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Lesson 7: Applying
       Transitions
             Apple Pro Training
                         Series
                Final Cut Pro X
         Instructor: Sam Edsall
Transitions to
                    Refine Edits
Edit to edit

• Changes the look of your video
• Changes the sound of your audio

When

• Smooth an abrupt audio or video edit
• Convey a passage of time
• Create a certain visual style
Transitions to
                  Refine Edits
What kind

• Dissolves have move a story
  seamlessly from one clip to the next
• If the project’s style needs
  something bolder, then
  color, shapes and animation would
  be appropriate
Preparing the Project
Start up the FCP External
Drive:
Find your APTS FCP X
drive and double click to
start it up.
Preparing the Project
Load up Lesson 7:
From the APTS FCP X
drive open the lesson 7
folder.

If you like you can move
the folder to the root folder
for easier access like
lesson 6.

Put lesson 6 back into the
lesson folder.
Cuts vs. Dissolves
Load up a project:
Open ‘Delicious
Peace_CUTS’ project.

Play the project
-- no transitions yet for
video or audio.

Now open ‘Delicious
Peace_Trans’ and see how
it looks with transitions.
Duplicating a Project
Make a copy:
Open ‘Delicious Peace_CUTS’
project.

2-finger (CTRL) click the project
and duplicate it.

Save the copy to your hard drive
rather than the external.

Rename the duplicate ‘Delicious
Peace_Backup’ and open this
project.
Applying Transitions
A couple of ways

• Drag the transition to the edit point
• Select the edit point, then apply
  the transition with a few mouse
  clicks
• Select the edit point and use the
  shortcut Command T
Applying Transitions
Add a cross dissolve:
In the timeline zoom into and
play the first 2 clips
‘Bumper_delicious’ and ‘map of
africa’

Select the edit point between the
two clips.

Choose Edit > Add Cross
Dissolve

Play the new dissolve transition.
Transition Icon
The Transition Icon

• Gray transition icon
  between the the two clips
• Faint diagonal line
  appears over the edit
  point
• The project may be
  shortened by one second
  depending on settings
• Transition icon is the
  same for all transitions
  regardless of type
Transition Mechanics
How it works

• Default transition is one second

Two ways

• FCP will use available media
  beyond the edit point (handles)
  to do the transition
  • No change to project duration
• FCP will overlap the clips for the
  duration of the transition
  • Project duration shortened by
    the length of the duration
Transition Mechanics
The orange bar

• Indicated the need to
  render the transition so
  it can play in real time
• FCP automatically
  begins a background
  render as you continue
  to work
• A render clip is added
  to the Events / Render
  Files folder
Applying Transitions
Use a keyboard shortcut:
Select the edit point
between ‘coffee plant’ and
‘coffee buds’

Press Command T

Play the transition.
Transition Preferences
Don’t change duration


• Sometimes you want to use
  transitions, but don’t want the
  project duration to change
  • Like a commercial


Adjust with Preferences


• Change the transition setting
  so it uses media handles
  rather than content in the main
  storyline
Transition without
                    Duration Change
Undo the last edit cross dissolve
by pressing Commend Z.

Select Final Cut Pro >
Preferences (Command ,)

In the Transitions section from
the ‘Apply transitions using’ pop-
up menu, change the setting
from ‘Full Overlap’ to ‘Available
Media’
Transition without
                  Duration Change
Select the edit point
between ‘coffee plant’ and
‘coffee buds’ again.

Press Command T

Play the transition.

This time the project
duration did not change.
Transition without
             Duration Change
When this
doesn’t work

• If the clips do not
  have enough
  media outside the
  edit point (handles)
  then Overlap is the
  only option
When Transition without
          Duration Change doesn’t
                            Work
Play the clips between
‘woman picks beans’ and
‘man picks beans’

Click the left edit between
them, then click the right
edge.
-- left bracket = media
   handles
-- red bracket = no media
   handles
When Transition without
            Duration Change doesn’t
                              Work
Press Command T

Dialogue box appears informing
you you don’t have enough
media handles and offered the
alternative ‘Full Overlap’
transition.

