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tŽ’…“ Chilean artist
creates symbol

Latin American artists put on strong of hope for
trapped miners

show during Frieze week
<DTDM,F@KKDPHDQ,EPNL,<NSRG,@MC,3DMRP@K,1LDPHB@,@R,RGD,L@HM,E@HP,@Q,HMRDPDQR,HM,PDFHNMWQ,@PR,FPNUQ
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…ŠŽŠ}…‹Š}ˆQ }ŽQ “‹Žˆ€V Q }• t}ˆ‰}¡Q >MRHRKDCVQ [YZYVQ ‚‹Ž
r“Q{‹Ž‡Qƒ}ˆˆŽ…Q}Š€Q~ˆ‹ƒƒŽ R^VYYYXQ
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Q
eŽƒŠ…Š}ŠQ ‘Ž}‹ŽVQ y…‹Ž…} A 33-story high public art
r‹‹Ž„‹‹ŽŠVQ ‚‹ŽQ …Q [YZZQ €…W =GD,@PR,NE,7@RHM installation has been
…‹ŠXQw„Qm}Š~‘ˆQf…ŠŠ}ˆQ“…ˆˆ
~Q ‹W‘Ž}€Q ~•Q fŽ}–…ˆ…}Š
1LDPHB@,G@Q,@KU@VQ erected in Santiago, Chile,
in honour of the 33 miners
e€Ž…}Š‹Q t€Ž‹}VQ “„…ˆQ „ ADDM,E@MR@QRHB/,ASR,RGD still trapped 2,000 feet
eŽ‹Q }ŽQ ‚}…ŽQ …ŠQ q}€Ž…€Q „} L@PJDR,G@Q,B@SFGR, underground as we went to

R
}ŠŠ‹‘Š€Q }Q „ŽW•}ŽQ ‚‹‘
‹ŠQp}…ŠQe‰Ž…}ŠQƒ}ˆˆŽ…X SO,MNU press. Tower Santa Maria
consists of more than 350
i’ŠQp‹Š€‹ŠVQŠ‹QŒ}Ž…‘ˆ}ŽW fluorescent tubes placed
ˆ•Q‡Š‹“ŠQ‚‹ŽQ…Qp}…ŠQe‰Ž…}Š ‹‰Q ‹„ŽQ ŽŽ…‹Ž…ž~‘ inside the windows of one
ˆ…Š‡VQ „}Q ~ŠQ Ž‘‡Q ~•Q „ ƒ
Q }ˆˆŽ…Q }•Q …ŠŽQ …Q ƒŽ‹“W of the city's tallest towers.
‚…}Q ‚ˆcQ ’ŠQ p}…Š …ŠƒXQ Ÿm¡Q ƒ…ŠƒQ ~ŽQ ’Ž• When illuminated the bulbs
e‰Ž…}ŠQƒ}ˆˆŽ…Q}ŽQ„‹“…Šƒ •}ŽXQ p‹Š€‹ŠQ …Q }Q „‘~V Q }• create an enormous cross
Sara Eckholm

„ŽQ}QjŽ…–VQ…Šˆ‘€…ŠƒQj‹Ž q}Ž…‹Q f‹ŠŽVQ €…Ž‹ŽQ ‹‚Q of light illuminate on the
y…ˆ}™}Q TiaUQ “…„Q p‹ u…‹W~}€Q ƒ}ˆˆŽ•Q eQ kŠ…ˆ building’s facade. The
g}ŽŒ…ŠŽ‹¡Q ;D@CHMF, ;NNLV 4M>=G*9HK*4=JIDGLAJHKS*

