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IDENTITY & BRAND
IDENTITY
The term graphic identity typically refers to the logo of a
      company, usually supported by system of rules and
    guidelines that establish how a company will represent
itself through advertisements, collateral, stationery, signage,
                          vehicles, etc.
Identity ≠ Brand

 While a graphic identity system is an important part of a
brand, it is only the visible component, not the brand itself.
The logo is a sign for the brand. A logo redesign is not a
rebranding, although is one of the easiest components of
              brand to successfully change.
Identity ≠ Brand

 While a graphic identity system is an important part of a
brand, it is only the visible component, not the brand itself.
The logo is a sign for the brand. A logo redesign is not a
rebranding, although is one of the easiest components of
              brand to successfully change.
Identity ≠ Brand

 While a graphic identity system is an important part of a
brand, it is only the visible component, not the brand itself.
The logo is a sign for the brand. A logo redesign is not a
rebranding, although is one of the easiest components of
              brand to successfully change.
Identity ≠ Brand

 While a graphic identity system is an important part of a
brand, it is only the visible component, not the brand itself.
The logo is a sign for the brand. A logo redesign is not a
rebranding, although is one of the easiest components of
              brand to successfully change.
Identity ≠ Brand

 While a graphic identity system is an important part of a
brand, it is only the visible component, not the brand itself.
The logo is a sign for the brand. A logo redesign is not a
rebranding, although is one of the easiest components of
              brand to successfully change.
Identity ≠ Brand

 While a graphic identity system is an important part of a
brand, it is only the visible component, not the brand itself.
The logo is a sign for the brand. A logo redesign is not a
rebranding, although is one of the easiest components of
              brand to successfully change.
BRAND
A brand is a persons gut feeling about a product, service, or
 company. It’s a gut feeling because we are all emotional,
   intuitive beings, despite our best efforts to be rational.




   What is your gut feeling about the companies above?

           How did you arrive at those feelings?
A brand is a persons gut feeling about a product, service, or
 company. It’s a gut feeling because we are all emotional,
   intuitive beings, despite our best efforts to be rational.




   What is your gut feeling about the companies above?

           How did you arrive at those feelings?
A brand is a persons gut feeling about a product, service, or
 company. It’s a gut feeling because we are all emotional,
   intuitive beings, despite our best efforts to be rational.




   What is your gut feeling about the companies above?

           How did you arrive at those feelings?
A brand is a persons gut feeling about a product, service, or
 company. It’s a gut feeling because we are all emotional,
   intuitive beings, despite our best efforts to be rational.




   What is your gut feeling about the companies above?

           How did you arrive at those feelings?
A brand is a person’s gut feeling, because in the end
the brand is defined by individuals, not by companies,
       markets, or the so-called general public.

   Each person creates his or her own version of it.
While companies can’t
control this process, they
can influence it by
communicating the qualities
that make this product
different than that product.
When enough individuals arrive at the same gut
feeling, a company can be said to have a brand.




                                       =
In other words, a brand is not what you say it is.
             It’s what they say it is.
In other words, a brand is not what you say it is.
             It’s what they say it is.
In other words, a brand is not what you say it is.
             It’s what they say it is.
In other words, a brand is not what you say it is.
             It’s what they say it is.
In other words, a brand is not what you say it is.
             It’s what they say it is.
In other words, a brand is not what you say it is.
             It’s what they say it is.
In other words, a brand is not what you say it is.
             It’s what they say it is.
The Brand Gap
by Marty Neumeier
Guidelines/Standards—The first goal of implementing an approved
                        identity program is to establish consistent usage across a company.



                                                                    Dow Corporate Identity Standards
                                                                    Use of the DOW Diamond

                                                                    September 2002




                                                                                                       Standards
Corporate                                                                                                          BBCi brand guidelines
identity                                                                                                           DRAFT version 2.2
guidelines
Version 2.2 July 2003                                                                                              April 21st 2005

                                              Visual Identity
Opt 48398 0703
                                              Guidelines
                                                                1




                                 Consistency is established by publishing a Identity
                               Standards manual that will guide practitioners through
                                         any usage they might encounter.
What a logo is and does, by Paul Rand
A logo is a flag, a signature, an escutcheon.