Note where the project currently
ends, then click ‘Create Full
Overlap’

Notice that the project shortened
by one second.
A Word of Caution
Full Overlap Transitions

• If you add a full overlap transition, your project
  will be shortened by the default transition length
  • 1 second by default
• If you delete the transition, the project will STILL
  be as short
• If you decide you don’t want the transition, then
  Command Z to undo it or after you delete the
  transition, trim the edit points to their original
  length
Adding a Transition to
      Both Ends of a Clip
Add two
transitions at
once

• Instead of selecting an
  edit point, select the
  clip
• When you press
  Command T, both
  ends of the clip will
  get the default
  transition
Double Whammies
In the timeline find the
‘man roasts beans’ clip and
select it.

Press Command T

The default transition is
added to both sides of the
clip.
What About the Audio?
Audio in a
transition

• When two video clips
  are combined with a
  transition, the audio
  automatically does a
  cross fade
The Transitions Browser
Transitions library

• A gallery of effects
• Many made in Motion
• Thumbnails allow you
  to preview the effect
  before you use it
  • Skim over the
    transition to see how
    it works
Prepare a Project for
                         Transitions
From the project library
open the Zero to Hero
project and duplicate it.

Save it to your hard drive
and load into the timeline.
Transitions Browser
  Transitions
  Browser
 • Transition categories
   are on the left
 • Thumbnails of the
   transitions in that
   category are on the
   right

In the toolbar, click the
Transitions Browser
button.
Transitions Browser
In the Category pane, click
Dissolves.

Move your pointer over the
Cross Dissolve thumbnail
to skim the
transition, which appears
in the Viewer.

Then try out the Fade To
Color transition.
Transitions Browser
Hide:
Click the All category again.

In the lower-left corner click the
Show/hide button to hide the
categories pane.

Search:
In the search field, type ‘comic
book’, clear the search and type
‘pan’ to see all the transitions
that match your search criteria.

Clear the search field.
Applying a Transition
A couple of ways


• Drag the transition to
  an edit point
• Select the edit point
  and double-click on
  the transition
Applying a Transition
In the Zero to Hero
project, select the edit point
between Tony Schumacher and
army start (@47 seconds).

In the Wipe category, skim over
the Letter X transition to preview
it.

To apply this transition, double
click it in the Transitions
Browser.

Play it in the Timeline.
Applying a Transition
Navigate the the 2nd edit point
in the project, between
‘crowd ots’ and ‘crowd wide’
and select the edit point.

From the Lights
category, skim Lens Flare
then double-click to apply it to
that edit point.

Play the clip.
Applying a Transition
Select the edit point
between the 6th and 7th clip
‘Tony Pedregon’ and
‘crash’

In the Replicator/Clones
category, skim over Video
Wall then double click to
add it to the selected edit
point.
   MWF
Replacing a Transition
A couple of ways
• Drag the new
  transition from the
  browser onto the
  timeline transition you
  wish to replace
• Select the old
  transition, then
  double-click the new
  one in the transition
  browser
Replacing a Transition
In the Lights category drag
the Bloom transition into
the timeline and over the
old Lens Flare transition
between ‘crowd ots’ and
‘crowd wide’

When the pointer changes
to a green circle with a plus
at its center, release the
mouse.
Replacing a Transition
Switch it back:
Select the Bloom transition
in the Timeline and double-
click the Lens Flare
transition in the browser to
restore it.
Modifying a Transition

A different look


• Most transitions can
  be modified beyond
  just their duration
• Done though controls
  in the Timeline or
  onscreen controls
  directly in the Viewer
Modifying a Transition
Re-open the ‘Delicious
Peace’ duplicate project
we were working on into
the Timeline.
--clicking back on the history button
in the timeline may work if you have
not shut down FCP since you last
worked on this project.
Modifying a Transition
In the timeline select the
1st cross dissolve and
hover the pointer over the
dark gray area on either
side of the cross dissolve
icon.

