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PPr esent at i on Gi ven t or esent at i on Gi ven t o
:: DEWAN MIZANDEWAN MIZAN
Associ at e prof essorAssoci at e prof essor
Hi st ory of Art & Desi gn (HAD) - 101Hi st ory of Art & Desi gn (HAD) - 101
Jannat u Maua
ID: 142031038
Sayed
zubai r
al am Rahul
I D :
142051088
Mehedi
Hassan
Wel come t o Our
present at i on
Indi a and Chi nese
Ci vi l i zat i ons
______
Out l i ne: Ci vi l i zat i ons
of Indi a and Chi na
Indi a Ci vi l i zat i on
 The I ndus Val l ey Ci vi l i zat i on
 The Ar yans
 Buddha
 The Emper or Asoka
 Hi ndu and Buddhi st Ar t t he Gupt a
Empi r e and I t s Af t er mat h
 Gupt a Li t er at ur e and Sci ence
 The Col l apse of Gupt a Rul e
Ci vi l i zat i on i n Chi na
 The Chou Dynast y
 Conf uci ani sm and Taoi sm
 The Uni f i cat i on of Chi na
The Ch’ i n, Han, and Tang
Dynast i es
 The Ar t s i n Cl assi cal Chi na
ne: Ci vi l i zat i ons of Indi a and
Ti mel i ne: Indi an and Chi na
Ci vi l i zat i on 3000- 1700 BC – Si t es occupi ed at Harappa
and Mohenj o- Daro
 1700- 500 – ( Indi a) Fi rst evi dence of The
Sanskri t l anguage
 1600- 1100 – ( Chi na) Shang Dynast y – Syst em
of wri t i ng based on pi ct ure si gns
 1000 B. C. – The Vedas commi t t ed t o
wri t i ng. Upani shads devel op.
 563 – 483 B. C. – Li f e of Si ddhart ha
Gaut ama, who becomes known as t he Buddha
 570 B. C. – Lao – Tzu ( Taoi sm)
551 – 479 B. C – Li f e of Conf uci us
( Conf uci ani sm)
 403- 221 B. C Peri od of t he warri ng st at es
326 B. C. – Invasi on of Al exander t he Great
Indi an Ci vi l i zat i on
 The I ndus Ri ver Val l ey
Ci vi l i zat i on
– Har appa and Mohenj o- Dar o
– Agr i cul t ur e- based soci et y
( cot t on)
– Cent r al i zat i on
– Ecol ogi cal di sast er s
– Ar yan i nvasi ons
The Aryans
 I ndus Val l ey set t l ement s c.
1500 B. C. E.
 Uncer t ai n or i gi ns
 Sanskr i t
 Cast e Syst em
 Agr i cul t ur al / Past or al
Cul t ur e
Aryan Rel i gi on
 Compl ex, pr eci se cer emoni es
and r i t ual s
 The Ve d a s ( Ri g Ve d a )
Cor e t ext of Hi ndu t empl e
wor shi p
 Up a ni s ha d s
– Phi l osophi cal f ocus
– Br ahman and At man: “ Tat t vam
Hi ndui sm
 Pri est and t empl e +
medi t at i on and st udy
– Puj a
 Pat h t o ul t i mat e real i t y,
Brahman
– Pat h of Ascet i ci sm
– Pat h of Karma
– Pat h of Devot i on ( bhakt i )
Emperor Ashoka
 Uni f i ed al l of Indi a
 Buddhi sm as st at e rel i gi on
– Doct ri ne of Non- vi ol ence
 Rock Edi ct s
 Buddhi st monks as
mi ssi onari es
[Image 5.2]
Lion capital
Buddha
 Si ddhart ha Gaut ama ( 563- 483
B. C)
– Inescapabi l i t y of suf f eri ng and
deat h
– “Enl i ght ened One”
 Fourf ol d Nobl e Pat h
– Ei ght f ol d Pat h
– Emphasi s on et hi cal , moderat e
l i vi ng
 Li berat i on t hrough knowl edge
– Trut h l i es wi t hi n
Hi ndu Art
Rel i gi ous
i n spi r i t
Er ot i ci sm
Hi ndu Art
Hi ndu Art
Nat ur al i sm
Uni t y i n al l l i f e
f or ms Avat ar s
Hi ndu Art
Buddhi st Art
Focus on
spi r i t ual i t y
Buddhi st Art
Cal m,
t r anscendent
i mages
Buddhi st Art
Buddha,
Bodhi sat t vas
Buddhi st Art
Renunci at i on of
wor l dl y pl easur es
Indian Architecture
Indian architecture is that vast tapestry of production of
the Indian Subcontinent that encompasses a multitude of
expressions over space and time, transformed by the forces
of history considered unique to the sub-continent,
sometimes destroying, but most of the time absorbing.
