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Starter Task
When watching films we generally take the sound for granted and
            assume it is a natural part of the film

However every single sound has been carefully chosen / created,
    edited and placed in the film for very specific reasons

                  Task:

   Imagine a busy New York Street scene

 You must list all of the sounds you would
    expect to hear in a scene like this

Use the whiteboards to mind map your ideas
     and then present them to the class
Learning Objectives
Identify how silent cinema became
‘talkies’




                Introduce Key terms:

                Non-Diegetic
                Diegetic




                               Evaluate the use of sound in:
                               The Godfather
                               Boogie Nights
History of sound in film
Cinema has a longer history with sound than many
of us realise.

The first film was created by Louis Le Prince in 1888.
He shot moving pictures on a paper film using a
single lens camera

The film consisted of people walking across a bridge
in Leeds
                             The period stretching from the start of
                             cinema in the mid 1890’s to 1927 has
                             come to be known as the silent cinema
                             era

                             George Melies – The Haunted Caster
                             (1896)
History of sound in film
Filmmakers had attempted to marry sound and image together
the earliest days of cinema

From the inception of motion pictures, various inventors attempted
to unite sight and sound through "talking" motion pictures.

The Edison Company is known to have experimented with this as
early as the fall of 1894 with a film known today as ‘Dickson
Experimental Sound Film’. The film shows a man, who may possibly
be Dickson, playing violin before a phonograph horn as two men
dance
History of sound in film
The term ‘silent cinema’ is mis-leading to modern
audiences as early cinema was anything but silent

Live music accompanied films from early on

A Hammond organ or piano would be played by a
pianist live in the auditorium to accompany the
film

    Watch Harold Lloyd’s Safety Last
   and consider how the inclusion of
    a piano track adds to the overall
          impact of the short
History of sound in film
In 1927 the second major revolution in cinematic
technology took place

The first ‘talkie’ was released

‘The Jazz Singer’ was the first feature
length motion picture with synchronised
dialogue sequences.
It marks the beginning of the ‘talkie’ and the
decline of silent cinema.

Ever since cinema sound has developed and
become an integral part of cinema and
filmmaking
Sounds in film
In your note pads write down the different forms
of you cinema sound you can think of

Sound effects

Official Soundtrack (OST)

Dialogue

On screen noise – cars, doors slamming shut etc

Foley
Sounds in film
Though we may think of film as a visual
experience, we really cannot afford to
underestimate the importance of sound

A meaningful soundtrack is often as complicated
as the image on screen. The entire soundtrack is
comprised of three essential parts
  The Human Voice

    Sound effects

        Music

Each of these elements can be
recorded during the shooting of a film
or added afterwards
Sounds in film
All types of sound within cinema can be split in to two main
categories

                      Diegetic & Non-Diegetic
Diegetic

Sound whose source is visible on screen
– or whose source is implied to be
present by the action of film

• Voices of characters
• Sounds made by objects on screen
or in the film world
• Music from radios, instruments
seen on screen
Sounds in film
All types of sound within cinema can be split in to two main
categories

                      Diegetic & Non-Diegetic
Non-Diegetic

Sound whose source is neither visible on
the screen nor has been implied to be
present in the action

•Narrators commentary
• Sound effects added for dramatic
effect
• Mood Music (OST)
•Non-diegetic is repsented as coming from a
source outside of the film world
Diegetic Vs. Non-Diegetic
Watch the following extracts and note down complete table below:

    Diegetic Sound           Non-Diegetic Sound

     •Salieri’s Voice       • Music (Soundtrack)

 • Paper being handled         • Music Salieri is
                                   imagining
 • Salieri describing the    • Salieir’s Narration
    music on camera
                            • Female Opera Singer
 • Manuscripts hitting
      the floor

 • Mozart’s wife talking
      with Salieri
Diegetic Vs. Non-Diegetic
Watch the following extracts and note down complete table below:
     Diegetic Sound            Non-Diegetic Sound

    • TV Commentary          •‘Swooshing’ sound of
                                Suger Ray’s Punch
• Punching sound effects
     • Crowd noise                 • Hearbeat

      • Bell Ringing              • Breathing?

• Dialogue from LaMotta’s    • Lion roar as Suger Ray
         Brother                   hits LaMotta

• Dialogue from LaMotta      • Wind / Storm noises

    • Camera flashes

    • Blood splatters
The Godfather
Sound is as important in conveying information and
adding meaning to a scene as cinematography,
lighting and mise-en-scene

As a result scenes can be analysed using the same
method

 Watch the following scene from the Godfather
                 and answer:

 List the Diegeitc & Non-Diegetic sounds you hear

  How does the sound reflect Michael’s emotions?

