋﺔ ﺒﻤﻴﺘﻴﻥ ﺠﻨﻴﻪ. ﺃﺒﻭﻩ ﺭ ﱠﺒـﻪ‬ ‫ﻜ‬ ‫ﺭﺒﻊ ﺴﺎﻋﺔ ﺒﺨﻤﺴﻴﻥ ﺠﻨﻴﻪ ﻭﺍﻟﻭﻟﺩ ﻗﺎل ﻟﻪ " ﺒﺎﺒﺎ ﺍﺸﺘﺭﻱ‬ ‫ﻟﻲ ﺒﻴﺘﺵ ﺒﺎﺠﻲ ‪ ..Beach buggy‬ﺍﻟﺭﺍﺠل ﻗﺎل ﻟـﻪ‬ ‫" ﺍﻟﺒﺘﺵ ﺒﺎﺠﻲ ﻏﺎﻟﻴﺔ ﻋﻠﻴﻨﺎ " ﺍﻟﻭﻟﺩ ﻗﺎل ﻟـﻪ "ﺒـﻼﺵ‬
  • 39. ‫ﺍﻟﻨﺎﺩﻱ ﻭﺍﺸﺘﺭﻱ ﻟﻲ ﺒﻴﺘﺵ ﺒﺎﺠﻲ" ﻗـﺎل ﻟـﻪ "ﺒﺭﻀـﻪ‬ ‫ﻤﺎﻴﻨﻔﻌﺵ" " ﻁﻴﺏ ﻨﺒﻴﻊ ﺍﻟﻌﺭﺒﻴﺔ ﻭﻨﺸﺘﺭﻱ ﺒﻴﺘﺵ ﺒﺎﺠﻲ‬ ‫" ﺍﻷﺏ ﻗﺎل ﻟﻪ " ﺃﺭﻭﺡ ﺍﻟﺸﻐل ﺇﺯﺍﻱ؟ " ﻗﺎل ﻟﻪ: " ﻴﺒﻘﻰ‬ ‫ﻨﺒﻴﻊ ﺸﻘﺘﻨﺎ ﻭﻨﺸﺘﺭﻱ ﺒﻴﺘﺵ ﺒﺎﺠﻲ ".. ﻗﺎل ﻟﻪ " ﻭﻨﺴﻜﻥ‬ ‫ﻓﻴﻥ؟".‬ ‫ﻗﺩﺭﻱ: ) ﻤﻨﻜﺴﺭﺍ ( ﻟﻠﺩﺭﺠﺔ ﺩﻱ ﻓﻴﻪ ﺇﻏﺭﺍﺀﺍﺕ ﻓـﻲ ﻤﺎﺭﻴﻨـﺎ..‬ ‫‪‬‬ ‫ﻟﻭ ﻜﻨﺕ ﻋﺎﺭﻑ ﻜﺩﻩ ﻤﺎ ﻜﻨﺘﺵ ﻭﺍﻓﻘﺕ ﻋﻠﻰ ﺴﻔﺭﻫﺎ.‬ ‫ﺴﻌﺎﺩ: ) ﻏﺎﻀﺒﺔ ( ﻭﺇﻴﻪ ﻴﻌﻨﻲ ﺇﻏﺭﺍﺀﺍﺕ.. ﺇﻥ ﺸﺎﷲ ﻤﺎ ﻋﻨﻬـﺎ‬ ‫ﺭﻜﺒـﺕ ﺍﻟﺴـﻜﻲ ﺠﻴـﺕ ‪ Ski jet‬ﻭﺍﻟﺒﻴـﺘﺵ ﺒـﺎﺠﻲ‬ ‫‪ ) Beach buggy‬ﻟﻤﺩﻴﺤﺔ ( ﻫﻭ ﺃﻨﺕ ﻋﻴﻠﺔ ﻋﺸـﺎﻥ‬ ‫‪‬‬ ‫ﺘﻌﻴﻁﻲ ﻋﻠﻰ ﻜل ﺤﺎﺠﺔ ﻫﺎﻴﻔﺔ ﻜﺩﻩ؟‬ ‫ﻤﺩﻴﺤﺔ: ) ﺘﺒﻜﻲ ﺃﻜﺜﺭ ( ﻤﺵ ﻫﺎﻴﻔﺔ ﻴﺎ ﻤﺎﻤﺎ.. ﻟﻭ ﻜﻨﺕ ﺴـﻤﻌﺘﻲ‬ ‫ﺍﻟﺨﻨﺎﻗﺔ ﻜﻨﺕ ﻋﻴﻁﻲ ﺇﻨﺕ ﻜﻤﺎﻥ...‬ ‫ﻗﺩﺭﻱ: ) ﻴﻁﺒﻁﺏ ﻋﻠﻴﻬﺎ ( ﻗﻭﻟﻲ ﻟﺒﺎﺒﻲ.. ﻫﻲ ﻗﺎﻟﺕ ﻟﻙ ﺇﻴﻪ؟‬ ‫‪‬‬ ‫ﻤﺩﻴﺤﺔ: ﻗﺎﻟﺕ ﻟﻲ " ﻫﻭ ﺇﻨﺕ ﺃﺒﻭﻜﻲ ﻤﺎ ﻴﻘﺩﺭﺵ ﻴﺩﻓﻊ ﻟﻙ ﺃﺠـﺭﺓ‬ ‫‪‬‬ ‫ﺍﻟﺴﻜﻲ ﺠﻴﺕ "؟ ﻗﻠﺕ ﻟﻬﺎ " ﺃﻨﺎ ﺃﺒﻭﻴﺎ ﺒﻁل ﺤﺭﺏ ﻭﺃﺨـﺫ‬ ‫ﻨﺠﻤﺔ ﺴﻴﻨﺎﺀ".‬ ‫ﺴﻌﺎﺩ: ﺒﺭﺍﻓﻭ ﻋﻠﻴﻙ.. ﻜﺎﻥ ﻻﺯﻡ ﺘﺩﻴﻬﺎ ﺩﺭﺱ ﻓﻲ ﺍﻷﺨﻼﻕ.‬
  • 40. ‫ﻤﺩﻴﺤﺔ: ﺍﻟﺒﻨﺎﺕ ﺴﻘﻔﻭﺍ ﻟﻲ ﻗﺎﻡ ﻫﻲ ﺭﺩﺕ ﻭﻗﺎﻟﺕ، ﺇﻴﻪ ﻴﻌﻨﻲ ﺒﻁل‬ ‫ﺤﺭﺏ.. ﺃﻨﺎ ﻋﻨﺩﻱ ﺃﺒﻭﻴﺎ ﻴﺒﻘﻰ ﺘﺎﺠﺭ ﺨﺭﺩﺓ ﺃﺤﺴﻥ ﻤـﻥ‬ ‫ﺇﻨﻪ ﻴﻜﻭﻥ ﺒﻁل ﺤﺭﺏ ﻭﻨﺠﻤﺔ ﺴﻴﻨﺎ ﺩﻱ ﺒﹼﻴﻬﺎ ﻭﺍﺸـﺭﺒﻲ‬ ‫ﻠ‬ ‫ﻤﻴﺘﻬﺎ، ﻤﺴﻜﻨﺎ ﻓﻲ ﺨﻨﺎﻕ ﺒﻌـﺽ. ﻀـﺭﺒﺘﻨﻲ ﺭﺤـﺕ‬ ‫ﻀﺭﺒﺘﻬﺎ.. ﺩﺨﻠﺕ ﺃﻤﻬﺎ ﻤﺭﺍﺕ ﺘﺎﺠﺭ ﺍﻟﺨﺭﺩﺓ ﻭﻗﺎﻟﺕ ﻟﻲ‬ ‫" ﻟﻤﻲ ﻫﺩﻭﻤﻙ ﻴﺎ ﺸﺎﻁﺭﺓ ﻭﺭﻭﺤﻲ ﺒﻴﺘﻜﻡ.. ﺃﻨﺕ ﻤـﺵ‬ ‫ﻭﺵ ﻤﺎﺭﻴﻨﺎ ﻭﺍﻟﺤﺎﺠﺎﺕ ﺩﻱ " ) ﺼﻤﺕ (.‬ ‫ﻗﺩﺭﻱ: ) ﺒﻌﺩ ﺼﻤﺕ ﻁﻭﻴل ﻴﻘﻭل ﺒﺎﻨﻜﺴﺎﺭ ( ﻴﺎ ﺭﻴﺘﻨـﻲ ﻜﻨـﺕ‬ ‫ـﻴﻥ ﺩﻭل‬‫ـﺎ ـﻤﻌﺘﺵ ﺍﻟﻜﻠﻤﺘـ‬ ‫ـﺕ ـﻬﻴﺩ ﻭﻤـ ﺴـ‬ ‫ﻤـ ﺸـ‬ ‫) ﺍﻟﺩﻤﻭﻉ ﺘﻨﻬﻤﺭ ﻤﻥ ﻋﻴﻨﻴﻪ (.