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ABSTRACT EXPRESSIONISM What’d ya expect?  A Pollock?! lol.
[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],Greenberg stressed to this committee that the best Avante-Garde artists in the world were some of the pursuers of “American Type Painting” and he heavily stressed the Abstract Expressionists as leaders in this group.  These artists were pursuing a flatness of the picture plane-arguing that paintings are a two dimensional object, thus dismissing the depth found in most art movements before hand.  Greenberg was the first (but unfortunately not the last) art critic to completely champion an art movement and it’s artists and shoved them into the global limelight.  His prize stud- Jackson Pollock.
[object Object],[object Object]
[object Object],[object Object],[object Object],Untitled 1951 Solomon R. Guggenheim Museum Number 4, 1948: Gray and Red 1948 Frederick R. Weisman Foundation The first one is just garish but shows and early affinity for the layering of line work, the franticness of the strokes and a certain busyness in the middle- all of these will be pushed and reflected highly in later paintings.  Still…what are those at the top cartoon eyes?  Awful! Look at this!  Raw (unprimed, unpainted) canvas is the surface chosen for this piece… 1947-48 is when he really starts dripping on a painting also, he’s now using the entire piece for the drips to stretch out to the corners and have no relationship to a reference point as above. This little number shows more of an all-over feel to it.  It lacks the clumped up spaces that the painting above has and the mark making is more distributed and even.  Kinda neat to see the progression .
 
Number 1 (1948 68”x104” Oil, enamel and aluminum paint on Canvas National Gallery of Art, Washington DC
Another Abstract Expressionist leader, Willem de Kooning was the only well recognized painter in this new art form to use figurative elements in his work.  Referred to as “Action painting”, de Kooning’s work has a feeling of feverish paint application, speedy and ‘from the arm’ (as opposed to painting from the wrist) de Koonings work was very rough and grotesque.  There is beauty in the grotesque though,  just ask Steven A. Cohen; hedge fund manager and founder of SAC Captial Advisors.  He bought this painting for  $137M.  Making it the second most expensive painting ever sold (next to Jackson Pollock’s #5).  It was sold by David Geffen who got it from Thomas Ammann Fine Art for the remainder of a 16 th  century Persian manuscript.  Crazy huh?! Woman III 1953 68x48.5”  Oil on Canvas Private Collection
Pablo (yeah we’re on a first name thing like that) Baigneur et Baigneuses 1921 W de Kooning Woman I 1950-52 6’4x58 Oil on canvas William de Kooning Foundation Woman VI,  1953 oil on canvas 68 1/2 X 58 1/2 in. (174 X 148.6 cm) (…if it makes you feel any better- I don’t really like most of the Woman series either :P)
[object Object],Untitled #61 Oil on Canvas Apparently most dipshit bloggers don’t care enough to put down a date or size :P
Entrance to Subway [Subway Scene], 1938 For a few years Rothko and a few compatriots invent the style of Academicism- basically a style motivated by traditional art narratives (form, color, balance, composition) but with a strong emphasis on the subject matter.  These paintings were really ugly and usually pretty poorly painted.  During this time Rothko experimented with watercolors and the luminosity and fluidity would be another hallmark of his artistic identity(left).  Untitled 1945-1946 National Gallery of Art Gift of The Mark Rothko Foundation, Inc., 198
[object Object],No. 14, 1960 Oil on Canvas
Room in ‘Rothko Chapel Houston, TX
[object Object],[object Object]
[object Object],[object Object],He was labeled an “Action Painter" because of his seemingly spontaneous and intense style, focusing less, or not at all, on figures or imagery, but on the actual brush strokes and use of canvas.
[object Object]

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Potd22 abstract expressionism

  • 1. ABSTRACT EXPRESSIONISM What’d ya expect? A Pollock?! lol.
  • 2.
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.  
  • 8. Number 1 (1948 68”x104” Oil, enamel and aluminum paint on Canvas National Gallery of Art, Washington DC
  • 9. Another Abstract Expressionist leader, Willem de Kooning was the only well recognized painter in this new art form to use figurative elements in his work. Referred to as “Action painting”, de Kooning’s work has a feeling of feverish paint application, speedy and ‘from the arm’ (as opposed to painting from the wrist) de Koonings work was very rough and grotesque. There is beauty in the grotesque though, just ask Steven A. Cohen; hedge fund manager and founder of SAC Captial Advisors. He bought this painting for $137M. Making it the second most expensive painting ever sold (next to Jackson Pollock’s #5). It was sold by David Geffen who got it from Thomas Ammann Fine Art for the remainder of a 16 th century Persian manuscript. Crazy huh?! Woman III 1953 68x48.5” Oil on Canvas Private Collection
  • 10. Pablo (yeah we’re on a first name thing like that) Baigneur et Baigneuses 1921 W de Kooning Woman I 1950-52 6’4x58 Oil on canvas William de Kooning Foundation Woman VI,  1953 oil on canvas 68 1/2 X 58 1/2 in. (174 X 148.6 cm) (…if it makes you feel any better- I don’t really like most of the Woman series either :P)
  • 11.
  • 12. Entrance to Subway [Subway Scene], 1938 For a few years Rothko and a few compatriots invent the style of Academicism- basically a style motivated by traditional art narratives (form, color, balance, composition) but with a strong emphasis on the subject matter. These paintings were really ugly and usually pretty poorly painted. During this time Rothko experimented with watercolors and the luminosity and fluidity would be another hallmark of his artistic identity(left). Untitled 1945-1946 National Gallery of Art Gift of The Mark Rothko Foundation, Inc., 198
  • 13.
  • 14. Room in ‘Rothko Chapel Houston, TX
  • 15.
  • 16.
  • 17.