    Why has the train sound been used like this?
The Godfather
The absence of sound in sections of this sequence has
been added to highlight the tension felt by Michael

The characters speak in Italian without subtitles because
the mafia are a secret organisation not open to outsiders

The audience are in the same position as the police
captain and are unable to enter the mafia’s private world

The overhead train sound effect builds alongside Michael’s
tension / apprehension

It aurally signifies his fear and focus – it gives a sense of
being overwhlemed by the scenario – as if the blood is
running to his head and drowning out all other noise
Analysing The Godfather
The contrasting use of sound is reflective of
Michael’s emotions and feelings about an
execution he must carry out.

The sound of the train car passing overhead
reflects the inter turmoil and the overwhelming
emotions that he is feeling. It drowns out all other
sound leaving Michael alone with his thoughts
and tension.

In the bathroom the sound effect is used to reflect
this, but as he re-enters the restaurant the sound
returns to silence confirming that he has his
emotions under control and re-establishes the
tense atmosphere from before
Boogie Nights
               Analysis task

Watch the following extract from ‘Boogie
Nights’ and make notes on the following:

  What sounds are diegetic / non-diegetic?

  How does the use of sound build tension?

 What impact does the use of sound have on
              the audience?
                                               Boogie Nights (1997)
  How does the sound make you feel in this      Dir: Paul Thomas
                                                    Anderson
                  scene?
Boogie Nights
                Analysis task

Using your notes your must now write a
short analysis of the use of sound in the
Boogie Nights drug deal scene

                   Include:

       What sounds are non/diegetic?

   What does the use of sound add to the
                  scene?                        Boogie Nights (1997)
                                                 Dir: Paul Thomas
 How do the firecrackers add tension to the          Anderson
                   scene?
Summary
What are the three main categories of film
sound?
       Human Voice
       Sound Effects
       Mood Music/Soundtrack

What is Diegetic sound?

Sound whose source can be seen on screen
e.g. Dialogue, gun fire, cars etc

What is non-Diegetic sound?

Sound whose source is no visible on screen e.g.
Soundtrack, special effects, narration
The Sound of Silence
When analysing films it is important to
remember that the absence of sound can have
just as much impact as a complicated
soundtrack

The use of silence can can work against
expectation.

If we are used to being ‘warned’ with non-
diegetic music that a dramatic event is about to
take place then we are shocked if the event
takes place without such warning.
                                                    I Am Legend (2007)
                                                   Dir: Francis Lawrence
   Watch the following clip and make notes on
  how the use of sound creates atmosphere and
         goes against our expectations
The Sound of Silence
Using your notes your have 10 mins to write a
short analysis of I Am Legends opening

You must combine your analysis of sound with
analysis of cinematography and mise-en-scene

                    Consider:

How effective is the mise-en-scene in establishing
           a post apocalyptic world?

  How does the camera highlight the characters
                                                      I Am Legend (2007)
           isolation and loneliness?                 Dir: Francis Lawrence
Contraptual Sound
Contraptual sound is often non-diegetic sound

Instead of emphasising or complementing the image,
this form of sound works in opposition to it


 Watch the following clip and make notes on
how the use of contraptual sound plays against
                our expectation

 What effect does the choice of music have on
                 this scene?

 You have 5 minutes to write your notes up in
                essay form
Character Themes
  When scoring a film a composer must take in to account each
different character and create a theme that aurally signifies their
                           characters

           Character themes can introduce characters

     They can also complement the actions they are taking


               Arrange yourselves in to teams of 4

  You will now hear 14 character themes and other shot types /
                         sound effects.

                1 point for each correct answer
             1 Bonus point if you can name the film
Character Themes Quiz
Shot Types & Film Names
Shot Types & Film Names
Shot Types & Film Names
Shot Types & Film Names
Shot Types & Film Names
Shot Types & Film Names
Shot Types & Film Names
Sounds
      True of false

This sound is non-diegetic
Sounds
    True of false

This sound is diegetic
Character Themes Quiz
Character Themes Quiz
Character Themes Quiz
Character Themes Quiz
Character Themes Quiz
Character Themes Quiz
Character Themes Quiz
Character Themes Quiz
Character Themes Quiz
Character Themes Quiz
Character Themes Quiz
Character Themes Quiz
Character Themes Quiz
Shot Types & Film Names




Establishing Shot
   Unforgiven
Shot Types & Film Names




  Wide Shot
 Spiderman 3
Shot Types & Film Names




      Close Up
Fellowship of the Ring
Shot Types & Film Names




    Raging Bull
Low-Angle Long Shot
Shot Types & Film Names




Extreme Close Up
     Kill Bill
Shot Types & Film Names




    Psycho
High-Angle Shot
Shot Types & Film Names




 Wayne's World
   Two Shot
Sounds
      True of false

This sound is non-diegetic
Sounds
    True of false

This sound is diegetic
Homework
Pick one scene and complete a 600+ word
  analysis of Cinematography, Mise-en-
              scene & Sound


