3. Mike Goode. “The Joy of Looking: What Blake’s Pictures Want.”
Representations. 119.1 (Summer 2012). 1-36.
“Blake’s audience, especially today, has the tendency to be singularly irreducible
to the sum of its groups. It is my conviction that this irreducibility—this delinquent
tendency on the part of Blake’s ‘composite art’ to de-compose itself whenever
and wherever it finds an audience—can prove critically and politically instructive
about what his art meant, or at least could have meant, when it was created.” (5)
4.
5.
6. Cameron Mozafari, “Designing a Multimodal Reading Space for Coleridge’s Kubla Kahn.” in the essay “Bibliocircuitry and the
Design of the Alien Everyday.” Textual Cultures: Texts, Contexts, Interpretation. 8.1 (2013): 72-100.
7. Cameron Mozafari, “Designing a Multimodal Reading Space for Coleridge’s Kubla Kahn.” in the essay “Bibliocircuitry and the Design of
the Alien Everyday.” Textual Cultures: Texts, Contexts, Interpretation. 8.1 (2013): 72-100.
