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Celebrity endorsement is where a celebrity agrees, for a fee, to promote a brand, usually through the visual medium of the television advertisement.
Some famous faces are a little more discerning and build up relationships with just a few select brands, whom they may work alongside for many years. Can anyone remember a time when reliable Gary Linekerwasn’t the face of Walker’s Crisps (if you were born after 1995 you certainly won’t!) or contemplate a point in the future where he isn’t?
Bringing Lily Allen under the Chanelumbrella to promote their handbag range in 2009 probably did far more to add a touch of European sophistication to Allen’s slightly dodgy party-girl reputation than it did for Chanel’s already rock-solid brand image.
For the brand, the main draw is the sales boost. After controversial punk rocker John Lydonfronted a TV campaign for the ratherdull Country Life butter brand – a distinctlyunlikely partnership – Dairy Crest’s profits rose by85%.
One of the big coffee success stories of recent years is Nespresso, a Swiss offshoot of Nestle, which specialises in producing machines that allow the user to make espressos and coffees like a coffee shop barista. Some 16 different coffees are available in capsule form – called Grand Crus – which can then make one cup of coffee.
It’s a simple idea, and seems to be one that has caught on. In 2010, Nespresso recorded sales of over €2.3 billion, while specifically in the UK and Ireland the company grew its market share in coffee machines by almost 29pc compared to the year previous.
Although 25 years in the business, it has mainly been in the last decade that Nespresso seems to have hit upon its strategy for penetrating the crowded coffee market. Key to that is exclusivity the machines are only for sale in Nespresso ‘boutiques’ in places like Selfridges, Debenhams and Harrods
Nespressois owned by Nestlé, the massive international multi-billion pound corporation who also manufacture Nescafe – the more ordinary granules that mere mortals buy in a jar from the supermarket. Nespresso is positioned as their high-end, luxury coffee product. In recent years Nespresso have rather cornered their market; the expensive, über-complex coffee machine (as sold to George Clooney in the ‘piano’ advert) has swiftly become the desirable ‘executive toy’ of the 21st century and no smart office is complete without one. Nespresso also patented the original idea of offering coffee in small shiny capsules, available in no less than sixteen different flavours which can be purchased in a ‘coffee boutique’, where the selection of ‘gourmet’ coffee turns into an entire shopping experience
Clooney is Mr Nespresso. The attractive, smooth-talking, talented, intelligent and everso- slightly-smug actor projects perfectly the brand message Nespresso are trying to convey to their audience – that a small cup of strong, European-style coffee renders its drinker assured and confident in any given situation. Clooney has a strong appeal to both male and female audiences (confirming the old adage that men want to be him and women just want him) but his allure is strongest with middle-aged audiences, who are financially able to afford luxurious consumer goods and are therefore in the target market for Nespresso
Clooney has also proved a good investment for the brand in that he lives a largely scandal-free existence. Nestlé’s own history has been dogged bycontroversy and criticism since the mid 1970s,when there were boycotts of their productsthroughout Europe.
Different platforms - The television advert is the main method used to build awareness in this campaign, though in virtually every airport in the civilised world Clooney can be found gazing seductively and smugly into the eyes of millions of travellers a day. The tagline ‘Nespresso. What Else?’ not only suggests that Clooney does not register the existence of any other coffees but also uses a presumptuous rhetorical question, which suggests that the brand know that they have the market in gourmet coffee virtually monopolised (which of course they have – the Nespresso capsule is patented until 2012). The use of handwritten fonts connotes the authenticity of Clooney’s preference for the brand and the chiaroscuro lighting effect adds to the cinematic feel of the campaign.
The two most recent television ads (‘The Piano’ and ‘Cab Driver’) also feature John Malkovich, the legendary cult comedy actor, as St Peter, the figure thought in Christianity to be the guardian of the gates of heaven
In ‘The Piano’ Clooney enters a ‘coffee boutique’ and purchases a Nespresso machine. Flirtatious, lingering glances with sales assistants and female customers serve to remind the audience of Clooney’s iconic sex symbol status. We cut to a shot of a single, perfect drop of coffee splashing, slow motion, into a cup and watch Clooney finish his drink. He exits the store and a point of view shot shows a grand piano falling towards our hero. Cue a strategically-placed fade to a fluffy clouded set and Malkovich. A measured sequence of deadpan comedy dialogue ends with Clooney reluctantly handing over his Nespresso machine to Malkovich in exchange for a return to the land of the living. Cut back to the exterior of the coffee boutique and the fatal scene is replayed, with Clooney walking away unscathed and the piano shattering on the ground. As always in advertising we end with the brand logo and message ‘Nespresso – What Else?’