‬ ‫ﺴﻌﺎﺩ: ) ﻏﺎﻀﺒﺔ ( ﺁﺩﻱ ﺁﺨﺭﺓ ﻜﻼﻤﻙ ﻋﻥ ﻤﺎﺭﻴﻨﺎ ﻭﺯﻓﺕ ﻤـﺎ‬ ‫ﺇﻥ ﺸﺎﷲ ﻤﺎ ﺭﻜﺒﺕ ﺴﻜﻲ ﺠﻴﺕ ﻭﻻ ﺒﻴـﺘﺵ ﺒـﺎﺠﻲ..‬ ‫ﺍﻤﺸﻲ ﺭﻭﺤﻲ ﺃﻭﺩﺘﻙ ﻭﻤﺎ ﺘﻭﺭﻨﻴﺵ ﻭﺸﻙ ﻟﻠﺼـﺒﺢ.. )‬ ‫ﺘﺨﺭﺝ ﻤﺩﻴﺤﺔ (.‬ ‫ﻗﺩﺭﻱ: ﺩﻩ ﺍﻟﻤﻭﺕ ﻉ ﺍﻟﺠﺒﻬﺔ ﻜﺎﻥ ﻴﻜﻭﻥ ﺃﺭﺤﻡ ﺃﻟﻑ ﻤﺭﺓ.‬ ‫ﺴﻌﺎﺩ: ِﻑ ﻤﻥ ﺒ ﱠﻙ. ﻤﺎ ﺘﺨﻠﻴﺵ ﻜﻼﻡ ﻋﻴﺎل ‪‬ﺅﺜﺭ ﻓﻴﻙ..‬ ‫ﻴ‬ ‫‪‬ﺅ‬ ‫ﺘ‬ ‫ﻗﺩﺭﻱ: ﺩﻩ ﺃﻨﺎ ﺤﻁﺭﺒﺄﻫﺎ ﻓﻭﻕ ﺩﻤﺎﻏﻬﻡ.. ﺒﻘﻪ ﺩﻩ ﺠﺯﺍﺓ ﺍﻟﻭﻴل ﺍﻟﻠﻲ‬ ‫ﺸﻔﻨﺎﻩ ﻓﻲ ﺍﻟﺤﺭﺏ.. ﻓﻲ ٧٦ ﻭﺸﻔﻨﺎ ﺍﻟﺠﺜﺙ ﺍﻟﻤﺘﻸﺤﺔ ﻓﻲ‬
  • 41. ‫ﺴﻴﻨﺎ ﻤﺵ ﻻﻗﻴﺔ ﺍﻟﻠﻲ ﻴﺩﻓﻨﻬﺎ.. ﻭﺒﻌﻀﻨﺎ ﺒﻴﺠﺭﻱ.. ﺒـﺱ‬ ‫ﺍﺤﻨﺎ ﺼﻤﺩﻨﺎ.. ﻜﻨﺎ ﺒﻨﺤﺎﻭل ﻨﻨﻘل ﺯﻤﻼﺌﻨﺎ ﺍﻟﺠﺭﺤﻰ.. ﺃﻤﺎ‬ ‫ﺍﻟﻤﻭﺘﻰ ﻓﺴﺒﻨﺎﻫﻡ ﻟﻠﻐﺭﺒﺎﻥ ﻴﻨﻬﺸﻭﺍ ﻓﻲ ﺠﺜﺜﻬﻡ ﻭﻓﻲ ﻋﻘل‬ ‫ﺒﺎﻟﻨﺎ ﺒﻨﻘﻭل " ﺇﻜﺭﺍﻡ ﺍﻟﻤﻴﺕ ﺩﻓﻨﻪ " ﻟﻜﻥ ﺘﻘـﻭل ﻟﻤـﻴﻥ‬ ‫ﻜﺄﻨﻨﺎ ﺒﻨﺅﺫﻥ ﻓﻲ ﻤﺎﻟﻁﺔ.. ﻫ ‪‬ـﺎ ﺍﻹﺴـﺭﺍﺌﻴﻠﻴﻴﻥ ﻜـﺎﻨﻭﺍ‬ ‫ﻤ‬ ‫ﺤﻴﺩﻓﻨﻭﺍ ﻤﻭﺘﺎﻨﺎ.‬ ‫ﺴﻌﺎﺩ: ﺍﻨﺱ ﻴﺎ ﻗﺩﺭﻱ ﺍﻨﺱ.. ﻤﺎ ﺇﻨﺘﻡ ﻗﻤﺘﻡ ﺒﻌﻤﻠﻴﺎﺕ ﺍﻨﺘﺤﺎﺭﻴﺔ ﻓﻲ‬ ‫ﺤﺭﺏ ﺍﻻﺴﺘﻨﺯﺍﻑ ﻭﺍﻨﺕ ﺍﺘﺭﻗﻴﺕ ﻭﺒﻘﻴﺕ ﺭﺍﺌﺩ ﻤﻜﺎﻓـﺄﺓ‬ ‫ﻟﻙ ﻋﻠﻰ ﺍﻟﻌﻤﻠﻴﺔ ﺍﻟﻔﺩﺍﺌﻴﺔ ﺍﻟﻠﻲ ﻗﻤﺕ ﺒﻬﺎ.. ﻟﻤﺎ ﺠﺎﺯﻓـﺕ‬ ‫ﺒﺤﻴﺎﺘﻙ ﻭﺭﻤﻴﺕ ﻗﻨﺒﻠﺔ ﻴﺩﻭﻴﺔ ﻋﻠﻰ ﻓﺼـﻴﻠﺔ ﺇﺴـﺭﺍﺌﻴﻠﻴﺔ‬ ‫ﻭﻗﺘﻠﺕ ﻋﺸﺭﻴﻥ ﺇﺴﺭﺍﺌﻴﻠﻲ ﻤﺭﺓ ﻭﺍﺤﺩﺓ.. ﺃﻨﺕ ﺍﺘﺭﻗﻴـﺕ‬ ‫ﻭﺃﺨﺫﺕ ﺭﺘﺒﺔ ﺭﺍﺌﺩ ﻋﻥ ﺠﺩﺭﺍﺓ.‬ ‫ﻗﺩﺭﻱ: ﻴﺒﻠﻭﻫﺎ ﻭﻴﺸﺭﺒﻭﺍ ﻤﻴﺘﻬﺎ.. ﺃﻨﺎ ﻋﺎﻴﺯ ﺃﺠﻴﺏ ﻟﺒﻨﺘﻲ ﺍﻟﻠﻲ ﻫﻲ‬ ‫‪‬‬ ‫ﻋﺎﻴﺯﺍﻩ.‬ ‫ﺴﻌﺎﺩ: ﻫﻭ ﺍﻟﺴﻜﻲ ﺠﻴﺕ ﻴﻌﻨﻲ ﻜﺎﻥ ﺍﻷﻤﻠﺔ.. ﻜﺒﺭ ﻋﻘﻠﻙ ﺃﻤﺎل..‬ ‫ﻗﺩﺭﻱ: ﺒﺎﻻﺵ ﺍﻟﺴﻜﻲ ﺠﻴﺕ.. ﻫﻭ ﺃﻨﺎ ﻗﺎﺩﺭ ﺃﻨﻔﻌﻬﺎ ﻭﺃﺠﻴﺏ ﻟﻬـﺎ‬ ‫‪‬‬ ‫ﺍﻟﻠﻲ ﻫﻲ ﻋﺎﻴﺯﺍﻩ..‬ ‫‪‬‬
  • 42. ‫ﺴـﻌﺎﺩ: ﻫﻭ ﺍﻷﺏ ‪‬ﻘ ‪‬ﺭ ﺒﻘﻴﻤﺔ " ﻫﺎﺕ ﻫﺎﺕ " ﺩﻩ ﻜﻔﺎﻴـﺔ ﺩﻓﺌـﻙ‬ ‫ﻴﺩ‬ ‫‪‬‬ ‫ﻭﺤﻨﺎﻨﻙ..‬ ‫ﻗﺩﺭﻱ: ﺩﻩ ﻜﻼﻡ ﺒﺱ.. ) ﺒﻤﺭﺍﺭﺓ ﺃﺸﺩ ( ﻴﺎ ﺭﻴﺘﻨﻲ ﻜﻨـﺕ ﻤـﺕ‬ ‫ﺸﻬﻴﺩ..‬ ‫ﺴﻌﺎﺩ: ﻭﺘﺴﻴﺒﻨﺎ ﻭﺤﺩﻴﻨﺎ.. ﻴﻬﻭﻥ ﻋﻠﻴﻙ ) ﺠﺎﻨ ‪‬ﺎ ( ﺃﻨﺎ ﺤﺒﻬﺩﻟﻬﺎ ﻉ‬ ‫ﺒ‬ ‫ﺍﻟﻜﻼﻡ ﺍﻟﻠﻲ ﻗﺎﻟﺘﻪ..