1. PAINTING

2. PAINTING
 -one of the fine arts that depicts various
intrinsic values of man through
imaginative aggregation of lines and
color.
-expresses the artist’s perceptions and
feelings on a particular selected subject.
-the artist selection of a subject comes
from his understanding and
interpretation of his feelings and
emotions.

3. PAINTING
 -beautiful expression of the artist’s inner feeling
– sadness, happiness, fear, anger, anxiety,
stillness or peacefulness, turbulence or chaos.
 -what he thinks and feels, giving the subject its
meaning for the art lover to enjoy and draw
meaning as well.
 Art of applying pigments to surface in order to
present a picture of the subject.

4. ELEMENTS
OF
PAINTING

5. ELEMENTS OF PAINTING

6. SUBJECT
 answers the what of the piece of painting. What
is the painting about?
Portraiture
Animals and plants
Still life
Country life
Landscape
Seascape
Cityscape
Event religious
Others

7. SUBJECT
 PORTRAITURE – pictures of men or women
singly or collectively

8. SUBJECT
 ANIMALS AND PLANTS – because of constant
contact with their interest in these living
organisms, it was inevitable for them to paint
these things they needed to survive

9. SUBJECT
 STILL LIFE – painting of an inanimate object or
non-living thing placed on a table or another
setting.
 Availability and capability to be organized.

10. SUBJECT
 COUNTRY LIFE – scenes in countryside
happening daily in the community.
Barrio fiesta
Parade
Harvest
Big catch of fishes
Natural calamity

11. SUBJECT
 LANDSCAPE- any land forms including volcano,
mountain, hill, valley, plain, cliff, etc.

12. SUBJECT
 SEASCAPE- any of the water forms: ocean, sea,
river, lake, brook, pond, falls etc.

13. SUBJECT
 CITYSCAPE- aerial view of a city or a portion of
it can be the subject

14. SUBJECT
 EVENT
 “SPOLIARIUM”
 BLOOD COMPACT

15. SUBJECT
 RELIGIOUS ITEMS – common during the
Renaissance period
 Holy family
 Madonna and child
 Jesus Christ
 Angels
 Saints

16. SUBJECT
 OTHERS- mythological, fictional, cartoon
characters

17. MEDIUM
 Differ not only in their inherent qualities but also
in the effects they produce.
 Refers to the materials used by the artist.

18. MEDIUM
 Fresco- pigment is mixed with water and
applied to wet plaster.
 Italian for Fresh
 Done with the use of earth pigments mixed in
water and applied to fresh plaster or glue which
attaches the color to the surface like the wall.
 Biggest advantage is its durability.

19. FRESCO
 Buon fresco/ true fresco – when the plaster is wet
 Fresco secco- when the plaster is dry.
 Advantages / Disadvantages:
 Quick to dry
 Difficult to correct
 Not movable
 Subject to loss in the event that the walls are
destroyed.

21. MEDIUM
 Water color-pigment mixed with water and
applied to the surface of smooth or rough paper.
 Colors are applied in very thin layers
 Gouache-opaque water color
 -produced by grinding opaque colors with water
and combining them with a preparation of gum
and adding Chinese white to transparent colors.

23. MEDIUM
 Oil-which is done on canvas or prepared wood
panel
 Done with the use of ground pigments (from
minerals, coal tar, vegetable matter, etc.)
 Long-lasting, slow in drying, easy to handle and
manipulate texturally, and capable of being
corrected.

24. OIL
 Applied in 2 ways:
 Direct method- paints are opaque and once
applied on the surface, they dry up and give the
finished product its final appearance
 Indirect method- transparent and they are
applied in many thin layers or coatings.

26. MEDIUM
 Tempera- done with
the use of ground
pigments mixed with
the albuminous or
colloidal vehicle (egg
yolk, gum, glue, or
casein)
 -readily dries with the
evaporation of water
 Luminosity of tone as
an effect on the wood
panel, ground or
surface.

27. MEDIUM
 Pastel- closely resembling dry pigments bound
to form crayons, which are directly applied to the
surface.
 Very flexible medium
 Difficult to preserve

28. MEDIUM
 Acrylic- use of synthetic paints called acrylics
mixed with a vehicle capable of being thinned
with water.
 Possesses flexibility of oil and the transparency
and the fast-drying ability of water color
 Soluble in water and can be applied on almost all
surfaces.
 Has no tendency to crack or darken or yellow
with age.
 Acrylic emulsion/ polymer- serves as its binding
agent

30. MEDIUM
 Encaustic- done with the use of hot wax as a
vehicle to bind pigments to a wooden panel or
wall.
 Durable
 Colors remain vibrant and its
surface maintain hard luster
 Difficult to manipulate

31. TOOLS
 BRUSH – used to have a variety of strokes
 PALETTE- contains or holds the painting
medium
 PALETTE KNIFE – used to mix colors, add,
scrape or remove colors
 EASEL- frame that supports the painting

33. EVOLUTION OF
PAINTING
Painting has mirrored the
changing world and man’s ideas
about it.

34. FACTORS THAT INFLUENCED
THE HISTORY OF PAINTING
 Geography
 Religion
 National characteristics
 Historic events
 Development of new materials

35. EVOLUTION OF PAINTING
 Painting progressed slowly through the
Medieval, Renaissance, Mannerist, Baroque,
Classic, Rococo, Neoclassic, and Romantic
periods.

