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#thinkTrends
thinkLA Trends Breakfast




                           #thinkTrends
The architecture of engagement:
        The pleasure and pain of multi-channel /multi-platform /
                             multi-screen

                                 ciaran212



                             November, 28, 2012




#ThinkTrends
Agenda
⠋   Tectonic Shifts in the Multi-Platform World: Then & Now
⠋   Native Content Surfers Bring New Storytelling Challenges
⠋   Multi-Screen Behaviors Evolved
⠋   The Preoccupation with Participation
⠋   Social TV and the Collaborative Media Experience
⠋   Crafting Deeper, Smarter Digital Analytics – Hope/Hype/Reality
⠋   How SSLA Sources Insights to Fuel Creative, Media & Technology
⠋   From Insight to Architecture
⠋   A Blueprint for Multi-Platform Storytelling
⠋   Case Studies
⠋   Key Take Aways
What’s Driving The Focus on Multiplatform
Cable TV ratings over the past year have dropped sharply
                                                      ⠋ The percent of people
                                                        worldwide who watch TV
                                                        at least once a month
                                                        dropped from 90% to 83%
                                                        over the past year.

                                                      ⠋ The percentage of people
                                                        who watch video on a
                                                        computer once a month--
                                                        84%--is now higher than
                                                        the percentage who
                                                        watch TV.
                                                      Source: Nielsen Global Survey of Multi-
                                                      Screen Media Q3 2011




SOURCE: http://www.businessinsider.com/tv-business-
collapse-2012-6#ixzz1xgNAd9ig
What’s Driving The Focus on Multiplatform
Key points of this shift in user behavior for the traditional TV business?

⠋ Audiences don't know/care which network owns the rights to a show or where it
  was broadcast. All that's relevant is whether it's available on Netflix, Hulu, Amazon
  or iTunes. This means that one of the key traditional businesses of TV, The
  Network is at risk
⠋ The majority of what we pay our cable company is wasted. We get broadband
  Internet from our cable company, and we use that constantly. But we also get 500
  channels that we almost never watch, along with a couple (HBO, Tennis Channel)
  that we pay extra for and do watch occasionally.
⠋ We rarely watch TV ads, and when we do, we're usually doing something else at
  the same time--like typing. Also, the ads seem startlingly intrusive, because we're
  not used to them.
SOURCE: http://www.businessinsider.com/tv-business-collapse-2012-6#ixzz1xgNAd9ig
The World as We Knew It




SOURCE: Gary P Hayes Product Development Manager ABC
TV Multi Platform & Director StoryLabs.us
Today’s Multiplatform Diaspora




SOURCE: Gary P Hayes Product Development Manager ABC
TV Multi Platform & Director StoryLabs.us
Surfing Across Screens




In today's world of seamless connectivity, we have become so
comfortable with media technology that we
shift from one platform to the next effortlessly.
Oops, We Forgot to Deliver the Story




The problem is that our content is not always shifting with us
Where’s The Connected Experience?




Consumers want all their media, all their content, all their experiences
to be consistent across the entire digital ecosystem
Bueller?.....Bueller?




                 They also want it instantly.

       delay = disappointment, then brand abandonment
Who’s The Problem Child?




…And this issue is not just about kids, or their tech savvy millennial
parents
The Numbers Tell The Story
                    Close to 40% of              While watching TV
                    Americans now                36% of P35-54 and
                    use their                    44% of P55-64 use
                    tablets or                   their tablets to dive
                    smartphones while            deeper into the TV
                    watching TV at               program they are
                    least once                   watching.
                    a day, and twice as
                    many do it at least
                    once a month

Source: Nielsen, Cross Platform Report Q2 2012
Understanding Cross-Platform Behavior




Source: Google/Ipsos The New Multiscreen World, Aug 2012
Involve Me!




  …And consumers want organic ways to participate in the story
So Many Platforms!



                     For consumers,
                     the flow of
                     engagement
                     tends to follow
                     the path of least
                     resistance
So We Fish Where the Fish Are, Right?




No surprise then that social media commands an increasing share of
              agency and brand attention and budgets.

                     And as for SocialTV?......
Social TV is
Exploding!
Biggest, Record-Setting Social TV Moments of 2012

During SuperBowl XLVII, Bluefin Labs says it counted 12.2
million social media comments, surpassing the previous all-time
record high of 3 million held by the MTV VMAs. Trendrr said this
year’s Super Bowl had approximately 5X the social activity over
last year.
Where Do I Invest My Resources?