When the Trim icon
appears, drag the
transition edge away from
the center as far as
possible.
Modifying a Transition
Indicators
• The amount of
  duration change is
  indicated in the pop-
  up box
 • In this case +6 frames
   (not much)
• If you see a red
  bracket you have
  reached the limit of
  the clip’s media and
  can’t go any further
Modifying a Transition
Set a specific
duration


• Two-finger click or
  CTRL click the
  transition and choose
  Change Duration
• Select the transition
  and press Control D
Modifying a Transition
2-finger click this transition
and choose ‘Change
Duration’

When the Dashboard is
highlighted in blue, type 45
and press Return
-- 45 = 45 frames
   1:15 = 1½ seconds
Modifying a Transition
Reload the ‘Zero to Hero’
project we were last
working on.
-- again, the history arrow will bring
you back if you haven’t shut down
FCP since you last had it up.


Turn on the Timeline Index
and in the search field type
‘letter X’ to select the the
wipe transition used in this
project.
Modifying a Transition
Viewer onscreen
controls


• Once you have the
  transition selected in
  the Timeline with your
  play head over the
  transition, controls for
  that effect are
  available in the Viewer
Modifying a Transition
In the Viewer move your
pointer to the circle and
drag to the center of the X
so it’s over Tony’s nose.

Play the transition.
Modifying a Transition
In the Viewer move your
pointer to the square at the
end of the control line.

Drag outward to the edges
of the X more diffuse.

Drag inward to reduce the
blur and sharpen the
transition and leave it at
this setting.
Yellow Timeline Pins
Where did these
come from?


• Controls that help you
  change the frames
  associated with the
  transition
• Moving the frames will
  change what you see
  in the transition
Modifying a Transition
In the Timeline Index
search field, type ‘vid’ to
search for the Video Wall
transition.

Select it in the list, then
select the transition.
--notice the two yellow circles
numbered 1 and 2.
Modifying a Transition
Drag pin 1 to the left and
onto the ‘crowd ots’ clip
and find the frame where
the man with the
binoculars has turned to
face left.

Drag pin 2 anywhere in the
‘crowd wide’ clip.

Play the transition.
   T-TH
Modifying a Transition
Using the
Inspector

• Some parameters for
  a transition can only
  be changed in the
  Inspector
Modifying a Transition
Find the Letter X transition again in the project and select it.

Click the Inspector button or press Command 4
Modifying a Transition
Click the edge of the
transition in the timeline
and pull out so the duration
in the Inspector indicates
1;00
Modifying a Transition
Click the disclosure triangle
next to Edge Treatment.

From the Edge Type pop-
up menu choose Solid
Color.

Drag the Border slider to
choose an edge thickness.

Play the transition.
Modifying a Transition
Select the edit point between
John Force and army prep, at
@42 seconds.

In the transitions
browser, click the Movements
category, then double-click to
apply the Multi-flip transition.

Skim to the midpoint in this
transition and press M to set a
marker.
Modifying a Transition
In the Inspector’s color
section, click the black color
well to open the Colors
window.

Click each color interface to
see the various methods of
making color choices.

Choose the color wheel and
select the magnifying glass
and click on the green color in
one of the John Force
thumbnails.
Modifying a Transition
Close the Colors window, and
in the Transition
Inspector, select Use Image
Well.

Click once in the Image Well.

The Select Source Clip
window appears. Click a
frame in the ‘crowd wide’ clip
on the timeline and then click
Apply Clip.

Check out your new transition.
Transitions and
                         Connected Clips
Must be a
storyline
• Transitions can only
  be added to clips if
  they are on a story
  line
What about
connected clips?
• Not until the
  connected clips are
  turned into its own
  storyline
Adding Transitions to New
                  Storylines
In the Project library
duplicate the Mobileviz
Minutes project to your
hard drive and open it in
the timeline.
Adding Transitions to New
                  Storylines
Select the 4 adjacent clips in the middle of the project from
‘alex at monitor’ though ‘robot composite’.

2-finger click the selection and choose Create Storyline or
press Command G
Adding Transitions to New
                  Storylines
Select the 1st edit point
between ‘alex at monitor’
and ‘actress leaves car’
and add the default cross
dissolve by pressing
Command T.

