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lcome to the world of
urnalism, where
porters have been
gging dirt, raking
muck, king headlines
and adlines for centuries
w. It’s a history full of
bloid trash, of slimy
nsationalists, of
runkards, deadbeats and
mmers” (as a Harvard
iversity president once
scribed reporters).
But it’s a history full of
roes, too: men and
men risking their lives
tell stories of war and
agedy, risking
prisonment to defend
ee speech. And as you
n see here, reports have
come beloved characters
p culture, too, turning up
movies, comics and TV
ows as if guided by an
cult hand.
Every culture seeks
effective ways to spread
new information and gossip.
In ancient times, news was
written on clay tablets. In
Caesar’s age, Romans read
newsletters compiled by
correspondents and
handwritten by slaves.
Wandering minstrels spread
news (and the plague) in the
Middle Ages. Them came
ink on paper. Voices on
airwaves. Newsreels, Web
sites, And 24-hour cable
news networks.
Thus when scholars
analyze the rich history of
journalism, some view it in
terms of technological
progress—for example, the
dramatic impact of
bigger, faster printing
presses.
Others see journalism as
a specialized form literary
expression, one that’s
constantly
evolving, reflecting and
shaping its culture.
Others see it as an
inspiring quest for free
speech, an endless power
struggle between Authority
(trying to control
information) and the People
(trying to learn the truth).
Which brings to mind the
words of A.J. Liefling:
“Freedom of the press is
guaranteed only to htose
who own one.”
In the pages ahead, we’ll
take a quick tour of 600
years of journalism
history, from hieroglyphics
to hypertext: the media, the
message and the politics.
Technical advances and
brilliant ideas forged a new
style of journalism. It was a
century of change, and
newspapers changed
dramatically. The typi
newspaper of 1800 wa
undisciplined mishma
legislative proceeding
long-winded essays a
secondhand gossip. B
1900, a new breed of
tor had emerged. Jour
had become big busin
Reporting was becom
disciplined craft. And
newspapers were bec
more entertaining and
essential than ever, w
most of the features w
expect today: Snappy
headlines, Ads, Comic
Sports pages. And an
“inverted pyramid” sty
writing that made stori
tighter and newsier.
Radio and television
brought an end to
newspapers’ media
monopoly. Why? Well
yourself: Which did yo
Reporting basics
Inside Reporting
Tim Harrower
4
Reporting basics
2
• Where stories come
from
• Finding and using
sources
•Using the internet
•Observation
•Taking notes
Where stories come from
3
 Breaking news
 Scheduled events
 News releases
 Your ideas (enterprise
stories)
Stuff happens constantly
Where stories come from
4
 Always be ready.
 The bigger the
story, the more you
need to be on the
scene.
Breaking news events
• Move fast.
• Always carry a cell
phone.
• Carry a camera.
• Some reporters also
carry audio/video
equipment.
Where stories come from
5
 Write
advances, promos or
previews.
 Make sure the
newsroom keeps a
long-range calendar.
 “Tickler” file
Scheduled events
• Bone up on history
before the event.
• Team up with
editors, photographer
s and other reporters
for big events.
Where stories come from
6
 Some handouts are
truly newsy.
 Never print releases
verbatim.
 If you turn releases
into a longer
story, verify facts.
New releases
• If you use a quote
from the release, say
“according to the
release” or “in a
prepared statement.”
Finding and using sources
7
 Select sources for
relevance.
 Check sources for
accuracy.
 Never interview other
reporters, classmates, fam
ily.
A reporter is only as good as his or her
sources
• Balance sources for
fairness.
• Cultivate sources for
tips.
Finding and using sources
8
 Depth
 Story will provide
more information and
insight.
 Context
 Reader discovers more
points of view.
The more sources you use, the better your
reporting will be
• Reliability
• Less chance of
inaccuracy or bias.
Finding and using sources
9
 Attribute
 Identifies where an
idea comes from.
 Shows reader you are
reporting.
Question and answer
•Anonymous source
• May be only way to get
information into a story.
• Avoid in this class.
•Source reliability
• Be wary of every source.
Finding and using sources
10
 Newsmakers
 Spokespeople
 Experts
 Official records
 Reference material
 Ordinary folks
The wide world of sources
Using the Internet
11
 You can’t always trust
what you find.
 It is no substitute for
reality.
A researcher’s dream come true
• Do some real
reporting.
• Real people are
always interesting to
readers
Using the Internet
12
 Quote and credit the
source.