‬ ‫ﻗﺩﺭﻱ: ) ﻴﺴﻤﻊ ( ﻤﺎﺘﺌﺴﻴﺵ ﻋﻠﻴﻬﺎ ﻴـﺎ ﺴـﻌﺎﺩ.. ﺩﻩ ﻏﺼـﺏ‬ ‫ﻋﻨﻬﺎ.. ﺍﻟﺤﻴﺎﺓ ﺼﻌﺒﺔ ﻟﻠﺸـﺒﺎﺏ.. ﺍﻟﻤﻐﺭﻴـﺎﺕ ﻜﺜﻴـﺭﺓ‬ ‫ﻭﻤﺎ ﻋﺩﺵ ﻓﻴﻪ ﻗﻴﻡ.. ﺤﺘﻰ ﺍﻟﺤﻴﺎﺓ ﺍﻟﻜﺭﻴﻤﺔ ﻤﺎ ﺒﻘﻨـﺎﺵ‬ ‫ﻋﺎﺭﻓﻴﻥ ﺘﺤﺘﺎﺝ ﻜﺎﻡ.. ﻤﻬﻤﺎ ﻴﺯﻭﺩﻭﺍ ﻓﻲ ﻤﻌﺎﺸﺎﺘﻨﺎ ﺍﻟﺤﻴﺎﺓ‬ ‫ﺍﻟﻜﺭﻴﻤﺔ ﻤﺎ ﻋﺩﺘﺵ ﻓﻲ ﻤﻨﺎﻟﻨﺎ.. ﻤﺩﻴﺤﺔ ﻟﻬﺎ ﺤﻕ ﺘﺒﻘـﻰ‬ ‫ﻋﺎﻴﺯﺓ ﺍﻟﺴﻜﻲ ﺠﻴﺕ ﻭﺍﻟﺒﻴﺘﺵ ﺒﺎﺠﻲ.‬ ‫ﺴﻌﺎﺩ: ﻗﻁﻌﺕ ﺍﻟﺴﻜﻲ ﺠﻴﺕ ﻭﺍﻟﺒﻴﺘﺵ ﺒﺎﺠﻲ.. ﺒﻘﻰ ﺃﻨﺕ ﻴﺎ ﻗﺩﺭﻱ‬ ‫ﺍﻟﻠﻲ ﺘﻘﻭل ﺍﻟﻜﻼﻡ ﺩﻩ.. ﺒﻌﺩ ﻤﺎ ﻜﺎﻥ ﺭﻭﺤﻙ ﻓﻲ ﺍﻟﺠﻴﺵ‬ ‫ﻭﺍﻟﻌﻤﻠﻴﺎﺕ ﺍﻟﻔﺩﺍﺌﻴﺔ.. ﻭﻋﺎﻴﺯ ﺘﻌﻴﺩ ﻟﻠـﻭﻁﻥ ﻭﺍﻟﺠـﻴﺵ‬ ‫ﻜﺭﺍﻤﺘﻪ.‬ ‫ﻗﺩﺭﻱ: ﻗﻁﻊ ﺍﻟﺠﻴﺵ ﻭﺍﻟﻭﻁﻥ ﺒﺎﻟﺜﻠﺙ.. ﻫﻲ ﺩﻱ ﺁﺨﺭﺓ ﺍﻟﻌﻤﻠﻴﺎﺕ‬ ‫‪‬‬ ‫ﺍﻟﻔﺩﺍﺌﻴﺔ.. ) ﻴﺴﺘﺭﺴل ﻓﻲ ﺍﻟﺫﻜﺭﻴﺎﺕ ( ﺩﻩ ﺍﻟﻌﻤﻴﺩ ﻋﺯﻴﺯ‬
  • 43. ‫ﺍﻟﻠﻲ ﻜﺎﻥ ﻤﺘﺒﻨﻴﻨﻲ ﻓﻲ ﺍﻟﻜﻠﻴﺔ ﺍﻟﺤﺭﺒﻴﺔ.. ﻜﺎﻥ ﺤﻴﺘﺠـﻨﻥ‬ ‫ﻓﻲ ٧٦ ﻟﻤﺎ ﺸﺎﻑ ﺍﻻﻨﺴﺤﺎﺏ ﺍﻟﻌﺸـﻭﺍﺌﻲ ﺒـﻼ ﻗﺎﺌـﺩ‬ ‫ﻴﻨﻅﻤﻪ.. ﻤﺎ ﺍﺴﺘﺤﻤﻠﺵ.. ﺴﺎﺏ ﻏﺭﻓﺔ ﺍﻟﻌﻤﻠﻴﺎﺕ ﻭﺨـﺩ‬ ‫ﺃﻭل ﺠﻴﺏ ..." ﺍﻟﻭﻴﻠﺯ " ﺍﻟﺘﻌﺒﺎﻥ ﺒﺘﺎﻉ ﺯﻤﺎﻥ.. ﻭﺴـﺎﻗﻪ‬ ‫ﺒﻨﻔﺴﻪ ﻟﻘﻠﺏ ﺴﻴﻨﺎ ﻋﺸﺎﻥ ﻴﺸـﺭﻑ ﻋﻠـﻰ ﺍﻻﻨﺴـﺤﺎﺏ‬ ‫ﺍﻟﻤﻬﺭﺠل.. ﻜﺎﻥ ﻋﺎﻴﺯ ﻴﻨﻘﺫ ﺍﻟﺠﻨﻭﺩ ﻭﺍﻟﻀﺒﺎﻁ.. ﺸـﺒﺎﺏ‬ ‫ﻤﺼﺭ ﺍﻟﻠﻲ ﺯﻱ ﺍﻟﻔل.. ﻜﺎﻥ ﻤﻌﺘﺒﺭﻫﻡ ﺃﺒﻨﺎﺅﻩ.. ﺒﺎ ﺩﻭﺒﻙ‬ ‫ﻭﺼل ﻤﻤﺭ ﻤﺘﻼ ﻭﻨﺯل ﻤﻥ ﺍﻟﺠﻴـﺏ ﻴﺤـﺎﻭل ﻴـﻨﻅﻡ‬ ‫ﺍﻟﺭﺠﺎﻟﺔ ﺍﻟﻤﺘﺒﻌﺘﺭﻴﻥ.. ﺒﻴﺠﺭﻭﺍ ﻓﻲ ﻜل ﺍﺘﺠـﺎﻩ.. ﻗـﺎﻡ‬ ‫ﺩﻫﺴﺘﻪ ﺩﺒﺎﺒﺔ ﺇﺴﺭﺍﺌﻴﻠﻴﺔ.. ﺒﻘﻰ ﻫﻭ ﻭﺭﻤل ﺴﻴﻨﺎ ﺍﻟﻐﺎﻟﻴـﺔ‬ ‫‪‬‬ ‫ﻭﺍﺤﺩ.. ﺍﻟﺩﺒﺎﺒﺔ ﺍﻹﺴﺭﺍﺌﻴﻠﻴﺔ ﻤﺎ ﺴﺎﺒﺘﺵ ﺃﺜﺭ ﺇﻻ ﺍﻟـﺯﻱ‬ ‫ﺍﻟﻌﺴﻜﺭﻱ..‬ ‫ﺴﻌﺎﺩ: ﺍﻨﺱ ﻴﺎ ﻗﺩﺭﻱ ﻭﺍﺤﻤﺩ ﺭﺒﻨﺎ ﺇﻨﻪ ﻨ ‪‬ﺎﻙ ﻭﺭﺠﻌﺕ ﻟﻤﺭﺍﺘـﻙ‬ ‫ﺠ‬ ‫ﻭﺒﻨﺘﻙ.. ﺩﻱ ﻨﻌﻤﺔ ﻤﻥ ﻋﻨﺩ ﺭﺒﻨﺎ..‬ ‫ﻗﺩﺭﻱ: ) ﻤﺘﺠﺎﻫﻼ ﻜﻼﻤﻬﺎ ( ﻭﺼﺩﻴﻕ ﺘﺎﻨﻲ.. ﺯﻤﻴﻠﻲ ﻓﻲ ﺍﻟﻜﻠﻴﺔ‬ ‫ﹰ‬ ‫ﺍﻟﺤﺭﺒﻴﺔ.. ﺨﺒﻁﺘﻪ ﺩﺒﺎﺒﺔ ﺇﺴﺭﺍﺌﻴﻠﻴﺔ ﻓﻲ ﻭ ﹼﻪ.. ﻭ ﹼﻪ ﺒﻘﻰ‬ ‫ﺸ‬ ‫ﺸ‬ ‫ﺴﻠﻁﺔ.. ﺒ ُﻩ ﻤﻌﻭﺝ ﻭﻤﻨﺎﺨﻴﺭﻩ ﺇﻁﺭﺒﺄﺕ ﻤﺎ ﺒﻘﺎﺵ ﻓﺎﻀل‬ ‫‪‬ﺅ‬ ‫ﻓﻴﻪ ﺇﻻ ﺼﺭﺨﺔ ﺍﻷﻟﻡ ﺍﻟﻠﻲ ﻓﻲ ﻋﻴﻨﻴﻪ.. ﺩﻱ ﺃﻤﻪ ﻤﺎﺘـﺕ‬
