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Features and
Characteristics of
Chinese
LITERATURE
China is known as the sleeping giant not just
because of its mere size, expanse of its
geography, and its economic and military
power but because of its rich history, arts,
and literature. Many of the most
imaginative and most lyrical literature come
from this nation.
2
Chinese Literature
3
⬩ Chinese literature reflects the political and social history of
China and the impact of powerful religions that came from
within and outside the country.
⬩ Its tradition goes back thousands of years and has often
been inspired by philosophical questions about the
meaning of life, how to live ethically in society, and how to
live in spiritual harmony with the natural order of the
universe.
Periods of Chinese
Literature
4
Shang Dynasty (1600 B.C.)
5
⬩ During this time, the people practiced a religion based on
the belief that nature was inhabited by many powerful
gods and spirits.
⬩ Among the significant advances of this period were bronze
working, decimal system, a twelve-month calendar and a
system of writing consisting of 3,000 characters.
Chou Dynasty (1100 B.C.–221 B.C.)
6
⬩ This was the longest of all the dynasties and throughout
most of this period China suffered from severe political
disunity and upheaval.
⬩ This era was also known as the Hundred Schools period
because of the many competing philosophers and
teachers who emerged. The most influential among them
being Lao Tzu, the proponent of Taoism, and Confucius, the
founder of Confucianism.
Lao Tzu
Laozi also rendered as Lao Tzu,
and Lao-Tze, was an ancient
Chinese philosopher and writer.
He is the reputed author of the
Tao Te Ching, the founder of
philosophical Taoism, and a
deity in religious Taoism and
traditional Chinese religions.
7
Confucius
Confucius was China’s most
famous teacher, philosopher,
and political theorist, whose
ideas have influenced all
civilizations of East Asia.
Confucius was not a religious
leader in the ordinary sense, for
his teaching was essentially a
social ethic.
8
Taoism and Confusianism
9
Confucius emphasized
a code of social
conduct and stressed
the importance of
discipline, morality, and
knowledge.
Lao Tzu stressed
freedom,
simplicity, and
the mystical
contemplation
of nature.
Ch’in Dynasty (221 B.C.–207 B.C.)
10
⬩ This period saw the unification of China and the
strengthening of central government. Roads connecting all
parts of the empire were built and the existing walls on the
northern borders were connected to form the Great Wall of
China.
Han Dynasty (207 B.C.– A.D. 220)
11
⬩ This period was one of the most glorious eras of Chinese
history and was marked by the introduction of Buddhism
from India. China in the post-Han era also absorbed
inspiration from Buddhism and writings from India that were
translated from Sanskrit into Chinese. Buddhism gained
strength in China as disorder increased and the domination
of Confucian thought diminished.
Buddhism was imported from India during the
Han dynasty. Buddhist thought stresses the
importance of ridding oneself of earthly desires
and of seeking ultimate peace and
enlightenment through detachment. With its
stress on living ethically and its de-emphasis on
material concerns, Buddhism appealed to both
Confucians and Taoists.
12
T’ang Dynasty (A.D. 618-960)
13
⬩ Fine arts and literature flourished during this era
which is viewed as the Golden Age of Chinese
civilization.
⬩ The T’ang dynasty, produced the most famous poets
to write in the new verse forms.
T’ang Dynasty (A.D. 618-960)
14
⬩ The T’ang Poets. Chinese lyrical poetry reached its
height during the T’ang Dynasty. Inspired by scenes
of natural beauty, T’ang poets wrote about the fragile
blossoms in spring, the falling of leaves in autumn, or
the changing shape of the moon.
A Confucian moralist, realist, and humanitarian.
Created in his poetry an image of himself as the
sober statesman.
15
Tu Fu
Wrote in the guise of the wine-inspired genius.
His poetry was often other-worldly and ecstatic.
16
Li Po
The humorous and sentimental. He wrote many poems
speaking bitterly against the social and economic
problems that were plaguing China.
