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visually
visually
tasty
 a
DEFI
NITI
ON     of
“The one who
is eye-minded;                                                precision 3D visualization
                                                                  Technique   3D Imaging




a visualizer.”


Definition of Visualizer: Century Dictionary and Cyclopedia
Product Render 2012 | Non-commercial
Product Render 2012 | Non-commercial
Product Render 2012 | Non-commercial
Product Render 2011 | Client: PP Promotion Oy
“The one who
visualizes,
especially a
person whose                                                                                      aesthetics photography
                                                                                                      Technique   Studio Photography




mental images
                                                                                                                  Image Editing
                                                                                                                  3D Imaging




are predomi-
nantly visual.”
Definition of Visualizer: American Heritage® Dictionary of the English Language, Fourth Edition
Product Advertising 2011 | Client: PP Promotion Oy
Product Advertising 2011 | Client: Normincies Oy
Product Advertising 2011 | Client: Normincies Oy
Product Visualizing 2010 | Non-commercial
Product Visualizing 2010 | Non-commercial
Product Visualizing 2010 | Non-commercial
Product Visualizing 2011 | Non-commercial
Product Visualizing 2010 | Non-commercial
“The quality
that gives
pleasure to                                                                                   with love... exhibition
                                                                                                    Technique   Outdoor Photography




mind or
                                                                                                                Sincire Love
                                                                                                                Retouching




senses.”

Definition of beauty: American Heritage® Dictionary of the English Language, Fourth Edition
Love and Looting in Sitges 2009 | Exhibition ’09
Love and Looting in Sitges 2009 | Exhibition ’09
Love and Looting in Sitges 2009 | Exhibition ’09
Love and Looting in Sitges 2009 | Exhibition ’09
“Perfection is
achieved, not
when there is
nothing left to              passion working

add, but when                    Skills   Image Editing
                                          Photography
                                          3D Imaging




there is noth-
ing left to
remove.”
- Antoine de Saint-Exupéry
I am a 28-year-old, Helsinki                  one of my instruments at creating beautiful images is that it has en-
                                                                           abled me to gain an extensive understanding of Photoshop and re-
                             based commercial visualizer.
                                                                           touching.
                             I have been working with im-
                             ages full-time for over 4 years,              Since the fall of 2011 I have brought in 3D -rendering as a part of
                             with experience ranging from                  my workflow. I pay attention to the smallest details and aim to al-
                             photography and image                         ways get them to work correctly, which is a key to get photo realistic
                             editing to 3D.                                results in my opinion. I apply this same attention to detail to all my
                                                                           work.
In the beginning of 2010, after returning from a 4 month Sitges /
Barcelona -project, I started working on a project called Studio ma,       All product renders in my portfolio were made digitally, not from
ma which later evolved into a joint company, Malmi & Mattila. Malmi        photographs. No ready blueprints were used. I started with creating
was specialized in cultural management and event producing. With           an accurate blueprint of the actual bottle. This was done by taking
an iron fist she organized anything from permits to public exhibitions.    measurements and transferring the bottle’s base-reliefs on to paper,
Mattila, my half of the company, was specialized in commercial             which later was scanned and vectorized. After taking measurements
product photography, image editing and CGI. Our studio was locat-          the bottle was modeled in Maya 2012. Earlier scans of base-reliefs
ed in Kokemäki, Finland.                                                   were then transformed into displacement maps, which were applied
                                                                           on to the bottle. Labels were also scanned and vectorized. Render-
In my work I focus on the visual aspect of advertising and branding.       ing was done in a single phase in Maxwell Render, followed by gen-
I’m happy to stay in the background and make ideas a reality. Sim-         eral retouching in Photoshop.
plicity leads to perfection, but it can only be achieved through learn-
ing, and like most Scandinavian people, I’m obsessed achieving the         The purpose of this portfolio is to introduce myself as a visualizer. It
the former.                                                                was put together to cover different aspects of my work and show
                                                                           my skills and personal style in those areas. In the end, I am not try-
In photography, I have experience of both studio and on-location           ing to reinvent the wheel. I just want to make gorgeous pictures.
shoots. Photography has always been a way for me to unleash my             I hope you had an visually tasty experience!
creativity, whether it be through creating a miniature rainforest inside
an aquarium or using 5 Euro reflective beach carpet as a main light
source. I enjoy creating new setups from scratch, letting my creative
side run the show. Part of the reason why I chose photography as           Jarkko Mattila
jobba
 werken
trabajar 2009 2012
working
lavorare
contact                Jarkko Mattila
                                       jarkko@malmimattila.eu
                                       +358 41 3130 052

                                       Aleksis Kiven Katu 48 C 66
                                       00510 Helsinki
                                       FINLAND




© Copyright Malmi & Mattila 2011, all rights reserved. Malmi & Mattila logo is pro-
      tected by copyright law and may not be used without permission.

