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ARCHITECTURAL
SEMINAR
PETER
BEHRENS
BY – RAVINDRA SINGH
08110033
B. ARCH. 3RD YR
PROFILE
 BORN - 14 APRIL, 1868 IN
HAMBURG
 DIED - FEB 27,1940 IN BERLIN
 EDUCATION - STUDIED
PAINTING AT THE SCHOOL OF
...
 FROM 1890 WORKED AS A PAINTER AND GRAPHIC ARTIST
IN MUNICH
 1893 – WAS THE FOUNDING MEMBER OF THE MUNICH
SECESSION
 18...
STYLE
 EARLY GRAPHIC WORK WAS HEAVILY INFLUENCED
BY ART NOUVEAU
 FROM 1907 HIS WORK BECAME MORE NEO-
CLASSICAL
 LATER H...
ART NOUVEAU
IT IS AN INTERNATIONAL MOVEMENT
AND STYLE OF ART, ARCHITECTURE
AND APPLIED ARTS CHARACTERIZED
BY ORGANIC, ESPE...
LIST OF WORKS
YEAR BUILDING
1890 HAUS BEHRENS, DARMSTADT
1908-09 AEG TURBINE HALL, BERLIN
1911-12 GERMAN EMBASSY IN ST.
PE...
HAUS BEHRENS
GERMAN EMBASSY AT
ST. PETERSBERG
IG FARBEN HOCHST
HEADQUARTERS FRANKFRUT
NEW WAYS PARIVATE
DWELLING
NORTHAMPTON
AEG TURBINE HALL BERLIN
 DESIGNED IN COLLABORATION
WITH ENGINEER KARL BERNHARD
 WAS STARTEGICALLY PLACED
ON SOUTHERN EDGE OF
FACTORY COMPLEX, FA...
 CONFLICT BETWEEN
TECTONIC CHARACTER OF
FERRO-VITREOUS WIDE SPAN
OFFERED BY ENGINEER AND
BEHRENS ADHERENCE TO THE
CONCEPT...
PLAN
SECTION
 CONCEALMENT OF THE FACT THAT ACTUAL ARCHITECTURAL
SYSTEM CONSISTED OF SERIES OF HINGED ARCHES BY
CAPPING THE BUILDING WI...
INWARDLY INCLINED GLAZING BETWEEN
THE STRUCTURAL MEMBERS OF THE SIDE
ELEVATION ENFORCE THE IDEA OF A
STEREOTOMIC VOLUME
BEHRENS AS INDUSTRIAL
DESIGNER
REFERENCES
•http://www.behrens-peter.com/
•http://www.greatbuildings.com/
•http://www.wikipedia.org/
Peter Behrens
Peter Behrens
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Peter Behrens

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Architects Seminar by Arnav Mathur

