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By: Gisela Martiz
Qualitative Research II

                          Images source: Google Images
 “…participant observation
  involves not only gaining
  access to and immersing
  oneself in new social
  worlds, but also producing
  written accounts and
  descriptions that bring
  versions of these worlds to
  others.” (p.352)”
 “Writings produced in or in close proximity to “the field”
 “A form of representation, that is a way of reducing just-observed
  events, persons and places to written accounts.”
 “Descriptive accounts of people, scenes and dialogue, as well as
  personal experiences and reactions…”
 Some field researchers consider fieldnotes to be writings that record
  both what they learn and observe about the activities of others and
  their own actions, questions and reflections.
 But others insist on a sharp distinction between records of what others
  said and did - the 'data' of fieldwork - and writings incorporating their
  own thoughts and reactions.
 For the purposes of your
  research, where would
  observations take place?
 Once you’re in the field,
  how do you select what
  to observe?
 How would you balance
  how much to observe vs.
  taking notes while
  observing?
 Whether, when, where and how to start?
 “Ethnographers' approaches to making jottings vary widely
 both across and within projects by their understanding of
 the setting and by their relationships within it” (p. 357)

 Mental notes=
 Jotted notes:
 Assuming the “note-taker” role right away!
 Getting to a more private place for those ‘covert jottings’
 Jotting down notes upon leaving the field.




                                                      Images source: Google Images
 How the fieldworker
  emotionally responds to
  events may reflect what occurs
  in the setting.
 Emotional reactions provide
  analytic leads.
 Recording emotions over time
  allow the ethnographer
  identify biases and prejudices,
  as well as changing attitudes
  toward people and events.
 Informants voices
  must be represented in
  final texts, and a way
  to do so is by
  recreating their voices
  through excerpts.
 How can we represent
  our informants’ voices
  in our final work?




                            Images source: Google Images
Foley was considered an “outsider” in both Cristal City
  and North Town.
“The kids were constantly trying to guess exactly what I was going to
  write. Many wanted to know how I lived and who paid me.” (p.218)
 How being an “outsider” affected Foley in his role as an
  observer in Cristal City?
 In what ways was his experience different in North
  Town?
 What can we learn from his experiences in these two
  scenarios to be applied to our own research?
Some ethnographers use theory to try to emancipate those
observed, such as the articles provided by authors in the book
edited by Anyon.
• Do you think the researchers
  were successful in their goals?

• How does this apply to our
  research?

• How can we use theorizing
  with participants as a
  method?

• When is it appropriate?

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Participant observation

  • 1. By: Gisela Martiz Qualitative Research II Images source: Google Images
  • 2.  “…participant observation involves not only gaining access to and immersing oneself in new social worlds, but also producing written accounts and descriptions that bring versions of these worlds to others.” (p.352)”
  • 3.  “Writings produced in or in close proximity to “the field”  “A form of representation, that is a way of reducing just-observed events, persons and places to written accounts.”  “Descriptive accounts of people, scenes and dialogue, as well as personal experiences and reactions…”  Some field researchers consider fieldnotes to be writings that record both what they learn and observe about the activities of others and their own actions, questions and reflections.  But others insist on a sharp distinction between records of what others said and did - the 'data' of fieldwork - and writings incorporating their own thoughts and reactions.
  • 4.  For the purposes of your research, where would observations take place?  Once you’re in the field, how do you select what to observe?  How would you balance how much to observe vs. taking notes while observing?
  • 5.  Whether, when, where and how to start? “Ethnographers' approaches to making jottings vary widely both across and within projects by their understanding of the setting and by their relationships within it” (p. 357)  Mental notes=
  • 6.  Jotted notes:  Assuming the “note-taker” role right away!  Getting to a more private place for those ‘covert jottings’  Jotting down notes upon leaving the field. Images source: Google Images
  • 7.  How the fieldworker emotionally responds to events may reflect what occurs in the setting.  Emotional reactions provide analytic leads.  Recording emotions over time allow the ethnographer identify biases and prejudices, as well as changing attitudes toward people and events.
  • 8.  Informants voices must be represented in final texts, and a way to do so is by recreating their voices through excerpts.  How can we represent our informants’ voices in our final work? Images source: Google Images
  • 9. Foley was considered an “outsider” in both Cristal City and North Town. “The kids were constantly trying to guess exactly what I was going to write. Many wanted to know how I lived and who paid me.” (p.218)  How being an “outsider” affected Foley in his role as an observer in Cristal City?  In what ways was his experience different in North Town?  What can we learn from his experiences in these two scenarios to be applied to our own research?
  • 10. Some ethnographers use theory to try to emancipate those observed, such as the articles provided by authors in the book edited by Anyon.
  • 11. • Do you think the researchers were successful in their goals? • How does this apply to our research? • How can we use theorizing with participants as a method? • When is it appropriate?