  • 44. ‫ﻤﻥ ﺍﻟﺤﺴﺭﺓ ﻋﻠﻴﻪ.. ﻟﻤﺎ ﺸﺎﻓﺘﻪ ﺒﻌـﺩ ﻤـﺎ ﻨﻘﻠـﻭﻩ ﻤـﻥ‬ ‫ﺍﻟﺠﺒﻬﺔ.. ﻤﺎ ﻟﻘﺎﺵ ﺼﺩﻴﻕ ﻴﻘﻑ ﺠﻨﺒﻪ.. ﻤﺭﺍﺘﻪ ﺍﻷﺼﻴﻠﺔ‬ ‫ﻤﺎ ﺒﺎﻗﺘﺵ ﻗﺎﺩﺭﺓ ﹸﺒﺹ ﻓﻲ ﻭ ﹼﻪ.. ﻁﻠﺒﺕ ﺍﻟﻁﻼﻕ.. ﻟﻬﺎ‬ ‫ﺸ‬ ‫ﺘ‬ ‫ﺤﻕ.. ﻫﻭ ﻜﺎﻥ ﺤﻴﻨﻔﻌﻬﺎ ﺒﺤﺎﺠﺔ ﻭﻻ ﺃﻜﺒﺭ ﺃﻁﺒﺎﺀ ﺭﻭﺴﻴﺎ‬ ‫‪‬‬ ‫ﻭﻴﻭﻏﻭﺴﻼﻓﻴﺎ ﻋﺭﻓﻭﺍ ﻴﻌﻤﻠﻭﺍ ﻟـﻪ ﺤﺎﺠـﺔ.. ﺩﻩ ﻜـﺎﻥ‬ ‫ﺴﺎﻋﺘﻬﺎ ﻤﺎ ﻜﺎﻨﺸﻲ ﻓﻴﻪ ﺤﺘﻰ ﻨﺠﻤﺔ ﺴﻴﻨﺎ ﻴﺎﺨﺩﻫﺎ.. ﻴﻌﻨﻲ‬ ‫ﻁﻠﻊ ﻤﻥ ﺍﻟﻤﻭﻟﺩ ﺒﻼ ﺤﻤﺹ ) ﻴﻀﺤﻙ ﺒﻤﺭﺍﺭﺓ ( ﻫﺎﻫـﺎ‬ ‫ﻨﻜﺘﺔ ﺒﺎﻴﺨﺔ.‬ ‫ﺴﻌﺎﺩ: ﺍﻨﺱ ﻴﺎ ﻗﺩﺭﻱ ﺍﻨﺱ.‬ ‫ﻗـﺩﺭﻱ: ﺒﻘﻰ ﻋﻤﻠﻨﺎ ﻜل ﺍﻟﺘﻀﺤﻴﺎﺕ..ﺃﺸﻼﺀ ﺍﻟﺠﺜﺙ ﻓـﻲ ﺃﺭﺽ‬ ‫ﺴﻴﻨﺎ ﺍﻟﻐﺎﻟﻴﺔ ﻋﺸﺎﻥ ﹸﻨ ‪‬ﺭ ﻤﺒﺎﺩﺌﻨﺎ ﻭ ‪‬ﻡ ﻭﻻﺩ ﺍﻟﺤـﻼل‬ ‫ﺠ‬ ‫ﻨﺼ‬ ‫ﻴﻬﺩﺭﻭﻫﺎ.. ﻭﺴﻜﺘﻨﺎ ﻟﻬـﻡ ﻗـﺎﻟﻭﺍ " ﺍﻻﺴـﺘﻘﻼل ﺍﻟﺘـﺎﻡ‬ ‫ﺃﻭ ﺍﻟﻤﻭﺕ ﺍﻟﺯﺅﺍﻡ " ﺸﻌﺎﺭ ﻴﺒﱡﻭﻩ ﻭﻴﺸﺭﺒﻭﺍ ﻤﻴﺘﻪ.. ﻟﻜـﻥ‬ ‫ﻠ‬ ‫ﺴﻜﺘﻨﺎ ﺒﺭﻀﻪ.. ﻤـﻥ ﻤﻠﻴـﻭﻥ ﺴـﻨﺔ ﺍﻟﻨﺤـﺎﺱ ﻗـﺎل‬ ‫" ﺍﻟﺤﻕ ﻓﻭﻕ ﺍﻟﻘﻭﺓ ﻭﺍﻷﻤﺔ ﻓﻭﻕ ﺍﻟﺤﻜﻭﻤﺔ". ﻗﺎﻟﻭﺍ ﻋﻠﻴﻪ‬ ‫ﺭﺠﻌﻲ ﻭﻤﻥ ﺍﻟﻌﻬﺩ ﺍﻟﺒﺎﺌﺩ.. ﻭﺍﻓﻘﻨﺎﻫﻡ ﺒﺤﻤﺎﺱ.. ﻗـﺎﻟﻭﺍ‬ ‫" ﺒﺎﻟﻨﻅﺎﻡ ﻭﺍﻻﺘﺤﺎﺩ ﻭﺍﻟﻌﻤل " ﻗﻠﻨﺎ " ﺘﻤﺎﻡ ﻴـﺎ ﻓﻨـﺩﻡ "‬ ‫ﻭﺍﺩﻴﻨﺎ ﺃﺭﻭﺍﺤﻨﺎ ﻓﺩﺍﺀ ﺍﻟﻤﺒﺎﺩﺉ ﺩﻱ.. ﺤﺎﺭﺒﻨﺎ ﻭﺃﻫﺩﺭﻭﺍ ﺩﻡ‬
  • 45. ‫ﺸﺒﺎﺒﻨﺎ ﺍﻟﻐﺎﻟﻲ.. ﻋﺸﺎﻥ ﺇﻴﻪ؟ ﻋﺸﺎﻥ ﻴﺨﺭﺒﻭﻫﺎ ﻭﻴﻨﻬﺒﻭﻫﺎ‬ ‫ﻭﻴﻘﻌﺩﻭﺍ ﻋﻠﻰ ﺘﻠﻬﺎ.‬ ‫ﺴﻌﺎﺩ: ﻤﺵ ﻜﺩﻩ ﻴﺎ ﻗﺩﺭﻱ.. ﻤﺵ ﻜﺩﻩ ﺃﻤﺎل..‬ ‫ﻗﺩﺭﻱ: ﻟﻜﻥ ﻜل ﺩﻩ ﻜﻭﻡ ﻭﺇﻫﺎﻨﺔ ﺒﻨﺘﻲ ﻜﻭﻡ.. ﺒﻘـﻰ ﺒﻌـﺩ ﻜـل‬ ‫ﺘﻀﺤﻴﺎﺘﻨﺎ ﺘﻴﺠﻲ ﺤﺘﺔ " ﻤﺭﺓ " ﺠﺭﺒﻭﻋﺔ ﻤﺭﺍﺕ ﺘـﺎﺠﺭ‬ ‫ﺨﺭﺩﺓ ﺘﻘﻭل ﻟﻬﺎ " ﻟﻤﻲ ﻫﺩﻭﻤﻙ ﻴﺎ ﺸـﺎﻁﺭﺓ " ﺩﻩ ﺃﻨـﺎ‬ ‫ﺃﻀﺭﺒﻬﻡ ﻜﻠﻬﻡ ﺒﻤﺩﻓﻊ ﺭﺸﺎﺵ .‬ ‫) ﻴﺤﺎﻭل ﺍﻟﻘﻴﺎﻡ ﻤﻥ ﻜﺭﺴﻴﻪ ﺍﻟﻤﺘﺤﺭﻙ ﻭﻴﻘـﻊ ﻋﻠـﻰ ﺍﻷﺭﺽ..‬ ‫ﺴﻌﺎﺩ ﺘﺴﺎﻋﺩﻩ ﻋﻠﻰ ﺍﻟﻘﻴﺎﻡ ﻭﺍﻟﺠﻠﻭﺱ ﻋﻠـﻰ ﻜﺭﺴـﻴﻪ‬ ‫ﻤﺭﺓ ﺃﺨﺭﻯ ﻭﻓﻲ ﺃﺜﻨﺎﺀ ﺫﻟﻙ ﻴﺘﻔﻙ " ﺍﻟﺸﻨﻴﻭﻥ"، ﺍﻟـﺫﻱ‬ ‫ﺍﺤﺘﻔﻅﺕ ﺒﻪ ﻁﻭﺍل ﺍﻟﻤﺴﺭﺤﻴﺔ ﻭﻴﻘﻊ ﺸـﻌﺭﻫﺎ ﺍﻟﻐﺯﻴـﺭ‬ ‫ﻋﻠﻰ ﺃﻜﺘﺎﻓﻬﺎ ﻭﻋﻠﻰ ﻭﺠﻪ ﻗﺩﺭﻱ (.