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Peter Behrens

  1. 1. ARCHITECTURAL SEMINAR PETER BEHRENS BY – RAVINDRA SINGH 08110033 B. ARCH. 3RD YR
  2. 2. PROFILE  BORN - 14 APRIL, 1868 IN HAMBURG  DIED - FEB 27,1940 IN BERLIN  EDUCATION - STUDIED PAINTING AT THE SCHOOL OF ART IN KARLSRUHE (1886- 1889)
  3. 3.  FROM 1890 WORKED AS A PAINTER AND GRAPHIC ARTIST IN MUNICH  1893 – WAS THE FOUNDING MEMBER OF THE MUNICH SECESSION  1899 – JOINED ARTISTS COLONY ON THE MATHILDENHOHE IN DARMSTADT  1903 – BECAME DIRECTOR OF THE SCHOOL OF APPLIED ARTS IN DUSSELDORF  1907 – BECAME ARCHITECT AND DESIGNER FOR GERMAN ELECTRICAL COMPANY AEG IN BERLIN  1922 – BECAME THE DIRECTOR OF SCHOOL OF ARCHITECTURE IN VIENNA ACADEMY OF ARTS  1936 – BECAME THE HEAD OF DEPARTMENT OF ARCHTECTURE AT THE PRUSSIAN ACADEMY OF ARTS, BERLIN TIME LINE
  4. 4. STYLE  EARLY GRAPHIC WORK WAS HEAVILY INFLUENCED BY ART NOUVEAU  FROM 1907 HIS WORK BECAME MORE NEO- CLASSICAL  LATER HE DESIGNED BUILDINGS WITH MODERNIST CHARACTERISTICS
  5. 5. ART NOUVEAU IT IS AN INTERNATIONAL MOVEMENT AND STYLE OF ART, ARCHITECTURE AND APPLIED ARTS CHARACTERIZED BY ORGANIC, ESPECIALLY FLORAL AND OTHER PLANT INSPIRED MOTIFFS, AS WELL AS HIGHLY STYLIZED, FLOWING CURVILLINEAR FORMS.
  6. 6. LIST OF WORKS YEAR BUILDING 1890 HAUS BEHRENS, DARMSTADT 1908-09 AEG TURBINE HALL, BERLIN 1911-12 GERMAN EMBASSY IN ST. PETERSBERG 1920-25 IG FARBEN HOCHST HEADQUARTERS IN FRNKFURT 1926 NEW WAYS, PRIVATE DWELLING IN NORTHAMPTON
  7. 7. HAUS BEHRENS
  8. 8. GERMAN EMBASSY AT ST. PETERSBERG
  9. 9. IG FARBEN HOCHST HEADQUARTERS FRANKFRUT
  10. 10. NEW WAYS PARIVATE DWELLING NORTHAMPTON
  11. 11. AEG TURBINE HALL BERLIN
  12. 12.  DESIGNED IN COLLABORATION WITH ENGINEER KARL BERNHARD  WAS STARTEGICALLY PLACED ON SOUTHERN EDGE OF FACTORY COMPLEX, FACING BERLIN AND THE WORLD AS A SHOW FRONT OF THE PROSPEROUS INDUSTRIAL MAGNATE  MAGNIFICENT IRON AND GALSS HYBRID OF TWO EMINENTLY CLASSICAL TEMPLE TRADITIONS – THE GREAK AND THE EGYPTIAN  BEHRENS BELIEVED THAT UNDER THE ARTISTIC WILL OF THE DESIGNER, THE FACTORY COULD BE TRANSFORMED INTO AN ENTITY OF HIGH CULTURE
  13. 13.  CONFLICT BETWEEN TECTONIC CHARACTER OF FERRO-VITREOUS WIDE SPAN OFFERED BY ENGINEER AND BEHRENS ADHERENCE TO THE CONCEPT OF STEREOTOMIE  STRUCTURAL MAKE UP OF FACTORY CONSISTED OF AN ASYMMETRICAL THREE-HINGED ARCH RE-INFORCED BY A TIE BEAM  THE LONGER HALF OF THE ARCH SPRINGS VERTICALLY UP TO THE SECOND HINGE AND THEN BREAKS IN THREE FACETS BEFORE REACHING THE THIRD HINGE AT THE APEX OF THE ARCH  WILLFULL INTERFERENCE BY BEHRENS INTO THE ENGINEERS
  14. 14. PLAN
  15. 15. SECTION
  16. 16.  CONCEALMENT OF THE FACT THAT ACTUAL ARCHITECTURAL SYSTEM CONSISTED OF SERIES OF HINGED ARCHES BY CAPPING THE BUILDING WITH A VOLUMINOUS CORNICE CUTTING THE ARCH AT THE TOP OF ITS VERTICAL MEMBER  VISUAL IMPRESSION OF TRABEATED SYSTEM IN WHICH VERTICAL MEMBERS OF ARCH REPRESENTED THE COLUMNS OF A CLASSICAL TEMPLE
  17. 17. INWARDLY INCLINED GLAZING BETWEEN THE STRUCTURAL MEMBERS OF THE SIDE ELEVATION ENFORCE THE IDEA OF A STEREOTOMIC VOLUME
  18. 18. BEHRENS AS INDUSTRIAL DESIGNER
  19. 19. REFERENCES •http://www.behrens-peter.com/ •http://www.greatbuildings.com/ •http://www.wikipedia.org/

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