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1. FILM
MEDIA-BASED ARTS AND DESIGN IN THE PHILIPPINES

2. Film
It is a form of artistic
expression that involves
capturing moving images on a
camera and projecting them
onto a screen for an audience
to view.

3. MOTION
PICTURES
- The early name
of Film or Cinema

4. CIMEMA
• It is an art form that came into being because of technological
advances.
• The transition from still photography came in the late 1800s
with “series photography” and the invention of celluloid strip
film
• This allowed successive still photos of a moving subject to be
captured on a strip of film advancing through a single
camera.

5. CELLULOID STRIP
FILM
• The seed of highly advance film
medium we enjoy Today.

7. KINETOSCOPIC
• A peepshow cabinet with an eyehole through which
these earliest “movies” could be viewed one person
at a time.
• A motor inside the cabinet moved the film strip along
in a loop, with an electric bulb providing illumination
from beneath

9. CINEMATOGRAPHE
• A hand cranked camera, printer, and projector
all in one that was lightweight enough to bring
outside the studio.

11. What is film making?
Who are involve in film making?
The Collaborative Art of
Filmmaking

12. FILM MAKING
Filmmaking, because of its technical
complexity, involves entire teams of artists,
writers, and production experts, supported by
technicians taking charge of the cameras,
lighting equipment, sets, props, costumes, and
the like all under the supervision of a film
director.

13. 1. FILM DIRECTING
2. ACTING
3. CINEMATOGRAPHY
4. EDITING
5. PRODUCTION/SET DESIGN

14. FILM
DIRECTING
It is the director, he or she
conceptualized the scenes, direct
the acting, supervise the
cinematography and finally the
editing.

15. ACTING
the actor/actress, film actors had
to learn to express themselves
without the exaggerated facial
expressions and gestures used on
stage. With the addition of sound
in the 1930s, they then had to
learn to deliver their lines
naturally and believably.

16. CINEMATOGPHY
behind the scenes, there was
cinematography or the art of film
camera work. This captured the
director’s vision of each scene
through camera placement and
movement, lighting, and other
special techniques.

17. EDITING
this was joined by film editing, the
art of selecting the precise sections of
film, then sequencing and joining
them to achieve the director’s desired
visual and emotional effect. Sound
editing was also developed, as films
began to include more ambitious
effects beyond the dialogue and
background music.

18. PRODUCTION/SET
DESIGN
this recreated in physical terms – through
location, scenery, sets, lighting, costumes,
and props –the mental image that the director
had of how each scene should look, what
period it should depict, and what atmosphere
it should convey. This included creating
worlds that did not exist as well as worlds
that were long gone, designing each
production component down to the very last
detail.

19. FILM
GENRES

20. FILM GENRES
this are the categories at
define films ased on
narrative or stylic
elements.

21. 1. DRAMA
2. THRILLER
3. COMEDY
4. ACTION
5. HORROR

22. DRAMA
 films that are serious in
tone,focusing on realistic
characters and emotional
themes.

24. THRILLER
 Films that build suspense
and tensions, often featuring
a central character in danger
or facing a threat.

26. COMEDY
 Films that are intended to be
humorous, often using
exaggerated,witty dialogue
or physical comedy

28. ACTION
 scenes with a lot of
physical activity and
stunts

30. HORROR
 films designed to scare
and shock the audience
with supernatural or
terrifying theme

32. PHILIPPINE FILM
MAKER

33.  Lino Brocka
 Laurice Guillen
 Marilou Diaz Abaya
 Maryo J. delos Reyes
 Brillante Mendoza

34. CATALINO ORTIZ BROCKA

36.  Catalino Ortiz Brocka (April 3, 1939 – May 21,
1991) is a Filipino film director. He is widely regarded
as one of the most influential and significant Filipino
filmmakers in Philippine cinema history. In 1983, he
founded the organization Concerned Artists of the
Philippines (CAP), dedicated to helping artists address
issues confronting the country.
 In 1997, he was posthumously given the National
Artist of the Philippines for Film award for "having
made significant contributions to the development of
Philippine arts."

37. LAURICE GUILLEN

38.  Guillen studied at St. Theresa's College, Cebu City, earned
an AB English degree before finishing an MA in
Communication at Ateneo de Manila University, followed
by a television production course under Nestor Torre, in
1967. She then began work as an actress, starring in
productions of Mrs. Warren's Profession, before crossing
over to film and television work, playing a seductress in
Tinimbang Ka Ngunit Kulang, and Corazon Aquino in the
drama A Dangerous Life, In 2009 she accepted a role in the
indie filmKarera, her first role in an independent production.
Other credits include in the film Sister Stella L and Moral.

39. TANGING YAMAN, 2001 SALOME, 1981

40. Marilou Díaz-Abaya
- (March 30, 1955 – October 8, 2012)
was a multi-awarded film director
from the Philippines. She was the
founder and president of the Marilou
Díaz Abaya Film Institute and Arts
Center, a film school based in
Antipolo City, Philippines. She was
the director of the 1998 film José
Rizal, a biographical film on the
Philippines' national hero.

42. Maryo J. De los Reyes
is a film and television
director from the
Philippines. He began
his career in the 1970s.

44. Brillante Mendoza is a
Filipino film director. He was
born and raised in San Fernando,
Pampanga. He took Advertising
Arts of the then College of
Architecture and Fine Arts at the
University of Santo Tomas. He
has directed sixteen films since
2005.