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Mesopotamian Sculpted Relief,[object Object],A Passion for Historical Detail,[object Object],In the next slide we will begin with an example from the Akkadian Culture ,[object Object], c. 2300 - 2100 BC,[object Object]
The Victory Stele of Naramsin,[object Object],Read about this in your text.  Even though this is Akkadian – an earlier culture than Assyrian, we can see that it depicts certain stylistic characteristics that continue in Mesopotamian art for centuries and are similar to Egyptian style as well.   Please note:,[object Object],Pose for the King at left-- frontal chest but the rest of the body in profile.  (Same as Egyptian)  This shows the power and correct side “right side” of the ruler.,[object Object],Symbols of Authority and Kingship – Larger Scale. Wears the horned crown typical of several cultures in Mesopotamia.,[object Object],Directional Symbols – Upward motion of Kings soldiers at left, downward motion of enemy.,[object Object]
The Passion for Detail of Mesopotamian Art,[object Object],This is a detail of the center section of the relief. ,[object Object],Please Note:,[object Object],Above– Here we see the head and chest of the enemy the King has stepped on.  His leg is under the other fallen captive.,[object Object],Second Figure – He falls limply to his death, but yet to symbolically give the King respect, he still looks to him.  Also note the attention to anatomy, although the figure does not have the idealized musculature reserved for only royalty. ,[object Object],Nakedness -  Symbolic of death.  We will see this convention even in Medieval reliefs.  ,[object Object]
The Passion for Detail in Mesopotamian art.,[object Object],What similarities and/ or  differences do you note in this style to Egyptian art such as in the Palette of King Narmer or Menes?    ,[object Object],Answer on the discussion board. ,[object Object]
The Passion for Detail in Mesopotamian Art. Assyrian Art  ,[object Object],Assyrian Culture,[object Object],  c. 1300 – 612 BC,[object Object],The Assyrians continued this same interest in detail and brought it to an even higher level.  Primarily they are known for their historical battle scenes.  These lined the palace courtyards at cities like ancient Khorsabad, Nimrud, and Nineveh. ,[object Object],Their main function was to impress dignitaries and visitors with the might and heroism of their Empire, which lasted longer than any other in the region—for approx. 600 years. ,[object Object]
Reliefs from the Palace at Nimrud – 9thCentury,[object Object],Can you see how Assyrian  Relief Art is more Perceptual than Egyptian? ,[object Object],Through Cuneiform inscriptions (not seen here) the Assyrians note exactly which battle is depicted here.  It is their conquest  over the city of Lachish in Judah or modern Israel, as recorded in Isaiah and Ezra.,[object Object],Note the same stylistic elements as seen in the Naram sin Relief:,[object Object],1.  Falling enemy – especially in the center—the figure appears to be diving downward, and also at left, we see just the legs of another.   ,[object Object],3.  A change in style and proportion due to class or culture. Note there is more movement and liveliness of detail in the enemy than in the soldiers.   ,[object Object],2.  Symbolic Directional Motion.,[object Object],3.  Bulging Muscle Definition.,[object Object],What other details do you see?,[object Object],Two wrestlers?  ,[object Object]
Assyrian Passion for Historical Detail,[object Object],Details of the Conquest of the City of Lachish by King  Sennacherib (704-681 BC). ,[object Object],What details regarding the Assyrian capture of the city of Lachish do you see?,[object Object],A battering ram?,[object Object],Weapons, ladders, boulders?,[object Object],Soldiers carrying the spoils of war?,[object Object],Go to this web site for more images and views of Assyrian art: ,[object Object],http://www.britishmuseum.org/explore/galleries/middle_east/room_10b_assyria_siege_of_la.aspx  ,[object Object]
Assyrian Passion for Historical Detail ,[object Object],RelieffromthePalace of Sennacheribat Nineveh.  ,[object Object],Following is a quote from the British Museum on this piece.,[object Object],“This fragment shows a Phoenician ship. 'Phoenician' is the Greek name given to the inhabitants of Canaanite cities along the Levant coast. They were an extremely wealthy people, profiting from the trade that linked Mesopotamia and Egypt and the Mediterranean. The Assyrians expanded westwards to control these trade routes and acquire the wealth of the cities through tribute, booty and taxation. The demand by the Assyrians for materials led the Phoenicians to explore the Mediterranean and establish trading colonies at such places as Sicily, Carthage in North Africa, and Spain.”   ,[object Object],Notice the men in the ships with the oars out into the water represented by wavy lines.  We will see an Aegean scene in Ch. 5 of your text a little similar to this. ,[object Object]
The Lion in Assyrian Art,[object Object],There are many images of the King and his court fighting lions.  Below is one from your text from the capital of the Assyrian Empire at Nineveh.  Study the Style in your text.,[object Object]
Assyrian Perceptualism ,[object Object],Once again notice the detail and a tendency toward violence.,[object Object],The lion is being stabbed through by the sword of this ruler, King Assurnazirpal. ,[object Object],The arrows at his head and flying across the body. ,[object Object]
Assyrian King hunting Lions  Nineveh – 7th century BC,[object Object],The Lion Hunt theme was used both at Nimrud and at the Assyrian capital at Nineveh.,[object Object],Why such an extreme interest in Lions in Assyrian culture?.,[object Object],This is a loaded question, but here are some theories:   ,[object Object],1.  It was strictly propaganda, to show the King’s heroic strength and power.,[object Object],2.  The lion was a real threat in the area.,[object Object],3.  According to biblical accounts, lions had been used by God for destruction, and had thus proliferated and become a threat. ,[object Object]
Assyrian Passion for Detail and Perceptualism,[object Object],Study this one ,[object Object],in your text.,[object Object],It is from the Palace of Assurnabanipal, at Nimrud.,[object Object]
A Carved Ivory inset with Lapis Lazuli and some gold from Nimrud.,[object Object],Assyrian Perceptualism and Drama ,[object Object],Can you see how this lion is really attacking a Nubian slave?,[object Object],Their bodies are intertwined showing good observation by the Assyrian artist , especially of the muscles of the Nubian. ,[object Object]
Assyrian Perceptualism,[object Object],We must remember that these reliefs were painted.  The color does not survive.,[object Object],Here is an artists depiction of a detail of a lion hunt. ,[object Object]

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Mesopotamian Historical Reliefs

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