2. Max McLean, Artistic Director
Bill & Bridget Coughran, Glenn & Becky Gault, William & Alice Konze,
Hardie & Andrea Morgan, John & Jan Rogers, Walt & Anne Waldie
Present
Great Divorce
Adapted for the stage by
Max McLean and Brian Watkins
With
Michael Frederic JOEL RAINWATER Christa Scott-Reed
Marketing & Press Representative
Southside Entertainment
Executive Producer
Ken Denison
Directed by
Bill Castellino
There will be no intermission. Please silence all cellular phones and personal
paging devices before the performance begins. Thank you.
Scenic Design
Kelly James Tighe
Lighting Design
Michael Gilliam
Costume Design
Nicole Wee
Original Music & Sound Design
John Gromada
Projections
Chris Kateff
General Management
Aruba Productions
Production Stage Manager
Lew Mead
Casting Director
Carol Hanzel

3. Producer’s Note
C. S. Lewis’ The Great Divorce has been delighting—and puzzling—readers ever since its 1945
publication. The title is enigmatic. The “divorce” from what? And what is so “great” about it?
The novel is a response to William Blake’s The Marriage of Heaven and Hell where the poet tried
to imagine a point at which the differences between good and evil will somehow be resolved.
That prompted Lewis to write of their final divorce.
In the novel, a group of Lewis’ most insightfully drawn characters
takes a bus trip from the outskirts of Hell to the outskirts of Heaven.
And as we go along for the ride, Lewis poses a most challenging
question: Given the freedom to choose Heaven or Hell, what will
we really do? Are the gates of Hell locked from the inside?
In this production, three actors give voice to the narrator of the
story—a clear stand-in for Lewis—and bring more than a dozen
characters to life, each making a case as to why they choose what they choose.
After journeying to the bowels of Hell in our production of Lewis’ The Screwtape Letters, the
allure of taking a celestial bus ride to the threshold of Heaven in The Great Divorce was too great
to resist. Thank you for getting on board and taking the journey with us.
Max McLean, Founder and Artistic Director
Fellowship for Performing Arts
1
Are the gates
of Hell
locked from
the inside?
SCENES
Prologue: In the Library
Scene 1: A bus queue in the Grey Town
Scene 2: Inside the Bus
Scenes 3-12: The outskirts of Heaven
Epilogue: In the Library
Characters
Narrators......... Michael Frederic, Joel Rainwater,
.......................................................Christa Scott-Reed
Wife...............................................Christa Scott-Reed
Husband........................................ Michael Frederic
Woman........................................Christa Scott-Reed
Man................................................. Michael Frederic
Poet/Critic...................................Christa Scott-Reed
Bowler Hat Man............................... Joel Rainwater
Boss Ghost......................................... Joel Rainwater
Spirit for Boss Ghost.................. Michael Frederic
Artist Ghost.................................Christa Scott-Reed
Spirit for Artist Ghost...................... Joel Rainwater
Ghost of Robert’s Wife............Christa Scott-Reed
Hardbitten Ghost........................ Michael Frederic
George MacDonald.................... Michael Frederic
Grumbler Ghost........................Christa Scott-Reed
Mother Ghost.............................Christa Scott-Reed
Spirit for Mother Ghost............. Michael Frederic
Sarah Smith....................................................................
Ghost with Lizard............................ Joel Rainwater
Spirit for Ghost with Lizard...Christa Scott-Reed

4. SYNOPSIS
Prologue: We meet our narrator, portrayed by
all three performers.
Scene 1: The narrator finds himself standing
in a bus queue on a rainy street in the Grey
Town. Time seems to have paused in a dreary
moment just before night. He witnesses several
confrontations among the citizens of the Grey
Town who are also waiting in the queue.
Finally, the bus arrives.
Scene 2: On board the bus, our narrator meets
some inhabitants who have lived in the Grey
Town for a long time. Each has their own
selfish reasons for going on this trip—to be
recognized for their great talent or genius, to
get what they deserve or even to make a quick
buck. Our narrator discovers that the town is
huge but empty. People are so suspicious and
quarrelsome that they live as far from each
other as they can. The bus takes flight.
Scenes 3-12: Following an extraordinary
celestial journey, the bus comes to a stop in an
expansive land of unparalleled
beauty. As the passengers
disembark, our narrator finds
the grass of this new world
to be so solid that it pierces
his feet. He realizes that he is
a “Ghost” so insubstantial in
comparison to the solid reality
of the New World that his steps
can’t even bend a blade of
grass.
