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ADVOCACY



DON’T FORGET ABOUT
CHICKEN
I don’t know why I don’t care about the bottom of the ocean, but I don’t
There are but two powers in the world, the sword and the
mind. In the long run the sword is always beaten by the mind
Napoleon Bonaparte


There are two forces in the world today – US military power,
and the world public opinion
Time Magazine, 2003
WHAT CAMPAIGNERS
NEED TO KNOW?
For strategy, they need to understand POWER
For engagement, they need to understand MOTIVATION
They need to understand THE MEDIA
They need to have a VISION
They need to understand, express and use their own VALUES
They need to understand the ISSUE of the campaign
CAMPAIGNING,
LOBBYING, ADVOCACY
DO YOU REALLY
NEED TO
CAMPAIGN?
1. REALITY CHECK
2. CAMPAIGNING IS
NOT EDUCATION
  EDUCATION         CAMPAIGNS




   Broadening        Narrowing
3. ANALYSE THE FORCES
 You know what you are concerned
             about
  You know what needs to change
    WHY HASN’T IT CHANGED
          ALREADY?
3. K.I.S.S
CAMPAIGNS ARE COMMUNICATION
EXERCISE
MESSAGE CAN BE TRANSMITTED IN
MANY WAYS
      IF YOU FIND A FIRE         IF YOU FIND A FIRE
                             1.Network with your
                             neighbours
   1.Raise the alarm
                             2.Explain the issues and
   2.Go immediately to the   the processes of ignition,
   place of safety           fuel effects, oxidation and
   3.Call the fire brigade   ion plasmas, and address
                             the social and economic
                             justice dimensions
                             3.Educate decision-makers
                             regarding the
                             establishment of an
                             adequately resourced fire
                             brigade and fire
                             prevention culture, ask
                             your neighbours to join in
4. RIGHT COMPONENTS
The two words ‘information’ and ‘communication’ are often
used interchangeably, but they signify 2 different things.
Information is giving out; communication is getting through.
Sidney J. Harris


A useful version for the campaigns:


Awareness          Alignment   Engagement        Action
COMMUNICATION
MODEL
If you find a fire             AWARENESS
We are all in danger           ALIGNMENT
Let’s go this way              ENGAGEMENT
We are leaving                 ACTION


Awareness – establishes the subject
Alignment – establishes that it is relevant for everyone
Engagement – is an appeal to join in
Action- is what is needed
CAMPAIGN COMMUNICATION
JIGSAW
5. START WHERE
YOUR AUDIENCE IS
When it comes to communication, do your market research.
Say you need to persuade a group of councillors to take a
particular decision about a forest. You may think it's
important for frogs or as a watershed. But what do they see ?
What if they use it for jogging or 50% of their constituents are
woodcutters ? You may see a forest but they may see timber,
or an exercise area. Put the issue in their terms.
6. CONSTRUCT A CRITICAL
PATH

 All issues are complex but
 your campaign must not be
7. CAMPAIGN AGAINST
UNACCEPTABLE


Your campaign may be 'about an issue'
but to engage people it will need to have
    a much more specific 'battlefront'.
  Choosing that battlefront is a crucial
                 task.
8. MAKE REAL THINGS
HAPPEN
Nobody remembers what David and Goliath were fighting
about – everyone knows who won
Tom Burke, Friends of Earth




The best campaigns communicate themselves because they
involve doing
9. SAY WHAT YOU
MEAN – RASPB-ERRY
Responsible party
Action – the action you want
people to take
Solution
Problem
Benefit
Illegal loggers are felling valuable timber and wrecking this
ancient forest (Problem)
Effective policing and certification of timber has stopped this
elsewhere (Solution)
Wildlife and communities benefit from sustainable
management (Benefit)
The government of X is to blame because it’s not enforcing
the law (responsible party)
We want people to call their MPs to lobby the government
(Action)
CAMPCAT
Channel – how the message gets there
Action – what we want to happen (and what the audience is
asked to do)
Messenger – who delivers the message
Programme – why we are doing it
Context – where and when the message arrives
Audience – who are we communicating with
Trigger – what will motivate the audience to act
10. FIND THE CONFLICT IN
EVENTS – MAKE THE NEWS
Conflict is inherent to campaigns. Without a conflict of
interest, a campaign would not be needed.
Campaigns make news when they create change, make a
difference, or threaten to do so. A conflict just of ideas is of
interest only to academic or political theoreticians. What
counts for the rest of us is who comes out on top, what gets
changed, how does it affect me, my family, my life and how it
can be lived.
If you have a campaign it will be in conflict with someone,
somewhere. That is probably your most newsworthy
opportunity.
11. COMMUNICATE IN
PICTURES
12. DON’T SEND
MESSAGES
DO’S AND DON’T’S
Be simple: Avoid ‘the issue”
Avoid black holes and elephants
Don’t be led by the press agenda
Evaluation
Don’t believe your detractors
Worry about the right things
Don’t assume we need to change minds
Consider failure
Should we use celebrities?
PROBLEM TREE
Campaigning yee