-*1/0/-*=L*6HJLAK*DE=P=*+52, g}Ž…‹}Q TiZUVQ “„ŽQ „Q }Ž… project, by Chilean-born,
[YZYQ TŒŽ…€Q €Z[^VYYYUXQ p}…Š p‹‘Ž…’}ˆQ g‘‘…Š„}Q “…ˆˆQ }ƒQ } New York-based artist
e‰Ž…}ŠQ }Ž…Q }ŽQ ‹ŠQ „‹“ }Š€Q ”ŽŠ}ˆQ €…}ˆ‹ƒ‘Q Ž…ƒ„ ƒ‹…ŠƒQ}‚ŽQ}ŽQŒŽ‹€‘…‹Šž}Š€ ~‹‹‰…ŠƒVQ„ŽQ…Q}QŽ…„Q„…‹Ž• ŒŽ‚‹Ž‰}ŠVQ =GD, 6@BJ Sebastian Errazuriz, was
}Ž‹Q „Q ‚}…ŽcQ q}Ž…}Š Š‹“V Q …Q }ˆ‹Q „‹“…Šƒ „ŽQ…QŠ‹Q“}•Q•‹‘Q}ŠQ…ƒŠ‹Ž ‹‚Q‹Š‰Œ‹Ž}Ž•Q}ŽVQ}Š€Q„Q}Ž :NSMC 5HM@MBH@K, 1PR, :PNIDBRV installed just as a giant drill
k‹‹€‰}Š¡Qk}~Ž…ˆQsŽ‹–‹Q€…W MHMRDMRHNM@K,8NMSLDMRVQ[YZYV „Q ˆ‹“ŽQ Š€Q ‹‚Q „Q e‰Ž…} ‰}Ž‡Q…Q~‹‰…ŠƒQ‰‘„Q‰‹Ž ‹€}•Q}QŒ‰XQ bit began making its way
Œˆ}•Q TjZ_UQ …Šˆ‘€Q ;HFGR }Q e‰Ž€}‰Q ƒ}ˆˆŽ•Q h…}Š} Š‹“}€}•V Q }•Q iˆ…}Š} }…’X Q Ÿp‹Š€‹ŠQ …Q ‹ŠQ ‹‚Q ‹‘Ž down to the miners.
3NSOKDVQ [YZYVQ }Q R[YVYYYV v…ƒŽQ Tj[ÛVQ ŒŽ…€Q ~“Š j…Š‡ˆ…ŠVQ ‚Ž‹‰Q k}ˆŽ…} ~…ƒƒQ‹ˆˆ…ŠƒQ~}XQt‹Œˆ Errazuriz says the concept
u…„}Ž€QmŠƒˆ~•QTiZÙQ…Q„‹“W €]VYYYQ }Š€Q €`VYYYVQ }Š€ yŽ‰ˆ„‹Q TlaUVQ “„Ž 9HG@HGSK*CM*KL=LMK }ŽQ}Ž…ŠƒQ‹QŽ}ˆ…Q„‹“Q…Š‚ˆ‘W is inspired by “a South
…ŠƒQ“‹Ž‡Q~•QŠ“ˆ•Q…ƒŠ€Q}Ž… 4H@KNFSD, -:@ODP, @MC u‹˜Šƒˆ}Q uŠŠœ¡Q ?DMDRH@M Š…}ˆQ „Q }Ž…Q „ŽQ „}’ American tradition of
mŽ}ŠQ €‹Q iŒ›Ž…‹Q v}Š‹VQ …Šˆ‘€W 8NSMR@HM.VQ[YZYVQ‚‹ŽQ€`VYYYX =NSP,BP@OANNJVQ[YYbWZYVQ…Q‹Š q‹ŽQ €‰‹Ž}…Q Œ‹ˆ……Q „}’ ~ŠV Q }•Q eˆ…‹ŠQ n}‘ lighting candles to saints in
…ŠƒQ ;DC, 2SKA, 0VQ [YYbVQ ‚‹Ž Ÿw„Q}ŽQ„}Q}ˆ“}•Q~ŠQ‚}ŠW „‹“Q}QbV_YYXQ „ˆŒ€Q €Ž…’Q „Q €…}ˆ‹ƒ‘VQ ‹‹X ThZÙVQ “„‹Q ~‹‹„Q ‚}‘Ž hopes they will look after
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f}Š‡Q ˆ‹‘ŠƒQ „}Q }Q €€…}€ ‘ŒQŠ‹“V Q}•QjŽ…–Q‹W€…Ž‹Ž …ŠƒQ “‹Ž‡Q ~•Q fŽ}–…ˆ…}ŠQ }Ž… ‹‚Q ŒŽ‹€‘…ŠƒQ }ŽVQ ~‘Q …Q “} Zb^bQ ‹Q Zb_]VQ ŒŽ…€Q ~“Š represents them and us in
sŽ‹–‹Q€…Œˆ}•XQ q}„“Qvˆ‹‹’ŽXQ w‘Šƒ}Q …ŠQ „ŽQ ƒ}ˆˆŽ•VQ …Šˆ‘€…Šƒ €…‰‰€Q ~•Q ‹Š‚ˆ……ŠƒQ ƒ‹’ŽŠW €ZaYVYYYQ }Š€Q €]_YVYYYVQ } silence and as a symbol of
Ÿq‘‘‰Q ‘Ž}‹ŽQ }Š€ MRHRKDCVQ [YYaVQ ‚‹ŽQ R`^VYYYX ‰ŠXQ w„ŽQ …Q Š‹“Q }Q ‰‹Ž “ˆˆQ }Q “}ˆˆW~}€Q lšˆ…‹ the fragility of life.” Efforts
;EHO*MDE@ }‘………‹ŠQ ‹‰‰…Q }Ž g‹ŽŽ…}Q }•cQ Ÿw„Q ‹Š‹‰•Q … }~ˆ…„€Qƒ‹’ŽŠ‰ŠVQ‹Š‹W s………}Q ‘€…Q ‚Ž‹‰Q Zb^`W^bV are underway to have the
ŒŽ…€Q ~“ŠQ €aYVYYYQ }Š€ miners rescued within the
s‘…€Q „Q ‚}…ŽVQ ‰‹‡ŽQ }Š €Z^YVYYYXQ o}Q q}k}ŽŽ• next few days. Tower Santa
‘~Q ‹‘Q …ƒ}ŽQ ‹ŠQ k}~Ž…ˆ TiZZUž„‹“…ŠƒQ w…}ƒ‹ Maria will be switched on
o‘Ž…¡Q jŽ…–Q ŒŽ‹†Q ‹‰‰…W
…‹Šž}„Ž}•dQ “„…ˆQ q”…}Š
}Ž…Q h}‰…—ŠQ sŽƒ}ž“„‹
Can Scissor Sisters cut it as curators? g}ŽŠ…Ž‹Q h}Q g‘Š„}Q …ŠQ „Ž
p‹Š€‹ŠQ ƒ}ˆˆŽ•VQ ŒŽ…€Q ‚Ž‹‰Q
gsrwmrxih sr t]
every evening until they
re-emerge. M.M.K.

