SlideShare a Scribd company logo
1 of 12
Download to read offline
How to Critique a Photo
        Colin Crosby
        Mr. Boothby
            1/7/8
4 Steps to a Successful
Photo
1.  Value
2.  Clarity
3.  Presentation
4.  Composition
   a.    Point of Interest
   b.    lines
   c.    Cropping
Value
In a photograph, Value concerns light; specifically the range
   of light.
A good photo should have different shades of black, to gray,
   to white. Or in color photos, brighter yellows, reds and
   oranges, with blues, purples, and greens. But be sure that
   the photo stays within the same color schemes.
Clarity
The second key thing to focus on is, focus! But
 not just on if the entire photo is in focus. A
 good photo should just have a point of
 interest in focus. The subject can be in soft
 focus, where the edges are blurred a bit, or
 sharp focus, where there is an all around
 crisp, clean focus.
Composition
The photo overall should have a good
   composition, or the way it is composed, with
   4 key factors
1.  Presentation
2.  Point of Interest
3.  Cropping
4.  Lines
Presentation
The photo should be clean. Some things to keep
 an eye out for are:
 -Finger Prints
 -Glop
 -Glitches
Point of Interest
In addition to focus, there should be a specific
  point of interest. A point of interest is a spot
  in a photo that stands out from all the rest.
Cropping
Once you find the point of interest and the
 cleanliness of the photo, you should focus on
 the cropping of the photo. Or, the way that
 the photo is framed.
Lines
Lastly, the lines should be taken into
  consideration. Lines have a great impact on
  photos. Anything from the criss cross of a
  forest in the background or the curvature to a
  figures' face is important. Without lines, the
  photo would almost be a flat blank nothing.
Photo
Critique
Example 1
In this photo I see many examples of the points
     described above. The Value of the photos is well
     ranged. There are the darker greys inside the roots
     and much brighter whites up front. Next is the
     clarity of the photo. This photo is in sharp focus
     because there are no blurred edges. Presentation; to
     the naked eye this photo seems clean, no smudges,
     fingerprints, or streaks can be seen. To me, this
     photo has no specific point of interest. I find the
     cropping of this photo to be quite interesting
     because, there is no real border but it just seems to
     focus only on the roots; which are taking up the
     entire photo. Lastly, lines. The lines in this
     particular photo are very unique. Because of these
     roots or vines there are many lines on the edges of
     the roots, which gives the photo a very unique
     touch.
Photo       This photo was taken by a wedding photographer, Craig Collins. This photo has
                 some quite awesome value to it. There are the whites in the middle of the


Critique
                 rose, with a gradual grey to black as you look into the flower's shadows.
                 This photo is also very crisp and clean and in focus. Although, I would say
                 the middle is more in focus than the rest making it in soft focus. The
                 composition is also in check. The presentation is flawless. The point of

Example 2        interest is clearly defined as the ring in the rose in the very center of the
                 photo. I personally enjoy the black outline surround the photo giving the
                 photo an important feel to it. Lastly, the lines of the rose are clearly defined.
                 You can see the lines in the center of the rose, and moving outward with the
                 pedals.
Photo
Critique
Example 2
            This photo was taken by Thomas Hauser. Again,
                 I feel the value of this photo is excellent.
                 The whites in the flowers at the center with
                 their black stems is fantastic. The photo is
                 also in focus. This photo has a nice, crisp
                 sharp focus. The photo itself is also clean
                 with no marks or fingerprints. To me this
                 photo doesn't have any specific point of
                 interest because the photo is in sharp
                 focus. I enjoy how the flowers in their
                 peculiar vases are defined by the grey
                 background. Referring back to the
                 cropping, they lines are clearly defined by
                 the grey background again. You can see the
                 lines of the stems as well as the clearness
                 of the the curves in the flower pedals.