‬ ‫ﺴﻌﺎﺩ: ﺇﻫﺩﺍ ﺃﻤﺎل.. ﺩﻩ ﺇﻨﺕ ﻭﻗﻌﺕ ﻤـﻥ ﺍﻟﻜﺭﺴـﻲ.. ﺒﻘـﻰ ﺩﻩ‬ ‫ﻜﻼﻡ.. ﻓﻴﻥ ﻗ ‪‬ﺘﻙ ﻭﺼﻤﻭﺩﻙ.. ﺩﻩ ﺃﻨﺎ ﻟﻭ ﻜﻨﺕ ﺸـﻔﺕ‬ ‫ِﻭ‬ ‫ﻜل ﺍﻟﺒﻼﻭﻱ ﺍﻟﻠﻲ ﺒﺘﺤﻜـﻲ ﻋﻨﻬـﺎ.. ﺃﺸـﻼﺀ ﺍﻟﺠﻨـﻭﺩ‬ ‫ﻭﺍﻟﺠﺜﺙ ﺍﻟﻤﺭﻤﻴﺔ ﺍﻟﻠﻲ ﻤﺵ ﻻﻗﻴﻪ ﺤﺩ ﻴـﺩﻓﻨﻬﺎ.. ﻜـﺎﻥ‬ ‫ﺠﺎﻟﻲ ﺍﻨﻬﻴﺎﺭ ﻋﺼﺒﻲ ﻟﻭ ﻜﻨﺕ ﻤﻜﺎﻨﻙ.. ﺒﻘﻰ ﺃﻨﺕ ﺍﻟﻠﻲ‬ ‫ﺼﻤﺩﺕ ﻓﻲ ﺍﻟﺒﻼﻭﻱ ﺩﻱ ﻜﻠﻬﺎ ﻭﺭﺩﻴﺕ ﻟﻠﺠﻴﺵ ﺍﻋﺘﺒﺎﺭﻩ‬
  • 46. ‫ﻭﻜﺭﺍﻤﺘﻪ ﻓﻲ ﺤﺭﺏ ﺍﻻﺴﺘﻨﺯﺍﻑ ﻭ ٣٧ ﺘﺨﻠﻲ ﻜﻠﻤﺔ ﺴﺕ‬ ‫ﺠﺎﻫﻠﺔ ﺘﻬ ‪‬ﻙ ﻜﺩﻩ؟‬ ‫ﺯ‬ ‫ﻗﺩﺭﻱ: ﺃﺼﻠﻲ ﺭﺠل ﻋﺎﺠﺯ.. ﻤﺵ ﻋﺎﺭﻑ ﺃﻨﻔﻊ ﻤﺭﺍﺘﻲ ﻭﺒﻨﺘﻲ..‬ ‫ﺴﺎﻋﺩ: ﺒﻘﻰ ﺩﻩ ﻜﻼﻡ ﺘﻘﻭﻟﻪ! ﺇﻥ ﻤﺎ ﻜﻨﺘﺵ ﺨﺎﻴﻑ ﻋﻠـﻰ ﻨﻔﺴـﻙ‬ ‫ﺨﺎﻑ ﻋﻠﻴﻨﺎ..‬ ‫ﻗﺩﺭﻱ: ) ﺒﻤﺭﺍﺭﺓ ﺸﺩﻴﺩﺓ ( ﻋﻠﻰ ﺭﺃﻴﻙ.. ﺃﺒﻘﻰ ﻋﺎﻟﺔ ﺃﻜﺒﺭ ﻋﻠﻴﻜﻡ‬ ‫ﻟﻭ ﺍﻨﻜﺴﺭﺕ ﻭﺃﻨﺎ ﻤﻜﺴﺢ ﺨﻠﻘﺔ..‬ ‫ﺴﻌﺎﺩ: ) ﺘﻨﻬﻤﺭ ﺍﻟﺩﻤﻭﻉ ﻤﻥ ﻋﻴﻨﻴﻬﺎ ( ﻤﺵ ﻜﺩﻩ ﺃﻤﺎل ﻴﺎ ﻗﺩﺭﻱ‬ ‫ﻤﺎ ﺘﻘﻭﻟﺵ ﺍﻟﻜﻼﻡ ﺩﻩ.. ﺃﻨﺕ ﻤﺵ ﻋـﺎﺭﻑ ﺇﻨـﺕ ﺇﻴـﻪ‬ ‫ﺒﺎﻟﻨﺴﺒﺔ ﻟﻲ.. ﻤﻥ ﻏﻴﺭﻙ ﻤﺎ ﻜﻨﺘﺵ ﺃﻗﺩﺭ ﺃﺴﺘﻤﺭ.‬ ‫ﻗﺩﺭﻱ: ﻟﻴﻪ؟ ﺃﻨﺕ ﻋﻨﺩﻙ ﺍﻟﻤﻭﺴﻴﻘﻰ ﺒﺘﺎﻋﺘﻙ.. ﺩﻱ ﺤﻴﺎﺘﻙ ﻜﻠﻬـﺎ‬ ‫ﻭﻻ ﻜﻨﺕ ﺘﻀﻁﺭﻱ ﺘـﺩﻱ ﺩﺭﻭﺱ ﺨﺼﻭﺼـﻴﺔ ﻓـﻲ‬ ‫ﺍﻟﻜﻤﺎﻥ.. ﻜﻨﺕ ﺤﺘﻜﺭﺴﻲ ﺤﻴﺎﺘﻙ ﻜﻠﻬﺎ ﻟﻠﻌﺯﻑ.‬ ‫ﺴﻌﺎﺩ: ﺩﻩ ﻤﺘﻬﻴﺄ ﻟﻙ..ﺇﻨﺕ ﻓﺎﻜﺭ ﺇﻨﻪ ﺍﻟﻔﻥ ﺒﻴﻐﻨﻲ ﻋـﻥ ﺍﻟﺤﻴـﺎﺓ.‬ ‫ﺩﻩ ﺒﺎﻟﻌﻜﺱ ﻜل ﻤﺎ ﺍﻟﻭﺍﺤﺩ ﻴﻌﺯﻑ ﻜل ﻤﺎ ﻴﺒﻘﻰ ﻋـﺎﻴﺯ‬ ‫ﻴﻌﻴﺵ ﺒﺎﻟﻁﻭل ﻭﺍﻟﻌﺭﺽ.‬ ‫ﻗﺩﺭﻱ: ﺩﻩ ﺃﻨﺎ ﺤﺘﻰ ﻤﺵ ﻗﺎﺩﺭ ﺃﻨﻔﻊ ﺒﻨﺘﻲ ﻭﺃﺠﻴﺏ ﻟﻬﺎ ﺍﻟﻠﻲ ﻫـﻲ‬ ‫ﻋﺎﻴﺯﺍﻩ..‬
  • 47. ‫ﺴﻌﺎﺩ: ﻫﻭ ﺇﻨﺕ ﻻﺯﻡ ﺘﺠﻴﺏ ﻟﻬـﺎ ﻜـل ﺍﻟﻠـﻲ ﺒﺘﺸـﻭﻓﻪ ﻋﻨـﺩ‬ ‫ﺃﺼﺤﺎﺒﻬﺎ.. ﺩﻩ ﻴﺒﻘﻰ ﺩﻟﻊ ﻤﺎﻴﻊ ﻴﺎ ﻗﺩﺭﻱ.‬ ‫ﻗﺩﺭﻱ: ﻤﺎﺘﺌﺴﻴﺵ ﻋﻠﻴﻬﺎ ﻴﺎ ﺴﻌﺎﺩ.. ﺇﻏﺭﺍﺀﺍﺕ ﻤﺠﺘﻤﻌﻨﺎ ﻜﺘﻴـﺭﺓ‬ ‫ﻭﻫﻲ ﻟ ‪‬ﻪ ﺼﻐﻴﺭﺓ..‬ ‫ﺴ‬ ‫ﺴﻌﺎﺩ: ﻤﺎ ﺇﻨﺕ ﻤﺩﻟﻌﻬﺎ.. ﺒﺘﻘﻭل ﻨ ‪‬ﻴﻬﺎ ﻜل ﺍﻟﻠﻲ ﻨﻘﺩﺭ ﻋﻠﻴﻪ.. ﺤﺩ‬ ‫ﺩ‬ ‫ﻋﺎﺭﻑ ﺒﻜﺭﻩ ﺤﺘﻘﺩﺭ ﺘﺠﻴﺏ ﻟﻨﻔﺴﻬﺎ ﻭﻻ ﻷ..‬ ‫ﻗﺩﺭﻱ: ﻻ ﻴﺎ ﺴﻌﺎﺩ ﺇﻨﺕ ﻤﺵ ﻓﺎﻫﻤﻪ ﻭﺠﻬﺔ ﻨﻅـﺭﻱ ﺇﻥ ﺍﻟﺤﻴـﺎﺓ‬ ‫ﻗﺎﺴﻴﺔ ﺠ ‪‬ﺍ ﻭﺍﻟﻤﻅﺎﻫﺭ ﺒﻘﺕ ﻤﻬﻤﺔ ﻗﻭﻱ ﻓﻲ ﺍﻟﻤﺠﺘﻤـﻊ..