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Worship Keyboard 
For seminar notes, please add your email 
address to the list 
You’ll also get our (rather good) weekly 
Worship Newsletter 
+ 40 free downloadable lessons 
© www.musicademy.co.uk
We will cover: 
• Chord based playing 
• Left and right hand rhythm 
• Melodic ideas and fills 
• Extended chords 
• Leading worship from the keyboard 
• Using various sounds 
© www.musicademy.co.uk
Chords based playing 
• First things first - get to know different keys 
• TTS (T) TTS 
• Chords are based on scale notes 
• Understand major and minor chords 
© www.musicademy.co.uk
Chord voicing 
• Voicing is the order in which you play notes 
• If the bass note is right you can play the 
other notes in any order 
• 3 ways to play any major or minor chord 
© www.musicademy.co.uk
Chord voicing 
• Aim for smooth voice leading. 
• Economy of movement 
© www.musicademy.co.uk
A quick cheat... 
• Notes 1, 2 & 5 in the key will work almost all 
the time. 
• Note 7 is a helpful addition - feel it! 
© www.musicademy.co.uk
© www.musicademy.co.uk 
Rhythm 
• Keep it simple 
• Try just marking chords 
• 1/4 notes often best when more is required 
• Try 1/8 notes (and occasionally 1/16 notes) - 
often as a broken chord 
• Left hand simpler than right hand 
• More movement at the end of the bar 
• Do less than you think you should...
© www.musicademy.co.uk 
Melody 
• Melodic parts add interest 
• Be careful and sparing 
• Use chord notes, passing notes, auxiliary 
notes 
• Approach your destination by step (or from 
another chord note) 
• Make good use of the 3rd-4th and 7th-8th 
notes in the key (the semitones) 
• Don’t cut across others in the band
More chords 
© www.musicademy.co.uk 
• Sus chords
More chords 
• 7th chords - 4 types! 
• 7, m7, maj7 and maj-min7! 
• ‘Dominant’ 7th important because of the 
pull towards chord 1: 
© www.musicademy.co.uk
More chords 
• Be careful with all 7ths in major chords - 
they always change the sound 
• You can nearly always use a 7th in a minor 
chord (particularly in a major key) - it simply 
makes the sound richer 
© www.musicademy.co.uk
More chords 
• Added note chords are based around 
counting up a scale from the root note: 
© www.musicademy.co.uk
Changing chords 
• You always need to agree changes with 
others 
• Change inversion (note in the bass) 
• Another chord with the melody note in 
• A chord which leads where you're going - 
think 2-5-1 (where 1 becomes the chord 
you're landing on) 
© www.musicademy.co.uk
Different sounds 
• 5 main types of sound - Piano, EP, Pad, 
Strings, Hammond organ, Synth 
• Understand the style of music you’re 
playing 
• Remember you don’t always need to play 
© www.musicademy.co.uk
Leading worship... 
• Practise all of your songs on your own so 
that the keyboard part is automatic 
• Keep your playing simple 
• Remember not to take up too much space 
© www.musicademy.co.uk
© www.musicademy.co.uk 
Conclusion 
• Just because you can doesn’t mean you 
should! 
• Keep it simple 
• BUT be creative where you can 
• Always try to support the sound and meaning 
of the song

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Musicademy Worship Keyboard Masterclass

  • 1. Worship Keyboard For seminar notes, please add your email address to the list You’ll also get our (rather good) weekly Worship Newsletter + 40 free downloadable lessons © www.musicademy.co.uk
  • 2. We will cover: • Chord based playing • Left and right hand rhythm • Melodic ideas and fills • Extended chords • Leading worship from the keyboard • Using various sounds © www.musicademy.co.uk
  • 3. Chords based playing • First things first - get to know different keys • TTS (T) TTS • Chords are based on scale notes • Understand major and minor chords © www.musicademy.co.uk
  • 4. Chord voicing • Voicing is the order in which you play notes • If the bass note is right you can play the other notes in any order • 3 ways to play any major or minor chord © www.musicademy.co.uk
  • 5. Chord voicing • Aim for smooth voice leading. • Economy of movement © www.musicademy.co.uk
  • 6. A quick cheat... • Notes 1, 2 & 5 in the key will work almost all the time. • Note 7 is a helpful addition - feel it! © www.musicademy.co.uk
  • 7. © www.musicademy.co.uk Rhythm • Keep it simple • Try just marking chords • 1/4 notes often best when more is required • Try 1/8 notes (and occasionally 1/16 notes) - often as a broken chord • Left hand simpler than right hand • More movement at the end of the bar • Do less than you think you should...
  • 8. © www.musicademy.co.uk Melody • Melodic parts add interest • Be careful and sparing • Use chord notes, passing notes, auxiliary notes • Approach your destination by step (or from another chord note) • Make good use of the 3rd-4th and 7th-8th notes in the key (the semitones) • Don’t cut across others in the band
  • 9. More chords © www.musicademy.co.uk • Sus chords
  • 10. More chords • 7th chords - 4 types! • 7, m7, maj7 and maj-min7! • ‘Dominant’ 7th important because of the pull towards chord 1: © www.musicademy.co.uk
  • 11. More chords • Be careful with all 7ths in major chords - they always change the sound • You can nearly always use a 7th in a minor chord (particularly in a major key) - it simply makes the sound richer © www.musicademy.co.uk
  • 12. More chords • Added note chords are based around counting up a scale from the root note: © www.musicademy.co.uk
  • 13. Changing chords • You always need to agree changes with others • Change inversion (note in the bass) • Another chord with the melody note in • A chord which leads where you're going - think 2-5-1 (where 1 becomes the chord you're landing on) © www.musicademy.co.uk
  • 14. Different sounds • 5 main types of sound - Piano, EP, Pad, Strings, Hammond organ, Synth • Understand the style of music you’re playing • Remember you don’t always need to play © www.musicademy.co.uk
  • 15. Leading worship... • Practise all of your songs on your own so that the keyboard part is automatic • Keep your playing simple • Remember not to take up too much space © www.musicademy.co.uk
  • 16. © www.musicademy.co.uk Conclusion • Just because you can doesn’t mean you should! • Keep it simple • BUT be creative where you can • Always try to support the sound and meaning of the song