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On pop-up museums…

         Gemma Hutton
Marketing Officer at The Higgins Art
   Gallery & Museum, Bedford
‘The social web has ushered in a dizzying set of tools and design patterns
that make participation more accessible than ever.

They [the public] expect the ability to discuss, share, and remix what they
consume. When people can actively participate with cultural institutions,
those places become central to cultural and community life. ‘

Nina Simon, The Participatory Museum
A call to update Henry Wellcome’s curious collection.

•   Bring us a thing during our great bring-a-thing-athon.
•   Bring this, bring that, bring the other, just nothing bigger than your head.
•   Lend it, gift it, or if you can't bear to part with it, upload a photo of it.
•   Snooping is positively encouraged, so tell your friends about Things.
•   No one should miss this feast for the voyeur!
•   ‘So how can museums keep their displays up-to-date without spending millions of
    pounds?’

•   ‘Everyone’s making feature films: they need to be making news programmes.’

•   “These events are brilliant if they encourage people to look again,” he says. “But
    our starting point is, ‘How do we communicate history?’ We’re not a theatre; we
    are not about one-off emotional experiences.”

    ‘Flexible Thinking’ Museums Journal, October 2012

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Pop up museums - Gemma Hutton, Higgins , Bedford

  • 1. On pop-up museums… Gemma Hutton Marketing Officer at The Higgins Art Gallery & Museum, Bedford
  • 2. ‘The social web has ushered in a dizzying set of tools and design patterns that make participation more accessible than ever. They [the public] expect the ability to discuss, share, and remix what they consume. When people can actively participate with cultural institutions, those places become central to cultural and community life. ‘ Nina Simon, The Participatory Museum
  • 3.
  • 4.
  • 5.
  • 6. A call to update Henry Wellcome’s curious collection. • Bring us a thing during our great bring-a-thing-athon. • Bring this, bring that, bring the other, just nothing bigger than your head. • Lend it, gift it, or if you can't bear to part with it, upload a photo of it. • Snooping is positively encouraged, so tell your friends about Things. • No one should miss this feast for the voyeur!
  • 7.
  • 8. ‘So how can museums keep their displays up-to-date without spending millions of pounds?’ • ‘Everyone’s making feature films: they need to be making news programmes.’ • “These events are brilliant if they encourage people to look again,” he says. “But our starting point is, ‘How do we communicate history?’ We’re not a theatre; we are not about one-off emotional experiences.” ‘Flexible Thinking’ Museums Journal, October 2012