17
Po Chu-i
Conversation in the Mountains
by Li Po
18
If you were to ask me why I dwell among green mountains,
I should laugh silently; my soul is serene.
The peach blossom follows the moving water;
There is another heaven and earth beyond the world
of men.
A Meeting by Tu Fu
19
We were often separated How long does youth last?
Like the Dipper and the morning star. Now we are all gray-haired.
What night is tonight? Half of our friends are dead,
We are together in the candlelight. And both of us were surprised
when we met.
Sung Dynasty (A.D. 960 – 1279)
20
⬩ This period was characterized by delicacy and
refinement although inferior in terms of literary arts
but great in learning. Professional poets were
replaced by amateur writers. The practice of Neo-
Confucianism grew.
The Chinese
Literature’s
Intersection with
Philosophy and
Religion
21
Chinese Literature
⬩ Chinese literature and all Chinese culture have
been profoundly influenced by three great school
of thoughts: Confucianism, Taoism, and Buddhism.
22
Chinese religions are based on the
perception of life as a process of continual
change in which opposing forces, such as
heaven and earth or light and dark, balance
one another. These opposites are
symbolized by the Yin and Yang.
The Chinese Literature’s Intersection
with Philosophy and Religion
24
⬩ Yin, the passive and feminine force,
counterbalances yang, the active and masculine
force, each contains a ‘seed’ of the other, as
represented in the traditional yin-yang symbol.
Chinese Poetry
25
Chinese Poetry
⬩ Poetry during the Han empire encompassed not only the verse
forms inherited from the Book of Songs, but also verses
inspired by shamanistic spiritual practices.
⬩ The Book of Songs, (Shih Ching) first compiled in the 6th
century B.C., is the oldest collection of Chinese poetry and is
considered a model of poetic expression and moral insight.
26
Book of Songs
⬩ The poems include court songs that entertained the aristocracy,
story songs that recounted Chou dynasty legends, hymns that were
sung in the temples accompanied by dance and brief folk songs and
ballads.
O Oriole, Yellow Bird
O oriole, yellow bird, / Do not settle on the corn,
Do not peck at my millet. / The people of this land
Are not minded to nurture me. / I must go back, go home
To my own land and kin.
27
Chinese Theatre
28
Chinese Theatre
⬩ Chinese drama may be
traced to the song and
dances of the chi (wizards)
and the wu (witches) whom
the people consulted to
exercise evil spirits, to
bring rain, to insure
bountiful harvest, etc., an
origin in worship or in some
sacred ritual.
29
Chinese Theatre
⬩ Chinese plays do not follow the unities of time, place, and
action. The plot may be set in two or more places, the time
element sometimes taking years to develop or end, and action
containing many other sub-plots.
⬩ Action reflects highly stylized movements. Hand movements
may indicate embarrassment or helplessness or anguish or
anger.
30
Chinese Theatre
⬩ Chinese drama conveys an ethical lesson in the guise of art in
order to impress a moral truth or a Confucian tenet.
⬩ Chinese plays are long – six or seven hours if performed
completely.
⬩ Music is an integral part of the classical drama.
32
Chinese Theatre
⬩ Make-up identifies the
characters and
personalities. Costumes
help reveal types and
different colors signify
ranks and status.
33
Have a Glimpse of the Chinese
Literature
34
1. How the Tongue Survived the Teeth, a Chinese
parable
2. The Trial of the Stone, a Chinese folklore
3. A Little Incident by Lu Hsun
Required Readings
35
1. Drinking Alone by Moonlight by Li Po
2. The Red Cockatoo by Po Chu-I
3. A Country Boy Quits School by Lao Hsiang
4. The Frill by Pearl Buck
36
mò duān
Any questions?

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Features of Chinese Literature

  • 2. China is known as the sleeping giant not just because of its mere size, expanse of its geography, and its economic and military power but because of its rich history, arts, and literature. Many of the most imaginative and most lyrical literature come from this nation. 2
  • 3. Chinese Literature 3 ⬩ Chinese literature reflects the political and social history of China and the impact of powerful religions that came from within and outside the country. ⬩ Its tradition goes back thousands of years and has often been inspired by philosophical questions about the meaning of life, how to live ethically in society, and how to live in spiritual harmony with the natural order of the universe.