‬ ‫ﺩ‬ ‫ﻷﻨﻪ ﻤﺠﺘﻤﻊ ‪‬ﺘﻔﺴﺦ ﺍﻟﻘﻴﻡ ﺍﻟﺤﻘﻴﻘﻴﺔ ﻀﺎﻋﺕ ، ﻓﺎﻟﺸـﺒﺎﺏ‬ ‫ﻤ‬ ‫ﻤﻌﺫﻭﺭ.. ﺒﻴﺠﺭﻱ ﻭﺭﺍ ﻜل ﺠﺩﻴـﺩ، ﻭﺍﻟﻤﺴـﺘﻘﺒل ﻗـﺎﺘﻡ‬ ‫ﻗﺩﺍﻤﻬﻡ.. ﺇﺤﻨﺎ ﻜﺎﻥ ﻋﻨﺩﻨﺎ ﺁﻤـﺎل ﻭﺃﺤـﻼﻡ ﻋـﺎﻴﺯﻴﻥ‬ ‫ﻨﺤﻘﻘﻬﺎ.. ﺒﺱ ﻫﻤﺎ ﻋﺎﻴﺯﻴﻥ ﻓﻠﻭﺱ ﻭﺒﺱ..‬ ‫ﺴﻌﺎﺩ: ﻭﻻ ﺘﺯﻋـل ﻭﻻ ﺘﺤـﻁ ﻓـﻲ ﺒﺎﻟـﻙ.. ﺒﻜـﺭﺓ ﺃﺨـﺩﻫﺎ‬ ‫ﺍﻟﻜﻭﻨﺴﺭﻓﺎﺘﻭﺍﺭ.. ﺩﻱ ﻫﻲ ﺴﻭﺒﺭﺍﻨﻭ ﻭﺼﻭﺘﻬﺎ ﺠﻤﻴـل‬ ‫ﺠ ‪‬ﺍ ﻭﺃﻨﺎ ﺃﺨﺩﺕ ﺭﺃﻴﻬﺎ ﻭﻫﻲ ﻤﻭﺍﻓﻘﺔ ﻭﻤﺵ ﺒﺱ ﻤﻭﺍﻓﻘﺔ‬ ‫ﺩ‬ ‫ﺩﻱ ﻤﺘﺤﻤﺴﺔ ﻟﻠﻜﻭﻨﺴﺭﻓﺎﺘﻭﺍﺭ.. ﻭﻟﻤﺎ ﺘﺒﺘـﺩﻱ ﺘـﺩﺭﺱ‬ ‫ﻤﻭﺴﻴﻘﻰ ﺤﺘﻨﺴﻰ ﺍﻟﺴـﻜﻲ ﺠﻴـﺕ ﻭﺍﻟﺒﻴـﺘﺵ ﺒـﺎﺠﻲ‬ ‫ﻭﺍﻷﺘﺎﺭﻱ ﻭﺍﻟﻤﺤﻤﻭل.‬
  • 48. ‫ﻗﺩﺭﻱ: ﻓﻜﺭﻙ..؟‬ ‫ﺴﻌﺎﺩ: ﺃﻜﻴﺩ.. ﻭﻫﻲ ﻤﻥ ﺯﻤﺎﻥ ﻏﺎﻭﻴﺔ ﻤﻭﺴﻴﻘﻰ.. ﻭﺍﻟﻘﻴﻡ ﺍﻟﻌﺎﻟﻴﺔ‬ ‫ﺍﻟﻠﻲ ﺇﺤﻨﺎ ﺭﺒﻴﻨﺎﻫﺎ ﻋﻠﻴﻬﺎ ﻤﺵ ﺤﺘﻀـﻴﻊ.. ﺩﻱ ﻤﺠـﺭﺩ‬ ‫ﻨﺯﻭﺍﺕ ﺯﻱ ﻜﺎﺒﺭﻴﺘﺸﻲ ‪...Capricci‬‬ ‫ﻗﺩﺭﻱ: ) ﻴﻬﺩﺃ ( ﻓﻜﺭﻙ؟‬ ‫ﺴﻌﺎﺩ: ﺇﻫﺩﻯ ﺃﻨﺕ ﺒﺱ ) ﺘﻀﻊ ﻴﺩﻫﺎ ﻋﻠﻰ ﺭﺃﺴﻪ ﻭﺘﺠﺭ ﻜﺭﺴﻲ‬ ‫ﺘﺠﻠﺱ ﻋﻠﻴﻪ ﺒﺠﻭﺍﺭ ﻜﺭﺴﻴﻪ ﺍﻟﻤﺘﺤﺭﻙ ( ﻓـﻲ ﻭﺍﺤـﺩﺓ‬ ‫ﺼﺎﺤﺒﺘﻲ ﻗﺎﻟﺕ ﻟﻲ ﺇﻥ ﻜﻑ ﺍﻹﻴﺩ ﻓﻴﻬﺎ ﻗـﺩﺭﺓ ﺸـﻔﺎﺌﻴﺔ‬ ‫ﻫﺎﻴﻠﺔ.. ﺘﻁﻴﺭ ﺍﻟﺼﺩﺍﻉ ﻭﺘﻬﺩﻱ ﺍﻻﻨﻔﻌﺎﻻﺕ.. ﻗـل ﻟـﻲ‬ ‫ﺒﻘﻰ ﺍﻟﻜﻼﻡ ﺩﻩ ﺼﺤﻴﺢ ) ﺘﻀﻊ ﻜﻔﻬﺎ ﻋﻠﻰ ﺠﺒﻬﺘﻪ (.‬ ‫ﻗﺩﺭﻱ: ) ﻴﻀﻊ ﺫﺭﺍﻋﻪ ﺤﻭل ﺃﻜﺘﺎﻓﻬﺎ ﻭﻴﻘﺒﻠﻬﺎ ( ﻁﺒ ‪‬ﺎ ﺼﺤﻴﺢ..‬ ‫ﻌ‬ ‫) ﺨﻼل ﻫﺫﺍ ﺍﻟﻤﺸﻬﺩ ﺍﻟﺴﺎﺒﻕ ﻋﻨﺩﻤﺎ ﺘﻀﻊ ﻴﺩﻫﺎ ﻋﻠـﻰ‬ ‫ﺠﺒﻬﺘﻪ ﺘﺴﻤﻊ ﻤﻭﺴﻴﻘﻰ ﻜﻤﺎﻥ ﺨﺎﻓﺘﺔ (.‬ ‫) ﺨﺒﻁ ﺸﺩﻴﺩ ﻋﻠﻰ ﺍﻟﺒﺎﺏ ﻭﺼﻴﺎﺡ ﺒﺎﻟﻠﻬﺠﺔ ﺍﻟﺼـﻌﻴﺩﻴﺔ‬ ‫(.‬ ‫ﺘﻔﻴﺩﺓ: ﺇﻟﺤﻘﻴﻨﻲ ﻴﺎ ﺘﺎﻨﺕ.. ﺇﻟﺤﻘﻴﻨﻲ.. ﺁﻱ ﺁﻱ ﺁﻱ.. ﺨ ﹼﻲ ﺇﻴـﺩﻙ‬ ‫ﻔ‬ ‫ﻋﻨﻲ ﻴﺎ ﻤﺎﻤﺎ..‬
  • 49. ‫ﺯﻟﻴﺨـﺎ: ﺠ ‪‬ﺴـﺘﻴﻨﺎ ﻴـﺎ ﺠﺭﺒﻭﻋـﺔ ﻴـﺎ ﻤﻌﻔﻨـﺔ.. ﺠﺭﺴـﺘﻴﻨﺎ‬ ‫ـ‬ ‫ـ‬ ‫ـ ـ‬ ‫ـ‬ ‫ﺭ ـ‬ ‫) ﺼﻭﺕ ﻀﺭﺏ (.‬ ‫ﺴﻌﺎﺩ: ) ﺘﻔﺘﺢ ﺍﻟﺒﺎﺏ ( ﺇﻴﻪ ﻓﻴﻪ ﺇﻴﻪ.. ﺨﻴﺭ.. ﻤﺎﻟـﻙ ﻴـﺎ ﺴـﺕ‬ ‫ﺯﻟﻴﺨﺎ؟‬ ‫ﺯﻟﻴﺨﺎ: ﻭﺍﻟﺨﻴﺭ ﻴﻴﺠﻲ ﻤﻨﻴﻥ.. ﻭﺃﻨﺎ ﻤﻌﺎﻴﺎ ﺒﻨﺕ ﺍﻷﺒﺎﻟﺴـﺔ ﺩﻱ..