36. PREHISTORIC PERIOD
 Ancient Egyptians- used paintings in their burial
sites
 Cave paintings
 Grotte-Vhauvet – oldest known painting believed
to be about 32,000 years old

38. GREEK PERIOD
 Paintings are found in pottery and ceramics
 Zeuxis, Parrhasius, and Apelles – famous Greek
painters in wooden panels
 Greatest painter of antiquity for his technique in
drawing, coloring, and modeling.

39. ROMAN PERIOD
 Influenced by
Ancient Greek
paintings
 Wall paintings from
villas in Campania,
Southern Italy,
which can be
grouped into four
main “styles” or
periods.

40. MEDIEVAL
 Rise of Christianity
 Brought different spirit and aim to painting
styles

41. RENNAISANCE PERIOD
 Golden age of painting
 14th
-mid 17th
century
 Leonardo, Michaelangelo, Raphael

42. BAROQUE PERIOD
 1600 to last years of 17th
century
 Paintings with dramatic light and shade, violent
composition, exaggerated emotion

43. CLASSIC PERIOD
 Refers to the art of Ancient Greek and Rome”
 Art of Greece in the 5th
century B.C.
 Any art that is based on a carefully organized
arrangement of parts, with special emphasis on
balance and proportion.

44. ROCOCO PERIOD
 18th
century
 Lighter than that of Baroque, often frivolous and
erotic

45. ROMANTIC PERIOD
 Shifted the attention toward landscape and
nature as well as the human figure and the
supremacy of natural order above mankind’s will

46. REALIST AND NATURALIST PERIOD
 Late 1800s
 Linked mainly with their rejection of
Impressionism.
 Post-impressionists
 Divided into three groups
 Expressionists- Vincent van Gogh, Paul Gaugin
(personal expression)
 Formalists- Paul Cezanne(composition and structure)
 Realists and naturalists- Gustave Courbet (used
light, shade, color, and perspective to reproduce as
closely as possible the appearance of objects in
nature.

47. IMPRESSIONIST PERIOD
 Last half of 19th
century
 Tried to capture the quality of light as it plays
across landscapes and figures.
 Used small strokes of contrasting colors next to
each other to create illusion of vibrating light.

48. MODERN PERIOD
 Early 20th
century
 Avante-garde artists experimented on new styles
of formalist painting and such experimentation
led to the birth of Cubism, Futurism, De Stijl,
and Suprematism

49. NOTABLE ARTISTS

50. AMORSOLO, FERNANDO
 May 30, 1892-April 26, 1972
 Portraitist and painter of rural
Philippine landscapes.
 Father of Philippine Realism for
his numerous realistic paintings.
 “Bombing of the Intendencia”
 “the Burning of Manila”
 “Dalagang Bukid”
 “the First Baptism in the
Philippines”
 “The First Mass in the Philippines”
 “Planting Rice”
 “Princess Urduja”
 “Sikatuna”

52. HIDALGO, FELIX RESURRECTION
 February 21, 1853-
March 13, 1913
 Contemporary of Juan
Luna who placed
second in an
international art
exposition in Madrid
 Las Virgenes Cristianas
Expuestas al Populacho
(2nd
)
 LaBarca de Aqueronte
(gold)
 Adios al Sol (silver)

54. LUNA, JUAN
 Oct. 23, 1857-Dec. 7, 1899
 Death of Cleopatra (gold)
 Spoliarium
 The Blood Compact
 Ang Tagumpay ni Lapu-
Lapu

56. MALANG- SANTOS, MAURO
 Worked as a graphic
artist and cartoonist at
the Manila Chronicle
 Created comic strip
characters Kosme the
Cop (retired) and
Chain Gang Charlie
 Pastoral
 Tres Marias

58. MANANSALA, VICENTE
 Philippine Cubist painter
and illustrator
 Madonna of the Slums
 Jeepneys
 Kalabaw
 Bangkusay Seascape
 Stations of the Cross

62. BUONARROTI, MICHAELANGELO DI
LODOVICO
 Italian Renaissance
artist
 Frescoes at the Sistine
chapel ceiling
 The creation of man
 The fall of man
 The story of Noah
 The last judgment
 Conversion of Saul
 Martyrdom of St. Peter

65. DA VINCI, LEONARDO
 The archetype of the
“Renaissance Man”
 The Annunciation
 The Adoration of the
Magi
 The Virgin of the Rocks
 The Last Supper
 Mona Lisa
 Self-Portrait

68. SANZIO, RAPHAEL
 Master painter and
architect of the Italian
High Renaissance
 The Small Cowper
Madonna
 The Nymph Galatea
 Madonna del Granduca
 St. George Fighting the
Dragon

71. VAN GOGH, VINCENT
 Dutch post-
impressionist artist
 Lunatic confined in an
asylum where he
produced some of his
world-renowned works
 The Starry Night
 Fisherman on the
beach
 Two rats
 Self-portrait