2-finger click the transition
(CTRL click) and change
the duration to 20 frames.
Copying Transitions
A couple of
ways

• Select a transition
  and copy, then
  select a new edit
  point and paste
• Option drag the
  transition to a new
  edit point
Copying Transitions
With the same transition
selected, Option drag the
transition to the next edit
point between ‘actress
leaves car’ and ‘composite’
-- same transition, same
duration in another spot
Adding Transitions
Drag it:
From the Lights
category, drag the Flash
transition directly to the
next edit point between
‘composite’ and ‘robot
composite’
Grouping Connected Clips
Grouping for
transitions

• Connected clips
  cannot have
  transitions
• Group connected clips
  into a compound clip
  so they occupy the
  same space, then
  create a storyline from
  the compound clip.
Combining Tracks into
                One Storyboard
Select the three stacked
tracks to the left of the
storyline ‘mocap robot med’
and the other two mocap
clips on top.

2-finger click (CTRL click)
and choose New
Compound Clip.
Combining Tracks into
                One Storyboard
Click the compound clip
and Command click the
secondary storyline’s shelf
next to it
-- not the Alex clip, but the
black part (the shelf)

2-finger click the compound
clip and choose Create
Storyline
Adding Transitions
Select the edit point
between the compound clip
and ‘alex at monitor’

From the Lights category
double-click the Static
transition.

Play the new transition.
Audio Transitions
Audio in a video
transition
• Automatically does a
  cross-fade from
  outgoing to to the
  incoming clip

Audio clip to
audio clip
• To add a transition,
  the clips need a
  storyline
Audio Transitions
Open the Zero to Hero
project we have been
working on.

Listen to the music at the
last part of the project.

-- the cut is pretty rough
-- a cross fade should
smooth
   this out
Audio Transitions
Zoom way in on the edit point
between these two audio
tracks.

There is a slight gap that may
prevent us from making a
storyline out of these audio
tracks.

Select ‘Discipline’ and drag
left so it connects with the
other audio clip.
Audio Transitions
Select these two audio
tracks, then 2-finger click and
choose ‘Create Storyline’
--shortcut Command G

Deselect the clips, then select
the edit point between these
two audio clips and press
Command T

Increase the transition
duration as long as possible
by pulling on the edge of the
transition.
Audio Transitions
Fade the music out at the
end of the project by
dragging the fade control to
the beginning of the last
video transition in the
project.
Shortcuts:
   Command T        • Apply default cross dissolve

Command , (comma)   • Open Preferences window

    Control R       • Render selection

   Command Z        • Undo

     Shift ?        • Play around edit point

   Command 4        • Open/close the Inspector

   Command G        • Create storyline

    Option G        • New compound clip
Homework Assignment:
Your job is to tweak out this project with transitions to suit
your taste.

Share as an Apple iPhone and save as (your name)
Lesson 7.m4v to iTunes U.
Lesson 7: Applying
       Transitions
             Apple Pro Training
                         Series
                Final Cut Pro X
         Instructor: Sam Edsall