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jŽ…€}•Q }Š€Q vŒ„ŠQ jŽ…€‰}Š „‹“Q ‹‚Q “‹Ž‡Q ~•Q „Q ˆ}Q xv q}ŒŒˆ„‹ŽŒ¡Q …Š‚ˆ‘ŠQ ‹Š fŽˆ…ŠQ Œ}Q }Q „Q Š€Q ‹‚Q „Q •}ŽQ ‹Q ‚‹‘Q ‹ŠQ r“Q {‹Ž‡Q }Š€
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„}Q “¡’Q ‹Šˆ•Q †‘Q ~ƒ‘ŠQ ‹ }Š€Q„}Q„Q„‹“VQ‹Q‹ŒŠQ…Š ‹’ŽQ‹‚Q„QƒŽ‹‘Œ¡Q[YZYQ}ˆ~‘‰ ‹Q~QŒ}ŽQ‹‚Q„}QŠ…ƒ„~‹‘Ž„‹‹€V Q„Q}…€XQw„Qƒ}ˆˆŽ•Q“…ˆˆQ‰‹’
€…ƒXQ m¡Q ~ŠQ }Q ˆ‹“Q ~‘…ˆ€V n}Š‘}Ž•VQ“…ˆˆQ~QŠ…ˆ€QŸj…ˆ„• Ÿr…ƒ„Qz‹Ž‡ XQw„Q“‹Ž‡VQ:DRDP ~}‡Q…Š‹Q…Q’}ˆ•Q”Š€€Ql}‘Š„Q‹‚QyŠ…‹ŠQ{}Ž€QŒŽ‰…Q…Š
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e‰}ˆ…}Q t…}XQ w„Q }Ž…VQ “„‹ ŒŽ…ŠVQ }ˆˆQ Š…ˆ€Q 7HQ@, 7VNM/ i’Q v‘‰}ŠVQ t}Ž……}Q t……Š…Š…VQ g}Žˆ}Q e}Ž€…VQ v‘}ŠŠQ o‘„ŠV
}•Q „ŽQ …Q }Q Ÿ„‘ƒQ …ŠŽŠ}ˆ :=IIEALCHJIASK*?HNAJ*DF=BA ZbaYWa[XQ7.8.* tŽQv}‘ˆQ}Š€Qo’…ŠQjŽ}Š…QkŽ}•XQ4C=JEHLLA*3MJGK

CONTEMPORARY ART
EVENING SALE
PHILLIPS de PURY COMPANY
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, 820).68)40:75.506 ozrnnTjz|TojrzTnmwn{mj€T_aTxl|xknzT`^_^

Diary
The installation of Alexander Ponomarev’s
exhibition at Calvert 22 in Shoreditch was going
swimmingly until the Russian artist remembered
a vital part was missing: non-latex condoms.
Only this variety of prophylactic can protect the
the show’s kinetic pièce de résistance, acting as an
effective shield against the corrosive effect of long-
term submersion. After searching high and low across
the East End, a packet of the right kind of French
letters was found and now Ponomarev’s sub is bobbing
ozrnnTjz|TojrzTmjru€Tnmr|rxw