‬ ‫ﻴﺎﺩﻱ ﺍﻟﻜﺴﻭﻑ.. ﻴﺎ ﺩﻱ ﺍﻟﻜﺴﻭﻑ.. ﻭﺍﷲ ﻭﺠﻪ ﺍﻟﻴـﻭﻡ‬ ‫ـﺤﺘﻴﻨﺎ ـﺎ ـﺩﺓ ـﺎ ـﺕ ـﺩ ـﺎل‬ ‫ﻴـ ﺘﻔﻴـ ﻴـ ﺒﻨـ ﻋﺒـ ﺍﻟﻌـ‬ ‫ﻭﻓﻀـ‬ ‫) ﺘﻀﺭﺒﻬﺎ ﺒﺎﻟﺸﺒﺸﺏ ( ﻭﺍﷲ ﺩﻩ ﺃﻨﺎ ﺤﻀﺭﺒﻙ ﻟﺤﺩ ﻤـﺎ‬ ‫ﻤﻭﺘﻙ.‬ ‫ﺘﻔﻴﺩﺓ: ﺤﻭﺸﻲ ﻋﻨﻲ ﻴﺎ ﺘﺎﻨﺕ.. ﺩﻱ ﺠﺘﺘﻲ ﺍﻨﻬﺭﺕ ﻤﻥ ﺍﻟﻀﺭﺏ.‬ ‫ﺯﻟﻴﺨﺎ: ) ﺍﻟﻌﺎﺯﻓﺔ ﺘﺤﻭﺵ ﺒﻴـﻨﻬﻡ ( ﺴﻴﺒﻭﻨﻲ ﻋﻠﻴﻬـﺎ.. ﺇﻥ ﻤـﺎ‬ ‫ﻤﻭﺘﻬﺎ ﻤﺎ ﺒﻘﺎﺵ ﺃﻨﺎ ﺯﻟﻴﺨﺔ ﺒﻨﺕ ﻋﺒﺩ ﺍﻟﺒﺎﺴﻁ.‬ ‫ﺴﻌﺎﺩ: ﺇﻫﺩﻱ ﺃﻤﺎل ﻴﺎ ﺴﺕ ﺯﻟﻴﺨﺎ ﻭﻗﻭﻟﻲ ﻟﻨﺎ ﻓﻴﻪ ﺇﻴﻪ.‬ ‫ﺯﻟﻴﺨﺎ: ﻴﺎ ﺩﻱ ﺍﻟﻜﺴﻭﻑ.. ﻴﺎ ﺩﻱ ﺍﻟﻜﺴﻭﻑ.. ﺃﻭﺩﻱ ﻭﺸﻲ ﻓـﻴﻥ‬ ‫ﻤﻥ ﺍﻟﻨﺎﺱ ﺍﻟﻁﻴﺒﻴﻥ.. ﺩﻩ ﻟﻭ ﺃﺒﻭﻫﺎ ﻋـﺭﻑ ﻴﺴـﻠﺨﻬﺎ )‬ ‫ﺘﻀﺭﺏ ﺘﻔﻴﺩﺓ ﺒﺎﻟﺸﺒﺸﺏ (.‬ ‫ﻗﺩﺭﻱ: ﻁﻴﺏ ﺒﺱ ﻓﻬﻤﻴﻨﺎ.‬
  • 50. ‫ﺯﻟﻴﺨﺎ: ﺸﻭﺭﻴﻨﻲ ﺃﻤﺎل ﻴﺎ ﺴﺕ ﺴﻌﺎﺩ.. ﺃﻋﻤل ﺇﻴﻪ ﺩﻩ ﺃﻨﺎ ﻓﻲ ﻨﺹ‬ ‫ﻫﺩﻭﻤﻲ.. ﺃﻭﺩﻱ ﻭﺸﻲ ﻓﻴﻥ ﻤﻥ ﺍﻟﻨﺎﺱ ﺍﻟﻁﻴﺒﻴﻥ ﻭﻻﺩ ﻋﻡ‬ ‫ﺠﻭﺯﻱ ﺍﻟﻠﻲ ﺭﺤﺒﻭﺍ ﺒﻴﻨﺎ.. ﺃﻤﺎل ﻟﻭ ﻜﺎﻨﻭﺍ ﻗﺭﺍﻴﺒﻲ ﻜـﺎﻥ‬ ‫ﺍﻷﻤﺭ ﺒﻘﻰ ﺃﻫﻭﻥ..‬ ‫ﺘﻔﻴﺩﺓ: ﺃﻫﻭ ﺇﻨﺕ ﺩﺍﻴ ‪‬ﺎ ﻜﺩﻩ ﻴﺎ ﺍﻤﻪ.. ﺘﻌﻤﻠﻲ ﻤﻥ ﺍﻟﺤﺒﺔ ﻗﺒﺔ..‬ ‫ﻤ‬ ‫ﺯﻟﻴﺨﺎ: ﻟﻙ ﻋﻴﻥ ﺘﺘﻜﻠﻤﻲ ﻴﺎ ﻤﻌﻔﻨﺔ ﺒﻌﺩ ﺍﻟﻠﻲ ﻋﻤﻠﺘﻴﻪ..‬ ‫ﺴﻌﺎﺩ: ﻋﻤﻠﺕ ﺇﻴﻪ ﺒﺱ؟‬ ‫ﺯﻟﻴﺨﺎ: ﺴﺭﻗﺕ ﺃﻟﻑ ﺠﻨﻴﻪ ﻤﻥ ﺩﻭﻻﺏ ﺴﻲ ﻋـﻭﺽ.. ﺍﻟﺭﺠـل‬ ‫ﺍﻟﻁﻴﺏ ﺍﻟﻠﻲ ﻓﺎﺘﺢ ﻟﻨﺎ ﺒﻴﺘﻪ ﻭﻤﺭﺍﺘﻪ ﻜل ﻴﻭﻡ ﺘﻘـﺩﻡ ﻟﻨـﺎ‬ ‫ﺍﻟ ‪‬ﻓﺭ.. ﻭﻻ ﺤﺘﻰ ﺠﺒﻨﺎ ﻟﻬﻡ ﺍﻟﺯﻴﺎﺭﺓ ﺍﻟﻠـﻲ ﻫـﻲ.. ﺩﻩ‬ ‫ﺯ‬ ‫ﻜﺭﻤﻬﻡ ﻤﺎ ﻴﺘﻭﺼﻔﺵ.. ﺸﺎﻴﻠﻨﺎ ﻋﻠﻰ ﻜﻔﻭﻑ ﺍﻟﺭﺍﺤﺔ ﻭﻜل‬ ‫ﻴﻭﻡ ﻴﻔﺴﺤﻭﻨﺎ ﺤﺒﺔ..‬ ‫ﺴﻌﺎﺩ: ﻟﻴﻪ ﻜﺩﻩ ﻴﺎ ﺒﻨﺘﻲ؟‬ ‫ﺘﻔﻴﺩﺓ: ﻏﺼﺏ ﻋﻨﻲ ﻴﺎ ﺘﺎﻨﺕ.. ﺃﻨﺎ ﻋﺎﻴﺯﺓ ﺴﻠﺴﻠﺔ ﺫﻫﺏ ﻭﺃﺴﻭﺭﺓ‬ ‫ﺫﻫﺏ ﻭﺃﻤﻲ ﻤﺵ ﺭﺍﻀﻴﺔ ﺘﺠﻴﺒﻬﻡ ﻟﻲ.‬ ‫ﺴﻌﺎﺩ: ﻤﺵ ﺭﺍﻀﻴﺔ ﻭﺍﻻ ﻤﺵ ﻗﺎﺩﺭﺓ؟‬ ‫ﱠ‬ ‫ﺘﻔﻴﺩﺓ: ﻤﺎ ﺘﻔﺭﻗﺵ ﻤﻌﺎﻴﺎ ) ﻷﻤﻬﺎ ( ﻤﺵ ﺃﻨﺎ ﻗﺎﻴﻠﻪ ﻟﻙ ﺇﻨـﻪ ﺃﻨـﺎ‬ ‫ﻋﺎﻴﺯﺓ ﺴﻠﺴﻠﺔ ﺫﻫﺏ ﻜل ﺃﺼﺤﺎﺒﻲ ﻻﺒﺴﻴﻥ ﺫﻫﺏ ﻤﻥ ﻫﻨﺎ‬