In the distance, Celestial
Spirits descend from mountain
highlands. One by one each
Ghost is greeted by a Spirit,
often someone they knew on
earth. Each Ghost is invited to
continue the journey into this New World by
going higher up and farther in, and to grow
more “solid” on the way.
There’s a hard-working, proud man who
simply can’t believe the Spirit chosen for him
was more deserving of this world than he.
There’s the artist who is more attached to her
reputation than anything else Paradise might
offer. There’s a businessman who tries without
success to take some of the fruit back to the
Grey Town. There’s a wife who has come to
regain control of her husband. And there’s the
skeptic far too clever to be taken in by Heavenly
“propaganda.”
The spirit of the author George MacDonald,
our narrator’s hero, comes at last as a guide
through the beautiful country. They witness
other Ghosts and Spirits—a woman who cannot
stop grumbling and complaining, a mother
demanding to take her son back to the Grey
Town, a simple woman who is honored in
this New World as “one of the great ones”
and finally a man who wants to stay but can’t
decide whether he can stand to part with his
pet lizard, a prerequisite for staying.
Along the way MacDonald helps our narrator,
offering encouragement and guidance. After
witnessing all these scenes our narrator is
confronted with a vision of his Immortal Soul,
looking after his every move as he lives each
moment making one choice that could have
been another.
Epilogue: The narrator is at a crossroad.
Given all that has just happened, how will
he now live?
2

5. Who’s Who
Michael Frederic Re-cently
concluded the ex-tended
off-Broadway run
of Bill W. and Dr. Bob at
the Soho Playhouse. Other
New York credits include A
Funny Thing Happened on
the Way to the Gynecologic
Oncology Unit at Memorial
Sloan-Kettering Cancer Center of New York City
(Clurman Lab), The Eyes of Others (New Ohio),
Summer and Smoke (Theatre Row), Night Over
Taos (INTAR – directed by Estelle Parsons), and
The Sky Over Nineveh (HERE). Regional credits
include The God Game (Hudson Stage Com-pany),
August: Osage County, The Unexpected
Guest, Doubt (Fulton Theatre), Doubt (Cleve-land
Play House), The 39 Steps (Florida Studio
Theatre and Actors’ Playhouse), 26 Miles (Two
River Theatre and Round House Theatre), The
Hound of the Baskervilles, Around the World
in 80 Days, A Christmas Carol (Public Theatre
of Maine), Watson (Gretna Theatre), Play by
Play (Stageworks/Hudson). TV credits include
Royal Pains, The Men Who Built America and
numerous commercials. MFA from the Uni-versity
of North Carolina at Chapel Hill. www.
michaelfrederic.com.
JOEL RAINWATER
BROADWAY TOUR: The
Lion King, 2nd Nation-al
Tour. OFF-BROAD-WAY:
Homer’s Odyssey (45
Bleecker). Other New York
Credits include Taming of
the Shrew (Shakespeare
NJ), The Boss (Metropol-itan
Playhouse), Dead Dogs (78th Street
Theatre Lab) and A Doll’s House (Stu-dio
Tisch). REGIONAL: Two Men of Flor-ence
(directed by Edward Hall) at The Hun-tington,
Hamlet at Arkansas Rep, A Christmas
Carol and The Little Foxes at ACT, A Behand-ing
in Spokane and Sleuth at The Lake Dillon
Theatre, Salome at Aurora Theatre Compa-ny,
Under Milk Wood at Porchlight Theatre
Company, Zenobia with Allied Playwrights,
and Othello at California Shakespeare The-atre.
Extensive workshops with Slant Theatre
Project, Kitchen Dog, and The New Harmony
Project. Joel received his BFA in Theatre Per-formance
from The University of Evansville and
his MFA in Acting from American Conservatory
Theater’s professional training program. Proud
member of Actors’ Equity. For Mom.