  • 5. Shang Dynasty (1600 B.C.) 5 ⬩ During this time, the people practiced a religion based on the belief that nature was inhabited by many powerful gods and spirits. ⬩ Among the significant advances of this period were bronze working, decimal system, a twelve-month calendar and a system of writing consisting of 3,000 characters.
  • 6. Chou Dynasty (1100 B.C.–221 B.C.) 6 ⬩ This was the longest of all the dynasties and throughout most of this period China suffered from severe political disunity and upheaval. ⬩ This era was also known as the Hundred Schools period because of the many competing philosophers and teachers who emerged. The most influential among them being Lao Tzu, the proponent of Taoism, and Confucius, the founder of Confucianism.
  • 7. Lao Tzu Laozi also rendered as Lao Tzu, and Lao-Tze, was an ancient Chinese philosopher and writer. He is the reputed author of the Tao Te Ching, the founder of philosophical Taoism, and a deity in religious Taoism and traditional Chinese religions. 7
  • 8. Confucius Confucius was China’s most famous teacher, philosopher, and political theorist, whose ideas have influenced all civilizations of East Asia. Confucius was not a religious leader in the ordinary sense, for his teaching was essentially a social ethic. 8
  • 9. Taoism and Confusianism 9 Confucius emphasized a code of social conduct and stressed the importance of discipline, morality, and knowledge. Lao Tzu stressed freedom, simplicity, and the mystical contemplation of nature.
  • 10. Ch’in Dynasty (221 B.C.–207 B.C.) 10 ⬩ This period saw the unification of China and the strengthening of central government. Roads connecting all parts of the empire were built and the existing walls on the northern borders were connected to form the Great Wall of China.
  • 11. Han Dynasty (207 B.C.– A.D. 220) 11 ⬩ This period was one of the most glorious eras of Chinese history and was marked by the introduction of Buddhism from India. China in the post-Han era also absorbed inspiration from Buddhism and writings from India that were translated from Sanskrit into Chinese. Buddhism gained strength in China as disorder increased and the domination of Confucian thought diminished.
  • 12. Buddhism was imported from India during the Han dynasty. Buddhist thought stresses the importance of ridding oneself of earthly desires and of seeking ultimate peace and enlightenment through detachment. With its stress on living ethically and its de-emphasis on material concerns, Buddhism appealed to both Confucians and Taoists. 12
  • 13. T’ang Dynasty (A.D. 618-960) 13 ⬩ Fine arts and literature flourished during this era which is viewed as the Golden Age of Chinese civilization. ⬩ The T’ang dynasty, produced the most famous poets to write in the new verse forms.
  • 14. T’ang Dynasty (A.D. 618-960) 14 ⬩ The T’ang Poets. Chinese lyrical poetry reached its height during the T’ang Dynasty. Inspired by scenes of natural beauty, T’ang poets wrote about the fragile blossoms in spring, the falling of leaves in autumn, or the changing shape of the moon.
  • 15. A Confucian moralist, realist, and humanitarian. Created in his poetry an image of himself as the sober statesman. 15 Tu Fu
  • 16. Wrote in the guise of the wine-inspired genius. His poetry was often other-worldly and ecstatic. 16 Li Po
  • 17. The humorous and sentimental. He wrote many poems speaking bitterly against the social and economic problems that were plaguing China. 17 Po Chu-i
  • 18. Conversation in the Mountains by Li Po 18 If you were to ask me why I dwell among green mountains, I should laugh silently; my soul is serene. The peach blossom follows the moving water; There is another heaven and earth beyond the world of men.
  • 19. A Meeting by Tu Fu 19 We were often separated How long does youth last? Like the Dipper and the morning star. Now we are all gray-haired. What night is tonight? Half of our friends are dead, We are together in the candlelight. And both of us were surprised when we met.