Many agencies and brands focus on social media at the expense of
developing skill with other platforms, mainly mobile
Odd perhaps, as mobile is a key delivery vehicle for Social TV activity




SOURCE: GOOGLE/Ipsos – THE NEW MULTISCREEN WORLD AUG 2012
Short-Term Benefits, Long-Term Risk




This means agencies and brands are jumping in to support a slew of
new social/participatory marketing channels and platforms, at the
expense of others - sacrificing long-term leadership and creation of
institutional knowledge and IP
Am I Doing This Right?




And then there’s the issue of what constitutes social media and social
                            TV success?
Business Analytics Not Spoken Here


           What the F#@k do I measure?
“Multi-Platform Success Isn’t Sold in a Can”




In the rush to solve for this measurement question, brands invest
heavily in analytics software and tools, yet often fail to understand
how to use them effectively.
In Emergency, Break Glass Pull Lever




      It’s easier to buy technology than to invest in talent
Disconnected Experience




           …It’s not all an agency/brand issue
Social Media Platforms Create Walled Gardens




Consumers generate amazing amounts of useful data through social
engagement. But that data isn’t shared by social networks
There’s yet another challenge for Multi-Channel / Multi-Platform /
Multi-Screen marketing
From Insight to Application




 How do we unearth the complex narrative that details what drives
 people to participate (connect, co-create, comment, share, curate,
                                 etc.)

       …and in which context that participation takes place?
Designing for Multi-Channel Participation
Great Connected Experiences
…but a quick
look at an
executional
roadmap and
it’s clear why
this IS
inherently
complex
Great Connected Experiences


When done right, multi-channel
offers a foundation for the development,
production and roll-out of immersive stories and participatory
experiences for consumer brands across platforms
Case Study: Lion’s Gate & Ignition Agency Hunger Games
The Right Way to Launch a Franchise
⠋ Focus on creating social media groundswell months ahead of release
⠋ Invest in rich media and storytelling content far beyond simple games
  & collateral
⠋ Deliver content appropriate to the platform
⠋ “Inclusive Exclusivity”: Invite deep participation among core fans,
  then offer a variety of ways to engage - build interest among casual
  fans
⠋ Appreciate the devotion and intelligence of your audience (don’t
  skimp on the details)
⠋ Listen to your audience for their response and amp up what’s
  working.
Case Study: Happiness in a Bottle
When Coca-Cola Europe (with W&K Amsterdam) decided to extend
its original 2006 brand campaign for Happiness Factory, “the focus
was placed on the concept of liquid content, which Coke defines as
"the creation of stories that are expressed through every possible
connection ... each story must add value and significance to people’s
lives.”
- Business Insider, June 2012
Case Study: Coke With W&K “Happiness Factory”
Case Study: Coke “Happiness Lives On”
Why Happiness Continues to Grow
⠋ Happiness avoids "creating noise" through dynamic storytelling
⠋ Spreads content across a wide assortment of participatory
  platforms (and creates a few too) and yet still delivers a unified and
  coordinated brand experience”
⠋ Uses storytelling channels appropriately
   ⠋Formats - serial, multi-faceted (transmedia), spreadable,
     immersion and discovery, and engagement
⠋ Participation is lightweight, organic and meaningful
Key Take-Aways




⠋ Make stuff people want > Make people want stuff
     - Ian Fitzpatrick
Key Take-Aways




⠋Move from creative excellence to content excellence;
 learning to craft stories that are contagious and organically
 linked to spur conversation and participation
Key Take-Aways




⠋ Lead the charge from one-way to dynamic, multi-platform storytelling.
Key Take-Aways




⠋ Develop incremental aspects of your program or brand idea/story, to
  be dispersed systematically across platforms of conversation yield:
  unified & coordinated experiences
Key Take-Aways




⠋ Experimentation (a volume of small ideas launched quickly, allow
  some to fail, prepare for others to be successful - Social Listening is a
  key resource here
Key Take-Aways




⠋ Develop a response plan to support your multi-platform strategy.
  You’ll need to listen, act and react to an engaged audience 24/7/365
Key Take-Aways




⠋ Invest in 2nd screen platforms to experiment & learn. This
  imvestment sector is due for a market shake-out in 2013
Key Take-Aways




⠋ Technology can enable brilliant creativity. Make sure your agency
  knows how to generate ideas where you cannot separate message
  from technology…In fact, make sure to integrate technologists into
  your core creative team.
Key Take-Aways




⠋ Invest in advanced measurement talent. Multi-platform analytics in
  the era of big data is only going to get more lucrative and thus more
  valuable to build as an in-house capability
Thank You
Contributors:   nguyen duong
                kayla green
                danielle betras
                hailey marsh