 Paraphrase while crediting
the source
 Anytime you quote more
than three words in a row
XI. Thou shalt not plagiarize
• Rework and reword
the idea until it is
more yours than
theirs.
• When in
doubt, always cite
the source.
Using the Internet
13
 Authority
 Sure of the author’s
identity, reliability and
credentials?
 Site sponsored by
reputable institution or
organization?
Evaluating a Web site’s reliability
• Information seem
comprehensive and
complete?
• Is there a way to
contact author or
verify or challenge
information?
Using the Internet
14
 Accuracy
 Does the information
originate with the
source, or is is second
hand?
 Can you verify this
information from another
reliable source?
Evaluating a Web site’s reliability
• Are there
spelling, grammar or
factual errors that
cast doubt on the
site?
Using the Internet
15
 Timeliness
 Has site been updated
recently?
 Are there publication dates
on all pages containing
timely material?
Evaluating a Web site’s reliability
• Can you ensure all
information is up to
date?
• Are the links to and
from the pages
updated regularly?
Using the Internet
16
 Newgroups
 Online bulletin boards
organized by topic.
 E-mail
 Most efficient way to
contact experts.
Beyond the basics
• Weblogs
• Mostly opinion.
• Writing your own
blog can establish
dialogue with sources
and readers.
Observation
17
 Show; don’t tell.
 Reporters are
eyewitnesses.
 You are the senses of
the reader.
Engage your senses to bring stories to life
Observation
18
 Sight
 Notice the little things.
 Sound
 Difficult to capture but
worth the effort.
Engage your senses…
•Action
•Describe how the big
play happened.
•Verbs add verve.
•Emotion
•Show the scene
without telling reader
what to feel.
Taking notes
19
 Involves multitasking
 Listening
 Interpreting
 Observing
 Evaluating
 Writing
 Thinking
Good note-taking isn’t easy
•Need a system to
guarantee that what you
report matches the data
your source gave you
Taking notes
20
 Running log of the time.
 Speed transcription.
 Skip small words.
 Abbreviate long words.
A page in a reporter’s notebook
•Carefully spell our
important facts.
•Use the first free
moment to review
notes.
Taking notes
21
 Choose a notebook that is
a comfortable size for you.
 Use felt-tips or water.
 Use different colors for
different speakers.
A page in a reporter’s notebook
•Mark things that seem
important.
•Draw lines to separate
speakers.
•Use quotation marks
around quotes.
Taking notes
22
 Notebook
Pros and cons
Taking notes
23
 Tape recorder
Pros and cons
Taking notes
24
 Typing
Pros and cons
lcome to the world of
urnalism, where
porters have been
gging dirt, raking
muck, king headlines
and adlines for centuries
w. It’s a history full of
bloid trash, of slimy
nsationalists, of
runkards, deadbeats and
mmers” (as a Harvard
iversity president once
scribed reporters).
But it’s a history full of
roes, too: men and
men risking their lives
tell stories of war and
agedy, risking
prisonment to defend
ee speech. And as you
n see here, reports have
come beloved characters
p culture, too, turning up
movies, comics and TV
ows as if guided by an
cult hand.
Every culture seeks
effective ways to spread
new information and gossip.
In ancient times, news was
written on clay tablets. In
Caesar’s age, Romans read
newsletters compiled by
correspondents and
handwritten by slaves.
Wandering minstrels spread
news (and the plague) in the
Middle Ages. Them came
ink on paper. Voices on
airwaves. Newsreels, Web
sites, And 24-hour cable
news networks.
Thus when scholars
analyze the rich history of
journalism, some view it in
terms of technological
progress—for example, the
dramatic impact of
bigger, faster printing
presses.
Others see journalism as
a specialized form literary
expression, one that’s
constantly
evolving, reflecting and
shaping its culture.
Others see it as an
inspiring quest for free
speech, an endless power
struggle between Authority
(trying to control
information) and the People
(trying to learn the truth).
Which brings to mind the
words of A.J. Liefling:
“Freedom of the press is
guaranteed only to htose
who own one.”
In the pages ahead, we’ll
take a quick tour of 600
years of journalism
history, from hieroglyphics
to hypertext: the media, the
message and the politics.
Technical advances and
brilliant ideas forged a new
style of journalism. It was a
century of change, and
newspapers changed
dramatically. The typi
newspaper of 1800 wa
undisciplined mishma
legislative proceeding
long-winded essays a
secondhand gossip. B
1900, a new breed of
tor had emerged. Jour
had become big busin
Reporting was becom
disciplined craft. And
newspapers were bec
more entertaining and
essential than ever, w
most of the features w
expect today: Snappy
headlines, Ads, Comic
Sports pages. And an
“inverted pyramid” sty
writing that made stori
tighter and newsier.