0?DLHJDE)G?)IJH?MLDHG-
n‡Œ—’•hTs„‘ˆTv’••Œ–
mˆ“˜—œTˆ‡Œ—’•hTs„™Œˆ•Tyˆ–
j––Œ–—„‘—Tˆ‡Œ—’•hTnŒœT{‹„•“ˆ
ˆ…–Œ—ˆTˆ‡Œ—’•hTqˆˆ‘T{—’Œ„–
l’‘—•Œ…˜—’•–hTpˆ’•ŠŒ‘„Tj‡„ZTz’…ˆ•—
k’˜‘‡ZTu’˜Œ–„Tk˜†ŽZTl‹„•’——ˆTk˜•‘–Z
vˆ„‘ŒˆTpˆ•Œ–ZTp„•ˆ—‹Tq„••Œ–ZTv„•Œ–„
v„•Œ„Tt„—ZTuŒ‘‡–„œTy’’†ŽZ
l•Œ–—Œ‘„Tz˜ŒZTj‘‘œ {‹„šZT
inner workings of a model submarine that forms along with its protective sheath. sˆ„‘T„Œ‘š•ŒŠ‹—
y‹’—’Š•„“‹œhT{„•„TnŽ‹’
l’“œTˆ‡Œ—’•–hTs„ˆ–Tq’……–ZT
7@@?)DL)LH)=@ED@N@)DL …ˆT‘’‘ˆT’—‹ˆ•T—‹„‘TŸ…ˆ•[‡ˆ„ˆ• {Œ’‘T{—ˆ“‹ˆ‘–
Secret Lives u„••œTp„Š’–Œ„‘ZTš‹’T‘’T‡’˜…—
“’““ˆ‡TŒ‘T‰’’šŒ‘ŠT—‹ˆ
mˆ–ŒŠ‘ˆ•hTn„Tp’’‡„‘
n‡Œ—’•Œ„T•ˆ–ˆ„•†‹ˆ•]“Œ†—˜•ˆTˆ‡Œ—’•hT
†•’š‡ˆ‡Tm„Œˆ‘TqŒ•–—T“•Œ™„—ˆ ŒŒ„TxŒ™ˆ•
Richard Ingleby, ™ŒˆšT„—T‹Œ–T‘ˆ„•…œTm„™Œˆ– n‡Œ—’•Œ„T„––Œ–—„‘†ˆhTz’…Tl˜••„‘
{—•ˆˆ—TŠ„ˆ•œTu„••œT˜–—
co-director of ‹„™ˆT…ˆˆ‘TŽˆˆ‘T—’T–ŒˆT˜“T—‹ˆ p•’˜“Tˆ‡Œ—’•Œ„T‡Œ•ˆ†—’•h
j‘‘„T{’ˆ•–Tl’†Ž–
Ingleby Gallery, –—„‘‡T—‹„—TŠ’—T„š„œTo„Œ•T†’[ v„‘„ŠŒ‘ŠT‡Œ•ˆ†—’•hTs„ˆ–Tt‘’›
‰’˜‘‡ˆ•Ty„—•Œ†ŽTyˆ••Œ‘ j––’†Œ„—ˆT“˜…Œ–‹ˆ•hTy„—•Œ†ŽTtˆœ
Edinburgh (E17) ˆ›“„Œ‘–T—‹„—T‹ˆT‹„‡T—’T—˜•‘ x‰‰Œ†ˆT„‡Œ‘Œ–—•„—’•hTkˆŒ‘‡„T{ˆ““Œ‘Š–
‡’š‘Tp„Š’–Œ„‘T—‹Œ–Tœˆ„• j‡™ˆ•—Œ–Œ‘ŠT–„ˆ–T}thT
Every July, we go to the ’šŒ‘ŠT—’T–“„†ˆT•ˆ–—•Œ†—Œ’‘– kˆ‘T|’Œ‘–’‘ZTu’˜Œ–ˆTq„Œ‘
Hebridean island of j—T—‹ˆT’“ˆ‘Œ‘ŠT’‰T‹Œ–T|˜•…Œ‘ˆ kˆ——ˆ•T˜†ŽT‘ˆ›—Tœˆ„•ZTu„••œT j‡™ˆ•—Œ–Œ‘ŠT–„ˆ–T}{hTl„Œ—Œ‘TvŒˆ•
Tiree. It’s q„T†’Œ––Œ’‘TjŒTˆŒšˆŒ j‡™ˆ•—Œ–Œ‘ŠTˆ›ˆ†˜—Œ™ˆ–hTs˜Œ„
beautiful, –„Œ‡T—‹„—T’‘ˆT’‰T—‹ˆT•ˆ„–’‘–T‹ˆ 8C@)HEHMJ)HA)FHG@P vŒ†‹„–Ž„TW}tXZTs˜–—Œ‘Tt’˜•ŒTW}{X
but incredi- †‹’–ˆT—’T•ˆ“Œ†„—ˆT–˜‘‰’šˆ•
bly bleak. –ˆˆ‡–T‰’•T|„—ˆTv’‡ˆ•‘§– j•—TŒ‘™ˆ–—ˆ‘—–T†„‘T†’ˆTŒ‘T„ 5M=EDKC@?)=P)9F=@JLH).EE@FG?D)*
The time we †„™ˆ•‘’˜–T‹„Tš„–T…ˆ†„˜–ˆ –Œˆ–ZT„–T†„‘T…ˆT–ˆˆ‘T…œT—‹ˆ /H+)5M=EDKCDGB)3L?