  Escutcheon is the term used in heraldry for the shield displayed in a coat of arms.
A logo doesn't sell (directly), it identifies.
A logo is rarely a description of a business.
A logo derives its meaning from the quality of the
 thing it symbolizes, not the other way around.
A logo derives its meaning from the quality of the
 thing it symbolizes, not the other way around.
A logo derives its meaning from the quality of the
 thing it symbolizes, not the other way around.
A logo is less important than the product it
signifies; what it means is more important that
               what it looks like.
I D E N T I T Y: S TAT I O N E R Y
Your stationery should:


  Embody how your company wants to be seen by others
 Demonstrate a logical extension of your logo and overall
                    business identity
  Clearly present necessary information with a clear and
                     engaging design
Establish a consistent style of usage that can be extended to
                           other uses
Questions



        What is the most important part of the logo?
        How can I create a hierarchy of information?
What kind of business card would this type of company have?
  Colorful/fun/boutique, or monotone/sterile/definitive/
                         corporate?
Strategies:
      1. Size
     2. Space
3. Color & Contrast
1. Size
Create a hierarchy of information by varying type size, weight, and width. Use a type
                          family with a good range of fonts.
1. Size
1. Size
1. Size
2. Space


     Create hierarchy through space only
Working with the grid: symmetrical/asymmetrical
   Law of Thirds & the Golden Section (see
                   handouts)
               Positive/negative
  Correspondence: creating alignments and
                 intersections
2. Space


  The typographic grid is a proportional
     regulator for composition, tables,
pictures, etc...The difficulty is: to find the
balance, the maximum of conformity to a
 rule with the maximum of freedom. Or:
    the maximum constraints with the
        greatest possible variability.
          —Karl Gerstner, 1961
2. Space
2. Space
2. Space
2. Space
2. Space
2. Space
2. Space
2. Space
2. Space
2. Space
2. Space
2. Space
3. Color & Contrast
3. Color & Contrast
3. Color & Contrast
3. Color & Contrast
3. Color & Contrast

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ID & BRANDING (Intro to GD, Week 5b)