The Gupt a Empi re and It s
Af t ermat h
 Chandra Gupt a I ( C. E. 320)
 Chandra Gupt a II ( rul ed 380- 415)
– “The Sun of Power”
– Decl i ne of Buddhi sm, ri se of Hi ndui sm
 Gupt a Li t erat ure
– Kal i dasa’ s Sakunt al a
– Sudraka’ s The Li t t l e Cl ay Cart
 Gupt a Sci ence
– Foundat i on of l arge uni versi t i es
– Mechani cs, medi ci ne, mat hemat i cs
 Col l apse of Gupt a Rul e
– The Whi t e Huns
– Rel i gi on vs. Secul ar Pol i t i cs
The Gupt a Empi re and It s Af t ermat h
Anci ent I ndi an
Fashi on
Anc i e nt Ind i a n Fo o d
Anci ent Chi na
Ori gi ns of Chi na
Ci vi l i zat i on
 Shang Dynast y ( 1600- 1100
B. C. E. )
– Bronze craf t smanshi p
– Trade, commerce
– Syst em of wri t i ng
 Chou Dynast y
( 1100- 221
B. C. E. )
– Emperors
coordi nat ed
separat e ki ngdoms
– Peri od of t he
Warri ng St at es
( 403- 221 B. C. E. )
Ori gi ns of Chi na
Ci vi l i zat i on
Ori gi ns of Chi na
Ci vi l i zat i on
 Conf uci ani sm
– Conf uci us ( 551- 479 B. C. E. )
– Creat i ng a new, vi rt uous soci a
order
– Fi ve i nner vi rt ues, t wo out er
vi rt ues
– Purpose of t he St at e
– Aut hori t y and di sci pl i ne
Ori gi ns of Chi na
Ci vi l i zat i on
 Taoi sm
– Lao Tzu ( 570 B. C. E. )
– Li mi t at i ons of human
percept i ons
– “t he Way” ( t ao)
– Tao t e chi ng
– Passi vi t y and resi gnat i on
– “t he sof t yi el d of wat er
cl eaves t he obst i nat e st one”
The Uni f i cat i on of
Chi na Ch’ i n Dynast y ( 221 B. C. E. )
– Shi h Huang- t i , “Fi rst Emperor”
– Hsi en- yang, capi t al ci t y
– Cent ral i zat i on
– Burni ng of t he Books
– The Great Wal l
– The Emperor’ s t omb
The Uni f i cat i on of
Chi na The Han Dynast y ( 202 B. C. E. -
C. E. 202)
– Kao- Tzu ( 256- 195 B. C. E. )
– El aborat e cent ral bureaucracy
– Reconst ruct i on of phi l osophi cal
t ext s
 Ari st ocrat i c
f euds / ci vi l
war
The Uni f i cat i on of Chi na
 T’ ang Dynast y ( C. E. 618-
906)
– Chi na’ s Gol den Age
The Uni f i cat i on of Chi na
The Art s i n Cl assi cal
Chi na:
Li t erat ure
 The Fi ve Cl assi cs
 Popul ari t y of poet ry
– Li Po ( C. E. 701- 762)
 Phi l osophi cal wri t i ng
– Mahayana, Hi ragana Buddhi sm
 Short st ory
The Art s i n Cl assi cal Chi na:
Vi sual Art s
 Bl end of new and t radi t i onal
st yl es
 Di rect i mpressi ons of dai l y
l i f e
 Shri nes, monument al carvi ngs
 Emphasi s on craf t smanshi p
– Preci si on and cl ari t y of desi g
 Cal l i graphy
– Emphasi s on beaut y of l i ne
Anc i e nt Chi na Fa s hi o n
Anci ent
Chi nese Food
Di scussi on
Quest i ons
 In what ways does t he cl assi cal art of
Chi na ref l ect t he val ues of t he maj or
phi l osophi cal school s of t he t i me?
Expl ai n, ci t i ng speci f i c exampl es of
art .
 To what ext ent does l i t erat ure serve as
bot h an i mpedi ment of and a vehi cl e f or
rei gni ng government s? Consi der t he use
of l i t erat ure duri ng t he vari ous
Chi nese dynast i es i n compari son wi t h
t he rol e of l i t erat ure i n t he earl y
Greek and Roman cul t ures.
That ’ s al l f ol ks

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India and Chinese Civilizations

  • 1.