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Campaigning yee

  • 2. I don’t know why I don’t care about the bottom of the ocean, but I don’t
  • 3. There are but two powers in the world, the sword and the mind. In the long run the sword is always beaten by the mind Napoleon Bonaparte There are two forces in the world today – US military power, and the world public opinion Time Magazine, 2003
  • 4. WHAT CAMPAIGNERS NEED TO KNOW? For strategy, they need to understand POWER For engagement, they need to understand MOTIVATION They need to understand THE MEDIA They need to have a VISION They need to understand, express and use their own VALUES They need to understand the ISSUE of the campaign
  • 6. DO YOU REALLY NEED TO CAMPAIGN? 1. REALITY CHECK
  • 7. 2. CAMPAIGNING IS NOT EDUCATION EDUCATION CAMPAIGNS Broadening Narrowing
  • 8. 3. ANALYSE THE FORCES You know what you are concerned about You know what needs to change WHY HASN’T IT CHANGED ALREADY?
  • 9. 3. K.I.S.S CAMPAIGNS ARE COMMUNICATION EXERCISE
  • 10. MESSAGE CAN BE TRANSMITTED IN MANY WAYS IF YOU FIND A FIRE IF YOU FIND A FIRE 1.Network with your neighbours 1.Raise the alarm 2.Explain the issues and 2.Go immediately to the the processes of ignition, place of safety fuel effects, oxidation and 3.Call the fire brigade ion plasmas, and address the social and economic justice dimensions 3.Educate decision-makers regarding the establishment of an adequately resourced fire brigade and fire prevention culture, ask your neighbours to join in
  • 11. 4. RIGHT COMPONENTS The two words ‘information’ and ‘communication’ are often used interchangeably, but they signify 2 different things. Information is giving out; communication is getting through. Sidney J. Harris A useful version for the campaigns: Awareness Alignment Engagement Action
  • 12. COMMUNICATION MODEL If you find a fire AWARENESS We are all in danger ALIGNMENT Let’s go this way ENGAGEMENT We are leaving ACTION Awareness – establishes the subject Alignment – establishes that it is relevant for everyone Engagement – is an appeal to join in Action- is what is needed
  • 14. 5. START WHERE YOUR AUDIENCE IS When it comes to communication, do your market research. Say you need to persuade a group of councillors to take a particular decision about a forest. You may think it's important for frogs or as a watershed. But what do they see ? What if they use it for jogging or 50% of their constituents are woodcutters ? You may see a forest but they may see timber, or an exercise area. Put the issue in their terms.
  • 15. 6. CONSTRUCT A CRITICAL PATH All issues are complex but your campaign must not be
  • 16. 7. CAMPAIGN AGAINST UNACCEPTABLE Your campaign may be 'about an issue' but to engage people it will need to have a much more specific 'battlefront'. Choosing that battlefront is a crucial task.
  • 17. 8. MAKE REAL THINGS HAPPEN Nobody remembers what David and Goliath were fighting about – everyone knows who won Tom Burke, Friends of Earth The best campaigns communicate themselves because they involve doing
  • 18. 9. SAY WHAT YOU MEAN – RASPB-ERRY Responsible party Action – the action you want people to take Solution Problem Benefit
  • 19. Illegal loggers are felling valuable timber and wrecking this ancient forest (Problem) Effective policing and certification of timber has stopped this elsewhere (Solution) Wildlife and communities benefit from sustainable management (Benefit) The government of X is to blame because it’s not enforcing the law (responsible party) We want people to call their MPs to lobby the government (Action)
  • 20. CAMPCAT Channel – how the message gets there Action – what we want to happen (and what the audience is asked to do) Messenger – who delivers the message Programme – why we are doing it Context – where and when the message arrives Audience – who are we communicating with Trigger – what will motivate the audience to act
  • 21. 10. FIND THE CONFLICT IN EVENTS – MAKE THE NEWS Conflict is inherent to campaigns. Without a conflict of interest, a campaign would not be needed. Campaigns make news when they create change, make a difference, or threaten to do so. A conflict just of ideas is of interest only to academic or political theoreticians. What counts for the rest of us is who comes out on top, what gets changed, how does it affect me, my family, my life and how it can be lived. If you have a campaign it will be in conflict with someone, somewhere. That is probably your most newsworthy opportunity.
  • 24. DO’S AND DON’T’S Be simple: Avoid ‘the issue” Avoid black holes and elephants Don’t be led by the press agenda Evaluation Don’t believe your detractors Worry about the right things Don’t assume we need to change minds Consider failure Should we use celebrities?