More Related Content

What's hot

Magazine cover analysis_worksheet (muse)
Magazine cover analysis_worksheet (muse)Magazine cover analysis_worksheet (muse)
Magazine cover analysis_worksheet (muse)Nicole Greenhalgh
 
Developing a critical eye
Developing a critical eyeDeveloping a critical eye
Developing a critical eyejennnna
 
Analysis of Photographs
Analysis of PhotographsAnalysis of Photographs
Analysis of Photographsbrengeddes
 
Lit photo selection 4
Lit photo selection 4Lit photo selection 4
Lit photo selection 4GeorgeRob447
 
Photograph selection for outfit 1 (lo4)
Photograph selection for outfit 1 (lo4)Photograph selection for outfit 1 (lo4)
Photograph selection for outfit 1 (lo4)Olivia Lewis-Brown
 
Level 2 photographs
Level 2 photographsLevel 2 photographs
Level 2 photographsFraserPagdin
 
Annie leibovitz Photograph Analysis
Annie leibovitz Photograph AnalysisAnnie leibovitz Photograph Analysis
Annie leibovitz Photograph AnalysisbiZuil
 
Photograph by tom barnes
Photograph by tom barnesPhotograph by tom barnes
Photograph by tom barnesalexclare
 
Photographers analysis
Photographers analysisPhotographers analysis
Photographers analysis101k_
 
Analysis of film posters and the progression
Analysis of film posters and the progressionAnalysis of film posters and the progression
Analysis of film posters and the progressionhamsterlife
 
Photographers analysis
Photographers analysisPhotographers analysis
Photographers analysis101k_
 
Level 2 photographs
Level 2 photographsLevel 2 photographs
Level 2 photographsLuke05098904
 
Tom jenkins
Tom jenkinsTom jenkins
Tom jenkinsbiZuil
 
Photography Analysis
Photography AnalysisPhotography Analysis
Photography AnalysisEmLeeman1
 
Critiquing Photographs
Critiquing PhotographsCritiquing Photographs
Critiquing Photographsninas15
 

What's hot (20)

Magazine cover analysis_worksheet (muse)
Magazine cover analysis_worksheet (muse)Magazine cover analysis_worksheet (muse)
Magazine cover analysis_worksheet (muse)
 
Developing a critical eye
Developing a critical eyeDeveloping a critical eye
Developing a critical eye
 
Analysis of Photographs
Analysis of PhotographsAnalysis of Photographs
Analysis of Photographs
 
Lit photo selection 4
Lit photo selection 4Lit photo selection 4
Lit photo selection 4
 
Photograph selection for outfit 1 (lo4)
Photograph selection for outfit 1 (lo4)Photograph selection for outfit 1 (lo4)
Photograph selection for outfit 1 (lo4)
 
Level 2 photographs
Level 2 photographsLevel 2 photographs
Level 2 photographs
 
Connecting essay 4
Connecting essay 4Connecting essay 4
Connecting essay 4
 
Annie leibovitz Photograph Analysis
Annie leibovitz Photograph AnalysisAnnie leibovitz Photograph Analysis
Annie leibovitz Photograph Analysis
 
Photograph by tom barnes
Photograph by tom barnesPhotograph by tom barnes
Photograph by tom barnes
 
Mario testino
Mario testinoMario testino
Mario testino
 
Photographers analysis
Photographers analysisPhotographers analysis
Photographers analysis
 
Analysis of film posters and the progression
Analysis of film posters and the progressionAnalysis of film posters and the progression
Analysis of film posters and the progression
 
Photographers analysis
Photographers analysisPhotographers analysis
Photographers analysis
 
Level 2 photographs
Level 2 photographsLevel 2 photographs
Level 2 photographs
 
Tom jenkins
Tom jenkinsTom jenkins
Tom jenkins
 
Cohesion of images
Cohesion of imagesCohesion of images
Cohesion of images
 
Photography Analysis
Photography AnalysisPhotography Analysis
Photography Analysis
 
Jenkins photographs
Jenkins photographsJenkins photographs
Jenkins photographs
 
Dominance
DominanceDominance
Dominance
 
Critiquing Photographs
Critiquing PhotographsCritiquing Photographs
Critiquing Photographs
 

Viewers also liked

William Gottlieb Example Photos
William Gottlieb Example PhotosWilliam Gottlieb Example Photos
William Gottlieb Example PhotosCrosbyCW1
 
Designing Teams for Emerging Challenges
Designing Teams for Emerging ChallengesDesigning Teams for Emerging Challenges
Designing Teams for Emerging ChallengesAaron Irizarry
 
UX, ethnography and possibilities: for Libraries, Museums and Archives
UX, ethnography and possibilities: for Libraries, Museums and ArchivesUX, ethnography and possibilities: for Libraries, Museums and Archives
UX, ethnography and possibilities: for Libraries, Museums and ArchivesNed Potter
 
Visual Design with Data
Visual Design with DataVisual Design with Data
Visual Design with DataSeth Familian
 
