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Picasso comienzos 1881 1895
- 1. 3. Pablo Ruíz Picasso 3.1. Pablo Ruíz Picasso: biographic data and his first period in Barcelona 1881 to 1895 By Mariana Freijomil Seoane Self Portrait with a relative 1895
- 5. Puerta de Atarazanas 13th century Malaga Cathedral 18th century M á laga Arena with “ La Malagueta ” beach behind Picasso was born in Malaga on the 25th October 1881. He was the first-born son of María Picasso López and José Ruiz Blasco, painter, teacher.
- 6. Picasso was baptized as Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Mártir Patricio Clito Ruíz y Picasso. He was named after various saints and relatives. The name “Picasso” is actually from his mother, Maria Picasso y Lopez. His father’s name was Jose Ruiz Blasco. It’s as if Picasso was born an artist: his first word was “piz,” short of lápiz the Spanish word for ‘pencil.’ His father Ruiz, an artist and art professor, gave him a formal education in art starting from the age of 7. By 13, Ruiz vowed to give up painting as he felt that Pablo had surpassed him. Facts About Pablo Picasso...
- 7. Drawing, Cock pigeon and bullfigth 1890
- 9. Betwen 1891 and 1895 the Ruiz-Picasso family live in Coruña because the father gets a job as a teacher at the Guarda School of Fine Arts. There Picasso starts his art studies in 1892. “ Asul y blanco ” 1893 “ La Coru ñ a ” de 1894 , Ink drawing
- 10. Picasso’s first visit to the Prado Museum in Madrid was 1895. There he saw a painting that would change the view of his own work... Las Meninas ( Spanish for The Maids of Honour ) [2] is a 1656 painting by Diego Vel á zquez
- 13. After spending the summer in Malaga, the Ruiz-Picasso family set up home in Barcelona. He takes the entrance examination for the Llotja School of Fine Arts where he studies for two years.
- 14. Chronology 1881- 1973 1881, 25th October | Born in Malaga, the first-born son of María Picasso López and José Ruiz Blasco, painter, teacher at the San Telmo School of Fine Arts and curator at the Municipal Museum. 1891-1895 | The Ruiz-Picasso family live in Coruña because the father gets a job as a teacher at the Guarda School of Fine Arts. There Picasso starts his art studies in 1892. 1895 | Picasso’s first visit to the Prado Museum in Madrid. After spending the summer in Malaga, the Ruiz-Picassos set up home in Barcelona. He takes the entrance examination for the Llotja School of Fine Arts where he studies for two years.
Notas del editor
- Su padre pintaba pigeons y él le ayudaba en su trabajo cuando era pequeño. En Málaga entrará en contacto con la luz del Mediterráneo y las corridas de toros alasa que acompañaba a su padre.
- Picasso tenía 9 años cuando pintó este cuadro. Horse rider in a bullfigth. Domina la técnica de la pintura al óleo sin problemas.
- Comentar que su hermana Conchita murió durante la estancia de la familia en La Coruña. Ël estaba muy vinculado a su hermana. Su primera hija se llamará Conchita.
- The painting shows a large room in the Madrid palace of King Philip IV of Spain , and presents several figures, most identifiable from the Spanish court, captured, according to some commentators, in a particular moment as if in a snapshot . [3] Some look out of the canvas towards the viewer, while others interact among themselves. The young Infanta Margarita is surrounded by her entourage of maids of honour , chaperone , bodyguard, two dwarfs and a dog. Just behind them, Vel á zquez portrays himself working at a large canvas. Vel á zquez looks outwards, beyond the pictorial space to where a viewer of the painting would stand. [4] A mirror hangs in the background and reflects the upper bodies of the king and queen. The royal couple appear to be placed outside the picture space in a position similar to that of the viewer, although some scholars have speculated that their image is a reflection from the painting Vel á zquez is shown working on. Las Meninas has long been recognised as one of the most important paintings in Western art history . The Baroque painter Luca Giordano said that it represents the "theology of painting", while in the 19th century Sir Thomas Lawrence called the work "the philosophy of art". More recently, it has been described as "Vel á zquez's supreme achievement, a highly self-conscious, calculated demonstration of what painting could achieve, and perhaps the most searching comment ever made on the possibilities of the easel painting".
- Tenía 12 años cuando hizo este estudio de pie 1893-1894 Leg, torso 1893,1894
- Tenía 12 años cuando hizo este estudio de pie 1893-1894
- “ el Mosc ó foro ”