  • 2. PPr esent at i on Gi ven t or esent at i on Gi ven t o :: DEWAN MIZANDEWAN MIZAN Associ at e prof essorAssoci at e prof essor Hi st ory of Art & Desi gn (HAD) - 101Hi st ory of Art & Desi gn (HAD) - 101
  • 3.
  • 4. Jannat u Maua ID: 142031038 Sayed zubai r al am Rahul I D : 142051088 Mehedi Hassan
  • 5. Wel come t o Our present at i on Indi a and Chi nese Ci vi l i zat i ons ______
  • 6. Out l i ne: Ci vi l i zat i ons of Indi a and Chi na Indi a Ci vi l i zat i on  The I ndus Val l ey Ci vi l i zat i on  The Ar yans  Buddha  The Emper or Asoka  Hi ndu and Buddhi st Ar t t he Gupt a Empi r e and I t s Af t er mat h  Gupt a Li t er at ur e and Sci ence  The Col l apse of Gupt a Rul e
  • 7. Ci vi l i zat i on i n Chi na  The Chou Dynast y  Conf uci ani sm and Taoi sm  The Uni f i cat i on of Chi na The Ch’ i n, Han, and Tang Dynast i es  The Ar t s i n Cl assi cal Chi na ne: Ci vi l i zat i ons of Indi a and
  • 8.
  • 9. Ti mel i ne: Indi an and Chi na Ci vi l i zat i on 3000- 1700 BC – Si t es occupi ed at Harappa and Mohenj o- Daro  1700- 500 – ( Indi a) Fi rst evi dence of The Sanskri t l anguage  1600- 1100 – ( Chi na) Shang Dynast y – Syst em of wri t i ng based on pi ct ure si gns  1000 B. C. – The Vedas commi t t ed t o wri t i ng. Upani shads devel op.  563 – 483 B. C. – Li f e of Si ddhart ha Gaut ama, who becomes known as t he Buddha  570 B. C. – Lao – Tzu ( Taoi sm) 551 – 479 B. C – Li f e of Conf uci us ( Conf uci ani sm)  403- 221 B. C Peri od of t he warri ng st at es 326 B. C. – Invasi on of Al exander t he Great
  • 10. Indi an Ci vi l i zat i on  The I ndus Ri ver Val l ey Ci vi l i zat i on – Har appa and Mohenj o- Dar o – Agr i cul t ur e- based soci et y ( cot t on) – Cent r al i zat i on – Ecol ogi cal di sast er s – Ar yan i nvasi ons
  • 11. The Aryans  I ndus Val l ey set t l ement s c. 1500 B. C. E.  Uncer t ai n or i gi ns  Sanskr i t  Cast e Syst em  Agr i cul t ur al / Past or al Cul t ur e
  • 12. Aryan Rel i gi on  Compl ex, pr eci se cer emoni es and r i t ual s  The Ve d a s ( Ri g Ve d a ) Cor e t ext of Hi ndu t empl e wor shi p  Up a ni s ha d s – Phi l osophi cal f ocus – Br ahman and At man: “ Tat t vam
  • 13. Hi ndui sm  Pri est and t empl e + medi t at i on and st udy – Puj a  Pat h t o ul t i mat e real i t y, Brahman – Pat h of Ascet i ci sm – Pat h of Karma – Pat h of Devot i on ( bhakt i )
  • 14. Emperor Ashoka  Uni f i ed al l of Indi a  Buddhi sm as st at e rel i gi on – Doct ri ne of Non- vi ol ence  Rock Edi ct s  Buddhi st monks as mi ssi onari es
  • 16. Buddha  Si ddhart ha Gaut ama ( 563- 483 B. C) – Inescapabi l i t y of suf f eri ng and deat h – “Enl i ght ened One”  Fourf ol d Nobl e Pat h – Ei ght f ol d Pat h – Emphasi s on et hi cal , moderat e l i vi ng  Li berat i on t hrough knowl edge – Trut h l i es wi t hi n
  • 17. Hi ndu Art Rel i gi ous i n spi r i t
  • 18. Er ot i ci sm Hi ndu Art
  • 19. Hi ndu Art Nat ur al i sm
  • 20. Uni t y i n al l l i f e f or ms Avat ar s Hi ndu Art
  • 21. Buddhi st Art Focus on spi r i t ual i t y
  • 22. Buddhi st Art Cal m, t r anscendent i mages
  • 24. Buddhi st Art Renunci at i on of wor l dl y pl easur es
  • 25. Indian Architecture Indian architecture is that vast tapestry of production of the Indian Subcontinent that encompasses a multitude of expressions over space and time, transformed by the forces of history considered unique to the sub-continent, sometimes destroying, but most of the time absorbing.