CHRISTA SCOT-RED
BROADWAY: The Pitmen
Painters. OFF-BROAD-WAY:
The Freedom of the
City (Irish Repertory The-atre);
The Talls (Second
Stage); Celebration and
The Room, The Bald So-prano
and the Lesson,
10x20 and 10x25 (Atlantic Theater Com-pany);
Beasley’s Christmas Party, Pullman
Car Hiawatha and Museum (Keen Compa-ny);
Deathbed (McGinn-Cazale Theatre); Mar-ion
Bridge (Urban Stages); The Voysey In-heritance
(The Mint). REGIONAL THEATRE:
The Little Dog Laughed (Intiman Theatre);
Argonautika and Honour (Berkeley Repertory
Theatre); Restoration Comedy and The Food
Chain (The Old Globe); The Diary of Anne
Frank (Paper Mill Playhouse); As You Like It,
Crimes of the Heart, and the world premiere of
Charles L. Mee’s Limonade Tous les Jours (Ac-tors
Theatre of Louisville). Other Regional: Cin-cinnati
Playhouse in the Park, Repertory The-atre
of St. Louis, Pioneer Theatre, Barrington
Stage, Syracuse Stage, Denver Center Theatre
Company, Cleveland Playhouse, GeVa The-atre,
Olney Theatre Center and more. FILM &
TELEVISION: 30 Rock, 666 Park Avenue, Eden,
Gossip Girl, Law & Order, Law & Order: SVU,
Love Life, The Impossibilities, New Amsterdam
and As the World Turns.
C.S. LEWIS (Author) (1898-1963) was one of
the intellectual giants of the twentieth centu-ry
and arguably the most influential Christian
writer of his day. He was a Fellow and Tutor
in English literature at Oxford University until
1954 when he was unanimously elected to
the Chair of Medieval and Renaissance English
at Cambridge University, a position he held
until his retirement. His major contributions
in literary criticism, children’s literature fan-tasy
literature and popular theology brought
him international renown. He wrote more
than 30 books, allowing him to reach a vast
audience, and his works continue to attract
thousands of new readers every year. His
most distinguished and popular accomplish-ments
include: The Chronicles of Narnia, The
Great Divorce, Mere Christianity and The
Screwtape Letters.
3

6. Who’s Who
MAX McLEAN (Adaptor & Producer) Previous
adaptations include C.S. Lewis’ The Screwtape
Letters, Genesis and Mark’s GospeI. Adapted
and performed C. S. Lewis’ The Weight of Glory
at Oxford University (2014). As an actor, cre-ated
the role of Screwtape in New York and
on National tour; Mark in Mark’s Gospel (Jeff
Award for Solo Performance) and Storyteller in
Genesis (Lamb’s, NYC). Favorite roles include
Stanley, A Streetcar Named Desire; Othello and
Snoopy, You’re a Good Man, Charlie Brown.
McLean has narrated the Bible five times as
well as John Bunyan’s Pilgrim’s Progress and
Classics of the Christian Faith. His narrations
received four Audie Award nominations. Max
enjoys a round of golf. For Sharon, Mom, Dad,
Rachel, Julia, Mark, Scott, Emery, Miles, Macy
and Kate. Ephesians 2:10.
BRIAN WATKINS (Adaptor) is a Brooklyn-based
playwright whose plays include Wyoming (pre-miering
January 2015 with Lesser America
in NYC), My Daughter Keeps Our Hammer
(New York Times and TimeOutNY Critics’ Pick,
2014 world premiere at The Flea Theater),
General Store (selected by 2012 Seven Devils
Playwrights Conference), Games for an Empty
Cul-de-Sac, The Rebel and His Leg, Study
That House, A Scavenge and High Plains
(UK premiere with Underbelly, Edinburgh). His
plays have been produced or developed with
Rattlestick Playwrights Theater, Williamstown
Theatre Festival, LAByrinth Theatre, The Flea
Theater, Lesser America, INTAR, Horse Trade
Theatre, Seven Devils Playwrights Conference,
b. swibel presents, id Theatre, Edinburgh Fringe,
Wide Eyed Productions, Wildclaw and Route
66 in Chicago, among others. Member of the
Dramatists Guild.
BILL CASTELL INO (Director) WORLD
PREMIERES: Grumpy Old Men, Jolson, Dr.
Radio, Cagney, Dorian Gray, Lizzie Borden,
Heartbeats, Miklat, Fishwrap, House Divided,
Singing Weatherman, Happy Holidays,
Presidents, Bell’aria, Crash Club, Before You Go,
Beautiful Dreamer, Another Summer, Breathe.
Also: Storyville, Ionescopade, Tarzan, Rent,
Nightclub Cantata, Fame, Chess, Rap Master
Ronnie, Last Word, Mardi Gras, Rocky Horror,
Spelling Bee, Carousel, Drood, Godspell, La
Cage, Music Man, West Side Story, Joseph,
Tommy, Little Shop, Beehive, Evita, Oliver,
Cabaret, Abyssinia, The Last Five Years, Spitfire
Grill, Smokey Joe’s Cafe, Hair, Slab Boys, etc.
