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Photographing the Great American West 8 October 2009
2 Documenting the Great American West manifest destiny: both the duty and the right of America to expand its dominance from coast to coast construction of the trans-continental railroad [1869] the transcendental aspect of the Western landscape, “America’s cathedral” documenting both God’s hand and man’s accomplishments Robert Hughes’ definition of “mechanical photography:” “…everything is to be depicted exactly as it is, and where all the parts are to be equally sharp and perfect”
3
4 Timothy O’Sullivan O'Sullivan , 1870 during the Darien Expedition.
5 Timothy H. O'SullivanAmerican, negative July 4, 1863; print 1866Image: 7 x 8 11/16 in.
6 Timothy O’Sullivan photographer for Clarence King’s Geological Exploration of the 40th Parallel the “hostile” nature of the landscape
7 Desert Sand Hills near Sink of Carson, Nevada  Timothy H. O'Sullivan American, Nevada, 1867Albumen print 8 3/16 x 11 7/16 in.
8 Timothy O'SullivanHistoric Spanish Record of the Conquest, South Side of Inscription Rock, New Mexico, No. 3, 1873albumen print, 20.3 x 27.6 cm. (8 x 10 7/8 in.)
9 Timothy O'SullivanRock Carved by Drifting Sand, below Fortification Rock, Arizona, 1871albumen print, 20.3 x 27.6 cm (8 x 10 7/8 in.)
10 Timothy O'SullivanBlack Canyon, Colorado River, from Camp 8, Looking Above, 1871albumen print, 20.3 x 27.6 cm (8 x 10 7/8 in.)
11 Timothy O'SullivanVermillion Creek Canyon1867
12 Timothy O’Sullivan CANON DE CHELLE, WALLS OF THE GRAND CANON ABOUT 1200 FEET IN HEIGHT, 1873Albumen print
13 Timothy O'SullivanShoshone Falls, Snake River, Idaho, View Across the Top of the Falls, 1874albumen print, 20.4 x 27.3 cm (8 x 10 3/4 in.)
14 Timothy O'SullivanAncient Ruins in theCanyon de Chelle, New Mexico1873
15 Timothy O'SullivanThe Gould and Curry Mill,Virginia City, Nevada1867
16 Cars coming out of shaft, Comstock Mine, Virginia City, Nev. By O'Sullivan, 1867-68.
17 Miner working inside the Comstock Mine, Virginia City, Nev. Taken by O'Sullivan using the glare of burning magnesium for a flash of light, 1867--68.
18 Timothy O'SullivanAustin, Nevada, 1868albumen print, 19.7 x 26.7 cm (7 3/4 x 10 1/2 in.)
19 Rephotographic Survey Project Mark Klett, Bullet-riddled Saguaro http://thirdview.org/3v/home/index.html
20 William Henry Jackson Devil’s Tower, Wyoming
21 William Henry Jackson the classically beautiful West Old Faithful in Eruption: selling Yellowstone as the first national park documenting the building of the Union Pacific Railroad the business side: partnership with the Detroit Photographic Company to produce postcards
22 William Henry Jackson
23  Monument Park.By William Henry Jackson
24 William H. JacksonGrand Canyon of the Colorado, ca. 1880  albumen print, 53.7 x 42.8 cm (21 1/8 x 16 7/8 in.)  William H. JacksonLower Falls of Yellowstone, ca 1892 albumen print, 54 x 42.5 cm (21 1/4 x 16 3/4 in.)
25 Mammoth Hot Springs, top of pulpits
26 Pacific Express, Chicago and North Western Ry., ca 1898
27 Commissioned by Western Maryland Railroad.  Detroit Publishing Co. no. 01849.
28 Andrew J. Russell
29 Andrew J. Russell Champagne Photo, Photograph by A.J. RussellPhoto Source: Courtesy of the Oakland MuseumIn the event that united a continent, East and West shake hands at the laying of the last railat Promontory, Utah, May 10, 1869.
30
Carlton Watkins Carlton Watkins, Yosemite, ca.1865
Yosemite Falls
El Capitan
Bridal Vale Falls, circa 1865-66
VIEW LOOKING TOWARDS THE NEVADA AND MERCED FALLS, from Glacier Point.