@ ciaran212
e: ciaran.bossom@saatchila.com
thinkLA Trends Breakfast




                       PRESENTING SPONSOR




                       SUPPORTING SPONSOR




                                            #thinkTrends

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thinkLA Trends Breakfast 2012 - Ciaran Bossom

  • 3. The architecture of engagement: The pleasure and pain of multi-channel /multi-platform / multi-screen ciaran212 November, 28, 2012 #ThinkTrends
  • 4. Agenda ⠋ Tectonic Shifts in the Multi-Platform World: Then & Now ⠋ Native Content Surfers Bring New Storytelling Challenges ⠋ Multi-Screen Behaviors Evolved ⠋ The Preoccupation with Participation ⠋ Social TV and the Collaborative Media Experience ⠋ Crafting Deeper, Smarter Digital Analytics – Hope/Hype/Reality ⠋ How SSLA Sources Insights to Fuel Creative, Media & Technology ⠋ From Insight to Architecture ⠋ A Blueprint for Multi-Platform Storytelling ⠋ Case Studies ⠋ Key Take Aways
  • 5. What’s Driving The Focus on Multiplatform Cable TV ratings over the past year have dropped sharply ⠋ The percent of people worldwide who watch TV at least once a month dropped from 90% to 83% over the past year. ⠋ The percentage of people who watch video on a computer once a month-- 84%--is now higher than the percentage who watch TV. Source: Nielsen Global Survey of Multi- Screen Media Q3 2011 SOURCE: http://www.businessinsider.com/tv-business- collapse-2012-6#ixzz1xgNAd9ig
  • 6. What’s Driving The Focus on Multiplatform Key points of this shift in user behavior for the traditional TV business? ⠋ Audiences don't know/care which network owns the rights to a show or where it was broadcast. All that's relevant is whether it's available on Netflix, Hulu, Amazon or iTunes. This means that one of the key traditional businesses of TV, The Network is at risk ⠋ The majority of what we pay our cable company is wasted. We get broadband Internet from our cable company, and we use that constantly. But we also get 500 channels that we almost never watch, along with a couple (HBO, Tennis Channel) that we pay extra for and do watch occasionally. ⠋ We rarely watch TV ads, and when we do, we're usually doing something else at the same time--like typing. Also, the ads seem startlingly intrusive, because we're not used to them. SOURCE: http://www.businessinsider.com/tv-business-collapse-2012-6#ixzz1xgNAd9ig
  • 7. The World as We Knew It SOURCE: Gary P Hayes Product Development Manager ABC TV Multi Platform & Director StoryLabs.us
  • 8. Today’s Multiplatform Diaspora SOURCE: Gary P Hayes Product Development Manager ABC TV Multi Platform & Director StoryLabs.us
  • 9. Surfing Across Screens In today's world of seamless connectivity, we have become so comfortable with media technology that we shift from one platform to the next effortlessly.
  • 10. Oops, We Forgot to Deliver the Story The problem is that our content is not always shifting with us
  • 11. Where’s The Connected Experience? Consumers want all their media, all their content, all their experiences to be consistent across the entire digital ecosystem
  • 12. Bueller?.....Bueller? They also want it instantly. delay = disappointment, then brand abandonment
  • 13. Who’s The Problem Child? …And this issue is not just about kids, or their tech savvy millennial parents
  • 14. The Numbers Tell The Story Close to 40% of While watching TV Americans now 36% of P35-54 and use their 44% of P55-64 use tablets or their tablets to dive smartphones while deeper into the TV watching TV at program they are least once watching. a day, and twice as many do it at least once a month Source: Nielsen, Cross Platform Report Q2 2012
  • 15. Understanding Cross-Platform Behavior Source: Google/Ipsos The New Multiscreen World, Aug 2012
  • 16. Involve Me! …And consumers want organic ways to participate in the story
  • 17. So Many Platforms! For consumers, the flow of engagement tends to follow the path of least resistance
  • 18. So We Fish Where the Fish Are, Right? No surprise then that social media commands an increasing share of agency and brand attention and budgets. And as for SocialTV?......
  • 20. Biggest, Record-Setting Social TV Moments of 2012 During SuperBowl XLVII, Bluefin Labs says it counted 12.2 million social media comments, surpassing the previous all-time record high of 3 million held by the MTV VMAs. Trendrr said this year’s Super Bowl had approximately 5X the social activity over last year.
  • 21. Where Do I Invest My Resources? Many agencies and brands focus on social media at the expense of developing skill with other platforms, mainly mobile Odd perhaps, as mobile is a key delivery vehicle for Social TV activity SOURCE: GOOGLE/Ipsos – THE NEW MULTISCREEN WORLD AUG 2012
