The purpose of this study is to explore how the viewers’ previous training is related to their aesthetic viewing in various interactions with the form and the context, in relation to apparel design. Berlyne’s two types of exploratory behavior, diversive and specific, provided a theoretical framework to this study. Twenty female subjects (mean age=21, SD=1.089) participated. Twenty model images, posed by a male and a female model, were shown on an eye-tracker screen for 10 seconds each. The findings of this study verified Berlyne’s concepts of visual exploration. One of the different findings from Berlyne’s theory was that the untrained viewers’ visual attention tended to be more significantly focused on peripheral areas of visual interest, compared to the trained viewers, while there was no significant difference on the central, foremost areas of visual interest between the two groups. The overall aesthetic viewing patterns were also identified.
2. diversive exploration. On the other hand, high-densities of fixa- Likert scale. The categories involved 1) hair/eye color, 2) skin
tions and long gaze duration are likely to reflect specific explora- texture/color, 3) clothing color/fabric pattern, 4) image back-
tion. As proposed in a study by Nodine, et al. [1993], this study ground, and 5) accessories. The total duration of each experiment,
assumes that the short gaze duration that seeks out attractive, nov- including the questionnaire completion and the actual eye-
el visual interests, which is diversive exploration (e.g., fixations tracking experiments was approximately 20 minutes.
with less than 300-msec gaze duration), is related to untrained
viewers, and the prolonged gaze duration (e.g., fixations with 4 Results
greater than 400-msec gaze durations) that searches meaning and
significance to the overall visual image tends to be linked to
Factor analysis was employed to determine the variables that ca-
trained viewers.
tegorize the subjects’ answers to the questions in the pre-viewing
questionnaire. The analysis identified the four background factors
that included knowledge (e.g., I consider myself knowledgeable
about art and aesthetics), enjoyment (e.g., I like to observe and
evaluate others’ appearance), technology (e.g., I am comfortable
with using a new technology), and necessity (e.g., I shop clothing
based on necessity). In order to determine the relationship be-
tween training and the background factors, regression analysis
was performed. The number of courses taken (indicator of train-
ing) was significantly related to a particular factor, “enjoyment” at
95% confidence level (F=6.111, p=.024). That is, the more
courses the subjects have taken, the more they tend to enjoy the
circumstances of aesthetic viewing. The different level of training
did not show strong relationships with other background factors.
In order to determine the relationship between subjective human
perception and objective eye-tracking data, the ratings of the five
categories in the post-viewing questionnaire and sum of fixation
duration (total gaze duration) on each areas of interest (AOI) were
compared. For example, in image 1, the subjects rated the catego-
ries of the visual interests in the order of clothing color/fabric
pattern (n=18, mean=5.28, SD=1.195), hair/eye color (n=12,
mean=4.92, SD=1.325), skin (n=8, mean=5.00, SD=1.512), back-
ground (n=4, mean=5.75, SD=1.500). For eye-tracking data anal-
ysis, the five areas of interest (AOIs) were identified: AOI1
(background), AOI2 (face/hair), AOI3 (clothing), AOI4 (skin),
and AOI5 (shoes). Total gaze durations on AOIs were ranked
from the longest to the shortest as such: clothing > skin >
Figure 1. Model images used for the experiments face/hair > background > shoes. In the particular image (Image 1),
although the order of skin and background in eye-tracking data
was reversed, compared to the subjects’ ratings in the question-
3 Methodology naire, the overall order of the visual interests remained similar. A
parallel trend was also found in the rest of the images. This means
Twenty female subjects participated in this study. Average age that the subjects’ self-evaluation on their visual attention was
range was 21 (SD=1.089) and the number of art and design- compatible with eye-tracking data.
related courses taken was 0-15 (mean=6.4, SD=4.044). Twenty
model images that contain four original photos and four manipu- AOI Description Mean Total Fixation Std. Deviation
lated photos per original were used for the experiment (Figure 1). Duration (msec)
Four original photos, posed by a male and a female model, de- AOI1 Background 739.2632 725.25588
picted images with two different ensembles of apparel for each AOI2 Face/Hair 878.0000 1,037.30942
gender. Using computer-aided design (CAD) software, the origi- AOI3 Clothing 1,754.4210 1,533.93702
nal photos were manipulated in accessories, clothing colors, fabric AOI4 Skin 929.8421 751,32308
patterns, hair colors, and backgrounds. Each of the images was AOI5 Shoes 61.4737 84.72529
shown on a 17-inch color eye-tracker (ASL D6) computer screen
for 10 seconds. Figure 2. Total Fixation Duration of AOIs in Image 1
Two questionnaires were administered. Prior to the experiment, Regression analysis was used to find the relationship between the
participants filled out a questionnaire that asked their background subjects’ training level and their aesthetic viewing patterns. When
information such as age, gender, comfort level with technology a model with fewer visual interests was presented on a plain
use and familiarity with art/aesthetics/design, and interest in appa- background such as Image 2 (Figure 2), the more trained the sub-
rel shopping. During the actual experiment, a series of twenty ject was, the lower interfixation distance, that is, the more densi-
images were shown on a computer screen. Immediately after ties of fixations were found in AOI1 (background). That is, when
viewing each image, in another questionnaire, the subjects were a simple context was given, the trained group tends to examine
asked to rate the five categories of visual interests that drew their the wider areas on the image. On the other hand, the peripheral
attention while viewing the image on the computer screen. The areas such as shoes (AOI5) showed a significant difference be-
categories of possible visual interests were rated, using the 7-point tween the trained and untrained group: the less trained, the more
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3. fixations and the longer scanning time (F=6.993, p=.016) around there was no significant difference on the central, foremost areas
the shoes area. This means that when the image is more compli- of visual interest between the two groups. On the other hand, the
cated, while the trained group tends to scan the entire image, the trained viewers’ interfixation duration, namely scanning time, was
untrained group tends to look at particular areas. The same pattern much longer than the untrained viewers, which indicates that the
is also found on the images with a male model. For instance in trained viewers spend more time exploring the relationships
image 19 (refer to Figure 1), with the male model image wearing among the design elements on the image. The overall aesthetic
a shirt with a complex pattern appearing on a complicated street viewing pattern suggests that in aesthetic viewing, people tend to
background, significantly more fixations were found on the shirt examine others' appearance largely in a vertical direction, while
among the untrained, in comparison with the trained group involving various sub-paths of viewing to discern the relation-
(F=4.116, p=0.38). ships of the forms. These findings imply that aesthetic training for
apparel design students is highly desirable, in order not just to
In this study we also discovered several key findings in overall teach them to appreciate others’ appearances in a systematic way,
viewing patterns: 1) if an image contains visual interest on the but more importantly to design products that can maximize con-
model's clothing, the viewer is likely to look at the clothing first sumers’ satisfaction by comprehending their diverse needs in the
and then move to the face. 2) If an image has more complexity on ever-competitive apparel manufacturing market.
the background, the viewer's viewing path tends to encompass
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