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Does writer make for an
   ideal translator?
             Prepared and presented by
  Parth Bhatt, R.No. III, Sem. III, Translation Studies,
  Maharaja Krishnakumarsinhji Bhavnagar University
 "All meanings, we know, depend on the key of interpretation"
                                               ~ George Eliot
 “All things are subject to interpretation whichever interpretation
  prevails at a given time is a function of power and not truth.”
                                               ~ Friedrich Nietzsche
Introduction

               Author

                 Translator

                  Source Langue

                 Target Language

               Target Audience
Translation
 "A translator is to be like his      
  author; it is not his business to     Miss-under-standing!!!!
  excel him.” ~ Samuel Johnson
                                       
  (Dryden Lives of the Poets)
 Translation as a Secondary
  Language Activity                     Maruti 800
 “Translation as the replacement
  of source language text
  material by equivalent target
  language material.” ~ J.C. Catford
Rabindranath Tagore
 Tagore's writings created in the early years of the twentieth century
  has largely vanished. The enthusiasm with which his work was once
  greeted was quite remarkable. ‘Gitanjali’, a selection of his poetry for
  which he was awarded the Nobel Prize in Literature in 1913, was
  published in English translation in London in March of that year, and
  had been reprinted ten times by November, when the award was
  announced. But he is not much read now in the West, and already by
  1937, Graham Greene was able to say: "As for Rabindranath Tagore, I
  cannot believe that anyone but Mr. Yeats can still take his poems very
  seriously.
 Yeats did not totally reject his early admiration (as Ezra Pound and
  several others did), and he included some of Tagore's early poems in
  The Oxford Book of Modern Verse, which he edited in 1936. Yeats
  also had some favorable things to say about Tagore's prose writings.
  His censure of Tagore's later poems was reinforced by his dislike of
  Tagore's own English translations of his work ("Tagore does not know
  English, no Indian knows English," Yeats explained), unlike the English
  version of ‘Gitanjali’ which Yeats had himself helped to prepare.
  Poetry is, of course, notoriously difficult to translate, and anyone who
  knows Tagore's poems in their original Bengali cannot feel satisfied
  with any of the translations (made with or without Yeats's help).
Writing as a creative process
 Uniqueness
 Irreplaceable words
 Beauty of Language
 Writer’s expertise over SL and TL
 Writer’s Frame of mind
 Milieu
Break a leg!
Works Cited
 Ray, Mohit. Studies in Translation. 2nd ed. Chennai: Atlantic
       Publishers and Distributors Pvt. Ltd., Print.



 http://www.countercurrents.org/culture-sen281003.htm



 http://www.youtube.com/watch?v=ADDUONO7UD8
Thank you
 The presentation is submitted to Dept. of English, Maharaja
  Krishnakumarsinhji, Bhavnagar University

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Paper 5 Translation Studies

  • 1. Does writer make for an ideal translator? Prepared and presented by Parth Bhatt, R.No. III, Sem. III, Translation Studies, Maharaja Krishnakumarsinhji Bhavnagar University
  • 2.  "All meanings, we know, depend on the key of interpretation" ~ George Eliot  “All things are subject to interpretation whichever interpretation prevails at a given time is a function of power and not truth.” ~ Friedrich Nietzsche
  • 3. Introduction Author Translator Source Langue Target Language Target Audience
  • 4. Translation  "A translator is to be like his  author; it is not his business to  Miss-under-standing!!!! excel him.” ~ Samuel Johnson  (Dryden Lives of the Poets)  Translation as a Secondary Language Activity  Maruti 800  “Translation as the replacement of source language text material by equivalent target language material.” ~ J.C. Catford
  • 5. Rabindranath Tagore  Tagore's writings created in the early years of the twentieth century has largely vanished. The enthusiasm with which his work was once greeted was quite remarkable. ‘Gitanjali’, a selection of his poetry for which he was awarded the Nobel Prize in Literature in 1913, was published in English translation in London in March of that year, and had been reprinted ten times by November, when the award was announced. But he is not much read now in the West, and already by 1937, Graham Greene was able to say: "As for Rabindranath Tagore, I cannot believe that anyone but Mr. Yeats can still take his poems very seriously.
  • 6.  Yeats did not totally reject his early admiration (as Ezra Pound and several others did), and he included some of Tagore's early poems in The Oxford Book of Modern Verse, which he edited in 1936. Yeats also had some favorable things to say about Tagore's prose writings. His censure of Tagore's later poems was reinforced by his dislike of Tagore's own English translations of his work ("Tagore does not know English, no Indian knows English," Yeats explained), unlike the English version of ‘Gitanjali’ which Yeats had himself helped to prepare. Poetry is, of course, notoriously difficult to translate, and anyone who knows Tagore's poems in their original Bengali cannot feel satisfied with any of the translations (made with or without Yeats's help).
  • 7. Writing as a creative process  Uniqueness  Irreplaceable words  Beauty of Language  Writer’s expertise over SL and TL  Writer’s Frame of mind  Milieu
  • 9. Works Cited  Ray, Mohit. Studies in Translation. 2nd ed. Chennai: Atlantic Publishers and Distributors Pvt. Ltd., Print.  http://www.countercurrents.org/culture-sen281003.htm  http://www.youtube.com/watch?v=ADDUONO7UD8
  • 10. Thank you  The presentation is submitted to Dept. of English, Maharaja Krishnakumarsinhji, Bhavnagar University