spend there ‡˜•Œ‘ŠT‹Œ–T†‹Œ‡‹’’‡Tˆ™ˆ•œ Battle of the bashes }‘Œ’‘Ts„†ŽT‰„ŠT…œTk•„ŒŒ„‘
l‹Œ‘ˆ–ˆT“ˆ•–’‘ZT‹’šˆ™ˆ• „•—Œ–—Tu’˜•Œ™„Tl˜”˜Œ‘‹„T’‘T—‹ˆ }tT’‰‰Œ†ˆhTe^T{’˜—‹Tu„…ˆ—‹Tz’„‡Z
is kind of u’‘‡’‘T{fT_zu
the opposite Œ“’™ˆ•Œ–‹ˆ‡ZTš’˜‡T„š„œ– Vying for the position of London’s coolest pre-Frieze hotspot, –—„‘‡T’‰TzŒ’§–TjTpˆ‘—ŒTl„•Œ’†„
†„••œT„T‹„‘‡‰˜T’‰T–˜‘‰’šˆ• rivals Haunch of Venison and the newly-minted Blain p„ˆ•œTWn_aXT„‡ˆT˜“T‰•’T c |ˆhTYbbTW^X`^TeeacTaaa_
to normal life in the o„›hTYbbTW^X`^TeeacTaaa`
gallery. Everything slows –ˆˆ‡–TŒ‘T—‹ˆŒ•T“’†Žˆ—T„–T„T—•ˆ„— Southern—set up by Haunch's founders and former directors „‘‡T _^T‘’—ˆ–T—’—„Œ‘ŠT _Z^^^Z
—’T–‹„•ˆTšŒ—‹T‰•Œˆ‘‡–T‹ˆ‘ Harry Blain and Graham Southern—both opened their doors to ŠŒ™ˆ‘T…œT„TŠ•’˜“T’‰ n„Œh
right down and the ’‘‡’‘’‰‰Œ†î—‹ˆ„•—‘ˆš–“„“ˆ•†’
important decisions of „–Žˆ‡Tš‹ˆ—‹ˆ•T‹ˆTš„–T„‘›Œ’˜– revellers last night. Guests spotted at BlainSouthern included –‹„•ˆ‹’‡ˆ•–Tš‹’TŒ‘T•ˆ—˜•‘
the day are pretty basic —‹„—T™Œ–Œ—’•–T—’T—‹ˆT|„—ˆTš’˜‡ Hollywood hottie James Franco (or his doppelgänger). Their •ˆ†ˆŒ™ˆ‡T„T¥–—’†Ž¦T†ˆ•—Œ‰Œ†„—ˆ }{T’‰‰Œ†ˆhTcgbTk•’„‡š„œZT{˜Œ—ˆTb^dZ
ones: which beach to „–’T…ˆTˆ„Šˆ•T—’T‰ŒT—‹ˆŒ• Mat Collishaw show included videos of pole-dancers and Š˜„•„‘—ˆˆŒ‘ŠT—‹ˆŒ•T’‘ˆœT…„†ŽZ wˆšT€’•ŽZTw€T_^^_`
comb for driftwood, “’†Žˆ—–TšŒ—‹T‹Œ–T_^^TŒŒ’‘ flaming orchids set in Gothic altarpiece-style frames which set “˜–T„‘œTˆ›—•„T•ˆ„Œ–ˆ‡Tš‹ˆ‘T—‹ˆ |ˆhTY_T`_`TabaTêè
where to build the cook- “’•†ˆ„Œ‘T•ˆ“Œ†„–ZT…˜—T‰’•Tˆ–– pulses racing although there was no alcohol to inflame the “Œˆ†ˆTŒ–T–’‡Tq’“ˆ‰˜œZTš‹ˆ‘ o„›hTY_T`_`TgdcTcade
ing fire, and, my „—•˜Œ–—Œ†T•ˆ„–’‘–ZT‹ˆT”˜Œ““ˆ‡ senses, so the artist soon sought solace in the Duke of York’s —‹ˆT‰„ŠTŒ–T„˜†—Œ’‘ˆ‡T’‘T—‹ˆ n„Œh
