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Chapter 9 Sculpture 0
[object Object],0
Henry Moore [British, 1898–1986],  Reclining Figure: Angles , 1979.
Sculpture ,[object Object],[object Object],[object Object],[object Object],[object Object]
Subtractive and Additive Types of Sculpture ,[object Object],[object Object]
Mass : a solid, three-dimensional form that has weight and takes up real space Voids : the empty spaces between the masses of sculpture
Carving ,[object Object],[object Object]
Figure 9.1, p.181:  MICHELANGELO.  The Cross-Legged Captive  (c. 1530–1534). Marble. H: 7 ’ 6   1⁄2 ” .
Modeling ,[object Object],[object Object]
Casting ,[object Object],[object Object],[object Object],[object Object]
Figure 9.2, p.181 :  LOUISE BOURGEOIS.  Portrait of Robert  (1969). Cast bronze with white patina.  13 ” x  12   1⁄2 ” x  10 ” .
The Lost-Wax Technique ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
Figure 9.4, p.182 :  EDGAR DEGAS.  The Little Dancer, 14 Years Old  (1880–1881). Bronze. H: 39 ” .
Figure 9.5, p.183 :  SHERRIE LEVINE.  Fountains after Duchamp  (1991). Bronze. Installation view at Sherrie Levine Exhibition in the Zürich Kunsthalle (2.11.1991–3.1.1992), Zürich, Switzerland.
Figure 9.6, p.183 :  GEORGE SEGAL.  Three Figures and Four Benches  (1979). Painted bronze. 52 ” x  144 ” x  58 ” . Casting of Human Models
Robert Gober, American, born 1964  Untitled (Long Leg),  1990–93  Wood, leather, cotton, wax, and hair 67 (L) x 33 x 18 cm
Types of Materials ,[object Object],[object Object],[object Object],[object Object]
Stone ,[object Object],[object Object],[object Object],[object Object],[object Object]
Figure 9.7, p.184 :  LOUISE BOURGEOIS.  Eyes  (1982). Marble. 74   3⁄4 ” x  54 ” x  45   3⁄4 ” .
Wood ,[object Object],[object Object],[object Object],[object Object],[object Object]
Figure 9.8, p.185 :  Poro Secret Society mask ( Kagle ). Liberian, Dan people. Wood. H: 9 ’ .
Figure 9.9, p.186 :  PO SHUN LEONG.  Figure  (1993). Mahogany with hidden drawers. H: 50 ” .
Clay ,[object Object],[object Object],[object Object],[object Object]
Robert Arneson. Brick Bang. 1976. Clay, glaze. 38 x 48 x 15 cm.
Metal ,[object Object],[object Object],[object Object],[object Object]
Figure 9.10, p.187 :  RICHARD SERRA. Installation view, Guggenheim Museum, Bilbao, Spain.
Richard Serra 1-1-1-1. 1968 Lead antimony
Modern and Contemporary Materials and Methods ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Constructed sculpture ,[object Object],[object Object],[object Object],[object Object]
Constructed sculpture Fig. 9-11, p. 188  PABLO PICASSO.  Mandolin and Clarinet  (1913). Wood construction and paint.
Figure 9.12, p.188 :  CLAES OLDENBURG.  Soft Toilet  (1966). Vinyl filled with kapok painted with Liquitex,  and wood. 57   1⁄16 ” x  27   5⁄8 ” x  28   1⁄16 ” .
Assemblage ,[object Object],[object Object],[object Object],[object Object]
Figure 9.15, p.190 :  PABLO PICASSO.  Bull’s Head  (1943). Bronze cast of parts of a bicycle. H: 16   1⁄8 ” .
Readymades Marcel Duchamp In Advance of a Broken Arm
Mixed Media ,[object Object],[object Object],[object Object]
Robert Rauschenberg, Monogram  (1955-1959) Freestanding Combine
Figure 9.16, p.191 :  SIMON RODIA.  Simon Rodia Towers in Watts  (1921–1954). Cement with various objects.  H: 98 ’ .
Kinetic Sculpture ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Fig. 9-17, p.191  GEORGE RICKEY.  Cluster of Four Cubes  (1992). Stainless steel.
Light Sculpture ,[object Object],[object Object],[object Object]
Dan Flavin installation in Marfa, TX
Other Materials ,[object Object],[object Object]
Marc Quinn Self 1991 blood stainless steel perspex refrigeration
Figure 9.20, p.193 :  JANINE ANTONI.  Chocolate Gnaw  (1992). Chocolate (600 lb before biting), gnawed by the artist. 24 ” x  24 ” x  24 ”  (61 cm  x  61 cm  x  61 cm).