  • 22. Short-Term Benefits, Long-Term Risk This means agencies and brands are jumping in to support a slew of new social/participatory marketing channels and platforms, at the expense of others - sacrificing long-term leadership and creation of institutional knowledge and IP
  • 23. Am I Doing This Right? And then there’s the issue of what constitutes social media and social TV success?
  • 24. Business Analytics Not Spoken Here What the F#@k do I measure?
  • 25. “Multi-Platform Success Isn’t Sold in a Can” In the rush to solve for this measurement question, brands invest heavily in analytics software and tools, yet often fail to understand how to use them effectively.
  • 26. In Emergency, Break Glass Pull Lever It’s easier to buy technology than to invest in talent
  • 27. Disconnected Experience …It’s not all an agency/brand issue
  • 28. Social Media Platforms Create Walled Gardens Consumers generate amazing amounts of useful data through social engagement. But that data isn’t shared by social networks
  • 29. There’s yet another challenge for Multi-Channel / Multi-Platform / Multi-Screen marketing
  • 30. From Insight to Application How do we unearth the complex narrative that details what drives people to participate (connect, co-create, comment, share, curate, etc.) …and in which context that participation takes place?
  • 32. Great Connected Experiences …but a quick look at an executional roadmap and it’s clear why this IS inherently complex
  • 33. Great Connected Experiences When done right, multi-channel offers a foundation for the development, production and roll-out of immersive stories and participatory experiences for consumer brands across platforms
  • 34. Case Study: Lion’s Gate & Ignition Agency Hunger Games
  • 35. The Right Way to Launch a Franchise ⠋ Focus on creating social media groundswell months ahead of release ⠋ Invest in rich media and storytelling content far beyond simple games & collateral ⠋ Deliver content appropriate to the platform ⠋ “Inclusive Exclusivity”: Invite deep participation among core fans, then offer a variety of ways to engage - build interest among casual fans ⠋ Appreciate the devotion and intelligence of your audience (don’t skimp on the details) ⠋ Listen to your audience for their response and amp up what’s working.
  • 36. Case Study: Happiness in a Bottle When Coca-Cola Europe (with W&K Amsterdam) decided to extend its original 2006 brand campaign for Happiness Factory, “the focus was placed on the concept of liquid content, which Coke defines as "the creation of stories that are expressed through every possible connection ... each story must add value and significance to people’s lives.” - Business Insider, June 2012
  • 37. Case Study: Coke With W&K “Happiness Factory”
  • 38. Case Study: Coke “Happiness Lives On”
  • 39. Why Happiness Continues to Grow ⠋ Happiness avoids "creating noise" through dynamic storytelling ⠋ Spreads content across a wide assortment of participatory platforms (and creates a few too) and yet still delivers a unified and coordinated brand experience” ⠋ Uses storytelling channels appropriately ⠋Formats - serial, multi-faceted (transmedia), spreadable, immersion and discovery, and engagement ⠋ Participation is lightweight, organic and meaningful
  • 40. Key Take-Aways ⠋ Make stuff people want > Make people want stuff - Ian Fitzpatrick
  • 41. Key Take-Aways ⠋Move from creative excellence to content excellence; learning to craft stories that are contagious and organically linked to spur conversation and participation
  • 42. Key Take-Aways ⠋ Lead the charge from one-way to dynamic, multi-platform storytelling.
  • 43. Key Take-Aways ⠋ Develop incremental aspects of your program or brand idea/story, to be dispersed systematically across platforms of conversation yield: unified & coordinated experiences
  • 44. Key Take-Aways ⠋ Experimentation (a volume of small ideas launched quickly, allow some to fail, prepare for others to be successful - Social Listening is a key resource here
  • 45. Key Take-Aways ⠋ Develop a response plan to support your multi-platform strategy. You’ll need to listen, act and react to an engaged audience 24/7/365
  • 46. Key Take-Aways ⠋ Invest in 2nd screen platforms to experiment & learn. This imvestment sector is due for a market shake-out in 2013
  • 47. Key Take-Aways ⠋ Technology can enable brilliant creativity. Make sure your agency knows how to generate ideas where you cannot separate message from technology…In fact, make sure to integrate technologists into your core creative team.
  • 48. Key Take-Aways ⠋ Invest in advanced measurement talent. Multi-platform analytics in the era of big data is only going to get more lucrative and thus more valuable to build as an in-house capability
  • 49. Thank You Contributors: nguyen duong kayla green danielle betras hailey marsh @ ciaran212 e: ciaran.bossom@saatchila.com
  • 50. thinkLA Trends Breakfast PRESENTING SPONSOR SUPPORTING SPONSOR #thinkTrends