1.
St.
Paul’s
Catholic
College
Unit
G324:
Advanced
Portfolio
in
Media
(Old) Location
Open Door Church
Open
door
Church
Centre
Green
Street
Sunbury
TW16
6QQ
A
long
establishing
shot
of
the
front
of
the
church;
this
will
be
the
main
location
as
the
‘wedding’,
which
spans
most
of
the
trailer.
The
red
doors
will
be
a
main
focus
of
ours
as
it
will
be
a
POV
shot
that
introduces
the
bride
to
the
setting.
The
red
door
‘signifies’
(De
Saussure)
love
and
passion,
which
is
expected
of
a
wedding,
so
is
very
appropriate
however
later
on
in
the
trailer
we
can
see
that
it
is
not
a
happy
wedding,
changing
the
original
connotations
of
the
church
doors
to
perhaps
hate.
The
cars
in
front
of
the
church
reinforce
the
idea
that
our
characters
are
working
class
and
so
is
our
target
audience
which
will
help
them
‘personally
identify
‘
(Katz)
with
the
characters
on
screen.
With
the
door
only
having
one
handle,
it
gives
the
sense
that
entering
this
church
is
a
one
way
street;
there’s
no
turning
back
after
marriage;
it
is
not
easily
broken.
In
addition
the
handle
is
also
gold,
which
represents
luxury
and
wealth
the
complete
binary
opposites
(Strauss)
to
what
a
church
is
meant
to

2.
St.
Paul’s
Catholic
College
Unit
G324:
Advanced
Portfolio
in
Media
symbolise.
The
curtains
behind
the
church
will
be
used
to
conceal
the
bride
as
each
body
part
emerges,
it
will
also
make
the
point
of
view
shot
very
interesting.
Back
Front
Inside of the church
The
inside
of
the
church
will
be
filled
with
red
chairs,
in
rows
symbolising
unity
and
continuity
which
is
what
a
marriage
should
be
like;
forever,
it
is
also
an
expected
convention
at
a
wedding
which
we
have
‘repeated’
(Steve
Neale)
to
make
the
idea
of
the
wedding
very
obvious.
The
stain
glass
windows
at
the
back
lets
in
natural
light
and
the
celling
lights
will
allows
us
to
have
top
lighting
on
the
characters
to
accentuate
their
“goodness”
in
an
ironic
twist.
The
‘exist’
sign
on
the
door
of
church
is
also
a
nice
touch
because
any
shots
focused
on
it
will
suggest
that
this
marriage
is
something
that
they
should
escape
from.
The Reception
After
the
wedding
the
reception,
will
take
place
in
a
hall
close
to
the
church.
The
children’s
decorations
on
the
wall
are
very
effective;
because
when
we
have
cutaway
shots
to
the
surroundings
the
wedding
will
seem
very
amateur
and
childish.
This
is
what
we
will
be
trying
to
achieve
because
the
wedding
is
not
meant
to
be
‘posh’
but
instead
a
mockery
of
what
a
wedding
should
be
like.
Tables
will
be
set
within
the
hall
with
the
characters
placed
in
certain
areas
to
connote
their
status
or
their
relationship
between
each
other.
For
example
the
groom
and
bride
at
the
top
table
and
the
groom
further
down
but
closer
to
the
bride
to
show
his
lower
status
and
hidden
relationship
with
the
bride.

3.
St.
Paul’s
Catholic
College
Unit
G324:
Advanced
Portfolio
in
Media
(Old) Location
Due
to
circumstances
out
of
our
hands,
the
first
Location
cannot
be
used
due
to
time
restrictions.
As
a
group
we
then
changed
locations
to
our
plan
B,
which
is
church
much
closer
and
local
to
our
college.
However
even
St.
Ignatius,
turned
out
to
be
a
no,
as
it
would
be
closed
during
the
time
of
filming.
Although
the
manning
room
will
still
be
used
for
the
reception.
St Ignatius
Catholic Rectory, Green Street, Sunbury-on-Thames, TW16 6QB.
St.Ignatius
in
comparison
to
the
Open
door
church
is
very
old,
and
has
a
rustic
look
and
age
that
can’t
be
made.
It
is
in
complete
binary
opposition
to
the
wedding
which
will
be
unlike
the
old
traditional
weddings
as
it
is
a
shotgun
wedding
with
no
trimmings.
This
binary
opposition
(Strauss)
creates
this
overall
feeling
within
the
viewers
that
the
wedding
is
wrong
or
fake
because
of
the
complete
difference
between
setting
and
characters.
The
light
fixture
above
the
door
could
if
lit
be
very
effective
in
the
opening
establishes
shot,
as
the
bride
waits
below
it,
almost
bathing
her
in
light.
The
light
could