  • 20. Sung Dynasty (A.D. 960 – 1279) 20 ⬩ This period was characterized by delicacy and refinement although inferior in terms of literary arts but great in learning. Professional poets were replaced by amateur writers. The practice of Neo- Confucianism grew.
  • 22. Chinese Literature ⬩ Chinese literature and all Chinese culture have been profoundly influenced by three great school of thoughts: Confucianism, Taoism, and Buddhism. 22
  • 23. Chinese religions are based on the perception of life as a process of continual change in which opposing forces, such as heaven and earth or light and dark, balance one another. These opposites are symbolized by the Yin and Yang.
  • 24. The Chinese Literature’s Intersection with Philosophy and Religion 24 ⬩ Yin, the passive and feminine force, counterbalances yang, the active and masculine force, each contains a ‘seed’ of the other, as represented in the traditional yin-yang symbol.
  • 26. Chinese Poetry ⬩ Poetry during the Han empire encompassed not only the verse forms inherited from the Book of Songs, but also verses inspired by shamanistic spiritual practices. ⬩ The Book of Songs, (Shih Ching) first compiled in the 6th century B.C., is the oldest collection of Chinese poetry and is considered a model of poetic expression and moral insight. 26
  • 27. Book of Songs ⬩ The poems include court songs that entertained the aristocracy, story songs that recounted Chou dynasty legends, hymns that were sung in the temples accompanied by dance and brief folk songs and ballads. O Oriole, Yellow Bird O oriole, yellow bird, / Do not settle on the corn, Do not peck at my millet. / The people of this land Are not minded to nurture me. / I must go back, go home To my own land and kin. 27
  • 29. Chinese Theatre ⬩ Chinese drama may be traced to the song and dances of the chi (wizards) and the wu (witches) whom the people consulted to exercise evil spirits, to bring rain, to insure bountiful harvest, etc., an origin in worship or in some sacred ritual. 29
  • 30. Chinese Theatre ⬩ Chinese plays do not follow the unities of time, place, and action. The plot may be set in two or more places, the time element sometimes taking years to develop or end, and action containing many other sub-plots. ⬩ Action reflects highly stylized movements. Hand movements may indicate embarrassment or helplessness or anguish or anger. 30
  • 31.
  • 32. Chinese Theatre ⬩ Chinese drama conveys an ethical lesson in the guise of art in order to impress a moral truth or a Confucian tenet. ⬩ Chinese plays are long – six or seven hours if performed completely. ⬩ Music is an integral part of the classical drama. 32
  • 33. Chinese Theatre ⬩ Make-up identifies the characters and personalities. Costumes help reveal types and different colors signify ranks and status. 33
  • 34. Have a Glimpse of the Chinese Literature 34 1. How the Tongue Survived the Teeth, a Chinese parable 2. The Trial of the Stone, a Chinese folklore 3. A Little Incident by Lu Hsun
  • 35. Required Readings 35 1. Drinking Alone by Moonlight by Li Po 2. The Red Cockatoo by Po Chu-I 3. A Country Boy Quits School by Lao Hsiang 4. The Frill by Pearl Buck

Notas del editor

  1. Buddhism arrived in China from India and added another important influence to Chinese culture and mythology. Buddhist ideas gradually came to be merged with Taoism and Confucianism in the minds of many Chinese. The three traditions often were seen as different aspects of the same religion and as having basically the same goals. Buddhists and Taoists honored each other's deities in their temples, and both incorporated principles of Confucianism, such as ancestor worship, in their beliefs.
  2. The people at this time worshiped many deities, including natural forces and elements such as rain, clouds, rivers, mountains, the sun, the moon, and the earth.
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  6. Although these poems were originally meant to be sung, their melodies have long been lost.
  7. The average length is about four acts with a prologue and an epilogue. The Chinese play is a total theater. There is singing, recitation of verses, acrobats, dancing, and playing of traditional musical instruments.
  8. Part of Module 2