Radio and television
brought an end to
newspapers’ media
monopoly. Why? Well
yourself: Which did yo
Reporting basics
Inside Reporting
Tim Harrower
4

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Chapter 4

  • 1. lcome to the world of urnalism, where porters have been gging dirt, raking muck, king headlines and adlines for centuries w. It’s a history full of bloid trash, of slimy nsationalists, of runkards, deadbeats and mmers” (as a Harvard iversity president once scribed reporters). But it’s a history full of roes, too: men and men risking their lives tell stories of war and agedy, risking prisonment to defend ee speech. And as you n see here, reports have come beloved characters p culture, too, turning up movies, comics and TV ows as if guided by an cult hand. Every culture seeks effective ways to spread new information and gossip. In ancient times, news was written on clay tablets. In Caesar’s age, Romans read newsletters compiled by correspondents and handwritten by slaves. Wandering minstrels spread news (and the plague) in the Middle Ages. Them came ink on paper. Voices on airwaves. Newsreels, Web sites, And 24-hour cable news networks. Thus when scholars analyze the rich history of journalism, some view it in terms of technological progress—for example, the dramatic impact of bigger, faster printing presses. Others see journalism as a specialized form literary expression, one that’s constantly evolving, reflecting and shaping its culture. Others see it as an inspiring quest for free speech, an endless power struggle between Authority (trying to control information) and the People (trying to learn the truth). Which brings to mind the words of A.J. Liefling: “Freedom of the press is guaranteed only to htose who own one.” In the pages ahead, we’ll take a quick tour of 600 years of journalism history, from hieroglyphics to hypertext: the media, the message and the politics. Technical advances and brilliant ideas forged a new style of journalism. It was a century of change, and newspapers changed dramatically. The typi newspaper of 1800 wa undisciplined mishma legislative proceeding long-winded essays a secondhand gossip. B 1900, a new breed of tor had emerged. Jour had become big busin Reporting was becom disciplined craft. And newspapers were bec more entertaining and essential than ever, w most of the features w expect today: Snappy headlines, Ads, Comic Sports pages. And an “inverted pyramid” sty writing that made stori tighter and newsier. Radio and television brought an end to newspapers’ media monopoly. Why? Well yourself: Which did yo Reporting basics Inside Reporting Tim Harrower 4
  • 2. Reporting basics 2 • Where stories come from • Finding and using sources •Using the internet •Observation •Taking notes
  • 3. Where stories come from 3  Breaking news  Scheduled events  News releases  Your ideas (enterprise stories) Stuff happens constantly
  • 4. Where stories come from 4  Always be ready.  The bigger the story, the more you need to be on the scene. Breaking news events • Move fast. • Always carry a cell phone. • Carry a camera. • Some reporters also carry audio/video equipment.
  • 5. Where stories come from 5  Write advances, promos or previews.  Make sure the newsroom keeps a long-range calendar.  “Tickler” file Scheduled events • Bone up on history before the event. • Team up with editors, photographer s and other reporters for big events.
  • 6. Where stories come from 6  Some handouts are truly newsy.  Never print releases verbatim.  If you turn releases into a longer story, verify facts. New releases • If you use a quote from the release, say “according to the release” or “in a prepared statement.”
  • 7. Finding and using sources 7  Select sources for relevance.  Check sources for accuracy.  Never interview other reporters, classmates, fam ily. A reporter is only as good as his or her sources • Balance sources for fairness. • Cultivate sources for tips.
  • 8. Finding and using sources 8  Depth  Story will provide more information and insight.  Context  Reader discovers more points of view. The more sources you use, the better your reporting will be • Reliability • Less chance of inaccuracy or bias.
  • 9. Finding and using sources 9  Attribute  Identifies where an idea comes from.  Shows reader you are reporting. Question and answer •Anonymous source • May be only way to get information into a story. • Avoid in this class. •Source reliability • Be wary of every source.
  • 10. Finding and using sources 10  Newsmakers  Spokespeople  Experts  Official records  Reference material  Ordinary folks The wide world of sources
  • 11. Using the Internet 11  You can’t always trust what you find.  It is no substitute for reality. A researcher’s dream come true • Do some real reporting. • Real people are always interesting to readers
  • 12. Using the Internet 12  Quote and credit the source.  Paraphrase while crediting the source  Anytime you quote more than three words in a row XI. Thou shalt not plagiarize • Rework and reword the idea until it is more yours than theirs. • When in doubt, always cite the source.