4.
St.
Paul’s
Catholic
College
Unit
G324:
Advanced
Portfolio
in
Media
give
the
impression
that
she
is
holy
and
pure
just
as
a
bride
is
meant
to
be.
However
as
a
team
we
decided
to
keep
the
light
un-­‐lit
to
further
emphasize
that
she
is
in
fact
not
holy,
as
she
committed
a
form
of
adultery,
by
sleeping
with
the
best
man
when
committed
to
another.
The
lack
of
light
could
also
connote
in
a
religious
sense
the
lack
of
God’s
approval
and
the
lack
of
a
‘bright’
future.
Aerial
view/High
angle
looking
down.
The
location
was
really
helpful
in
allowing
a
range
of
shots.
The
upper
level
holds
an
old
organ,
which
will
be
perfect
for
cutaway
shots,
that
emphasise
the
difference
between
setting
and
characters.
Hopefully
these
shots
will
depict
how
the
characters
don’t
belong
in
such
a
location.
The
stain
work
glass
The
altar
is
where
the
groom
windows
will
bring
in
a
lot
and
Best
man
will
be
waiting
of
natural
light,
which
will
making
it
a
very
important
limit
the
group’s
use
of
part.
The
steps
leading
to
the
artificial
light
or
editing.
alter
will
be
used
effectively
The
symmetrical
look
to
depict
the
status
of
the
aisle
will
also
down
the
characters-­‐
the
Priest
being
help
in
editing
if
the
walk
on
the
highest
level,
the
aisle
becomes
down
the
Groom
next
and
then
the
best
too
long
as
the
distance
man
or
the
floor,
reflecting
their
importance
to
the
bride
can
be
shortened.
as
well.
The
church
pews
are
long
so
can
house
many
guests,
but
since
the
wedding
is
a
quick
job,
the
quests
will
be
few,
so
the
pews
will
be
empty.
This
will
once
again
stress
the
idea
that
the
characters
are
very
different
to
the
norm.
Also
it
will
denote
how
their
wedding
is
not
socially
accepted.
The
pillars
on
the
other
hand
will
be
used
during
tracking
shots
to
break
up
the
frame
adding
the
idea
that
the
wedding
will
break.

5.
St.
Paul’s
Catholic
College
Unit
G324:
Advanced
Portfolio
in
Media
St Mary’s Church, Sunbury on Thames
After
a
lot
of
searching
of
churches,
we
finally
received
a
definite
yes
from
St.
Marys,
so
this
church
will
be
used
for
the
actual
wedding
and
St.
Ignatius
will
only
be
used
for
its
manning
room
at
the
back,
to
hold
our
small
reception.
The
church
is
beautifully
structured
with
a
bell
tower
that
is
very
traditional
to
churches
but
is
hard
to
find
these
days.
It
is
situated
near
the
River
Thames
and
has
a
graveyard
out
back.
This
leaves
a
lot
of
options
open
for
different
shots
that
were
not
planned.
The
river
can
give
the
trailer
a
more
joyful
look
and
the
graveyard
can
give
it
a
deathly
feel-­‐
as
if
she
signed
her
death
not
her
marriage.
The
interior
is
also
very
beautiful
with
stain
glass
windows,
statues
and
paintings
that
surround
it,
when
edited
the
church
could
be
made
to
look
very
ethereal
or
dark.
It
also
has
an
upper
level,
which
we
hope
to
use
for
our
high-­‐level
angle
shots.