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Final Cut Pro X Lesson 7

  • 1. Lesson 7: Applying Transitions Apple Pro Training Series Final Cut Pro X Instructor: Sam Edsall
  • 2. Transitions to Refine Edits Edit to edit • Changes the look of your video • Changes the sound of your audio When • Smooth an abrupt audio or video edit • Convey a passage of time • Create a certain visual style
  • 3. Transitions to Refine Edits What kind • Dissolves have move a story seamlessly from one clip to the next • If the project’s style needs something bolder, then color, shapes and animation would be appropriate
  • 4. Preparing the Project Start up the FCP External Drive: Find your APTS FCP X drive and double click to start it up.
  • 5. Preparing the Project Load up Lesson 7: From the APTS FCP X drive open the lesson 7 folder. If you like you can move the folder to the root folder for easier access like lesson 6. Put lesson 6 back into the lesson folder.
  • 6. Cuts vs. Dissolves Load up a project: Open ‘Delicious Peace_CUTS’ project. Play the project -- no transitions yet for video or audio. Now open ‘Delicious Peace_Trans’ and see how it looks with transitions.
  • 7. Duplicating a Project Make a copy: Open ‘Delicious Peace_CUTS’ project. 2-finger (CTRL) click the project and duplicate it. Save the copy to your hard drive rather than the external. Rename the duplicate ‘Delicious Peace_Backup’ and open this project.
  • 8. Applying Transitions A couple of ways • Drag the transition to the edit point • Select the edit point, then apply the transition with a few mouse clicks • Select the edit point and use the shortcut Command T
  • 9. Applying Transitions Add a cross dissolve: In the timeline zoom into and play the first 2 clips ‘Bumper_delicious’ and ‘map of africa’ Select the edit point between the two clips. Choose Edit > Add Cross Dissolve Play the new dissolve transition.
  • 10. Transition Icon The Transition Icon • Gray transition icon between the the two clips • Faint diagonal line appears over the edit point • The project may be shortened by one second depending on settings • Transition icon is the same for all transitions regardless of type
  • 11. Transition Mechanics How it works • Default transition is one second Two ways • FCP will use available media beyond the edit point (handles) to do the transition • No change to project duration • FCP will overlap the clips for the duration of the transition • Project duration shortened by the length of the duration
  • 12. Transition Mechanics The orange bar • Indicated the need to render the transition so it can play in real time • FCP automatically begins a background render as you continue to work • A render clip is added to the Events / Render Files folder
  • 13. Applying Transitions Use a keyboard shortcut: Select the edit point between ‘coffee plant’ and ‘coffee buds’ Press Command T Play the transition.
  • 14. Transition Preferences Don’t change duration • Sometimes you want to use transitions, but don’t want the project duration to change • Like a commercial Adjust with Preferences • Change the transition setting so it uses media handles rather than content in the main storyline
  • 15. Transition without Duration Change Undo the last edit cross dissolve by pressing Commend Z. Select Final Cut Pro > Preferences (Command ,) In the Transitions section from the ‘Apply transitions using’ pop- up menu, change the setting from ‘Full Overlap’ to ‘Available Media’
  • 16. Transition without Duration Change Select the edit point between ‘coffee plant’ and ‘coffee buds’ again. Press Command T Play the transition. This time the project duration did not change.
  • 17. Transition without Duration Change When this doesn’t work • If the clips do not have enough media outside the edit point (handles) then Overlap is the only option
  • 18. When Transition without Duration Change doesn’t Work Play the clips between ‘woman picks beans’ and ‘man picks beans’ Click the left edit between them, then click the right edge. -- left bracket = media handles -- red bracket = no media handles
  • 19. When Transition without Duration Change doesn’t Work Press Command T Dialogue box appears informing you you don’t have enough media handles and offered the alternative ‘Full Overlap’ transition. Note where the project currently ends, then click ‘Create Full Overlap’ Notice that the project shortened by one second.
  • 20. A Word of Caution Full Overlap Transitions • If you add a full overlap transition, your project will be shortened by the default transition length • 1 second by default • If you delete the transition, the project will STILL be as short • If you decide you don’t want the transition, then Command Z to undo it or after you delete the transition, trim the edit points to their original length
  • 21. Adding a Transition to Both Ends of a Clip Add two transitions at once • Instead of selecting an edit point, select the clip • When you press Command T, both ends of the clip will get the default transition
  • 22. Double Whammies In the timeline find the ‘man roasts beans’ clip and select it. Press Command T The default transition is added to both sides of the clip.
  • 23. What About the Audio? Audio in a transition • When two video clips are combined with a transition, the audio automatically does a cross fade
  • 24. The Transitions Browser Transitions library • A gallery of effects • Many made in Motion • Thumbnails allow you to preview the effect before you use it • Skim over the transition to see how it works