favourite, where to —‹„—T‹ˆTš„–T’‘œTš’••Œˆ‡T—‹„— across the road. Meanwhile, over at Haunch, the vodka –—„‘‡T„—Ta“T—’‡„œT…œTq˜Š‹ ‘œ’‰‰Œ†î—‹ˆ„•—‘ˆš–“„“ˆ•†’
search for lobsters. “ˆ’“ˆTŒŠ‹—T—•œT—’Tˆ„—T—‹ˆ cocktails were flowing as were the mini-hamburgers. The n‡ˆ„‡ˆ–T’‰Tl‹•Œ–—Œˆ§–ZT—‹Œ–
The trick is to put the „‘‡T—‹ˆ‘T–˜ˆT—‹ˆT|„—ˆT‰’•T„‘œTŒ gallery was showing exhibitions by three London artists as well …„‘‡T’‰T’‡ˆ–—T„•—T–“ˆ†˜„—’•– jˆ•Œ†„‘T†’‘—Œ‘ˆ‘—T–˜…–†•Œ“—Œ’‘
pots in the right location. ˆ‰‰ˆ†—–T‹ˆ‘T„–Žˆ‡TŒ‰T‹ˆT‹„‡ as Tom Wesselmann and Keith Coventry. So who won? One šŒT‘’—Œ†ˆT„Tšˆ†’ˆT…’’–—T—’ ˆ‘”˜Œ•Œˆ–
The locals always laugh “„Œ‘—ˆ‡T„‘œT‹Œ–ˆ‰ZT—‹ˆT„•—Œ–— London dealer, who attended both, said: “Are you kidding? We —‹ˆŒ•T‰Œ‘„‘†ˆ– |ˆhTY_TfffTbecTcgga
that I've put them in the ‡ˆ†„•ˆ‡T—‹„—T‹ˆT‹„‡T„——ˆ“—ˆ‡ are stuffing our faces and looking at major Wesselmann works. zˆ–—T’‰T—‹ˆTš’•‡T–˜…–†•Œ“—Œ’‘
—’T“„Œ‘—T—‹•ˆˆT’•T‰’˜•T…˜—T—‹ˆœ Haunch have rolled out the heavy artillery!” ˆ‘”˜Œ•Œˆ–
wrong place. But then |ˆhTYbbTW^X_egcTb_bTfda
I’ve noticed that they get ‹„‡T…ˆˆ‘TŒˆ‡Œ„—ˆœT•ˆˆ†—ˆ‡
…œT‹Œ–Tš’•ŽT‰’•†ˆT‰’•T…ˆŒ‘Š OOO+LC@JLG@OKII@J+HF
a particular kind of plea-
sure from laughing at –˜…[–—„‘‡„•‡ ‡ˆ†„•ˆ‡T‰ˆŒ–—œTˆ…–—ˆ•T¥j‘‡ ’‘ˆT—ŒˆT—‹ˆTp˜ŠŠˆ‘‹ˆŒ
y•Œ‘—ˆ‡T…œT—‹ˆTl’’˜•‹’˜–ˆTYbbT`^Tfa^cTfa^c
me, and then they often r§T‘’—T–ˆŒ‘ŠT—‹Œ–T—’T„‘œ’‘ˆ š„‘—ˆ‡T—‹ˆTš’•ŽT…˜—T—‹ˆœ ¡T`^_^T|‹ˆTj•—Twˆš–“„“ˆ•Tu—‡T
put their own in pretty 1KCDHG)NDLDF j~jT–„œ šˆ•ˆ‘§—T„…ˆT—’TŠˆ—TŒ—TŒ‘—’ jT•ŒŠ‹—–T•ˆ–ˆ•™ˆ‡Tw’T“„•—T’‰T—‹Œ–
much the same spot. The ‚o•ˆ‘†‹ jˆ•Œ†„T…ˆ†„˜–ˆTŒ—T†’‘—„Œ‘– ‘ˆš–“„“ˆ•T„œT…ˆT•ˆ“•’‡˜†ˆ‡TšŒ—‹’˜—