  • 26.
  • 27. The Gupt a Empi re and It s Af t ermat h  Chandra Gupt a I ( C. E. 320)  Chandra Gupt a II ( rul ed 380- 415) – “The Sun of Power” – Decl i ne of Buddhi sm, ri se of Hi ndui sm  Gupt a Li t erat ure – Kal i dasa’ s Sakunt al a – Sudraka’ s The Li t t l e Cl ay Cart  Gupt a Sci ence – Foundat i on of l arge uni versi t i es – Mechani cs, medi ci ne, mat hemat i cs  Col l apse of Gupt a Rul e – The Whi t e Huns – Rel i gi on vs. Secul ar Pol i t i cs
  • 28. The Gupt a Empi re and It s Af t ermat h
  • 29. Anci ent I ndi an Fashi on
  • 30. Anc i e nt Ind i a n Fo o d
  • 32.
  • 33. Ori gi ns of Chi na Ci vi l i zat i on  Shang Dynast y ( 1600- 1100 B. C. E. ) – Bronze craf t smanshi p – Trade, commerce – Syst em of wri t i ng
  • 34.  Chou Dynast y ( 1100- 221 B. C. E. ) – Emperors coordi nat ed separat e ki ngdoms – Peri od of t he Warri ng St at es ( 403- 221 B. C. E. ) Ori gi ns of Chi na Ci vi l i zat i on
  • 35. Ori gi ns of Chi na Ci vi l i zat i on  Conf uci ani sm – Conf uci us ( 551- 479 B. C. E. ) – Creat i ng a new, vi rt uous soci a order – Fi ve i nner vi rt ues, t wo out er vi rt ues – Purpose of t he St at e – Aut hori t y and di sci pl i ne
  • 36. Ori gi ns of Chi na Ci vi l i zat i on  Taoi sm – Lao Tzu ( 570 B. C. E. ) – Li mi t at i ons of human percept i ons – “t he Way” ( t ao) – Tao t e chi ng – Passi vi t y and resi gnat i on – “t he sof t yi el d of wat er cl eaves t he obst i nat e st one”
  • 37. The Uni f i cat i on of Chi na Ch’ i n Dynast y ( 221 B. C. E. ) – Shi h Huang- t i , “Fi rst Emperor” – Hsi en- yang, capi t al ci t y – Cent ral i zat i on – Burni ng of t he Books – The Great Wal l – The Emperor’ s t omb
  • 38.
  • 39.
  • 40. The Uni f i cat i on of Chi na The Han Dynast y ( 202 B. C. E. - C. E. 202) – Kao- Tzu ( 256- 195 B. C. E. ) – El aborat e cent ral bureaucracy – Reconst ruct i on of phi l osophi cal t ext s
  • 41.  Ari st ocrat i c f euds / ci vi l war The Uni f i cat i on of Chi na
  • 42.  T’ ang Dynast y ( C. E. 618- 906) – Chi na’ s Gol den Age The Uni f i cat i on of Chi na
  • 43. The Art s i n Cl assi cal Chi na: Li t erat ure  The Fi ve Cl assi cs  Popul ari t y of poet ry – Li Po ( C. E. 701- 762)  Phi l osophi cal wri t i ng – Mahayana, Hi ragana Buddhi sm  Short st ory
  • 44. The Art s i n Cl assi cal Chi na: Vi sual Art s  Bl end of new and t radi t i onal st yl es  Di rect i mpressi ons of dai l y l i f e  Shri nes, monument al carvi ngs  Emphasi s on craf t smanshi p – Preci si on and cl ari t y of desi g  Cal l i graphy – Emphasi s on beaut y of l i ne
  • 45.
  • 46.
  • 47.
  • 48.
  • 49. Anc i e nt Chi na Fa s hi o n
  • 51. Di scussi on Quest i ons  In what ways does t he cl assi cal art of Chi na ref l ect t he val ues of t he maj or phi l osophi cal school s of t he t i me? Expl ai n, ci t i ng speci f i c exampl es of art .  To what ext ent does l i t erat ure serve as bot h an i mpedi ment of and a vehi cl e f or rei gni ng government s? Consi der t he use of l i t erat ure duri ng t he vari ous Chi nese dynast i es i n compari son wi t h t he rol e of l i t erat ure i n t he earl y Greek and Roman cul t ures.
  • 52. That ’ s al l f ol ks