  • 25. Prepare a Project for Transitions From the project library open the Zero to Hero project and duplicate it. Save it to your hard drive and load into the timeline.
  • 26. Transitions Browser Transitions Browser • Transition categories are on the left • Thumbnails of the transitions in that category are on the right In the toolbar, click the Transitions Browser button.
  • 27. Transitions Browser In the Category pane, click Dissolves. Move your pointer over the Cross Dissolve thumbnail to skim the transition, which appears in the Viewer. Then try out the Fade To Color transition.
  • 28. Transitions Browser Hide: Click the All category again. In the lower-left corner click the Show/hide button to hide the categories pane. Search: In the search field, type ‘comic book’, clear the search and type ‘pan’ to see all the transitions that match your search criteria. Clear the search field.
  • 29. Applying a Transition A couple of ways • Drag the transition to an edit point • Select the edit point and double-click on the transition
  • 30. Applying a Transition In the Zero to Hero project, select the edit point between Tony Schumacher and army start (@47 seconds). In the Wipe category, skim over the Letter X transition to preview it. To apply this transition, double click it in the Transitions Browser. Play it in the Timeline.
  • 31. Applying a Transition Navigate the the 2nd edit point in the project, between ‘crowd ots’ and ‘crowd wide’ and select the edit point. From the Lights category, skim Lens Flare then double-click to apply it to that edit point. Play the clip.
  • 32. Applying a Transition Select the edit point between the 6th and 7th clip ‘Tony Pedregon’ and ‘crash’ In the Replicator/Clones category, skim over Video Wall then double click to add it to the selected edit point.
  • 33. MWF
  • 34. Replacing a Transition A couple of ways • Drag the new transition from the browser onto the timeline transition you wish to replace • Select the old transition, then double-click the new one in the transition browser
  • 35. Replacing a Transition In the Lights category drag the Bloom transition into the timeline and over the old Lens Flare transition between ‘crowd ots’ and ‘crowd wide’ When the pointer changes to a green circle with a plus at its center, release the mouse.
  • 36. Replacing a Transition Switch it back: Select the Bloom transition in the Timeline and double- click the Lens Flare transition in the browser to restore it.
  • 37. Modifying a Transition A different look • Most transitions can be modified beyond just their duration • Done though controls in the Timeline or onscreen controls directly in the Viewer
  • 38. Modifying a Transition Re-open the ‘Delicious Peace’ duplicate project we were working on into the Timeline. --clicking back on the history button in the timeline may work if you have not shut down FCP since you last worked on this project.
  • 39. Modifying a Transition In the timeline select the 1st cross dissolve and hover the pointer over the dark gray area on either side of the cross dissolve icon. When the Trim icon appears, drag the transition edge away from the center as far as possible.
  • 40. Modifying a Transition Indicators • The amount of duration change is indicated in the pop- up box • In this case +6 frames (not much) • If you see a red bracket you have reached the limit of the clip’s media and can’t go any further
  • 41. Modifying a Transition Set a specific duration • Two-finger click or CTRL click the transition and choose Change Duration • Select the transition and press Control D
  • 42. Modifying a Transition 2-finger click this transition and choose ‘Change Duration’ When the Dashboard is highlighted in blue, type 45 and press Return -- 45 = 45 frames 1:15 = 1½ seconds
  • 43. Modifying a Transition Reload the ‘Zero to Hero’ project we were last working on. -- again, the history arrow will bring you back if you haven’t shut down FCP since you last had it up. Turn on the Timeline Index and in the search field type ‘letter X’ to select the the wipe transition used in this project.
  • 44. Modifying a Transition Viewer onscreen controls • Once you have the transition selected in the Timeline with your play head over the transition, controls for that effect are available in the Viewer
  • 45. Modifying a Transition In the Viewer move your pointer to the circle and drag to the center of the X so it’s over Tony’s nose. Play the transition.
  • 46. Modifying a Transition In the Viewer move your pointer to the square at the end of the control line. Drag outward to the edges of the X more diffuse. Drag inward to reduce the blur and sharpen the transition and leave it at this setting.
  • 47. Yellow Timeline Pins Where did these come from? • Controls that help you change the frames associated with the transition • Moving the frames will change what you see in the transition
  • 48. Modifying a Transition In the Timeline Index search field, type ‘vid’ to search for the Video Wall transition. Select it in the list, then select the transition. --notice the two yellow circles numbered 1 and 2.
  • 49. Modifying a Transition Drag pin 1 to the left and onto the ‘crowd ots’ clip and find the frame where the man with the binoculars has turned to face left. Drag pin 2 anywhere in the ‘crowd wide’ clip. Play the transition.
  • 50. T-TH