excitement is the uncer- l„•—Œˆ•Tjš„•‡TšŒ‘‘ˆ•T{Œ’‘ †’ˆ†—’• ‰Œ™ˆTˆ‘‡„‘Šˆ•ˆ‡T–“ˆ†Œˆ– š•Œ——ˆ‘T†’‘–ˆ‘—T’‰T†’“œ•ŒŠ‹—T“•’“•Œˆ—’•T
o˜Œš„•„T„œTšˆT‹„™ˆTˆ›ˆ•—ˆ‡ o•„‘ž’Œ–ƒ Œ‘†˜‡Œ‘ŠT„TŠ’‡ˆ‘Tˆ„Šˆ¦

Œ–T‘’—T•ˆ–“’‘–Œ…ˆT‰’•
tainty of not knowing –—„—ˆˆ‘—–Tˆ›“•ˆ––ˆ‡TŒ‘T—‹ˆT–ŒŠ‘ˆ‡T„•—Œ†ˆ–
what you'll get. In saying ‹Œ–ˆ‰ZT†’‘–—•˜†—Œ‘ŠT‹Œ– yŒ‘„˜—TŒ– „‘‡TŒ‘—ˆ•™Œˆš–T‹ŒˆTˆ™ˆ•œT†„•ˆTŒ–T—„Žˆ‘
this I'm realising that it's ’‘˜ˆ‘—„T¥o•’ˆ‘TlŒ—œ¦ †’Œ‘ŠTŒ‘T—’ 3JJPQK)GH)BH …œT—‹ˆT“˜…Œ–‹ˆ•–ZT—‹ˆT†’‘—ˆ‘—–T’‰
–ˆ•Œˆ–T’‰T‰Œ†—Œ’‘„T„•†‹„ˆ’’ŠŒ†„ ’’ŽT„—TŒ—T…˜— „‡™ˆ•—Œ–ˆˆ‘—–T„•ˆT—‹ˆT•ˆ–“’‘–Œ…ŒŒ—œT’‰T—‹ˆ
a bit of a metaphor for
‡ŒŠ–T‰’˜‘‡T—‹•’˜Š‹’˜—To•Œˆˆ rT‡’‘§—T†„•ˆ¤ jT–˜•“•Œ–ˆT™Œ–Œ—’•T„—T—‹Œ– ;@KL@J?PQK)CDI)AL Œ‘‡Œ™Œ‡˜„T„‡™ˆ•—Œ–ˆ•–
life in the art world.
Weird. Interview by k˜—T—‹ˆT…„‘‡„ŠˆT–ˆˆ‘T’‘T—‹ˆ Œ—§–T–—„œŒ‘ŠTŒ‘ šˆˆŽ§–T~ryT“•ˆ™ŒˆšT„—T—‹ˆ
Gareth Harris ‹„‘‡T’‰T—‹ˆTk•Œ—Œ–‹[s„“„‘ˆ–ˆ œT“•Œ™„—ˆ y„™ŒŒ’‘T’‰Tj•—TVTmˆ–ŒŠ‘TŒ‘ wˆ™ˆ•TŒ‘‡Tœ’˜•T†„•…’‘
„•—Œ–—T‹„–T‘’—‹Œ‘ŠT—’T‡’TšŒ—‹T‹Œ– †’ˆ†—Œ’‘¦T{‹ˆT„‡‡ˆ‡hT¥j— kˆ•ŽˆˆœT{”˜„•ˆT—˜•‘ˆ‡T’˜—T—’ ‰’’—“•Œ‘—–TŠˆ——Œ‘ŠT—’To•ŒˆˆZ
„‘—Œ”˜„•Œ„‘TŒ‘–—„„—Œ’‘T|‹ˆ ’‘†ˆTŒ‘–Œ‡ˆT—‹ˆT‰„Œ•T™Œ–Œ—’•–T†„‘
Œ‘˜•œT†„ˆT„…’˜—Tš‹ˆ‘ Artoon by Pablo Helguera •ˆ„›TŒ‘T—‹ˆTŽ‘’šˆ‡ŠˆT—‹„—T—‹Œ–
o˜Œš„•„T—•Œˆ‡T—’T†˜—T’‰‰T—‹ˆ Œ–T—‹ˆTŠ•ˆˆ‘ˆ–—To•ŒˆˆTˆ™ˆ•Tkœ
„…ˆ£’‘T‹Œ–Tˆ„‘–TšŒ—‹T„ ˜–Œ‘ŠTc^Z^^^TŒ—•ˆ–T’‰T’‡T†‹Œ“
‹„†Ž–„š¢’’“– ‰„—T—’T•˜‘T—‹ˆTŠˆ‘ˆ•„—’•–ZTŒ—
‹’“ˆ–T—’T†˜—TˆŒ––Œ’‘–T…œT„
4H)K@EE)HML —‹Œ•‡Tj‘‡T—‹„—§–T…ˆ‰’•ˆT—‹ˆœ§™ˆ
„‡ˆT„T–’•—–T’‰T’—‹ˆ•
|ŒTw’…ˆT„‘‡T{˜ˆTˆ…–—ˆ•§– –„™Œ‘Š–¤„T’‰Tš‹Œ†‹Tˆ„‘–
‡’˜…ˆT–‹„‡’šT“’•—•„Œ—T’‰T—‹ˆ o•ŒˆˆT“„‘–T—’T•ˆ‡˜†ˆTŒ—–
„•—Œ–—T†’˜“ˆT†•ˆ„—ˆ‡T’˜—T’‰T„ ’™ˆ•„TˆŒ––Œ’‘–T…œTd^U
†˜–—ˆ•T’‰T–—˜‰‰ˆ‡T…Œ•‡–TŒ–T’‘ˆ |‹ˆ‘T—’T†„“TŒ—T„ZT’‘T|‹˜•–‡„œ
’‰T—‹ˆT’–—T‡•„„—Œ†Tš’•Ž–TŒ‘ —‹ˆT‰„Œ•TŒ–T‡˜ˆT—’T‹’–—T—‹ˆ
j~j§–T‚jT~Œ–˜„Tj•—–ƒ „˜‘†‹T’‰T—‹ˆTp•ˆˆ‘Tp˜Œ‡ˆT—’
¥~„‘Œ—„–¦T–‹’šTŒ‘Ty’•—„‘‡ j•—T…œTv„œ’•T’‰Tu’‘‡’‘Tk’•Œ–
y„†ˆT¥r§T„‘—Œ[o•ŒˆˆZ¦ ¥’‘Tœ’˜•T…ŒŽˆ¦Ts’‹‘–’‘T