                            Design by Jarkko Mattila

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Mattila visually tasty_low_res (1)

  • 2. DEFI NITI ON of “The one who is eye-minded; precision 3D visualization Technique 3D Imaging a visualizer.” Definition of Visualizer: Century Dictionary and Cyclopedia
  • 3. Product Render 2012 | Non-commercial
  • 4. Product Render 2012 | Non-commercial
  • 5. Product Render 2012 | Non-commercial
  • 6. Product Render 2011 | Client: PP Promotion Oy
  • 7. “The one who visualizes, especially a person whose aesthetics photography Technique Studio Photography mental images Image Editing 3D Imaging are predomi- nantly visual.” Definition of Visualizer: American Heritage® Dictionary of the English Language, Fourth Edition
  • 8. Product Advertising 2011 | Client: PP Promotion Oy
  • 9. Product Advertising 2011 | Client: Normincies Oy
  • 10. Product Advertising 2011 | Client: Normincies Oy
  • 11. Product Visualizing 2010 | Non-commercial
  • 12. Product Visualizing 2010 | Non-commercial
  • 13. Product Visualizing 2010 | Non-commercial
  • 14. Product Visualizing 2011 | Non-commercial
  • 15. Product Visualizing 2010 | Non-commercial
  • 16. “The quality that gives pleasure to with love... exhibition Technique Outdoor Photography mind or Sincire Love Retouching senses.” Definition of beauty: American Heritage® Dictionary of the English Language, Fourth Edition
  • 17. Love and Looting in Sitges 2009 | Exhibition ’09
  • 18. Love and Looting in Sitges 2009 | Exhibition ’09
  • 19. Love and Looting in Sitges 2009 | Exhibition ’09
  • 20. Love and Looting in Sitges 2009 | Exhibition ’09
  • 21. “Perfection is achieved, not when there is nothing left to passion working add, but when Skills Image Editing Photography 3D Imaging there is noth- ing left to remove.” - Antoine de Saint-Exupéry
  • 22. I am a 28-year-old, Helsinki one of my instruments at creating beautiful images is that it has en- abled me to gain an extensive understanding of Photoshop and re- based commercial visualizer. touching. I have been working with im- ages full-time for over 4 years, Since the fall of 2011 I have brought in 3D -rendering as a part of with experience ranging from my workflow. I pay attention to the smallest details and aim to al- photography and image ways get them to work correctly, which is a key to get photo realistic editing to 3D. results in my opinion. I apply this same attention to detail to all my work. In the beginning of 2010, after returning from a 4 month Sitges / Barcelona -project, I started working on a project called Studio ma, All product renders in my portfolio were made digitally, not from ma which later evolved into a joint company, Malmi & Mattila. Malmi photographs. No ready blueprints were used. I started with creating was specialized in cultural management and event producing. With an accurate blueprint of the actual bottle. This was done by taking an iron fist she organized anything from permits to public exhibitions. measurements and transferring the bottle’s base-reliefs on to paper, Mattila, my half of the company, was specialized in commercial which later was scanned and vectorized. After taking measurements product photography, image editing and CGI. Our studio was locat- the bottle was modeled in Maya 2012. Earlier scans of base-reliefs ed in Kokemäki, Finland. were then transformed into displacement maps, which were applied on to the bottle. Labels were also scanned and vectorized. Render- In my work I focus on the visual aspect of advertising and branding. ing was done in a single phase in Maxwell Render, followed by gen- I’m happy to stay in the background and make ideas a reality. Sim- eral retouching in Photoshop. plicity leads to perfection, but it can only be achieved through learn- ing, and like most Scandinavian people, I’m obsessed achieving the The purpose of this portfolio is to introduce myself as a visualizer. It the former. was put together to cover different aspects of my work and show my skills and personal style in those areas. In the end, I am not try- In photography, I have experience of both studio and on-location ing to reinvent the wheel. I just want to make gorgeous pictures. shoots. Photography has always been a way for me to unleash my I hope you had an visually tasty experience! creativity, whether it be through creating a miniature rainforest inside an aquarium or using 5 Euro reflective beach carpet as a main light source. I enjoy creating new setups from scratch, letting my creative side run the show. Part of the reason why I chose photography as Jarkko Mattila
  • 23. jobba werken trabajar 2009 2012 working lavorare
  • 24. contact Jarkko Mattila jarkko@malmimattila.eu +358 41 3130 052 Aleksis Kiven Katu 48 C 66 00510 Helsinki FINLAND © Copyright Malmi & Mattila 2011, all rights reserved. Malmi & Mattila logo is pro- tected by copyright law and may not be used without permission. Design by Jarkko Mattila