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RENAISSANCE ARTRENAISSANCE ART
(15(15thth
- 16- 16thth
centuries)centuries)
Renaissance art appeared in the
Italian Peninsula in the 15th
century
and it spread to the rest of Europe.
It was the predominant style in the
15th
and 16th
centuries.
Two stages:
-QUATTROCENTO (15th
century):
Main development in Italy. Main
centre: Florence. Main patrons: the
Medici family.
-CINQUECENTO(16th
century):
Extension to Europe. Main centre:
Rome. Main patrons: the Popes.
MAIN FEATURES
-Inspiration on Antiquity
(Greece and Rome):simplicity,
harmony, proportions, straight
lines…
-Rejection of the elaborated
decoration of Gothic art
-Interest in representing ideal
beauty
-Study of nature and the human
body
PITTI PALACE,
Florence
SLAVE, Michelangelo
Lorenzo de Medici, the Magnificent
ROLE OF PATRONS
Rich members of the bourgeoisie
and the Church were the
commisioners of many works of
art, as a sign of social prestige.
ARCHITECTURE
-Use of simple and classical
elements.
-Smaller and proportioned
buildings, adapted to
human scale.
-Search for harmony and
order.
-Austere decoration.
MEDICI-RICARDI PALACE, FLORENCE
ARCHITECTURAL ELEMENTS
PEDIMENT
DOME OF SANTA MARIA DEL FIORE, FLORENCE, BRUNELLESCHI
Renaissance art
Renaissance art
CHURCH OF SAN LORENZO IN FLORENCE, BRUNELLESCHI
Renaissance art
CHURCH OF SANTO SPIRITO IN FLORENCE, BRUNELLESCHI
Renaissance art
OSPEDALE DEGLI INOCENTI, FLORENCE, BRUNELLESCHI
CLOISTERS
FACADE OF THE CHURCH OF SANTA MARIA NOVELLA, FLORENCE,
LEON BATTISTA ALBERTI
RUCELLAI PALACE, ALBERTI
TEMPIETTO OF SAN PIETRO IN MONTORIO, ROME, BRAMANTE
PROJECT FOR THE BASILICA OF SAINT PETER OF THE VATICAN IN ROME
BRAMANTE
RAFAEL
MICHELANGELO
DOME OF THE BASILICA,
MICHELANGELO
Renaissance art
DOME OF SAINT PETER´S BASILICA, MICHELANGELO
STAIRCASE OF THE LAURENTIAN LIBRARY IN FLORENCE, MICHELANGELO
SCULPTURE
BUST OF GIULIANO DI MEDICI,
VERROCCHIO
LORENZO DI MEDICI,
VERROCCHIO
-Interest in representing human beauty
and proportioned bodies
-Inspiration in Greek and Roman sculptures
-Different types of sculptures: busts, portraits,
tombs, equestrian statues
DAVID, MICHELANGELO
GATES OF THE BAPTISTERY OF SANTA MARIA DEL FIORE, FLORENCE,GHIBERTI
Isaac´s sacrifice
The story of Joseph
Adam and Eve Moses and the Ten Commandments
DONATELLO
DAVID
SAINT GEORGE
PROPHET HABACUC
(Il Zuccone)
CONDOTTIERE GATTAMELATA
MICHELANGELO BUONARROTTI
DAVID
PIETÀ
MOSES
TOMB OF THE MEDICI, SAINT LORENZ CHURCH, FLORENCE
LORENZO DI MEDICI
GIULIANO DI MEDICI
DAY AND NIGHT DUSK AND DAWN
PAINTING
-Development of perspective:
representation
of the third dimension in a two-
dimensional
space.
-Mythological and religious themes.
-Predominance of drawing over
colour.
TRINITY, MASACCIO
TRIBUTE MONEY, MASACCIO
EXPULSION FROM THE GARDEN OF EDEN,
MASACCIO
THE FLAGELLATION OF CHRIST, PIERO DELLA FRANCESCA
THE BIRTH OF VIRGIN MARY, GHIRLANDAIO
THE BIRTH OF VENUS, BOTTICELLI
PRIMAVERA, BOTTICELLI
LEONARDO DA VINCI, A RENAISSANCE MAN
MONA LISA (GIOCONDA), LEONARDO DA VINCI
THE LAST SUPPER, LEONARDO DA VINCI
VIRGIN OF THE ROCKS, LEONARDO DA VINCI
SAINT JOHN THE BAPTIST,
LEONARDO DA VINCI
THE MARRIAGE OF THE VIRGIN
RAFAEL
PERUGINO
THE SCHOOL OF ATHENS, RAFAEL
THE PARNASSUS, RAFAEL
THE FIRE IN THE BORGO, RAFAEL
PORTRAIT OF A YOUNG WOMAN
OR LA FORNARINA,
RAFAEL
SISTINE CHAPEL, VATICAN CITY
SISTINE CHAPEL FRESCOES, MICHELANGELO
DISTRIBUTION OF
THE SISTINE CHAPEL FRESCOES
ON THE WALLS
DISTRIBUTION OF THE SISTINE CHAPEL FRESCOES ON THE CEILING
THE CREATION OF ADAM, MICHELANGELO
THE LAST JUDGEMENT,
MICHELANGELO
VENUS OF URBINO, TITIAN
DANAË AND THE SHOWER OF GOLD, TITIAN
PORTRAIT OF EMPEROR
CHARLES V AT MÜHLBERG, TITIAN
RENAISSANCE
IN THE IBERIAN PENINSULA
ARCHITECTURE
THREE STYLES
PLATERESQUE
CLASSICISM
HERRERIAN
PLATERESQUE
-Architects imitated the work of
silversmiths to decorate the facades
of the buildings
FACADE OF THE
UNIVERSITY OF SALAMANCA
CLASSICISM
Use of classical
elements: columns,
pediments, rounded
arches…
PALACE OF CHARLES V
IN GRANADA,
PEDRO MACHUCA
RUSTICATION
COURTYARD OF THE PALACE OF CHARLES V IN
GRANADA
PEDRO MACHUCA
HERRERIAN STYLE
Sober, austere,
proportioned
buildings, without
decoration
MONASTERY OF SAN LORENZO DEL ESCORIAL, JUAN DE HERRERA
MONASTERY OF SAN LORENZO DEL ESCORIAL, JUAN DE HERRERA
SCULPTURE
-Influence by Michelangelo
-Religious themes
-Use of different materials: marble, bronze, polychromed wood
THE BURIAL OF CHRIST, JUAN DE JUNI
THE SACRIFICE OF ISAAC,
ALONSO DE BERRUGUETE
PAINTING
El Greco was the most
important artist
THE BURIAL OF
COUNT ORGAZ
THE ADORATION OF THE SHEPHERDS,
EL GRECO
THE KNIGHT WITH HIS HAND ON
HIS CHEST, EL GRECO
THE DESPOILING, EL GRECO

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Renaissance art