  • 13. Using the Internet 13  Authority  Sure of the author’s identity, reliability and credentials?  Site sponsored by reputable institution or organization? Evaluating a Web site’s reliability • Information seem comprehensive and complete? • Is there a way to contact author or verify or challenge information?
  • 14. Using the Internet 14  Accuracy  Does the information originate with the source, or is is second hand?  Can you verify this information from another reliable source? Evaluating a Web site’s reliability • Are there spelling, grammar or factual errors that cast doubt on the site?
  • 15. Using the Internet 15  Timeliness  Has site been updated recently?  Are there publication dates on all pages containing timely material? Evaluating a Web site’s reliability • Can you ensure all information is up to date? • Are the links to and from the pages updated regularly?
  • 16. Using the Internet 16  Newgroups  Online bulletin boards organized by topic.  E-mail  Most efficient way to contact experts. Beyond the basics • Weblogs • Mostly opinion. • Writing your own blog can establish dialogue with sources and readers.
  • 17. Observation 17  Show; don’t tell.  Reporters are eyewitnesses.  You are the senses of the reader. Engage your senses to bring stories to life
  • 18. Observation 18  Sight  Notice the little things.  Sound  Difficult to capture but worth the effort. Engage your senses… •Action •Describe how the big play happened. •Verbs add verve. •Emotion •Show the scene without telling reader what to feel.
  • 19. Taking notes 19  Involves multitasking  Listening  Interpreting  Observing  Evaluating  Writing  Thinking Good note-taking isn’t easy •Need a system to guarantee that what you report matches the data your source gave you
  • 20. Taking notes 20  Running log of the time.  Speed transcription.  Skip small words.  Abbreviate long words. A page in a reporter’s notebook •Carefully spell our important facts. •Use the first free moment to review notes.
  • 21. Taking notes 21  Choose a notebook that is a comfortable size for you.  Use felt-tips or water.  Use different colors for different speakers. A page in a reporter’s notebook •Mark things that seem important. •Draw lines to separate speakers. •Use quotation marks around quotes.
  • 23. Taking notes 23  Tape recorder Pros and cons
  • 25. lcome to the world of urnalism, where porters have been gging dirt, raking muck, king headlines and adlines for centuries w. It’s a history full of bloid trash, of slimy nsationalists, of runkards, deadbeats and mmers” (as a Harvard iversity president once scribed reporters). But it’s a history full of roes, too: men and men risking their lives tell stories of war and agedy, risking prisonment to defend ee speech. And as you n see here, reports have come beloved characters p culture, too, turning up movies, comics and TV ows as if guided by an cult hand. Every culture seeks effective ways to spread new information and gossip. In ancient times, news was written on clay tablets. In Caesar’s age, Romans read newsletters compiled by correspondents and handwritten by slaves. Wandering minstrels spread news (and the plague) in the Middle Ages. Them came ink on paper. Voices on airwaves. Newsreels, Web sites, And 24-hour cable news networks. Thus when scholars analyze the rich history of journalism, some view it in terms of technological progress—for example, the dramatic impact of bigger, faster printing presses. Others see journalism as a specialized form literary expression, one that’s constantly evolving, reflecting and shaping its culture. Others see it as an inspiring quest for free speech, an endless power struggle between Authority (trying to control information) and the People (trying to learn the truth). Which brings to mind the words of A.J. Liefling: “Freedom of the press is guaranteed only to htose who own one.” In the pages ahead, we’ll take a quick tour of 600 years of journalism history, from hieroglyphics to hypertext: the media, the message and the politics. Technical advances and brilliant ideas forged a new style of journalism. It was a century of change, and newspapers changed dramatically. The typi newspaper of 1800 wa undisciplined mishma legislative proceeding long-winded essays a secondhand gossip. B 1900, a new breed of tor had emerged. Jour had become big busin Reporting was becom disciplined craft. And newspapers were bec more entertaining and essential than ever, w most of the features w expect today: Snappy headlines, Ads, Comic Sports pages. And an “inverted pyramid” sty writing that made stori tighter and newsier. Radio and television brought an end to newspapers’ media monopoly. Why? Well yourself: Which did yo Reporting basics Inside Reporting Tim Harrower 4