This document discusses various works that involve visual influences and surveillance including Bentham's Panopticon prison, Guillermo Gomez Peno's "Undiscovered Amerindians" artwork, the Wooster Group's "To you, the Birdie" performance, and the television show Big Brother. It analyzes how these works use surveillance, voyeurism, and the idea of always being watched to exert power and control over subjects while challenging notions of privacy versus security.