Washington Column, 2052 ft., Yosemitec. 1872
The Three Brothers, 1865,
38 View of a mill in Port Ludlow, Washington Territory 1882
39 Residences and wine houses of Lake Vineyard, San Gabriel, Sierra Madre Mountainsca. 1874-1880
40 View of mines at Marysville, Montanaca. 1885
41 Ansel Adams Ansel AdamsMount Williamson - the Sierra Nevada,from Manzanar, California1945
42 Ansel AdamsMoonrise, Hernandez, New Mexico1941
43
44 Ansel AdamsClearing Winter Storm,Yosemite National Park1942 or earlier
45 Ansel AdamsMono Lake, California1948
46 The New Western Landscape Robert AdamsUntitled, Denver1970-74
47 Robet AdamsOn Signal Hill, Overlooking Long Beach, California1983
48 Robert AdamsUntitled, Denver1970-74
49 Lewis Baltz:Tract Houses (1971)New Industrial Parks (1974)
50 Baltz, Lewis American (1945-)  TITLE ON OBJECT: Foundation Construction, Many Warehouses, 2891 Kelvin, Irvine SERIES TITLE: "New Industrial Parks", 1974
51 Minimalism Dan Flavin, the nominal three (to William of Ockham), 1963. Fluorescent light fixtures with daylight lamps, edition 2/3, height: 72 inches (183 cm); Overall dimensions variable.  Robert Ryman, Classico IV, 1968. Acrylic on twelve sheets of handmade Classico paper mounted on foamcore, overall: approximately 91 x 89 1/2 inches.
52 Minimalism/Don Judd Untitled, 1969. Copper, ten units, 9 x 40 x 31 inches each, with 9-inch intervals; 170 x 40 x 31 inches overall. Solomon R. Guggenheim Museum, Panza Collection.
53 Baltz, Lewis American (1945-)  TITLE ON OBJECT: West Wall, R-ohm Corporation, 16931 Milliken, Irvine SERIES TITLE: "New Industrial Parks", 1974
54 Lewis BaltzPark City, interior no. 70, 1980Courtesy of Tina Luisotti Gallery
55 Baltz, Lewis American (1945-)  TITLE ON OBJECT: Tract House #23 PORTFOLIO TITLE: "The Tract Houses", 1971
56 Barbara Bosworth Black Bear Hunter, Peace River, Alberta1994gelatin silver print11/16 x 15 1/2 in.
57 John Ganis Texas Water Slide1987chromogenic development print13 x 18 13/16 in. (33 x 47.8 cm)
58 Joe Deal View, Magic Mountain, Valencia, California1977gelatin silver print1/8 x 11 3/8 in. (28.3 x 28.9 cm)

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AMS 312 Lecture 4

  • 1. Photographing the Great American West 8 October 2009
  • 2. 2 Documenting the Great American West manifest destiny: both the duty and the right of America to expand its dominance from coast to coast construction of the trans-continental railroad [1869] the transcendental aspect of the Western landscape, “America’s cathedral” documenting both God’s hand and man’s accomplishments Robert Hughes’ definition of “mechanical photography:” “…everything is to be depicted exactly as it is, and where all the parts are to be equally sharp and perfect”
  • 3. 3
  • 4. 4 Timothy O’Sullivan O'Sullivan , 1870 during the Darien Expedition.
  • 5. 5 Timothy H. O'SullivanAmerican, negative July 4, 1863; print 1866Image: 7 x 8 11/16 in.
  • 6. 6 Timothy O’Sullivan photographer for Clarence King’s Geological Exploration of the 40th Parallel the “hostile” nature of the landscape
  • 7. 7 Desert Sand Hills near Sink of Carson, Nevada Timothy H. O'Sullivan American, Nevada, 1867Albumen print 8 3/16 x 11 7/16 in.
  • 8. 8 Timothy O'SullivanHistoric Spanish Record of the Conquest, South Side of Inscription Rock, New Mexico, No. 3, 1873albumen print, 20.3 x 27.6 cm. (8 x 10 7/8 in.)
  • 9. 9 Timothy O'SullivanRock Carved by Drifting Sand, below Fortification Rock, Arizona, 1871albumen print, 20.3 x 27.6 cm (8 x 10 7/8 in.)
  • 10. 10 Timothy O'SullivanBlack Canyon, Colorado River, from Camp 8, Looking Above, 1871albumen print, 20.3 x 27.6 cm (8 x 10 7/8 in.)
  • 12. 12 Timothy O’Sullivan CANON DE CHELLE, WALLS OF THE GRAND CANON ABOUT 1200 FEET IN HEIGHT, 1873Albumen print
  • 13. 13 Timothy O'SullivanShoshone Falls, Snake River, Idaho, View Across the Top of the Falls, 1874albumen print, 20.4 x 27.3 cm (8 x 10 3/4 in.)
  • 14. 14 Timothy O'SullivanAncient Ruins in theCanyon de Chelle, New Mexico1873
  • 15. 15 Timothy O'SullivanThe Gould and Curry Mill,Virginia City, Nevada1867
  • 16. 16 Cars coming out of shaft, Comstock Mine, Virginia City, Nev. By O'Sullivan, 1867-68.
  • 17. 17 Miner working inside the Comstock Mine, Virginia City, Nev. Taken by O'Sullivan using the glare of burning magnesium for a flash of light, 1867--68.
  • 18. 18 Timothy O'SullivanAustin, Nevada, 1868albumen print, 19.7 x 26.7 cm (7 3/4 x 10 1/2 in.)
