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Medieval Objects From Different Viewpoints
[object Object]
Two of the enduring legacies of the Middle Ages are symbolism and stereotyping. They both continue to define our society today, for better or worse. Image:  Lee Lorenz. Cartoon from  The New Yorker , April 9, 2009. Image copyright ©  The New Yorker .
[object Object]
To understand the Middle Ages, we need to take a step back from our society filled with written and visual messages.   Image:  Giotto di Bondone. Padua, Italy, Scrovengi Chapel. Scala/Art Resource, NY.
[object Object],[object Object]
How did images function in the Middle Age, then? Were they  “Bibles for the Illiterate”? Image : Baroncelli Chapel, Santa Croce, Florence. Kunsthistorisches Institut in Florenz-Max-Planck-Institut
[object Object],[object Object]
Our understanding of the Middle Ages is still filled with mis- and pre-conceptions.   Image:  Man-at-arms mounting his horse. Miniature from Jean de Meung, L’Arte de Chevalrie, 1284-ca. 1325. London, British Library. MS.2430, fol.2v.
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Do museums help us teach the Middle Ages?
[object Object],[object Object]
Eucharistic Dove. France (Limoges). Ca. 1210-30   ,[object Object],[object Object],[object Object]
Chalice. Italy (Siena). Ca. 1375 ,[object Object],[object Object],[object Object]
[object Object],[object Object],Chalice. Italy (Siena). Ca. 1375
Paten, Byzantine Empire   ,[object Object]
Reliquary. France (Limoges). Ca. 1230-50 (legs and crest added ca. 1900) ,[object Object]

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Medieval Objects From Different Viewpoints

  • 1. Medieval Objects From Different Viewpoints
  • 2.
  • 3. Two of the enduring legacies of the Middle Ages are symbolism and stereotyping. They both continue to define our society today, for better or worse. Image: Lee Lorenz. Cartoon from The New Yorker , April 9, 2009. Image copyright © The New Yorker .
  • 4.
  • 5. To understand the Middle Ages, we need to take a step back from our society filled with written and visual messages. Image: Giotto di Bondone. Padua, Italy, Scrovengi Chapel. Scala/Art Resource, NY.
  • 6.
  • 7. How did images function in the Middle Age, then? Were they “Bibles for the Illiterate”? Image : Baroncelli Chapel, Santa Croce, Florence. Kunsthistorisches Institut in Florenz-Max-Planck-Institut
  • 8.
  • 9. Our understanding of the Middle Ages is still filled with mis- and pre-conceptions. Image: Man-at-arms mounting his horse. Miniature from Jean de Meung, L’Arte de Chevalrie, 1284-ca. 1325. London, British Library. MS.2430, fol.2v.
  • 10.
  • 11. Do museums help us teach the Middle Ages?
  • 12.
  • 13.
  • 14.
  • 15.
  • 16.
  • 17.