        Due: Friday 5th October

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Sound lesson 1

  • 1.
  • 2. Starter Task When watching films we generally take the sound for granted and assume it is a natural part of the film However every single sound has been carefully chosen / created, edited and placed in the film for very specific reasons Task: Imagine a busy New York Street scene You must list all of the sounds you would expect to hear in a scene like this Use the whiteboards to mind map your ideas and then present them to the class
  • 3. Learning Objectives Identify how silent cinema became ‘talkies’ Introduce Key terms: Non-Diegetic Diegetic Evaluate the use of sound in: The Godfather Boogie Nights
  • 4. History of sound in film Cinema has a longer history with sound than many of us realise. The first film was created by Louis Le Prince in 1888. He shot moving pictures on a paper film using a single lens camera The film consisted of people walking across a bridge in Leeds The period stretching from the start of cinema in the mid 1890’s to 1927 has come to be known as the silent cinema era George Melies – The Haunted Caster (1896)
  • 5. History of sound in film Filmmakers had attempted to marry sound and image together the earliest days of cinema From the inception of motion pictures, various inventors attempted to unite sight and sound through "talking" motion pictures. The Edison Company is known to have experimented with this as early as the fall of 1894 with a film known today as ‘Dickson Experimental Sound Film’. The film shows a man, who may possibly be Dickson, playing violin before a phonograph horn as two men dance
  • 6. History of sound in film The term ‘silent cinema’ is mis-leading to modern audiences as early cinema was anything but silent Live music accompanied films from early on A Hammond organ or piano would be played by a pianist live in the auditorium to accompany the film Watch Harold Lloyd’s Safety Last and consider how the inclusion of a piano track adds to the overall impact of the short
  • 7. History of sound in film In 1927 the second major revolution in cinematic technology took place The first ‘talkie’ was released ‘The Jazz Singer’ was the first feature length motion picture with synchronised dialogue sequences. It marks the beginning of the ‘talkie’ and the decline of silent cinema. Ever since cinema sound has developed and become an integral part of cinema and filmmaking
  • 8. Sounds in film In your note pads write down the different forms of you cinema sound you can think of Sound effects Official Soundtrack (OST) Dialogue On screen noise – cars, doors slamming shut etc Foley
  • 9.
  • 10. Sounds in film Though we may think of film as a visual experience, we really cannot afford to underestimate the importance of sound A meaningful soundtrack is often as complicated as the image on screen. The entire soundtrack is comprised of three essential parts The Human Voice Sound effects Music Each of these elements can be recorded during the shooting of a film or added afterwards
  • 11. Sounds in film All types of sound within cinema can be split in to two main categories Diegetic & Non-Diegetic Diegetic Sound whose source is visible on screen – or whose source is implied to be present by the action of film • Voices of characters • Sounds made by objects on screen or in the film world • Music from radios, instruments seen on screen
  • 12. Sounds in film All types of sound within cinema can be split in to two main categories Diegetic & Non-Diegetic Non-Diegetic Sound whose source is neither visible on the screen nor has been implied to be present in the action •Narrators commentary • Sound effects added for dramatic effect • Mood Music (OST) •Non-diegetic is repsented as coming from a source outside of the film world
  • 13. Diegetic Vs. Non-Diegetic Watch the following extracts and note down complete table below: Diegetic Sound Non-Diegetic Sound •Salieri’s Voice • Music (Soundtrack) • Paper being handled • Music Salieri is imagining • Salieri describing the • Salieir’s Narration music on camera • Female Opera Singer • Manuscripts hitting the floor • Mozart’s wife talking with Salieri
  • 14. Diegetic Vs. Non-Diegetic Watch the following extracts and note down complete table below: Diegetic Sound Non-Diegetic Sound • TV Commentary •‘Swooshing’ sound of Suger Ray’s Punch • Punching sound effects • Crowd noise • Hearbeat • Bell Ringing • Breathing? • Dialogue from LaMotta’s • Lion roar as Suger Ray Brother hits LaMotta • Dialogue from LaMotta • Wind / Storm noises • Camera flashes • Blood splatters
  • 15. The Godfather Sound is as important in conveying information and adding meaning to a scene as cinematography, lighting and mise-en-scene As a result scenes can be analysed using the same method Watch the following scene from the Godfather and answer: List the Diegeitc & Non-Diegetic sounds you hear How does the sound reflect Michael’s emotions? Why has the train sound been used like this?
