The document discusses various artistic techniques used to create texture and shading in drawings, including hatching, crosshatching, stippling, and pointillism. Hatching uses closely spaced parallel lines, while crosshatching adds lines at varying angles. Stippling and pointillism create textures using small dots. Examples are provided of how these techniques can be used to imply different surface textures and values in artwork. Guidelines are given for a project applying these techniques to create implied texture scales and artworks using pen and ink.
2. Texture that can be seen, but not felt
http://www.123rf.com/photo_465859_grid-texture-in-black-and-white.html
3. *THE HATCHING TECHNIQUE
originated in the MIDDLE AGES
*Hatching is an artistic tecnhnique
used to create shading effects by
drawing closely spaced parallel lines
*Hatching is important in liner media
like DRAWING and PRINTMAKING
TYPES OF PRINTMAKING…
-LINO CUTS
-ENGRAVINGS
-ETCHINGS
-WOODCUTS
http://drawsketch.about.com/library/blinkt
exture.htm
4. *THE CROSSHATCHING
TECHNIQUE became popular in
WESTERN ART
*Artists use this technique, varying
the length, angle, closeness and
other qualities of the lines
*This technique was started to take
HATCHING Further on the textured
value scale
*Crosshatching is often seen in
drawings, linear paintings,
engravings and woodcuts
http://www.bigtimeattic.com/blog/2007/06
/cartooning-tips-and-tricks.html
5. *STIPPLING is the creation of a pattern
simulating varying degrees of solidity or
shading by using small dots.
*POINTILLISM is a style of painting
founded by artists Georges Seraut and Paul
Signac in 1886 as a branch of
IMPRESSIONSIM.
*POINTILLISM is much like STIPPLING in
that the artwork is made up of thousands of
colored dots of color. Up close they don’t
look like much at all. From a distance they
begin to take shape.
http://www.artyfactory.com/pen_and_ink_d
rawing/pen_and_ink_drawing_7.htm
6. *With this technique, you
simply come up with a
pattern you like and
repeat it.
*The closer the lines get
together in the pattern,
the darker the area of the
object will appear.
http://www.etsy.com/listing/90924410/illust
ration-elephant-and-bird-art?ref=market
7. *Using the rectangular stencil provided, trace
out 5 rectangles 2” x 12”
*We will divide each rectangle into 6 equal 2”
x 2” squares
*We will be creating our IMPLIED TEXTURE
SCALES as seen to the side.
*The farther the lines are apart from each
other, the lighter the surface appears to be.
*The closer the lines get together, the darker
the surface appears to be.
http://fc04.deviantart.net/fs42/f/2009/090/
b/d/Value_Scales_by_Neiya.jpg
8. *Using the rectangular stencil provided, trace
out 5 rectangles 2” x 12”
*We will divide each rectangle into 6 equal 2”
x 2” squares
*We will be creating our IMPLIED TEXTURE
SCALES as seen to the side.
*The farther the lines are apart from each
other, the lighter the surface appears to be.
*The closer the lines get together, the darker
the surface appears to be.
10. GUIDELINES:
*Finish IMPLIED TEXTURE VALUE SCALES
*Decide what type of artwork you want to create for this project…
Realistic Landscape
Surrealistic Landscape
Realistic Portrait
Surrealistic Portrait
Realistic Animal
Surrealistic Animal
Realistic Observational Study
Surrealistic Observational Study
*All Projects will be sketched out first in pencil and finished with PEN and INK
*** IMPORTANT***
*Take your time when drawing in your implied textures.
*Make each line purposeful.
* This project is all about line quality.
17. IMAGES CITED:
-Art Factory. (n.d.). Stippling Examples, [graphic image]. Retrieved from
http://www.artyfactory.com/pen_and_ink_drawing/pen_and_ink_drawing
_7.htm
-Blogspot. (n.d.). Pen and Ink Texture, [illustration]. Retrieved from
http://4.bp.blogspot.com/_6R396cV4IYE/SjacxcfuwJI/AAAAAAAAAPQ/wncrwe34d
3M/s1600-h/Pen_Ink_Texture_Thumbs.jpg
-Cannon, Kevin. (June 29, 2007). Cartooning Tips and Tricks: Crosshatching,
[drawing]. Retrieved from http://www.bigtimeattic.com/blog/2007/06/cartooningtips-and-tricks.html
-Durer, Albrecht. (n.d) Classic Durer Engraving, [illustration]. Retrieved from
http://www-cs.engr.ccny.cuny.edu/~wolberg/projects/engraving/
-Frey Photography. (n.d.) Texture, [photography]. Retrieved from
http://blogs.egusd.net/azevedo/2013/09/28/elements-of-art/
18. IMAGES CITED:
-Oschmann, Suzan. (n.d) Stock Photo – Grid Texture in Black and White,
[photograph]. Retrieved from
http://www.123rf.com/photo_465859_gridtexture-in-black-and-white.html
-South, Helen. (n.d). Pen and Ink Hatching, Crosshatching and Scumbling: Basic Pen
Strokes for Ink Drawing,
[illustration]. Retrieved from
http://drawsketch.about.com/library/blinktexture.htm
-Mallett, Keith. (n.d.). Close up detail of etching “Straight Ahead”, [illustration].
Retrieved from
http://keithmallett.com/cats_in_hats_etchings
-Neiya. (2009-1013). Value Scales, [illustration]. Retrieved from
http://neiya.deviantart.com/art/Value-Scales-117705744
-Nelson, Dan. “Pen and Ink Cross Hatching Masters Edition.” YouTube. Mar 17, 2013.
Web. Nov 1, 2013. Retrieved from http://www.youtube.com/watch?v=AHoqh27vQRw
19. IMAGES CITED:
-NikTheArtGuy. (Dec 21, 2011). Get to the Point Already, [illustration]. Retrieved
from http://sixstoriesup.com/2011/12/
-Randall, Keith. (Mar 13, 2013). Shutterstock, [photograph]. Retrieved from
http://tamutimes.tamu.edu/2013/03/13/bad-news-again-for-monarchbutterflies/#.UnWEURZCcts
-Vogel Lozinak, Mary. (n.d.). Elephant and Bird, [illustration]. Retrieved from
http://www.etsy.com/listing/90924410/illustration-elephant-and-birdart?ref=market
20. IMAGES CITED:
"Stippling." Wikipedia, The Free Encyclopedia. Wikimedia Foundation, Inc. 22 July
2004. Web. 1 Nov. 2013.
"Pointillism." Wikipedia, The Free Encyclopedia. Wikimedia Foundation, Inc. 22
July 2004. Web. 1 Nov. 2013.
"Hatching." Wikipedia, The Free Encyclopedia. Wikimedia Foundation, Inc. 22 July
2004. Web. 1 Nov. 2013.
"Cross Hatching." Wikipedia, The Free Encyclopedia. Wikimedia Foundation, Inc.
22 July 2004. Web. 1 Nov. 2013.