Director of TV and National Tours. Member SDC,
AEA, DG. Awards: Jeff, Carbonelle, Telly, 4 LA
Weekly, 11 Drama-Logue Awards. Nominations:
Lortel, Off-Broadway Alliance, SD and LA Critics,
Broadway World, Audelco and others.
KELY JAMES TIGHE (Scenic Design)
Off Broadway/National Tours: The
Fantasticks, Almost Heaven, The Time of
Mendel’s Trouble, Nunsense (Anniversary pro-duction
at the Cherry Lane), Movin’ Out, Cats,
Shear Maddness, Mooseltoe – A New Musical,
101 Dalmatians, Triumph (Las Vegas Hilton).
Regional: San Jose Rep, Laguna Playhouse,
Michigan’s Cherry County Playhouse, Arts
Center of Coastal Carolina, Sacramento Theater
Company, Diablo Theater Company, Contra
Costa Musical Theater, Center Repertory
Company, Gateway Playhouse. Several National
Television shows and commercials including
Disney, KitKat, Oxygen Network, Animal Planet,
etc. Online at Kellyjamestighe.com.
MICHAEL GILIAM (Lighting Design)
BROADWAY: Bonnie and Clyde, Brooklyn, Big
River, Stand-Up Tragedy. WEST END: Gershwin
Alone. OFF-BROADWAY: The Best Is Yet To
Come, Striking 12, Blue, End Of The World Party,
Zooman And The Sign, Menopause The Musical.
NATIONAL TOURS: Looped, Peter Pan, Brooklyn,
Guys And Dolls, Big River. REGIONAL: Arena
Stage, The Alley Theatre, The Globe Theatres,
Mark Taper Forum, The La Jolla Playhouse,
Seattle Repertory, The Goodman Theatre, The
Guthrie Theater, The Pasadena Playhouse, The
Geffen Playhouse, The Kennedy Center, Ford’s
Theatre, Philadelphia Theatre Company, The
Prince Music Theatre, Denver Center, Arizona
Theatre Company. AWARDS: Los Angeles
Ovation Awards, Drama-Logue Awards, Garland
Awards, San Diego Critics’ Circle Awards and the
1999 Career Achievement Award from the Los
Angeles Drama Critics Circle.
NICOLE WE (Costume Design) OFF-BROADWAY:
Closer Than Ever (Dir. Richard Maltby) and
Storyville (York Theatre), The Body Politic (59E59),
The Sensational Josephine Baker (Emerging Artists
Theatre). OFF-OFF BROADWAY: Tiny Dynamite
(Origin Theatre), The Wundelsteipen and Other
Difficult Roles for Young People (The Flea), Letters
to the End of the World and As Wide As I Can See
(At Hand Theatre), First Prize (kef Productions).
REGIONAL: Crazy For You (Muhlenberg Summer
Music Theatre), I Do! I Do! (Peterborough Players),
Tosca (Boheme Opera NJ), Ruined (Regional
premiere, Florida Studio Theatre, Best Costume
Design - Best of the Suncoast 2010). MFA: New
York University. www.nicolewee.com
4

7. Who’s Who
JOHN GROMADA (Composer/Sound
Design) More than 30 Broadway pro-ductions
including The Trip to Bountiful
(Tony Nomination), The Best Man (Drama
Desk Award), Clybourne Park, The
Columnist, Seminar, Man and Boy, The
Road to Mecca, Next Fall, Proof, Dividing
the Estate, Prelude to a Kiss, A Bronx
Tale, Well, Rabbit Hole, A Streetcar Named
Desire, Twelve Angry Men, Sight Unseen, A Few
Good Men. His other New York credits include
Old Hats, My Name is Asher Lev, Measure
for Measure at the Delacorte, The Orphans’
Home Cycle (Drama Desk and Henry Hewes
Awards), By The Way, Meet Vera Stark, The
Screwtape Letters, Shipwrecked! (Lucille Lortel
Award), The Singing Forest, Julius Caesar, The
Skriker (Drama Desk Award), Machinal (Obie
Award) and many more. His regional theatre
credits number more than 300 at major region-al
theaters and abroad. More info and music,
visit johngromada.com
CHRIS KATEFF (Projection Design) Designs pro-jections
and creates artwork for live theater. OFF-BROADWAY:
Rated P…For Parenthood (Westside
Theatre); Last Dance; The Road to Qatar (York
Theatre); Signs of Life (Marjorie S. Deane Little
Theater); Wine Lovers (Triad Theater and
touring); Die Mommy Die (New World
Stages); Esoterica (DR2 Theater). Off-Broadway
assistant design: Forever Dusty, Now. Here.