  • 51. ‫ﻟﻬﻨﺎ ) ﺘﺸﺎﻭﺭ ﺒﺫﺭﺍﻋﻴﻬﺎ ﻟﻜﻲ ﺘﻅﻬﺭ ﺍﻷﺴﺎﻭﺭ ﺍﻟـﺫﻫﺏ‬ ‫ﺍﻟﺘﻲ ﺘﻤﻠﻜﻬﺎ ﺯﻤﻴﻼﺘﻬﺎ (.‬ ‫ﺯﻟﻴﺨﺎ: ﻭﺃﻨﺎ ﻭﺃﺒﻭﻙ ﺤﻨﺠﻴﺏ ﻟﻙ ﻤﻨﻴﻥ.. ﻤﺵ ﻜﻔﺎﻴﺔ ﺇﻨﻪ ﺒﻨﺩﻓﻊ ﻟﻙ‬ ‫ﺨﻤﺴﺔ ﻭﺘﻼﺘﻴﻥ ﺠﻨﻴﻪ ﻜل ﺸـﻬﺭ ﺘﺭﻭﺤـﻲ ﺍﻟﻤﺩﺭﺴـﺔ‬ ‫ﺒﺘﺎﻜﺴﻲ ﻤﻥ ﺍﻟﺒﻠﺩ ﻟﻠﺒﻨﺩﺭ.. ﻭﺍﷲ ﻴﺎ ﺴﺕ ﺴـﻌﺎﺩ ﺩﻩ ﺃﻨـﺎ‬ ‫ﺒﺩﻓﻊ ﻤﻥ ﺩﻡ ﻗﻠﺒﻲ ﻭﺒﺎﺩﻴﻬﺎ ﺍﺘﻨﻴﻥ ﺠﻨﻴﻪ ﻤﺼﺭﻭﻑ ﻜـل‬ ‫ﻴﻭﻡ..‬ ‫ﺘﻔﻴﺩﺓ: ﻭﺍﺘﻨﻴﻥ ﺠﻨﻴﻪ ﻴﻌﻤﻠﻭﺍ ﺇﻴﻪ.. ﺩﻱ ﺃﻤﻴﺭﺓ ﺃﺒﻭﻫﺎ ﺒﻴﺩﻴﻬﺎ ﺨﻤﺴﺔ‬ ‫ﺠﻨﻴﻪ ﻭﺒﺘﻌﺯﻡ ﻭﺘﺸﺒﺭﺃ ﻋﻠﻰ ﺍﻟﺒﻨـﺎﺕ.. ﻭﻟﻬـﺎ ﺸـﻌﺒﻴﺔ‬ ‫ﺠﺎﻤﺩﺓ.. ﻜل ﺍﻟﺒﻨﺎﺕ ﺒﻴﺤﺒﻭﻫﺎ.‬ ‫ﺯﻟﻴﺨﺎ: ﻭﺍﺤﻨﺎ ﻤﺎﻟﻨﺎ ﻭﻤﺎل ﺍﻟﻨﺎﺱ.. ﻗـﻭﻡ ﺘﺴـﺭﻗﻲ ﻴـﺎ ﺒﻨـﺕ‬ ‫ﺍﻷﺒﺎﻟﺴﺔ..‬ ‫ﺘﻔﻴﺩﺓ: ﻫﻭ ﺃﻨﺎ ﻤﺵ ﻟﺤﻡ ﻭﺩﻡ؟ ﻤﺎ ﻋﻨﺩﻴﺵ ﺇﺤﺴﺎﺱ؟ ﺸﺎﻴﻔﺔ ﺍﻟﻨﺎﺱ‬ ‫ﻗﺩﺍﻤﻲ ﺇﻴﻪ.. ﺘﺎﻴﻴﺭﺍﺕ ﺇﻴﻪ ﻭﺩﻫﺏ ﺇﻴﻪ.. ﺭﻭﺤﻲ ﺸـﻭﻓﻲ‬ ‫ﺩﻭﻻﺏ ﻟﻭﺴﻲ ﻓﻴﻪ ﺇﻴﻪ.. ﻭﻤﺭﻓﺕ ﻭﺴﻭﺴﻥ ﻭﻗﺩﺭﻴـﺔ..‬ ‫ﻫﻭ ﺃﻨﺎ ﺒﺱ ﺍﻟﻠﻲ ﻭﻗﻌﺕ ﻤﻥ ﻗﻌﺭ ﺍﻟﻘﻔﺔ.. ﺍﺸﻤﻌﻨﻰ ﻫﻤـﺎ‬ ‫ﻴﻠﺒﺴﻭﺍ ﺘﺎﻴﻴﺭﺍﺕ ﻭﺩﻫﺏ ﻭﺍﻟﺫﻱ ﻤﻨﻪ..‬
  • 52. ‫ﺴﻌﺎﺩ: ﻴﺎ ﺒﻨﺘﻲ ﻤﺎ ﺤﺩﺵ ﺒﻴﻠﺒﺱ ﺘﺎﻴﻴﺭﺍﺕ ﺩﻟﻭﻗﺘﻲ.. ﻜل ﺍﻟﺒﻨـﺎﺕ‬ ‫ﻤﻥ ﺴﻨﻙ ﺒﻴﻠﺒﺴﻭﺍ " ﺘﻲ ﺸﻴﺭﺘﺎﺕ " ﻭ " ﺒﻭﺩﻱ "...‬ ‫ﺘﻔﻴﺩﺓ: ﻋﻨﺩﻨﺎ ﺒﻴﻠﺒﺴﻭﺍ ﺘﺎﻴﻴﺭﺍﺕ.‬ ‫ﺯﻟﻴﺨﺎ: ) ﺸﺎﻜﻴﺔ ﻟﺴﻌﺎﺩ ( ﻭﺃﻨﺎ ﺠﺎﻴﺒﺔ ﻟﻬﺎ ﻫﺩﻭﻡ ﻴﺎﻤﺎ.. ﻜل ﻤـﺎ‬ ‫ﺁﺠﻲ ﻤﺼﺭ ﺃﻨﺯل ﻭﻜﺎﻟﺔ ﺍﻟﺒﻠﺢ..‬ ‫ﺘﻔﻴﺩﺓ: ﻤﺵ ﺯﻱ ﻫﺩﻭﻡ ﻨﺎﻨﺴﻲ.. ﺩﻱ ﺒﺘﺸﺘﺭﻱ ﻤـﻥ ﺸـﻴﻜﻭﺭﻴل‬ ‫ﻭﻫﺎﻨﻭ ﻭﻤﺭﻓﺕ ﺃﻫﻠﻬﺎ ﺒﻴﺠﻴﺒﻭﺍ ﻟﻬﺎ ﻫﺩﻭﻤﻬﺎ ﻤﻥ ﻤﺼﺭ..‬ ‫ﺯﻟﻴﺨﺎ: ﻁﻴﺏ ﻤﺎ ﻨﺎ ﺠﺒﺘﻙ ﻤﺼﺭ ﺃﻫﻭ ﻭﺍﺸﺘﺭﻴﺕ ﻟﻙ ﻫﺩﻭﻡ..‬ ‫ﻗﺩﺭﻱ: ) ﺍﻟﺫﻱ ﻅل ﺼﺎﻤ ﹰﺎ ﻁﻭﺍل ﺍﻟﺤﻭﺍﺭ ﺍﻟﺴﺎﺒﻕ ( ﻴﺎ ﺒﻨﺘﻲ ﺩﻱ‬ ‫ﺘ‬ ‫ﺃﺭﺯﺍﻕ ﻤﻭﺯﻋﻬﺎ ﺍﻟﻜﺭﻴﻡ..‬ ‫ﺘﻔﻴﺩﺓ: ﻫﻭ ﺃﻨﺎ ﻤﺵ ﻟﺤﻡ ﻭﺩﻡ.. ﻤﺎ ﻋﻨﺩﻴﺵ ﺇﺤﺴﺎﺱ ﻴﻌﻨﻲ ﺃﺸﻭﻑ‬ ‫ﻜل ﺩﻩ ﻭﺃﻗﻌﺩ ﻤﻥ ﻏﻴﺭ ﻤﺎ ﺃﻋﻤل ﺤﺎﺠﺔ.‬ ‫ﺯﻟﻴﺨﺎ: ﻴﺎ ﻤﻌﻔﻨﺔ.. ﻴﺎ ﺸﻌﻨﻭﻨﺔ ) ﺘﻀﺭﺒﻬﺎ ﺒﺎﻟﺸﺒﺸﺏ (.‬ ‫ﺴﻌﺎﺩ: ﺨﻼﺹ ﻴﺎ ﺴﺕ ﺯﻟﻴﺨﺎ.. ﺩﻱ ﺁﺨـﺭ ﻤـﺭﺓ ﻭﺤﺭﻤـﺕ..‬ ‫ﺍﻟﺸﻴﻁﺎﻥ ﻭﺤﺵ.. ﻫﻲ ﺨﻼﺹ ﻤﺵ ﺤﺘﻌﻤل ﻜﺩﻩ ﺘﺎﻨﻲ.‬ ‫ﺯﻟﻴﺨﺎ: ﺸﻭﺭﻴﻨﻲ ﻴﺎ ﺴﺕ ﺴﻌﺎﺩ.. ﺃﺭﺠﻊ ﺍﻟﻔﻠﻭﺱ ﺇﺯﺍﻱ ﻤﻥ ﻏﻴﺭ‬ ‫ﻤﺎ ﻗﺭﺍﻴﺏ ﺠﻭﺯﻱ ﻴﺤﺴﻭﺍ.. ﻴﺎ ﺩﻱ ﺍﻟﻜﺴﻭﻑ.. ﻴـﺎ ﺩﻱ‬ ‫ﺍﻟﻜﺴﻭﻑ.. ﻟﻭ ﺸﺎﻓﻭﻨﻲ ﺘﺒﻘﻰ ﻓﻀﻴﺤﺔ ﺒﺠﻼﺠل..‬