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“ During the early years of the 20th century, 
German painter Franz Marc devoted much of his 
artistic energy to creating images of horses and 
other animals. The allure of animals was not, 
for Marc, simply a formal or zoological interest, 
but stemmed from a deep fascination with the 
dynamic connection between animals, humans, 
and the natural world they shared. Longing to 
understand the spirit driving his own being, 
Marc looked to the horse in nature to perceive 
what he could not recognize in the human 
world. Through radical compositions and bold 
experiments with color, he strove to express 
the primary energy of the animals 
( Portrait by Auguste Macke)
Marc often depicted animals in non-naturalistic colours. 
He developed his own colour theory and symbolism, 
which equated the three primary colours with qualities 
and emotions. In its simplest terms, Marc associated blue 
with masculinity, and red and yellow with femininity since 
they are more earthy colours, but he also associated 
yellow with joy and happiness. Blue was viewed by Marc 
throughout his career to be the most deeply spiritual of 
the three colours. His decision to apply non-representational 
colours to animals could perhaps have 
been an attempt at stepping away from the material 
world and identifying the need to use non-worldly 
colours in order to portray the spiritual. In a letter to 
Macke dating from 1910, Marc states that yellow is 
associated with femininity and happiness, while red is 
associated with "matter" and is considered by him in
Texts and images: on the Web 
Audio: Mozart, Violin Sonata 8

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Franz Marc horses

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  • 2. • • “ During the early years of the 20th century, German painter Franz Marc devoted much of his artistic energy to creating images of horses and other animals. The allure of animals was not, for Marc, simply a formal or zoological interest, but stemmed from a deep fascination with the dynamic connection between animals, humans, and the natural world they shared. Longing to understand the spirit driving his own being, Marc looked to the horse in nature to perceive what he could not recognize in the human world. Through radical compositions and bold experiments with color, he strove to express the primary energy of the animals ( Portrait by Auguste Macke)
  • 3. Marc often depicted animals in non-naturalistic colours. He developed his own colour theory and symbolism, which equated the three primary colours with qualities and emotions. In its simplest terms, Marc associated blue with masculinity, and red and yellow with femininity since they are more earthy colours, but he also associated yellow with joy and happiness. Blue was viewed by Marc throughout his career to be the most deeply spiritual of the three colours. His decision to apply non-representational colours to animals could perhaps have been an attempt at stepping away from the material world and identifying the need to use non-worldly colours in order to portray the spiritual. In a letter to Macke dating from 1910, Marc states that yellow is associated with femininity and happiness, while red is associated with "matter" and is considered by him in
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  • 38. Texts and images: on the Web Audio: Mozart, Violin Sonata 8