This (Richard DiBella, designer). Broadway assis-tant
design: Ring of Fire, Jersey Boys (Michael Clark,
designer); Ghost: The Musical (Jon Driscoll, designer).
LEWIS MEAD (Technical Supervisor) Broadway
Engineering credits include A Chorus Line,
Dreamgirls, Bring Back Birdie. Broadway Design
credits include Onward Victoria, Tom Sawyer,
Urinetown, The King and I and Wonderful
Town. Touring credits include Julie Andrews,
Leslie Uggams, The Screwtape Letters. Lew
is the founder of ProMix, a theatrical audio
company, Syntonic Design Group, a corporate
audio company and Autograph A2D, an audio
distribution company located in New York City
and London.
CAROL HANZEL (Casting) BROADWAY: Swing!,
Sally Marr and Her Escorts. NATIONAL TOURS:
The Screwtape Letters, Swing!, Defending the
Caveman, Girl’s Night. OFF-BROADWAY: Mardi
Gras/The Last Word, Cougar The Musical,
Ionescopade, March Madness, Bodega Bay,
The Screwtape Letters, My Vaudeville Man,
Wanda’s World, Signs of Life, Dr. Sex, Theda
Bara and the Frontier Rabbi, Dorian Gray,
Trophies, Identical Twins from Baltimore.
REGIONAL: The Beautiful Dark, Clybourne
Park, Farragut North, Handicapped People
in Their Formal Attire, Divorce Party, Cagney,
Backwards in High Heels, Tarzan, Legally
Blonde, Lost Boy Found in Whole Foods,
Dracula, Odd, Hats!, Flight of the Lawnchair
Man, Hannah, The Good Counselor, The Tin
Pan Alley Rag, Lizzie Borden. SERIES TV: Peg +
Cat, The Wonder Pets, Hi-5, Where in Time is
Carmen San Diego?, Globe Trekker. FEATURE
FILM: A Very Serious Person, The Guru (dance
sequence casting) and over 2,500 commercials.
Southside Entertainment specializes in
publicity and marketing services for national
concert tours and events. Southside’s primary
partners, Debra Akins and Cheryl Anteau, are
both 20-year music industry veterans who
have represented a wide array of national tour-ing
artists and speakers including Amy Grant,
Michael W. Smith, Casting Crowns, VeggieTales
Live!, Third Day, Steven Curtis Chapman, Jeremy
Camp, Newsboys, Jars of Clay, Francesca
Battistelli and more. Southside has also repre-sented
the multi-artist holiday production The
Story Tour featuring best-selling author Max
Lucado, Sean Hannity’s Holiday Concert Salute
to the Troops and concert events at prestigious
venues such as Washington D.C.’s The Kennedy
Center and New York City’s Carnegie Hall.
KEN DENISON/Aruba Productions is cur-rently
the Executive Producer for C.S. Lewis’ The
Screwtape Letters and The Great Divorce. His
company ARUBA PRODUCTIONS, with senior
staff members Brian Letchworth and Amy Polan
Clarke, are the General Managers for C.S. Lewis’
The Screwtape Letters and The Great Divorce,
as well as Almost Heaven, Mozart: The Rock
Opera, Doctor Zhivago (Worldwide), Human
Nature: The Motown Show at the Venetian Las
Vegas and Worldwide, as well as numerous
projects in development for Human Nature
Entertainment and Reach Out Entertainment.
Projects also in development include A Moment
in Time, An Officer and a Gentleman, Stormy
Weather, Martin Luther On Trial and Take Me
Home (Australia/New Zealand). Ken is also a
Producer of the Broadway-bound First Wives
Club The Musical. His experience as a Producer
and General Manager extends over 24 years,
including numerous original pre-Broadway and
Broadway productions. He was the Associate
5

8. Who’s Who
Producer of the original Tony Award-winning
production of Disney’s The Lion King in all
domestic and international markets. His pro-ducing
credits also include Bombay Dreams
and the Tony-nominated Broadway revival of
The Elephant Man, starring Billy Crudup and
Rupert Graves.