  • 3. The term graphic identity typically refers to the logo of a company, usually supported by system of rules and guidelines that establish how a company will represent itself through advertisements, collateral, stationery, signage, vehicles, etc.
  • 4. Identity ≠ Brand While a graphic identity system is an important part of a brand, it is only the visible component, not the brand itself. The logo is a sign for the brand. A logo redesign is not a rebranding, although is one of the easiest components of brand to successfully change.
  • 5. Identity ≠ Brand While a graphic identity system is an important part of a brand, it is only the visible component, not the brand itself. The logo is a sign for the brand. A logo redesign is not a rebranding, although is one of the easiest components of brand to successfully change.
  • 6. Identity ≠ Brand While a graphic identity system is an important part of a brand, it is only the visible component, not the brand itself. The logo is a sign for the brand. A logo redesign is not a rebranding, although is one of the easiest components of brand to successfully change.
  • 7. Identity ≠ Brand While a graphic identity system is an important part of a brand, it is only the visible component, not the brand itself. The logo is a sign for the brand. A logo redesign is not a rebranding, although is one of the easiest components of brand to successfully change.
  • 8. Identity ≠ Brand While a graphic identity system is an important part of a brand, it is only the visible component, not the brand itself. The logo is a sign for the brand. A logo redesign is not a rebranding, although is one of the easiest components of brand to successfully change.
  • 9. Identity ≠ Brand While a graphic identity system is an important part of a brand, it is only the visible component, not the brand itself. The logo is a sign for the brand. A logo redesign is not a rebranding, although is one of the easiest components of brand to successfully change.
  • 10. BRAND
  • 11. A brand is a persons gut feeling about a product, service, or company. It’s a gut feeling because we are all emotional, intuitive beings, despite our best efforts to be rational. What is your gut feeling about the companies above? How did you arrive at those feelings?
  • 12. A brand is a persons gut feeling about a product, service, or company. It’s a gut feeling because we are all emotional, intuitive beings, despite our best efforts to be rational. What is your gut feeling about the companies above? How did you arrive at those feelings?
  • 13. A brand is a persons gut feeling about a product, service, or company. It’s a gut feeling because we are all emotional, intuitive beings, despite our best efforts to be rational. What is your gut feeling about the companies above? How did you arrive at those feelings?
  • 14. A brand is a persons gut feeling about a product, service, or company. It’s a gut feeling because we are all emotional, intuitive beings, despite our best efforts to be rational. What is your gut feeling about the companies above? How did you arrive at those feelings?
  • 15. A brand is a person’s gut feeling, because in the end the brand is defined by individuals, not by companies, markets, or the so-called general public. Each person creates his or her own version of it.
  • 16. While companies can’t control this process, they can influence it by communicating the qualities that make this product different than that product.
  • 17. When enough individuals arrive at the same gut feeling, a company can be said to have a brand. =
  • 18. In other words, a brand is not what you say it is. It’s what they say it is.
  • 19. In other words, a brand is not what you say it is. It’s what they say it is.
  • 20. In other words, a brand is not what you say it is. It’s what they say it is.
  • 21. In other words, a brand is not what you say it is. It’s what they say it is.
  • 22. In other words, a brand is not what you say it is. It’s what they say it is.
  • 23. In other words, a brand is not what you say it is. It’s what they say it is.
  • 24. In other words, a brand is not what you say it is. It’s what they say it is.
  • 25. The Brand Gap by Marty Neumeier
  • 26. Guidelines/Standards—The first goal of implementing an approved identity program is to establish consistent usage across a company. Dow Corporate Identity Standards Use of the DOW Diamond September 2002 Standards Corporate BBCi brand guidelines identity DRAFT version 2.2 guidelines Version 2.2 July 2003 April 21st 2005 Visual Identity Opt 48398 0703 Guidelines 1 Consistency is established by publishing a Identity Standards manual that will guide practitioners through any usage they might encounter.
  • 27. What a logo is and does, by Paul Rand
  • 28. A logo is a flag, a signature, an escutcheon. Escutcheon is the term used in heraldry for the shield displayed in a coat of arms.
  • 29. A logo doesn't sell (directly), it identifies.
  • 30. A logo is rarely a description of a business.
  • 31. A logo derives its meaning from the quality of the thing it symbolizes, not the other way around.
  • 32. A logo derives its meaning from the quality of the thing it symbolizes, not the other way around.
  • 33. A logo derives its meaning from the quality of the thing it symbolizes, not the other way around.
  • 34. A logo is less important than the product it signifies; what it means is more important that what it looks like.
  • 35. I D E N T I T Y: S TAT I O N E R Y
  • 36. Your stationery should: Embody how your company wants to be seen by others Demonstrate a logical extension of your logo and overall business identity Clearly present necessary information with a clear and engaging design Establish a consistent style of usage that can be extended to other uses
  • 37. Questions What is the most important part of the logo? How can I create a hierarchy of information? What kind of business card would this type of company have? Colorful/fun/boutique, or monotone/sterile/definitive/ corporate?
  • 38. Strategies: 1. Size 2. Space 3. Color & Contrast
  • 39. 1. Size Create a hierarchy of information by varying type size, weight, and width. Use a type family with a good range of fonts.
  • 43. 2. Space Create hierarchy through space only Working with the grid: symmetrical/asymmetrical Law of Thirds & the Golden Section (see handouts) Positive/negative Correspondence: creating alignments and intersections
  • 44. 2. Space The typographic grid is a proportional regulator for composition, tables, pictures, etc...The difficulty is: to find the balance, the maximum of conformity to a rule with the maximum of freedom. Or: the maximum constraints with the greatest possible variability. —Karl Gerstner, 1961
  • 57. 3. Color & Contrast
  • 58. 3. Color & Contrast
  • 59. 3. Color & Contrast
  • 60. 3. Color & Contrast
  • 61. 3. Color & Contrast