The advert utilises Clooney’s skills as a comic actor perfectly. He plays himself, as is frequently the case in adverts involving celebrity endorsements, and the audience uses their prior knowledge of his public persona, as acquired through other media texts, in order to understand the narrative. Of course, the narrative only makes sense if you understand Clooney’sstatus as a successful, smug sex symbol.
The message that a Nespresso machine is a desirable consumer good that even Saints covet is successfully, but subtly conveyed. ‘Cab Driver’ opens once more with coffee boutique flirtation. Clooney exits, looking cautiously above him for the falling piano and hails a cab on what appears to be a European street. Both adverts were actually shot in Milan – Clooney is known to live much of the year in Italy and the sophistication that a European setting connotes reinforces the high-end Nespresso brand values. Malkovich is revealed to be the cab driver and demands the immediate handover of Clooney’s bag of Nespresso capsules, as ‘we’ve run out up there.’ The line ‘Volluto, my favourite’ reinforces one of the USPsof the product – its multiple flavours and strengths. When a thunderstorm is called up by ‘St Peter’, Clooney is forced to hand over the few capsules he is hoarding up his sleeve. ‘Heaven can wait, George, but not for its capsules.’ Cut to Clooney, sat outside the coffee boutique, looking somewhat shellshocked and without his gourmet coffee
A long running affair? Clooney has been the face of Nespresso since 2006 and if the popularity of this latest series of adverts and the soaring sales of Nespresso are anything to go by it looks as if the smooth-talking actor will be continuing to collaborate with the brand for some time to come.
Super premium: when you work out the cost per serving its really scary, especially if you make a double espresso. You're talking 0.4 Euros a capsule, versus, a c. 400% premium vs. using a jar of Nescafe
Direct to the consumer: this is a biggie. Nespresso is one of the few brands who markets direct to the consumer. You order your refills by phone or internet. And this has some major advantages:- More margin: you are seller and retailer- No trade negotiations: want to launch a new product? Just list it. Contrast that with the other 99.9% of FMCG brands who have to negotiate the minefield of negotiation with the major retailers.- Data is king: Nespresso know all their customers. Just think of the value of the data base of affluent customers alone... back in 2004 they already had  1,6 million active Nespresso Club members!

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  • 1. Celebrity endorsement is where a celebrity agrees, for a fee, to promote a brand, usually through the visual medium of the television advertisement.
  • 2. Some famous faces are a little more discerning and build up relationships with just a few select brands, whom they may work alongside for many years. Can anyone remember a time when reliable Gary Linekerwasn’t the face of Walker’s Crisps (if you were born after 1995 you certainly won’t!) or contemplate a point in the future where he isn’t?
  • 3. Bringing Lily Allen under the Chanelumbrella to promote their handbag range in 2009 probably did far more to add a touch of European sophistication to Allen’s slightly dodgy party-girl reputation than it did for Chanel’s already rock-solid brand image.
  • 4. For the brand, the main draw is the sales boost. After controversial punk rocker John Lydonfronted a TV campaign for the ratherdull Country Life butter brand – a distinctlyunlikely partnership – Dairy Crest’s profits rose by85%.
  • 5. One of the big coffee success stories of recent years is Nespresso, a Swiss offshoot of Nestle, which specialises in producing machines that allow the user to make espressos and coffees like a coffee shop barista. Some 16 different coffees are available in capsule form – called Grand Crus – which can then make one cup of coffee.
  • 6. It’s a simple idea, and seems to be one that has caught on. In 2010, Nespresso recorded sales of over €2.3 billion, while specifically in the UK and Ireland the company grew its market share in coffee machines by almost 29pc compared to the year previous.
  • 7. Although 25 years in the business, it has mainly been in the last decade that Nespresso seems to have hit upon its strategy for penetrating the crowded coffee market. Key to that is exclusivity the machines are only for sale in Nespresso ‘boutiques’ in places like Selfridges, Debenhams and Harrods
  • 8. Nespressois owned by Nestlé, the massive international multi-billion pound corporation who also manufacture Nescafe – the more ordinary granules that mere mortals buy in a jar from the supermarket. Nespresso is positioned as their high-end, luxury coffee product. In recent years Nespresso have rather cornered their market; the expensive, über-complex coffee machine (as sold to George Clooney in the ‘piano’ advert) has swiftly become the desirable ‘executive toy’ of the 21st century and no smart office is complete without one. Nespresso also patented the original idea of offering coffee in small shiny capsules, available in no less than sixteen different flavours which can be purchased in a ‘coffee boutique’, where the selection of ‘gourmet’ coffee turns into an entire shopping experience
  • 9. Clooney is Mr Nespresso. The attractive, smooth-talking, talented, intelligent and everso- slightly-smug actor projects perfectly the brand message Nespresso are trying to convey to their audience – that a small cup of strong, European-style coffee renders its drinker assured and confident in any given situation. Clooney has a strong appeal to both male and female audiences (confirming the old adage that men want to be him and women just want him) but his allure is strongest with middle-aged audiences, who are financially able to afford luxurious consumer goods and are therefore in the target market for Nespresso
  • 10. Clooney has also proved a good investment for the brand in that he lives a largely scandal-free existence. Nestlé’s own history has been dogged bycontroversy and criticism since the mid 1970s,when there were boycotts of their productsthroughout Europe.