Fellowship for Performing Arts (Producer)
creates theatre from a Christian worldview
that engages a diverse audience. Founded by
Max McLean in 1992, FPA has developed and
presented award-winning theatrical produc-tions
in major theatres and performing arts
centers across America. It has also produced
critically acclaimed audiobook narrations of
classic Christian works. FPA board members
include Katherine Leary Alsdorf, Glenn Gault,
Max McLean, Hardie Morgan, Daniel Quigley
and Anne Waldie. A member of ECFA since
1996, FPA is 501(c)3 non-profit, donor-sup-ported
arts organization.
Information in “Who’s Who” is provided by the artists. Where
opinions are expressed, they are not necessarily those of the
theatre, producers or management.
Staff for The Great Divorce
ADMINISTRATION
Associate General Manager................... Brian Letchworth
Business Manager...................................Amy Polan Clarke
Tour Coordinator......................................Ethan Whitehead
PRODUCTION
Associate General Manager................ Robyn Sunderland
Assistant to the Director....................Christian R. Fleming
Assistant Sound Designer.....................................Matt Otto
Associate Projection Designer..................Steve Channon
Projection Consultant........................................ Jeffrey Cady
Production Property Master............................Katie Martin
Sound Engineer.................................. Geoffrey D. Fishburn
Production Technicians....Chelsea Mylett & Eric Webster
Scenery Construction........Daedalus Design & Production Inc.
Legal Counsel......Jason Baruch, Sendroff & Baruch LLP
Accounting...............................Ted Angowski & Associates
Banking.... JP Morgan Chase, Rita Pelosi & Grace Correa
Auditors......................Lambrides, Arnold, Moulthrop LLP
Fellowship for Performing Arts
Managing Director................................... Christine Metzger
Donor Relations....................................................Dan Roche
Creative Director......................................................Ben Geist
Communications Director..................................Paul Cozby
Controller...........................................................Norma Morris
Office Manager........................................................Jen Maala
Donations Manager............................... Anna Marie Wood
Database Manager......................................Josiah Peterson
Assistant Bookkeeper......................................Allan Selman
Information Technology................................. Jox Teodocio
Digital Marketing....................................Big Click Syndicate
Assistant to Creative Director....................Phil Laskowski
Fund Development................................ PennellChing, LLC
Accountants.............................Ted Angowski & Associates
Auditors......................Lambrides, Arnold, Moulthrop LLP
Web...................................Ani Manjikian, Josh McCormack
Audio Engineer...................................................... Brent Matz
Special Thanks: Scott Senchak, Art Lavis and Bob Rendon at Production Resource Group, Scott Kalada
at Masque Sound and Recording.
The Actors and Stage Managers employed in this production are members of
Actors’ Equity Association, the Union of Professional Actors and Stage Managers
in the United States.
6
GENERAL MANAGEMENT
ARUBA PRODUCTIONS, LLC
Ken Denison - 212.293.7070 ext. 21
Press & Marketing Representative
Southside Entertainment
Cheryl Anteau, Debra Akins - 321.747.0077
Group Sales Director
Andrew S. Flanigan
866.476.8707 (Toll Free)
PRODUCER
FELLOWSHIP FOR PERFORMING ARTS, INC.
Max McLean, President & Artistic Director - 212.582.2920
Special permission for this adaptation granted by The C.S. Lewis Company, Ltd.

9. Since 1992
Founded by Max McLean, President & Artistic Director
Theatre from a Christian Worldview that Engages a Diverse Audience.
1674 Broadway, New York, New York 10019
212.582.2920 info@fpatheatre.com
CS Lewis
The Great Divorce
“World class theatre!”
World Magazine
CS Lewis
The Screwtape Letters
“Pure genius!”
National Review
Mark’s Gospel
Chicago’s Jeff Award
“Best Solo Performance”
Jan 2-4 Washington D.C.
Jan 16-17 Sacramento
Jan 30-31 Los Angeles
Feb 5-7 San Francisco
Feb 13-14 Salt Lake City
Feb 27-28 Seattle
Mar 13-14 Portland
Mar 26-28 Chicago
Apr 10-11 Milwaukee
Apr 18 Grand Rapids
Apr 24-25 Minneapolis
May 1-2 Cincinnati
FPA Performance
Schedule for
C. S. Lewis’
The Great Divorce
For up-to-date tour schedule visit CSLewisOnStage.com.