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Create                                                   for your
Context Content
Introductory remarks for Photoshelter’s Austin Photo
Seminar “Thriving in Uncertain Photographic Times”

Austin, TX
March 13, 2010

Photoshelter event details: http://bit.ly/PSaustin




                                         taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
Copyright 2007 TAYLOR DAVIDSON
                                 taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
Copyright 2008-2009 TAYLOR DAVIDSON
                                      taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
If an image isn’t any
good, take 20 more and
call it a series.
- Anonymous




              taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
“I always thought good
   photos were like good jokes.
   If you have to explain it, it
   just isn’t that good.”
   – Anonymous




http://bit.ly/photojoke   taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
The power of stories…




           taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
That’s not new.
What *is* new today is the way we
create, share, experience,
distribute, promote, buy and sell
the stories behind images.



           taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
Less experienced photographers
can improve their images by
telling stories.

Experienced photographers can
improve their business by
creating stories using their
images.


           taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
Stories that resonate and create
conversations, shared experiences
and connections based on solid
work also help create business
opportunities.




           taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
Why?
The economics of content and context
have changed and shifted the balance of
power and opportunity from creators of
content to creators of context.

Thus, the biggest creative and business
opportunities for photographers is not the
image, but everything around the image.


               taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
What’s context?

What’s content?



        taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
http://blog.reemer.com/
taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
http://bit.ly/tdavidson7
taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
HELP-PORTRAIT.COM
taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
CHASEJARVIS.COM
taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
LIVEBOOKS.COM & FLAKPHOTO.COM
taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
TAYLORDAVIDSON.COM
taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
UNSTRUCTUREDVENTURES.COM
Recap: How?
       Combine online and offline

       Create “Content Moments” and Shareable Experiences
       (and share them!)

       Embed narrative into the content

       Be a hub (i.e. create and connect a community)

       Instead of selling just the image, sell everything around the
       image. (i.e., sell the experience, the meaning, the
       connections)


Credit to Tom Martin (@TomMartin) for
creating the phrase “content moments”.   taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
Remember: Context can’t be
copied blindly.

The story, experience and content
has to be tailored to the event,
community, and purpose.



           taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
I often hear…

     “But I only want to take photos!”

     1. It’s never worked that way.

     2. Good luck.

Credit to Umair Haque (@umairh) for his
thinking and writing that helped me frame
up and apply the concept of content and
context for photography.                    taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson

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Creating Context for your Content

  • 1. Create for your Context Content Introductory remarks for Photoshelter’s Austin Photo Seminar “Thriving in Uncertain Photographic Times” Austin, TX March 13, 2010 Photoshelter event details: http://bit.ly/PSaustin taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
  • 2. Copyright 2007 TAYLOR DAVIDSON taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
  • 3. Copyright 2008-2009 TAYLOR DAVIDSON taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
  • 4. If an image isn’t any good, take 20 more and call it a series. - Anonymous taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
  • 5. “I always thought good photos were like good jokes. If you have to explain it, it just isn’t that good.” – Anonymous http://bit.ly/photojoke taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
  • 6. The power of stories… taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
  • 7. That’s not new. What *is* new today is the way we create, share, experience, distribute, promote, buy and sell the stories behind images. taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
  • 8. Less experienced photographers can improve their images by telling stories. Experienced photographers can improve their business by creating stories using their images. taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
  • 9. Stories that resonate and create conversations, shared experiences and connections based on solid work also help create business opportunities. taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
  • 10. Why? The economics of content and context have changed and shifted the balance of power and opportunity from creators of content to creators of context. Thus, the biggest creative and business opportunities for photographers is not the image, but everything around the image. taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
  • 11. What’s context? What’s content? taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
  • 12. taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
  • 13. taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson http://blog.reemer.com/
  • 14. taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson http://bit.ly/tdavidson7
  • 15. taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson HELP-PORTRAIT.COM
  • 16. taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson CHASEJARVIS.COM
  • 17. taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson LIVEBOOKS.COM & FLAKPHOTO.COM
  • 18. taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson TAYLORDAVIDSON.COM
  • 19. taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson UNSTRUCTUREDVENTURES.COM
  • 20. Recap: How? Combine online and offline Create “Content Moments” and Shareable Experiences (and share them!) Embed narrative into the content Be a hub (i.e. create and connect a community) Instead of selling just the image, sell everything around the image. (i.e., sell the experience, the meaning, the connections) Credit to Tom Martin (@TomMartin) for creating the phrase “content moments”. taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
  • 21. Remember: Context can’t be copied blindly. The story, experience and content has to be tailored to the event, community, and purpose. taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson
  • 22. I often hear… “But I only want to take photos!” 1. It’s never worked that way. 2. Good luck. Credit to Umair Haque (@umairh) for his thinking and writing that helped me frame up and apply the concept of content and context for photography. taylordavidson.com | narratively.com | NOLAlicious.com | @tdavidson

Notas del editor

  1. Artists have always understood the need for context; why do we create series? Why do we create artist statements to explain the themes and ideas we explore? Why do we obsess over the stories as much as the images? Why do we return to view certain images over and over? Why do we love the images we love?We create series, themes, ideas and comprehensive bodies of work because we understand that they are more powerful than individual images. The true beauty is in the discussion, the linkages between images, the connection between the images and the stories, their connections to causes, communities, meaning and people.
  2. Content is cheap to create and distribute, but context is *still* expensive. The economics of the web have increased the competition between content creators, flattened the experience advantage and upended supply and demand for content. But at the same time, it's expanded the opportunity to create context, made context easier, cheaper and more accessible to create than ever before. People that recognize how context is created, what type of context they can create, and why context is important will create economically meaningful, valuable and sustainable products, services and experiences. And more than anything, that's what we need.