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AH 101 Test Two
Dr. Thomas Dewey
Albrecht Durër, The Four Horseman of the
Apocalypse, woodcut print, c.1497-98
Toshusai Sharaku, Otani Oniji III as Edohei,
multi-color woodblock print,1794.
Emil Nolde, The Prophet, woodcut
print, 1912.
Rockwell Kent, Workers of the World, Unite!,
woodengraving,1937.
Chuck Close, S.P. II, linocut print, 1997
Marcantonio Raimondi, after Raphael The
Judgment of Paris, reproductive engraving, c.
1514-18.
Rembrandt, Christ Preaching, etching,
c. 1652.
Francisco de Goya, Hasta la Meurte
(Until Death) from Los Caprichos,
etching and aquatint, 1797-1798.
Mary Cassatt, Woman Bathing,
drypoint and aquatint, 1891.
Kathe Kollwitz, Death and the
Mother, lithograph, 1934.
Henri de Toulouse-Lautrec, The Seated
Clowness, multi-color lithograph, 1896.
Elizabeth Catlett, Singing Their
Songs, color linocut, 1992.
Rembrandt van Rijn, Clump of Trees
With a Vista, 1652, drypoint
Robert Nanteuil (French, 1623-1678), Le
Maréchal de Castelnau, metal engraving, 1658
Carl Fudge, Rhapsody Spray 2,
digital silkscreen print, 2000.
Roger Cook, Don Shanosky
Symbol System for the Dept. of Tran.,
color poster, 1974
Paul Rand, Eye, Bee, M, 1981,
color poster, corporation logo
Albrecht Dürer: Letters, from Treatise
on Measurement, pen and ink,1525
Henri de Toulouse-Lautrec, La Goulue at the Moulin Rouge,
1891 poster, four-color lithographic poster
Norman Rockwell, The Tom Boy, cover for The Saturday
Evening Post, May 23, a cover illustration from an original
oil painting, 1953.
Camera obscura, illustration from
wood engraving
Loius-Jaques-Mande Daugerre, Boulevard du Temple,
1839, daguerreotype image
Hilaire-Germain-Edgar Degas, Place de la
Concorde, oil paint on canvas influenced by
snapshot photography, 1875
Sequential Instantaneous Photographs,
1870’s
Edward Steichen, Rodin—The Thinker, 1902,
photogravure
Alfred Stieglitz, The Steerage, 1907,
photogravure
Man Ray, Le Violon d’ Ingres,
altered 1924, photograph, (g.s.p.)
Jean-Auguste-Dominique Ingres, Bather of
Valpincon, 1808, oil on canvas
Arthur Rothstein – Fleeing a Dust Storm, Cimarron
County, Oklahoma, 1937, gelatin silver print, social
realist/documentary photography
Dorothea Lange, Migrant Mother, Nipomo, California, 1936,
social realist/documentary photography
Margaret Bourket-White Fort Peck Dam on the
Missouri River, 1936, documentary photography
W. Eugene Smith, Smoky City, 1955-
56, social realist photography
Abraham Blooteling, St. Peter, by or before
1690, Mezzotint
Nam June Paik, TV Buddha, 1974,
mixed media
Cindy Sherman, Untitled Film Still #35, black
and white photo frame still
Leonardo da Vinci, The Virgin of the Rocks, c. 1485, oil on wood
transferred to canvas.
Leonardo da Vinci, The Last Supper, 1495-1498, fresco (oil
and tempura on plaster.)
Leonardo da Vinci, Mona Lisa, 1503-05, oil on wood.
Leonardo da Vinci, Embryo in the Womb, 1510, pen and
ink on paper.
Donatello, Feast of Herod, 1424-27, bronze cast,
shallow relief.
Michelangelo Buonarroti, Awakening Slave, 1530-
34, marble, carved medium relief sculpture.
Elizabeth Catlett, Mother and Child #2, 1971, Walnut.
Duane Hanson, Museum Guard, 1975, Cast polyvinyl resin
plus clothing.
Alexander Calder, Untitled, 1976, painted aluminum and
tempered steel, fabricated and assembled
Rachel Whiteread, Watertower, 1998, Cast clear urethane.
Stonehenge, c. 2000 B.C., Salisbury Plain, England, Rock,
post and lintel system.
Pont du Gard, aquaduct, stone arch principle, 1st
century
A.D., near Nîmes, France.
Pantheon, 118-125 A.D., Rome, Italy, dome on a drum
Giovanni Panini, The Interior of the Patheon, 1735, coffered
dome ceiling, oil on canvas.
Hagia Sophia, 532-537 A.D., Istanbul, Turkey, Stone, dome
on pendentives.
Interior View of the Hagia Sophia, 532-537 A.D., Istanbul,
Turkey, Stone, dome on pendentives
View Toward the Apse at St. Savin-sur-Gartempe, 1095-1115 A.D.,
Poitou, France, stone barrel vault, the arch principle multiplied.
Interior View Exeter Cathedral, c. 1288-1308, Exeter, England, stone Gothic fan-ribbed
groin vault.
The Crystal Palace, 1851, London, England, Joseph
Paxton, cast and wrought iron and glass.
The Workshop Wing at the Bauhaus, 1925-26, Walter
Gropius, Dessau, Germany, steel, concrete, glass
Rockefeller Center,
Raymond Hood,
Wallace Harrison
and associates,
1931-37, steel,
glass, and concrete,
mixed use
skyscraper complex.
Notre-Dame-du-Haut, Le Corbusier,1955, Ronchamp,
France, poured concrete into forms with reinforced steel.
Interior View of Notre-Dame-du-Haut, Le Corbusier, 1955,
Ronchamp, France, ditto exterior view.
Norman Foster, Honk Kong Bank, 1979-86, Hong Kong,
China, steel, concrete, glass.
Interior View of the Hong Kong Bank, Norman Foster, 1979-86, Honk Kong,
China, steel, glass, concrete.

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