  • 51. Modifying a Transition Using the Inspector • Some parameters for a transition can only be changed in the Inspector
  • 52. Modifying a Transition Find the Letter X transition again in the project and select it. Click the Inspector button or press Command 4
  • 53. Modifying a Transition Click the edge of the transition in the timeline and pull out so the duration in the Inspector indicates 1;00
  • 54. Modifying a Transition Click the disclosure triangle next to Edge Treatment. From the Edge Type pop- up menu choose Solid Color. Drag the Border slider to choose an edge thickness. Play the transition.
  • 55. Modifying a Transition Select the edit point between John Force and army prep, at @42 seconds. In the transitions browser, click the Movements category, then double-click to apply the Multi-flip transition. Skim to the midpoint in this transition and press M to set a marker.
  • 56. Modifying a Transition In the Inspector’s color section, click the black color well to open the Colors window. Click each color interface to see the various methods of making color choices. Choose the color wheel and select the magnifying glass and click on the green color in one of the John Force thumbnails.
  • 57. Modifying a Transition Close the Colors window, and in the Transition Inspector, select Use Image Well. Click once in the Image Well. The Select Source Clip window appears. Click a frame in the ‘crowd wide’ clip on the timeline and then click Apply Clip. Check out your new transition.
  • 58. Transitions and Connected Clips Must be a storyline • Transitions can only be added to clips if they are on a story line What about connected clips? • Not until the connected clips are turned into its own storyline
  • 59. Adding Transitions to New Storylines In the Project library duplicate the Mobileviz Minutes project to your hard drive and open it in the timeline.
  • 60. Adding Transitions to New Storylines Select the 4 adjacent clips in the middle of the project from ‘alex at monitor’ though ‘robot composite’. 2-finger click the selection and choose Create Storyline or press Command G
  • 61. Adding Transitions to New Storylines Select the 1st edit point between ‘alex at monitor’ and ‘actress leaves car’ and add the default cross dissolve by pressing Command T. 2-finger click the transition (CTRL click) and change the duration to 20 frames.
  • 62. Copying Transitions A couple of ways • Select a transition and copy, then select a new edit point and paste • Option drag the transition to a new edit point
  • 63. Copying Transitions With the same transition selected, Option drag the transition to the next edit point between ‘actress leaves car’ and ‘composite’ -- same transition, same duration in another spot
  • 64. Adding Transitions Drag it: From the Lights category, drag the Flash transition directly to the next edit point between ‘composite’ and ‘robot composite’
  • 65. Grouping Connected Clips Grouping for transitions • Connected clips cannot have transitions • Group connected clips into a compound clip so they occupy the same space, then create a storyline from the compound clip.
  • 66. Combining Tracks into One Storyboard Select the three stacked tracks to the left of the storyline ‘mocap robot med’ and the other two mocap clips on top. 2-finger click (CTRL click) and choose New Compound Clip.
  • 67. Combining Tracks into One Storyboard Click the compound clip and Command click the secondary storyline’s shelf next to it -- not the Alex clip, but the black part (the shelf) 2-finger click the compound clip and choose Create Storyline
  • 68. Adding Transitions Select the edit point between the compound clip and ‘alex at monitor’ From the Lights category double-click the Static transition. Play the new transition.
  • 69. Audio Transitions Audio in a video transition • Automatically does a cross-fade from outgoing to to the incoming clip Audio clip to audio clip • To add a transition, the clips need a storyline
  • 70. Audio Transitions Open the Zero to Hero project we have been working on. Listen to the music at the last part of the project. -- the cut is pretty rough -- a cross fade should smooth this out
  • 71. Audio Transitions Zoom way in on the edit point between these two audio tracks. There is a slight gap that may prevent us from making a storyline out of these audio tracks. Select ‘Discipline’ and drag left so it connects with the other audio clip.
  • 72. Audio Transitions Select these two audio tracks, then 2-finger click and choose ‘Create Storyline’ --shortcut Command G Deselect the clips, then select the edit point between these two audio clips and press Command T Increase the transition duration as long as possible by pulling on the edge of the transition.
  • 73. Audio Transitions Fade the music out at the end of the project by dragging the fade control to the beginning of the last video transition in the project.
  • 74. Shortcuts: Command T • Apply default cross dissolve Command , (comma) • Open Preferences window Control R • Render selection Command Z • Undo Shift ? • Play around edit point Command 4 • Open/close the Inspector Command G • Create storyline Option G • New compound clip
  • 75. Homework Assignment: Your job is to tweak out this project with transitions to suit your taste. Share as an Apple iPhone and save as (your name) Lesson 7.m4v to iTunes U.
  • 76. Lesson 7: Applying Transitions Apple Pro Training Series Final Cut Pro X Instructor: Sam Edsall