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Grade 10: 
Architecture
Architecture 
 Compare the following pairs 
of architectural structures in 
the T-charts provided on 
your note. 
 Consider the following: 
structure, scale, materials, 
interior space, 
decoration (colour), rhythm, 
distinctive elements (unique 
pieces) 
Architectural Comparisons
Architectural Comparisons 
 Egyptian Pyramid of Cheops 
(Giza 2530 B.C.) 
 Greek Parthenon 
(447 – 432 B.C.)
Architectural Comparisons 
Egyptian pyramids 
 Stone, covered in limestone, 
and capped in gold 
 Royal tombs 
 Buried riches, etc. for the 
afterlife 
Greek Parthenon 
 Temple for Athena 
 Limestone foundations, 
marble columns 
 Golden Ratio (a mathematical 
equation for measuring size) 
 statue of Athena that was made 
of gold and ivory 
 Doric, Ionic, and Corinthian 
columns
Architectural Comparisons 
 Romanesque St. Sermin, 
Toulouse, France 1080 – 1120 
A.D. 
 Gothic Reims Cathedral, 
France 1210 A.D.
Architectural Comparisons 
Romanesque 
 grand cathedrals 
 Thick stone walls 
 Arches 
 Groin vaults for support 
 Large towers 
Gothic 
 Grand cathedrals 
 Pointed arch (pointing to God) 
 Ribbed vault 
 Flying buttresses for support 
 Lots of windows to let in light (Divine 
inspiration)
Architectural Comparisons 
 Joseph Paxton’s Crystal Palace, 
London, UK 1851 
 Walter Gropius’ Bauhaus, 
Dresden, Germany 1928
Architectural Comparisons 
Crystal Palace 
Built with cast iron and 
glass 
New technology allowed it 
to use more glass than ever 
before 
Didn't need lights 
Built for the Great 
Exhibition of 1851, an 
international event to show 
off new technologies of the 
Industrial Revolution. 
Bauhaus 
A German school of crafts 
and fine arts 
This style influenced 
Modern architecture in its 
lack of ornamentation and 
its harmony between the 
purpose of the building and 
the design. 
Simple design; usefulness 
was more important than 
beauty.
Architectural Comparisons 
Modernism 
 Less is more! SIMPLICITY 
 Focus on function 
 Lots of glass and metal 
(born out of the Industrial 
Revolution) 
 Very little ornamentation 
 Smooth faced (don’t even have 
window ledges) 
Seagram Building, NYC, 1958
Architectural Comparisons 
 F.L.Wright’s Falling Water, Bear 
Run, PA 1936
Architectural Comparisons 
Postmodernism 
 Less is a bore! 
 Return of “wit, ornament, and reference” 
 Diverse styles (anything goes) – individual 
expression! 
 Design for its own sake (not just for function) 
 New ways of viewing familiar structures 
Frank Gehry, Concert Hall in L.A. 
Rem Koolhaas, CCTV Building, China
Architectural Design 
 Design your own building for whatever purpose 
you want. (Keep it appropriate) 
 Incorporate 2 characteristics from the 
architectural periods that we’ve studied. 
 Draw your building using 2 - Point 
Perspective.
One-Point Perspective 
 Creates the illusion of deep space. 
 The illusion is created by using a vanishing 
point & guidelines. 
 Either lines are vertical or they connect to your 
vanishing point.
One-Point Perspective: Example
Two-Point Perspective 
 Creates the illusion of deep space that starts at a corner. 
 The illusion is created by using two vanishing points & 
guidelines. 
 Either lines are vertical or they connect to one of your 
vanishing points. 
 Demo (lines on the right side  right v.p. 
lines on the left side  left v.p.)
Two-Point Perspective: Examples 
M. C. Escher www.ssheltonimages.com

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Gr 10 architecture

  • 2. Architecture  Compare the following pairs of architectural structures in the T-charts provided on your note.  Consider the following: structure, scale, materials, interior space, decoration (colour), rhythm, distinctive elements (unique pieces) Architectural Comparisons
  • 3. Architectural Comparisons  Egyptian Pyramid of Cheops (Giza 2530 B.C.)  Greek Parthenon (447 – 432 B.C.)
  • 4. Architectural Comparisons Egyptian pyramids  Stone, covered in limestone, and capped in gold  Royal tombs  Buried riches, etc. for the afterlife Greek Parthenon  Temple for Athena  Limestone foundations, marble columns  Golden Ratio (a mathematical equation for measuring size)  statue of Athena that was made of gold and ivory  Doric, Ionic, and Corinthian columns
  • 5. Architectural Comparisons  Romanesque St. Sermin, Toulouse, France 1080 – 1120 A.D.  Gothic Reims Cathedral, France 1210 A.D.
  • 6. Architectural Comparisons Romanesque  grand cathedrals  Thick stone walls  Arches  Groin vaults for support  Large towers Gothic  Grand cathedrals  Pointed arch (pointing to God)  Ribbed vault  Flying buttresses for support  Lots of windows to let in light (Divine inspiration)
  • 7. Architectural Comparisons  Joseph Paxton’s Crystal Palace, London, UK 1851  Walter Gropius’ Bauhaus, Dresden, Germany 1928
  • 8. Architectural Comparisons Crystal Palace Built with cast iron and glass New technology allowed it to use more glass than ever before Didn't need lights Built for the Great Exhibition of 1851, an international event to show off new technologies of the Industrial Revolution. Bauhaus A German school of crafts and fine arts This style influenced Modern architecture in its lack of ornamentation and its harmony between the purpose of the building and the design. Simple design; usefulness was more important than beauty.
  • 9. Architectural Comparisons Modernism  Less is more! SIMPLICITY  Focus on function  Lots of glass and metal (born out of the Industrial Revolution)  Very little ornamentation  Smooth faced (don’t even have window ledges) Seagram Building, NYC, 1958
  • 10. Architectural Comparisons  F.L.Wright’s Falling Water, Bear Run, PA 1936
  • 11. Architectural Comparisons Postmodernism  Less is a bore!  Return of “wit, ornament, and reference”  Diverse styles (anything goes) – individual expression!  Design for its own sake (not just for function)  New ways of viewing familiar structures Frank Gehry, Concert Hall in L.A. Rem Koolhaas, CCTV Building, China
  • 12. Architectural Design  Design your own building for whatever purpose you want. (Keep it appropriate)  Incorporate 2 characteristics from the architectural periods that we’ve studied.  Draw your building using 2 - Point Perspective.
  • 13. One-Point Perspective  Creates the illusion of deep space.  The illusion is created by using a vanishing point & guidelines.  Either lines are vertical or they connect to your vanishing point.
  • 15. Two-Point Perspective  Creates the illusion of deep space that starts at a corner.  The illusion is created by using two vanishing points & guidelines.  Either lines are vertical or they connect to one of your vanishing points.  Demo (lines on the right side  right v.p. lines on the left side  left v.p.)
  • 16. Two-Point Perspective: Examples M. C. Escher www.ssheltonimages.com