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London art world descends into Hell In the October
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•‰†R –”–‚R “–…R ‡R ‡‚Š“”R ‚… q‚›‚“Š…†”R …†„Š…†…R •R ‘†R •‰† rallying to defend New
†™‰ŠƒŠ•Š”R …–“ŠˆR k“Š†›†R ˜††Œ ”‰˜R“†ˆ‚“…†””Y York’s controversial
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i‚•†£”R n‡†“R ŠR •‰† ”‘Š•RŽŠŒW¢R‰†R”‚š”WR‚……ŠˆR•‰‚•
‚ƒš“Š•‰Š†R •–†”R –…†“ •‰†R ”‰˜R ˜ŠR ‡“Šˆ‰•†R ‚… Art Market Three
Sculpture courtesy the artist and Lazarides Ltd, photographer: Ian Cox

{‚•†“R”•‚•ŠYR †•†“•‚ŠR ŠR †’–‚R Ž†‚”–“†Y arrested over €80m
x‰†R †™‰ŠƒŠ•ŠWR †•Š•†… ¡j™‰ŠƒŠ•Š”R ”‰–…R ƒ†R ‡–„ŒŠˆ German “forgeries”
¡m†£”R m‚‡R f„“†¢WR ‰‚”R ƒ†† †•†“•‚ŠŠˆYR }–£“†R ‚”ŒŠˆR ‡“
“ˆ‚Š”†…R ƒšR ‚“•R …†‚†“R w•†—† ‘†‘†£”R •ŠŽ† •‰†R ‚”•R •‰Šˆ Features The scandal
q‚›‚“Š…†”WR ˜‰R ”‚š”R •‰†R Š…†‚ •‰†šR”‰–…Rƒ†RŠ”Rƒ“†…Y¢ of Venice’s giant
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”Ž†•‰ŠˆR•‰‚•R“†‡†„•”R•‰†R…†‚•‰ •“‚Š•R ‡R •‰†R …Š”ˆ“‚„†…R ‡Š‚„Š†“ Artist interview Marina
‚…R …†”•“–„•ŠR •‰†šR ‚“†€R ”–“† g†“Š†R r‚…‡‡R U+=IFA=* 29= Abramovic on the physical
•Rƒ“ŠˆY¢ 3VR ˜‰Š„‰R ‰‚”R ƒ††R „‰Š”††… rigour of her performances
n“Š„‚šWR ‚•‰†“R –ŽŠ‚“š R •R •‰†R ˜‚R ‚”R ‚R ‘†“Ž‚†•
”††R ‘†“–”ŠˆR •‰†R Ž‚„‚ƒ“† Ccidcm9M^XVaaZ[:9[gdb9oR]Z9JYda9K^Yh9d[9RdYVmp9hZg^Zh:9A Ž†Ž“Š‚R •R •‰†R ˆ“††…R ‡R –“ Books Sex and art
˜“Œ”R Š„–…†…R h”†“—‚•Š—† •ŠŽ†R ƒšR •‰†R u“•–ˆ–†”†Xƒ“ during the Renaissance
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S I N C E 17 0 7

Auctions 23 – 25 November 2010

Contemporary Art
Modern Art, Design
Palais Dorotheum, Dorotheergasse 17, 1010 Vienna, Austria
Tel. +43-1-515 60-570, client.services@dorotheum.at
www.dorotheum.com

Agostino Bonalumi (b. 1935), Arancione, 1968, structured wax-fabric, 132 x 121 cm,
€ 100,000 – 150,000, auction 24 November 2010

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