  • 16. The Godfather The absence of sound in sections of this sequence has been added to highlight the tension felt by Michael The characters speak in Italian without subtitles because the mafia are a secret organisation not open to outsiders The audience are in the same position as the police captain and are unable to enter the mafia’s private world The overhead train sound effect builds alongside Michael’s tension / apprehension It aurally signifies his fear and focus – it gives a sense of being overwhlemed by the scenario – as if the blood is running to his head and drowning out all other noise
  • 17. Analysing The Godfather The contrasting use of sound is reflective of Michael’s emotions and feelings about an execution he must carry out. The sound of the train car passing overhead reflects the inter turmoil and the overwhelming emotions that he is feeling. It drowns out all other sound leaving Michael alone with his thoughts and tension. In the bathroom the sound effect is used to reflect this, but as he re-enters the restaurant the sound returns to silence confirming that he has his emotions under control and re-establishes the tense atmosphere from before
  • 18. Boogie Nights Analysis task Watch the following extract from ‘Boogie Nights’ and make notes on the following: What sounds are diegetic / non-diegetic? How does the use of sound build tension? What impact does the use of sound have on the audience? Boogie Nights (1997) How does the sound make you feel in this Dir: Paul Thomas Anderson scene?
  • 19. Boogie Nights Analysis task Using your notes your must now write a short analysis of the use of sound in the Boogie Nights drug deal scene Include: What sounds are non/diegetic? What does the use of sound add to the scene? Boogie Nights (1997) Dir: Paul Thomas How do the firecrackers add tension to the Anderson scene?
  • 20. Summary What are the three main categories of film sound? Human Voice Sound Effects Mood Music/Soundtrack What is Diegetic sound? Sound whose source can be seen on screen e.g. Dialogue, gun fire, cars etc What is non-Diegetic sound? Sound whose source is no visible on screen e.g. Soundtrack, special effects, narration
  • 21.
  • 22. The Sound of Silence When analysing films it is important to remember that the absence of sound can have just as much impact as a complicated soundtrack The use of silence can can work against expectation. If we are used to being ‘warned’ with non- diegetic music that a dramatic event is about to take place then we are shocked if the event takes place without such warning. I Am Legend (2007) Dir: Francis Lawrence Watch the following clip and make notes on how the use of sound creates atmosphere and goes against our expectations
  • 23. The Sound of Silence Using your notes your have 10 mins to write a short analysis of I Am Legends opening You must combine your analysis of sound with analysis of cinematography and mise-en-scene Consider: How effective is the mise-en-scene in establishing a post apocalyptic world? How does the camera highlight the characters I Am Legend (2007) isolation and loneliness? Dir: Francis Lawrence
  • 24. Contraptual Sound Contraptual sound is often non-diegetic sound Instead of emphasising or complementing the image, this form of sound works in opposition to it Watch the following clip and make notes on how the use of contraptual sound plays against our expectation What effect does the choice of music have on this scene? You have 5 minutes to write your notes up in essay form
  • 25. Character Themes When scoring a film a composer must take in to account each different character and create a theme that aurally signifies their characters Character themes can introduce characters They can also complement the actions they are taking Arrange yourselves in to teams of 4 You will now hear 14 character themes and other shot types / sound effects. 1 point for each correct answer 1 Bonus point if you can name the film
  • 26.
  • 28. Shot Types & Film Names
  • 29. Shot Types & Film Names
  • 30. Shot Types & Film Names
  • 31. Shot Types & Film Names
  • 32. Shot Types & Film Names
  • 33. Shot Types & Film Names
  • 34. Shot Types & Film Names
  • 35. Sounds True of false This sound is non-diegetic
  • 36.
  • 37. Sounds True of false This sound is diegetic
  • 51. Shot Types & Film Names Establishing Shot Unforgiven
  • 52. Shot Types & Film Names Wide Shot Spiderman 3
  • 53. Shot Types & Film Names Close Up Fellowship of the Ring
  • 54. Shot Types & Film Names Raging Bull Low-Angle Long Shot
  • 55. Shot Types & Film Names Extreme Close Up Kill Bill
  • 56. Shot Types & Film Names Psycho High-Angle Shot
  • 57. Shot Types & Film Names Wayne's World Two Shot
  • 58. Sounds True of false This sound is non-diegetic
  • 59.
  • 60. Sounds True of false This sound is diegetic
  • 61.
  • 62. Homework Pick one scene and complete a 600+ word analysis of Cinematography, Mise-en- scene & Sound Due: Friday 5th October

Notas del editor

  1. http://www.cinematechnologymagazine.com/pdf/dion%20sound.pdf
  2. http://www.youtube.com/watch?v=OPmKaz3Quzo
  3. http://www.youtube.com/watch?v=QEcTjhUN_7U
  4. http://www.youtube.com/watch?v=PIaj7FNHnjQ
  5. Watch LOTR Foley doc here
  6. http://www.cinematechnologymagazine.com/pdf/dion%20sound.pdf
  7. http://www.cinematechnologymagazine.com/pdf/dion%20sound.pdf
  8. http://www.youtube.com/watch?v=vfthzU3V4zo