3 Things Every Sales Team Needs to Be Thinking About in 2017
3 Things Every Sales Team Needs to Be Thinking About in 20173 Things Every Sales Team Needs to Be Thinking About in 2017
3 Things Every Sales Team Needs to Be Thinking About in 2017Drift
 
How to Become a Thought Leader in Your Niche
How to Become a Thought Leader in Your NicheHow to Become a Thought Leader in Your Niche
How to Become a Thought Leader in Your NicheLeslie Samuel
 

Viewers also liked (7)

Will g 1
Will g 1Will g 1
Will g 1
 
William Gottlieb Example Photos
William Gottlieb Example PhotosWilliam Gottlieb Example Photos
William Gottlieb Example Photos
 
Designing Teams for Emerging Challenges
Designing Teams for Emerging ChallengesDesigning Teams for Emerging Challenges
Designing Teams for Emerging Challenges
 
UX, ethnography and possibilities: for Libraries, Museums and Archives
UX, ethnography and possibilities: for Libraries, Museums and ArchivesUX, ethnography and possibilities: for Libraries, Museums and Archives
UX, ethnography and possibilities: for Libraries, Museums and Archives
 
Visual Design with Data
Visual Design with DataVisual Design with Data
Visual Design with Data
 
3 Things Every Sales Team Needs to Be Thinking About in 2017
3 Things Every Sales Team Needs to Be Thinking About in 20173 Things Every Sales Team Needs to Be Thinking About in 2017
3 Things Every Sales Team Needs to Be Thinking About in 2017
 
How to Become a Thought Leader in Your Niche
How to Become a Thought Leader in Your NicheHow to Become a Thought Leader in Your Niche
How to Become a Thought Leader in Your Niche
 

Similar to Critiquing a Photo

Chapter 4 powerpoint shane mckeon
Chapter 4 powerpoint shane mckeon Chapter 4 powerpoint shane mckeon
Chapter 4 powerpoint shane mckeon sdm424
 
Producing photographs project task 1
Producing photographs project task 1Producing photographs project task 1
Producing photographs project task 1PJG123
 
6. project pro forma(1)
6. project pro forma(1)6. project pro forma(1)
6. project pro forma(1)Seb Webster
 
College detailedanalysis.docx
College detailedanalysis.docxCollege detailedanalysis.docx
College detailedanalysis.docxmediastudent123
 
Comp techniques chelsea
Comp techniques chelseaComp techniques chelsea
Comp techniques chelseaDave
 
Producing photographs project
Producing photographs projectProducing photographs project
Producing photographs projectPJG123
 
Types of photography -Jordyn Gibb
Types of photography -Jordyn GibbTypes of photography -Jordyn Gibb
Types of photography -Jordyn GibbLouise Reed
 
Our photography techniques
Our  photography techniquesOur  photography techniques
Our photography techniqueswilliams2a
 
Task 5 Critiques
Task 5 CritiquesTask 5 Critiques
Task 5 Critiquesquailbites
 
Independent project
Independent projectIndependent project
Independent projectA-Verishine
 
Critique presentation
Critique presentationCritique presentation
Critique presentationEthanBolson
 
Nina betz howtocritique
Nina betz howtocritiqueNina betz howtocritique
Nina betz howtocritiqueNBslideshow
 

Similar to Critiquing a Photo (20)

Chapter 4 powerpoint shane mckeon
Chapter 4 powerpoint shane mckeon Chapter 4 powerpoint shane mckeon
Chapter 4 powerpoint shane mckeon
 
Evaluationphoto
EvaluationphotoEvaluationphoto
Evaluationphoto
 
Producing photographs project task 1
Producing photographs project task 1Producing photographs project task 1
Producing photographs project task 1
 
6. project pro forma(1)
6. project pro forma(1)6. project pro forma(1)
6. project pro forma(1)
 
College detailedanalysis.docx
College detailedanalysis.docxCollege detailedanalysis.docx
College detailedanalysis.docx
 
Comp techniques chelsea
Comp techniques chelseaComp techniques chelsea
Comp techniques chelsea
 
Producing photographs project
Producing photographs projectProducing photographs project
Producing photographs project
 
Types of photography -Jordyn Gibb
Types of photography -Jordyn GibbTypes of photography -Jordyn Gibb
Types of photography -Jordyn Gibb
 