Chapman Brothers Tragic Anatomies
Figure 9.21, p.193 :  SYLVIE FLEURY.  Dog Toy 3 (Crazy Bird)  (2000). Styrofoam, paint.  260 cm  x  210 cm  x  180 cm.

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Sculpture

  • 2.
  • 3. Henry Moore [British, 1898–1986], Reclining Figure: Angles , 1979.
  • 4.
  • 5.
  • 6. Mass : a solid, three-dimensional form that has weight and takes up real space Voids : the empty spaces between the masses of sculpture
  • 7.
  • 8. Figure 9.1, p.181: MICHELANGELO. The Cross-Legged Captive (c. 1530–1534). Marble. H: 7 ’ 6 1⁄2 ” .
  • 9.
  • 10.
  • 11. Figure 9.2, p.181 : LOUISE BOURGEOIS. Portrait of Robert (1969). Cast bronze with white patina. 13 ” x 12 1⁄2 ” x 10 ” .
  • 12.
  • 13.  
  • 14. Figure 9.4, p.182 : EDGAR DEGAS. The Little Dancer, 14 Years Old (1880–1881). Bronze. H: 39 ” .
  • 15. Figure 9.5, p.183 : SHERRIE LEVINE. Fountains after Duchamp (1991). Bronze. Installation view at Sherrie Levine Exhibition in the Zürich Kunsthalle (2.11.1991–3.1.1992), Zürich, Switzerland.
  • 16. Figure 9.6, p.183 : GEORGE SEGAL. Three Figures and Four Benches (1979). Painted bronze. 52 ” x 144 ” x 58 ” . Casting of Human Models
  • 17. Robert Gober, American, born 1964 Untitled (Long Leg), 1990–93 Wood, leather, cotton, wax, and hair 67 (L) x 33 x 18 cm
  • 18.
  • 19.
  • 20. Figure 9.7, p.184 : LOUISE BOURGEOIS. Eyes (1982). Marble. 74 3⁄4 ” x 54 ” x 45 3⁄4 ” .
  • 21.
  • 22. Figure 9.8, p.185 : Poro Secret Society mask ( Kagle ). Liberian, Dan people. Wood. H: 9 ’ .
  • 23. Figure 9.9, p.186 : PO SHUN LEONG. Figure (1993). Mahogany with hidden drawers. H: 50 ” .
  • 24.
  • 25. Robert Arneson. Brick Bang. 1976. Clay, glaze. 38 x 48 x 15 cm.
  • 26.
  • 27. Figure 9.10, p.187 : RICHARD SERRA. Installation view, Guggenheim Museum, Bilbao, Spain.
  • 28. Richard Serra 1-1-1-1. 1968 Lead antimony
  • 29.
  • 30.
  • 31. Constructed sculpture Fig. 9-11, p. 188 PABLO PICASSO. Mandolin and Clarinet (1913). Wood construction and paint.
  • 32. Figure 9.12, p.188 : CLAES OLDENBURG. Soft Toilet (1966). Vinyl filled with kapok painted with Liquitex, and wood. 57 1⁄16 ” x 27 5⁄8 ” x 28 1⁄16 ” .
  • 33.
  • 34. Figure 9.15, p.190 : PABLO PICASSO. Bull’s Head (1943). Bronze cast of parts of a bicycle. H: 16 1⁄8 ” .
  • 35. Readymades Marcel Duchamp In Advance of a Broken Arm
  • 36.
  • 37. Robert Rauschenberg, Monogram (1955-1959) Freestanding Combine
  • 38. Figure 9.16, p.191 : SIMON RODIA. Simon Rodia Towers in Watts (1921–1954). Cement with various objects. H: 98 ’ .
  • 39.
  • 40. Fig. 9-17, p.191 GEORGE RICKEY. Cluster of Four Cubes (1992). Stainless steel.
  • 41.
  • 42. Dan Flavin installation in Marfa, TX
  • 43.
  • 44. Marc Quinn Self 1991 blood stainless steel perspex refrigeration
  • 45. Figure 9.20, p.193 : JANINE ANTONI. Chocolate Gnaw (1992). Chocolate (600 lb before biting), gnawed by the artist. 24 ” x 24 ” x 24 ” (61 cm x 61 cm x 61 cm).
  • 47. Figure 9.21, p.193 : SYLVIE FLEURY. Dog Toy 3 (Crazy Bird) (2000). Styrofoam, paint. 260 cm x 210 cm x 180 cm.