  • 19. 19 Rephotographic Survey Project Mark Klett, Bullet-riddled Saguaro http://thirdview.org/3v/home/index.html
  • 20. 20 William Henry Jackson Devil’s Tower, Wyoming
  • 21. 21 William Henry Jackson the classically beautiful West Old Faithful in Eruption: selling Yellowstone as the first national park documenting the building of the Union Pacific Railroad the business side: partnership with the Detroit Photographic Company to produce postcards
  • 22. 22 William Henry Jackson
  • 23. 23  Monument Park.By William Henry Jackson
  • 24. 24 William H. JacksonGrand Canyon of the Colorado, ca. 1880 albumen print, 53.7 x 42.8 cm (21 1/8 x 16 7/8 in.) William H. JacksonLower Falls of Yellowstone, ca 1892 albumen print, 54 x 42.5 cm (21 1/4 x 16 3/4 in.)
  • 25. 25 Mammoth Hot Springs, top of pulpits
  • 26. 26 Pacific Express, Chicago and North Western Ry., ca 1898
  • 27. 27 Commissioned by Western Maryland Railroad. Detroit Publishing Co. no. 01849.
  • 28. 28 Andrew J. Russell
  • 29. 29 Andrew J. Russell Champagne Photo, Photograph by A.J. RussellPhoto Source: Courtesy of the Oakland MuseumIn the event that united a continent, East and West shake hands at the laying of the last railat Promontory, Utah, May 10, 1869.
  • 30. 30
  • 31. Carlton Watkins Carlton Watkins, Yosemite, ca.1865
  • 34. Bridal Vale Falls, circa 1865-66
  • 35. VIEW LOOKING TOWARDS THE NEVADA AND MERCED FALLS, from Glacier Point.
  • 36. Washington Column, 2052 ft., Yosemitec. 1872
  • 38. 38 View of a mill in Port Ludlow, Washington Territory 1882
  • 39. 39 Residences and wine houses of Lake Vineyard, San Gabriel, Sierra Madre Mountainsca. 1874-1880
  • 40. 40 View of mines at Marysville, Montanaca. 1885
  • 41. 41 Ansel Adams Ansel AdamsMount Williamson - the Sierra Nevada,from Manzanar, California1945
  • 42. 42 Ansel AdamsMoonrise, Hernandez, New Mexico1941
  • 43. 43
  • 44. 44 Ansel AdamsClearing Winter Storm,Yosemite National Park1942 or earlier
  • 45. 45 Ansel AdamsMono Lake, California1948
  • 46. 46 The New Western Landscape Robert AdamsUntitled, Denver1970-74
  • 47. 47 Robet AdamsOn Signal Hill, Overlooking Long Beach, California1983
  • 48. 48 Robert AdamsUntitled, Denver1970-74
  • 49. 49 Lewis Baltz:Tract Houses (1971)New Industrial Parks (1974)
  • 50. 50 Baltz, Lewis American (1945-) TITLE ON OBJECT: Foundation Construction, Many Warehouses, 2891 Kelvin, Irvine SERIES TITLE: "New Industrial Parks", 1974
  • 51. 51 Minimalism Dan Flavin, the nominal three (to William of Ockham), 1963. Fluorescent light fixtures with daylight lamps, edition 2/3, height: 72 inches (183 cm); Overall dimensions variable. Robert Ryman, Classico IV, 1968. Acrylic on twelve sheets of handmade Classico paper mounted on foamcore, overall: approximately 91 x 89 1/2 inches.
  • 52. 52 Minimalism/Don Judd Untitled, 1969. Copper, ten units, 9 x 40 x 31 inches each, with 9-inch intervals; 170 x 40 x 31 inches overall. Solomon R. Guggenheim Museum, Panza Collection.
  • 53. 53 Baltz, Lewis American (1945-) TITLE ON OBJECT: West Wall, R-ohm Corporation, 16931 Milliken, Irvine SERIES TITLE: "New Industrial Parks", 1974
  • 54. 54 Lewis BaltzPark City, interior no. 70, 1980Courtesy of Tina Luisotti Gallery
  • 55. 55 Baltz, Lewis American (1945-) TITLE ON OBJECT: Tract House #23 PORTFOLIO TITLE: "The Tract Houses", 1971
  • 56. 56 Barbara Bosworth Black Bear Hunter, Peace River, Alberta1994gelatin silver print11/16 x 15 1/2 in.
  • 57. 57 John Ganis Texas Water Slide1987chromogenic development print13 x 18 13/16 in. (33 x 47.8 cm)
  • 58. 58 Joe Deal View, Magic Mountain, Valencia, California1977gelatin silver print1/8 x 11 3/8 in. (28.3 x 28.9 cm)
  • 59. 59 Karen Halverson Lake Powell, near Page, Arizona1987chromogenic development print11 1/2 x 22 9/16 in. (29.2 x 57.3 cm)
  • 60. 60 Skeet McAuley Ventana Canyon, Tucson, Mountain Course, Third Green, 1991chromogenic development print28 x 84 in. (71.1 x 213.4 cm)