  • 11. Different platforms - The television advert is the main method used to build awareness in this campaign, though in virtually every airport in the civilised world Clooney can be found gazing seductively and smugly into the eyes of millions of travellers a day. The tagline ‘Nespresso. What Else?’ not only suggests that Clooney does not register the existence of any other coffees but also uses a presumptuous rhetorical question, which suggests that the brand know that they have the market in gourmet coffee virtually monopolised (which of course they have – the Nespresso capsule is patented until 2012). The use of handwritten fonts connotes the authenticity of Clooney’s preference for the brand and the chiaroscuro lighting effect adds to the cinematic feel of the campaign.
  • 12. The two most recent television ads (‘The Piano’ and ‘Cab Driver’) also feature John Malkovich, the legendary cult comedy actor, as St Peter, the figure thought in Christianity to be the guardian of the gates of heaven
  • 13. In ‘The Piano’ Clooney enters a ‘coffee boutique’ and purchases a Nespresso machine. Flirtatious, lingering glances with sales assistants and female customers serve to remind the audience of Clooney’s iconic sex symbol status. We cut to a shot of a single, perfect drop of coffee splashing, slow motion, into a cup and watch Clooney finish his drink. He exits the store and a point of view shot shows a grand piano falling towards our hero. Cue a strategically-placed fade to a fluffy clouded set and Malkovich. A measured sequence of deadpan comedy dialogue ends with Clooney reluctantly handing over his Nespresso machine to Malkovich in exchange for a return to the land of the living. Cut back to the exterior of the coffee boutique and the fatal scene is replayed, with Clooney walking away unscathed and the piano shattering on the ground. As always in advertising we end with the brand logo and message ‘Nespresso – What Else?’
  • 14. The advert utilises Clooney’s skills as a comic actor perfectly. He plays himself, as is frequently the case in adverts involving celebrity endorsements, and the audience uses their prior knowledge of his public persona, as acquired through other media texts, in order to understand the narrative. Of course, the narrative only makes sense if you understand Clooney’sstatus as a successful, smug sex symbol.
  • 15. The message that a Nespresso machine is a desirable consumer good that even Saints covet is successfully, but subtly conveyed. ‘Cab Driver’ opens once more with coffee boutique flirtation. Clooney exits, looking cautiously above him for the falling piano and hails a cab on what appears to be a European street. Both adverts were actually shot in Milan – Clooney is known to live much of the year in Italy and the sophistication that a European setting connotes reinforces the high-end Nespresso brand values. Malkovich is revealed to be the cab driver and demands the immediate handover of Clooney’s bag of Nespresso capsules, as ‘we’ve run out up there.’ The line ‘Volluto, my favourite’ reinforces one of the USPsof the product – its multiple flavours and strengths. When a thunderstorm is called up by ‘St Peter’, Clooney is forced to hand over the few capsules he is hoarding up his sleeve. ‘Heaven can wait, George, but not for its capsules.’ Cut to Clooney, sat outside the coffee boutique, looking somewhat shellshocked and without his gourmet coffee
  • 16. A long running affair? Clooney has been the face of Nespresso since 2006 and if the popularity of this latest series of adverts and the soaring sales of Nespresso are anything to go by it looks as if the smooth-talking actor will be continuing to collaborate with the brand for some time to come.
  • 17. Super premium: when you work out the cost per serving its really scary, especially if you make a double espresso. You're talking 0.4 Euros a capsule, versus, a c. 400% premium vs. using a jar of Nescafe
  • 18. Direct to the consumer: this is a biggie. Nespresso is one of the few brands who markets direct to the consumer. You order your refills by phone or internet. And this has some major advantages:- More margin: you are seller and retailer- No trade negotiations: want to launch a new product? Just list it. Contrast that with the other 99.9% of FMCG brands who have to negotiate the minefield of negotiation with the major retailers.- Data is king: Nespresso know all their customers. Just think of the value of the data base of affluent customers alone... back in 2004 they already had  1,6 million active Nespresso Club members!