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Southern Gothic Fiction
Characteristics
• The grotesque (freakish)
• The outsider
• Imprisonment (castle/house/jail)
• Violence
• Strong Sense of Place
• Woman in distress
The grotesque (freakish)
• Horror elements as in Poe
• Madness is a form of the grotesque, as in Poe,
but also in Faulkner and The Yellow wallpaper
(not a southern story, but borrows from the
gothic)
• Deformed characters as in O’Connor
• Also may go to an overwhelming sensual
effect…the accumulation of images as in The
Yellow wallpaper and in O’Connor
The Outsider
• May be a witness, as in Fall of the House of
Usher.
• May be a victim like Homer Barron.
• May be one of the grotesque’s, as in the Misfit
from O’Connor.
• Look for outsiders who are also insiders like
Miss Emily.
Imprisonment
• Big element in Poe…live burial/claustrophobia.
• Used by some women to suggest the
oppression of women (The Yellow Wallpaper).
• Has its roots in the European haunted
castle…look for buildings that
oppress/limit/conceal (House of Usher, Yellow
Wallpaper/Miss Emily’s house)
Violence
• Connects to imprisonment and the grotesque.
• Is the defining feature of the gothic.
• Characters rely on violence to resolve
problems.
• Violence often feels inevitable, fated.
Place
• Southern writers in particular conjure a strong
sense of place.
• True more for Faulkner and O’Connor than
Poe, perhaps.
• Places become characters of their own…the
human characters ay be tied to the places.
Woman in Distress
• This is an old literary convention (think Iliad).
• Tied to the Gothic’s reliance on medieval ideas
like Chivalry.
• Used (flipped, almost sampled) by female
writers to demonstrate the extent of male
oppression.
• Poe: death of a beautiful woman evokes
melancholy.

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Southern gothic fiction

  • 2. Characteristics • The grotesque (freakish) • The outsider • Imprisonment (castle/house/jail) • Violence • Strong Sense of Place • Woman in distress
  • 3. The grotesque (freakish) • Horror elements as in Poe • Madness is a form of the grotesque, as in Poe, but also in Faulkner and The Yellow wallpaper (not a southern story, but borrows from the gothic) • Deformed characters as in O’Connor • Also may go to an overwhelming sensual effect…the accumulation of images as in The Yellow wallpaper and in O’Connor
  • 4. The Outsider • May be a witness, as in Fall of the House of Usher. • May be a victim like Homer Barron. • May be one of the grotesque’s, as in the Misfit from O’Connor. • Look for outsiders who are also insiders like Miss Emily.
  • 5. Imprisonment • Big element in Poe…live burial/claustrophobia. • Used by some women to suggest the oppression of women (The Yellow Wallpaper). • Has its roots in the European haunted castle…look for buildings that oppress/limit/conceal (House of Usher, Yellow Wallpaper/Miss Emily’s house)
  • 6. Violence • Connects to imprisonment and the grotesque. • Is the defining feature of the gothic. • Characters rely on violence to resolve problems. • Violence often feels inevitable, fated.
  • 7. Place • Southern writers in particular conjure a strong sense of place. • True more for Faulkner and O’Connor than Poe, perhaps. • Places become characters of their own…the human characters ay be tied to the places.
  • 8. Woman in Distress • This is an old literary convention (think Iliad). • Tied to the Gothic’s reliance on medieval ideas like Chivalry. • Used (flipped, almost sampled) by female writers to demonstrate the extent of male oppression. • Poe: death of a beautiful woman evokes melancholy.