Number 2
Number 2Number 2
Number 2
 
Task 1 ws 2
Task 1 ws 2Task 1 ws 2
Task 1 ws 2
 
Number 2
Number 2Number 2
Number 2
 
Our photography techniques
Our  photography techniquesOur  photography techniques
Our photography techniques
 
Task 5 Critiques
Task 5 CritiquesTask 5 Critiques
Task 5 Critiques
 
Independent project
Independent projectIndependent project
Independent project
 
Liebovitz pictures
Liebovitz picturesLiebovitz pictures
Liebovitz pictures
 
How to critique a photo
How to critique a photoHow to critique a photo
How to critique a photo
 
Number 2a
Number 2aNumber 2a
Number 2a
 
Critique presentation
Critique presentationCritique presentation
Critique presentation
 
Mix it up! redo
Mix it up! redoMix it up! redo
Mix it up! redo
 
Nina betz howtocritique
Nina betz howtocritiqueNina betz howtocritique
Nina betz howtocritique
 

Critiquing a Photo

  • 1. How to Critique a Photo Colin Crosby Mr. Boothby 1/7/8
  • 2. 4 Steps to a Successful Photo 1.  Value 2.  Clarity 3.  Presentation 4.  Composition a.  Point of Interest b.  lines c.  Cropping
  • 3. Value In a photograph, Value concerns light; specifically the range of light. A good photo should have different shades of black, to gray, to white. Or in color photos, brighter yellows, reds and oranges, with blues, purples, and greens. But be sure that the photo stays within the same color schemes.
  • 4. Clarity The second key thing to focus on is, focus! But not just on if the entire photo is in focus. A good photo should just have a point of interest in focus. The subject can be in soft focus, where the edges are blurred a bit, or sharp focus, where there is an all around crisp, clean focus.
  • 5. Composition The photo overall should have a good composition, or the way it is composed, with 4 key factors 1.  Presentation 2.  Point of Interest 3.  Cropping 4.  Lines
  • 6. Presentation The photo should be clean. Some things to keep an eye out for are: -Finger Prints -Glop -Glitches
  • 7. Point of Interest In addition to focus, there should be a specific point of interest. A point of interest is a spot in a photo that stands out from all the rest.
  • 8. Cropping Once you find the point of interest and the cleanliness of the photo, you should focus on the cropping of the photo. Or, the way that the photo is framed.
  • 9. Lines Lastly, the lines should be taken into consideration. Lines have a great impact on photos. Anything from the criss cross of a forest in the background or the curvature to a figures' face is important. Without lines, the photo would almost be a flat blank nothing.
  • 10. Photo Critique Example 1 In this photo I see many examples of the points described above. The Value of the photos is well ranged. There are the darker greys inside the roots and much brighter whites up front. Next is the clarity of the photo. This photo is in sharp focus because there are no blurred edges. Presentation; to the naked eye this photo seems clean, no smudges, fingerprints, or streaks can be seen. To me, this photo has no specific point of interest. I find the cropping of this photo to be quite interesting because, there is no real border but it just seems to focus only on the roots; which are taking up the entire photo. Lastly, lines. The lines in this particular photo are very unique. Because of these roots or vines there are many lines on the edges of the roots, which gives the photo a very unique touch.
  • 11. Photo This photo was taken by a wedding photographer, Craig Collins. This photo has some quite awesome value to it. There are the whites in the middle of the Critique rose, with a gradual grey to black as you look into the flower's shadows. This photo is also very crisp and clean and in focus. Although, I would say the middle is more in focus than the rest making it in soft focus. The composition is also in check. The presentation is flawless. The point of Example 2 interest is clearly defined as the ring in the rose in the very center of the photo. I personally enjoy the black outline surround the photo giving the photo an important feel to it. Lastly, the lines of the rose are clearly defined. You can see the lines in the center of the rose, and moving outward with the pedals.
  • 12. Photo Critique Example 2 This photo was taken by Thomas Hauser. Again, I feel the value of this photo is excellent. The whites in the flowers at the center with their black stems is fantastic. The photo is also in focus. This photo has a nice, crisp sharp focus. The photo itself is also clean with no marks or fingerprints. To me this photo doesn't have any specific point of interest because the photo is in sharp focus. I enjoy how the flowers in their peculiar vases are defined by the grey background. Referring back to the cropping, they lines are clearly defined by the grey background again. You can see the lines of the stems as well as the clearness of the the curves in the flower pedals.