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Name of presentation 2004 C o mpany name From the Lab to the Factory: Bridging creators and industry ATACD, Barcelona, 2009
Second Page ,[object Object],[object Object],[object Object],UOC, Universitat Oberta de Catalunya Ruth Pagès, Gemma SanCornelio, Antoni Roig Project AE&NM
Second Page ,[object Object],[object Object],[object Object],ART + INDUSTRY (Starting thesis) Need for growth Creativity as Innovation Collaboration Art & Industry Need for growth Creativity as Innovation Collaboration Art & Industry
Relationships between art and industry   ,[object Object],[object Object],[object Object],index
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],STRUCTURE CONCEPTS STUDY CASE 1 2 3
CREATIVITY ,[object Object],[object Object],[object Object],Runco, 2007
CREATIVITY 'building or producing something from nothing'  Boden, 1994 Mistery!!! Romantic inspiration
CREATIVITY Sternberg & O'Hara, 2005   ,[object Object],[object Object],[object Object],[object Object]
INNOVATION ‘ Creative Destruction’ Schumpeter 1950 Essential to capitalism New businesses  Old ones destroy
CREATIVITY Like stock Investment (Sternberg, O'Hara & Lubart 1997)   Entrepreneur  risk!!! Buy low  Sell high and…
(Hartley 2005:5) CREATIVE INDUSTRIES ‘ The conceptual and practical convergence of the creative arts (individual talent) with the cultural industries (mass scale)’
[object Object],[object Object],[object Object],Creative industries policies DCMS (UK) 90’
CREATIVE CLASS ,[object Object],[object Object],[object Object],(Florida 2002)
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Work conditions Lazzaratto 1996 McRobbie 2009 Ross 2009
CONCEPTS STUDY CASE Institutes and Universities INSTITUTES  MODEL Mediation  between  Art and Industry MEDIATORS  MODEL 1 2 3 Residence programs MEDIA LAB  MODEL
Study case
DISONANCIAS ,[object Object],[object Object],[object Object],[object Object],[object Object]
 
CONDITIONS OF THE COLLABORATION Companies are choosen Call  for  Artists Alliance begins
CONDITIONS OF THE COLLABORATION ,[object Object],[object Object],[object Object],[object Object]
CONDITIONS OF THE COLLABORATION ,[object Object],[object Object],[object Object],[object Object],Call  for  artists
CONDITIONS OF THE COLLABORATION ,[object Object],[object Object],[object Object],[object Object],Exploitation rights Choosen  by the company
CONCEPTS ,[object Object],methods
methods
CONCEPTS ,[object Object],[object Object],[object Object],methods
CONCEPTS ,[object Object],[object Object],[object Object],[object Object],[object Object],Artist as Researcher
DIGITALENT ,[object Object],[object Object],[object Object]
COLLABORATION BETWEEN ART AND INDUSTRY …  still a puzzle
Name of presentation 2004 C o mpany name Thank you!

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ATACD2009_Congress